Trivia: After majoring in history at Columbia University, brawny Brian Dennehy (born July 9, 1938) took a string of odd jobs to pay his way through Yale Drama School, and to afford private acting lessons. His first professional break came with the Broadway production Streamers. In films and TV from 1977, Dennehy is a most versatile actor, at home playing Western baddies (Silverado), ulcerated big-city cops (F/X), serial killers (John Wayne Gacy in the made-for-TV To Catch a Killer), by-the-book military types (General Groves in Day One, another TV movie), and vacillating politicos (Presumed Innocent). One of his most rewarding film assignments was as dying architectural genius Stourley Kracklite in Peter Greenaway's The Belly of an Architect (1987).In addition to his many TV-movie roles (one of which, good-old-boy Chuck Munson in 1993's Foreign Affairs, won him a Cable Ace Award), Dennehy has starred in the weekly series Big Shamus, Little Shamus (1977), Star of the Family (1981), