Trivia: A popular and easygoing Australian comedian whose keen adaptability lent itself well to aggressive-oriented early film roles, Eric Bana's hatred of firearms may seem ironic in contrast to the Aussie funnyman's fledgling film portrayals of real-life mass murderer (and popular cult celebrity figure in the land Down Under) Mark "Chopper" Read (Chopper [2000]) and a military man caught in heated battle on a rescue mission (Black Hawk Down [2001]). Born and raised in Melbourne, Australia, Bana's career as a comedian began while working as a bartender at his native city's Castle Hotel in 1991. Television offers began flowing in a few short years later, and in 1993, Bana took his sharp wit to the small screen as he assumed the roles of both writer and performer on one of Australia's top comedy programs, Full Frontal. His star on the rise, the increasingly popular comedian made audiences laugh even harder when he co-produced and starred in his own 1996 comedy special Eric (later to become a series) and kicked off The Eric Bana Show Live the following year. 1997 proved to be a busy year for Bana as he also made his feature debut in The Castle, though all of his hard work would pay off when he took a feature role in Australian television's Something in the Air in 2000 and was voted Australia's Most Popular Comedy Performer at the Logies. Bana next took on the role of notorious Aussie author/murderer Mark "Chopper" Read in Chopper (2000). Hollywood was soon calling for Bana, and he answered by accepting a role in the tense true story of the Battle of Mogadishu, Black Hawk Down, followed by the title role in Ang Lee's The Hulk. While Lee's adaptation of the comic would be universally panned, Bana continued his upward trajectory, playing a major role in the acclaimed film Munich, playing the head of the squadron assigned to avenge the murder of Israeli athletes at the 172 Olympics. He then showcased his range by playing opposite Drew Barrymore in the Curtis Hanson film Lucky You, followed by a turn as infamous Henry VIII in The Other Boleyn Girl. Bana would round out the next few years with roles that cemented his position in Hollywood, like Star Trek, Funny People, The Time Traveler's Wife, Hanna, and Deadfall.

Trivia: Orlando Bloom began reading J.R.R. Tolkien's The Lord of the Rings trilogy as a teenager before abandoning the books in favor of sports and girls. He did not complete the three volumes until his early twenties: first in print, and then on camera as one of a handful of actors carefully selected for New Line Cinema's highly anticipated, $270 million, three-film screen adaptation of Tolkien's The Lord of the Rings. The international success of the trilogy's first installment, The Fellowship of the Ring (2001), made Bloom a sought-after young actor. The talented Brit works the talk show circuit, mugs in magazines, and appears at every important award show -- always with a playful demeanor and an uncorrupted smile that suggest he could still be just as easily fulfilled by rugby and romance. Bloom was raised in Canterbury, Kent, with his sister, Samantha. Their mother taught them to enjoy the arts and encouraged them to participate in the local Kent Festival. Bloom began by reciting poetry and prose, displaying an advanced sensitivity to tone and modulation. Yet, it wasn't this precociousness or his frequent trips to the theater that influenced Bloom to become a professional actor. He was in awe of larger-than-life characters -- from Superman to the members of the A-Team -- and knew the only way to become one was to play one on the screen. At 16, Bloom relocated to London and performed with the National Youth Theatre for two seasons before winning a scholarship to train with the British American Drama Academy. At the conclusion of his term with the group, he played the lead in A Walk in the Vienna Woods, and secured an agent. This led to small roles on British television and an appearance in Brian Gilbert's Wilde (1997). Wishing to further his education, Bloom then enrolled at London's prestigious Guildhall School of Music and Drama (the alma mater of Ewan McGregor, Joseph Fiennes, and Ben Chaplin, among others). There, he acted in several plays, including Shakespeare's Twelfth Night, Chekov's Three Sisters, and Sophocles' Antigone. While still in school, Bloom was trying to make it onto a friend's rooftop terrace when he fell three stories and broke his back. The accident almost paralyzed the actor, but surgery let him walk out of the hospital on crutches. Soon afterward, all his peers auditioned for coveted roles in the upcoming The Lord of the Rings trilogy. The extensive and selective casting process took place in every English-speaking country. Bloom good-naturedly tried out for the role of Faramir, a character introduced in the second film, The Two Towers (2002). After meeting with the project's director, Peter Jackson, Bloom was not cast as Faramir. Instead, Jackson asked that he read for the part of Legolas Greenleaf, a much more prominent figure who is featured in all three films. The director offered Bloom the role a few weeks later, only two days before the burgeoning star graduated from drama school. Legolas, Tolkien's warrior elf, has super-human strength, swift reflexes, and heightened sensory awareness. To play him, Bloom trained in archery, swordplay, and horseback riding for two months prior to shooting. He developed a graceful style of combat based on the characters in Akira Kurosawa's The Seven Samurai and worked to manage his posture, poise, and composure. As Legolas, Bloom is immortal, and at 2,931 years old, is a tall, athletic, and skilled fighter of evil -- he truly is larger than life. After finishing The Lord of the Rings -- all three films, The Fellowship of the Ring, The Two Towers, and The Return of the King, were shot simultaneously over 18 months in New Zealand -- Bloom headed to Morocco for a role in Ridley Scott's Black Hawk Down. The film chronicles the horrific Battle of Mogadishu in 1993, in which a "simple" mission left 18 U.S. soldiers dead and 73 wounded. Debuting his American accent, Bloom plays a neophyte ranger who breaks his back after falling 70 feet from a helicopter. This combat film opened only a few weeks after The Fellowship of the Ring and received equal acclaim. Following these blockbusters, Bloom performed in several quirky films with limited releases such as Lullaby of Clubland (2001). But it wouldn't be long before Bloom was blowing up the box-office once again with the 2003 crowd-pleaser The Pirates of the Carribean: The Curse of the Black Pearl. Bloom showed up opposite Brad Pitt and Black Hawk Dawn costar Eric Bana in the 2004 historical epic Troy, his intense star-power was unquestionable.Bloom faced a down year in 2005, failing to match the box office success of Troy with Ridley Scott's Kingdom of Heaven. That same year he stepped into the role once occupied by Ashton Kutcher in Cameron Crowe's Elizabethtown, but the film never recovered from the bad press it received after its initial film festival screening, failed to find an audience in theaters, and was unpopular with critics. Bloom rebounded one year later by returning with the other principles in back-to-back filmed sequels for Pirates of the Caribbean, the first of which, Pirates of the Caribbean: Dead Man's Chest, shattered box office records for opening day and opening weekend, and became the first film to take in one hundred million dollars in just two days. It will hardly strike one as prescient, then, that industry insiders and the trades were advance prepping Pirates of the Caribbean 3: At World's End as one of the most lucrative releases of 2007, possibly of any year. The actor would appear in more down tempo projects in the coming years, like 2010's Main Street, and 2011's The Good Doctor, before hopping on board another swashbuckler, playing the Duke of Buckhingham in The Three Musketeers. Though the film wasn't a huge success in the States, Bloom would have another franchise ticket to cash in the following year, reprising the role of elf Legolas in the Lord of the Rings prequel The Hobbit.

Trivia: The legendary Irish-born thespian Peter O'Toole proves that when an actor is faced with a bitter personal crisis and struggles with addiction, spirit and determination can often lead to a forceful "third act" in that performer's career that rivals anything to have preceded it. Blessed with an immensity of dramatic power, the fair-haired, blue-eyed, flamboyant, and virile O'Toole chalked up one of the most formidable acting resumes of the 20th century during the 1950s and '60s, before experiencing an ugly bout of self-destruction in the mid-'70s that led to serious health problems, several disappointing and embarrassing roles, and the destruction of his marriage, and threatened (in the process) to bury his career. By 1980, however, O'Toole overcame his problems and resurfaced, triumphantly, as a box-office star.O'Toole began life in Connemara, Ireland, in either 1932 or 1933 (most sources list his birthdate as August 2, 1932, though the year is occasionally disputed). His family moved to Leeds, England in the early '30s, where O'Toole's father earned his keep as a racetrack bookie. Around 1946, 14-year-old O'Toole dropped out of secondary school and signed on with The Yorkshire Evening Post as copy boy, messenger, and eventually, a cub reporter. Within three years, he dropped the newspaper gig and joined the Leeds Civic Theatre as a novice player; this paved the way for ongoing parts at the much-revered Old Vic (after O'Toole's military service in the Royal Navy as a signalman and decoder), beginning around 1955. A half-decade of stage roles quickly yielded to screen parts in the early '60s. O'Toole actually debuted (with a bit role) in 1959, in The Savage Innocents, but international fame did not arrive for a few years, with several enviable back-to-back characterizations in the 1960s: that of the gallant, inscrutable T.E. Lawrence in Sir David Lean's 1962 feature Lawrence of Arabia (for which he received his first Best Actor Oscar nomination); Henry II in Peter Glenville's 1964 Becket (starring longtime friend Richard Burton), for which he received his second Best Actor Oscar nomination; the title character in Lord Jim (1965), and philandering fashion editor Michael James in the popular Clive Donner-Woody Allen sex farce What's New Pussycat? (1965). O'Toole's success continued, unabated, with yet another appearance as Henry II alongside Katharine Hepburn in Anthony Harvey's The Lion in Winter (1968), which netted him a third Best Actor Oscar nod. Unfortunately, O'Toole lost yet again, this time (in a completely unexpected turn of events) to Cliff Robertson in Charly, though a fourth nomination was only a year away, for the actor's work in 1969's Goodbye, Mr. Chips. The early 1970s were equally electric for O'Toole, with the highlight undoubtedly being his characterization of a delusional mental patient who thinks he's alternately Jesus Christ and Jack the Ripper in The Ruling Class (1972), Peter Medak's outrageous farce on the "deific" pretensions of British royalty. That gleaned O'Toole a fifth Oscar nomination; Jay Cocks, of Time Magazine called his performance one "of such intensity that it will haunt memory. He is funny, disturbing, and finally, devastating." Unfortunately, this represented the last high point of his career for many years, and the remainder of the '70s were marred by a series of disappointing and best-forgotten turns -- such as Don Quixote in Arthur Hiller's laughable musical Man of La Mancha (1972), covert CIA agent Larry Martin in Otto Preminger's spy thriller Rosebud (1975), and a Romanian émigré and refugee in Arturo Ripstein's soaper Foxtrot (1976). Meanwhile, O'Toole's off-camera life hit the nadir to end all nadirs. Though long known as a carouser (with friends and fellow Brits Burton, Richard Harris, Peter Finch, and others), O'Toole now plunged into no-holds-barred alcoholism, pushing himself to the very edge of sanity and death. The drinking necessitated major stomach surgery, and permanently ended his 20-year-marriage to Welsh actress Sian Phillips (best known as Livia in I, Claudius). Career-wise, O'Toole scraped the bottom of the gutter (and then some) when he made the foolish decision (around 1976 or 1977) to appear alongside Malcolm McDowell and Helen Mirren in the Bob Guccione/Tinto Brass Penthouse mega-production Caligula (released 1980) -- a period film wall-to-wall with hardcore sex and visceral, graphic violence that led celebrity critic Roger Ebert to echo another viewer's lament: "This movie is the worst piece of s*** I have ever seen." It did not help matters when O'Toole returned to The Old Vic not long after, and was roundly booed off the stage for his uncharacteristically wretched portrayal of Macbeth. The Macbeth calamity, however, masked a slow return to triumph, for O'Toole had since resolved to clean himself up; he moved in with Kate and Pat O'Toole, his two actress daughters from his marriage to Phillips, both of whom were teenagers in the late 1970s, and both of whom cared for him. And in 1979, he signed on to play one of the most esteemed roles of his career -- that of the sadistic, tyrannical director Eli Cross in Richard Rush's wicked black comedy The Stunt Man (1980) -- a role for which O'Toole received a sixth Oscar nomination. O'Toole again lost the bid, this time to Robert De Niro in Raging Bull. Not one to be daunted, however, the actor continued down the path to full professional and personal recovery by beginning an ongoing relationship with California model Karen Brown, and fathering a child by her in 1983. O'Toole then signed on for many fine roles throughout the 1980s and '90s: that of Alan Swann, a hard-drinking, hard-loving, has-been movie star, in Richard Benjamin's delightfully wacky 1982 film My Favorite Year (which drew the thesp yet another nomination for Best Actor -- his seventh); and as Professor Harry Wolper, a scientist obsessively trying to re-clone his deceased wife, in Ivan Passer's quirky, underrated romantic fantasy Creator (1985). Despite occasional lapses in taste and quality, such as 1984's Supergirl and 1986's Club Paradise, O'Toole was clearly back on top of his game, and he proved it with an admirable turn as Reginald Johnston in Bernardo Bertolucci's 1987 Best Picture winner, The Last Emperor. That same year, O'Toole signed on to co-star in High Spirits (1988), fellow Irishman Neil Jordan's whimsical, spiritual ghost story with Shakespearean overtones. At the time, this looked like a solid decision, but neither Jordan nor O'Toole nor their co-stars, Steve Guttenberg, Liam Neeson, and Daryl Hannah, could have anticipated the massive studio interference that (in the words of Pauline Kael) "whacked away at the film, removing between 15 and 25 percent of the footage" and turned it into one of that year's biggest flops. Ditto with Alejandro Jodorowsky's 1990 comedy fantasy The Rainbow Thief, where studio interference again all but destroyed the work.O'Toole remained active throughout the 1990s, largely with fine supporting roles, such as Willingham in King Ralph (1991), Welsh nobleman Lord Sam in Rebecca's Daughters (1992), Bishop Cauchon in the made-for-television Joan of Arc (1999), and Von Hindenburg in the telemovie Hitler: The Rise of Evil (2003). In late 2006, O'Toole hit another career peak with a fine turn as a wily old thesp who enjoys a last-act fling with a twentysomething admirer, in the Roger Michell-directed, Hanif Kureishi-scripted character-driven comedy Venus. The effort reeled in an eighth Best Actor Oscar nomination for the actor. In 2007 he voiced the part of the critic in Pixar's Ratatouille, and in 2008 he joined the cast of The Tudors playing Pope Paul III. He played a priest in 2012's For Greater Glory and filmed a role for Katherine of Alexandria (2014) before he died at age 81 in 2013.

Trivia: Born Diane Heidkrüger in Hildesheim, Germany, Diane Kruger initially aspired to be a dancer and studied with the Royal Ballet in London. When an injury ended her hopes for a dancing career, she began modeling in Germany, where she became a finalist of the Look of the Year contest at the age of 15. She worked with renowned fashion designers Dolce & Gabbana, and her pictures graced the covers of magazines like Vogue and Elle. Moving to Paris on the advice of film director Luc Besson, Kruger decided to take up acting and enrolled in the Ecole Florent, where she became top of her class in 2002. The same year, the actress made her big-screen debut opposite Dennis Hopper and Christopher Lambert in the indie feature The Piano Player (aka The Target), but she was not truly revealed until her role in Mon Idole, co-starring and directed by her then-real-life companion Guillaume Canet. After a couple more acting assignments in France, Kruger began her Hollywood career by acting alongside Josh Hartnett and Rose Byrne in Wicker Park, a remake of the 1996 French film L'Appartement. While still filming Wicker Park in 2003, she was selected among many other candidates to play the legendary beauty Helen of Troy in Wolfgang Petersen's historical epic Troy (2004). The latter film ended up being released before Wicker Park, thus becoming her high-profile introduction to the American public. She also starred opposite Nicolas Cage in Jon Turteltaub's National Treasure. In 2009 she had a small but important part in Quentin Tarantino's award-winning Inglourious Basterds. She followed that up with roles in Inhale and Unknown and branched out to American TV with The Bridge. Kruger played a supporting role in The Infiltrator, opposite Bryan Cranston and John Leguizamo, in 2016.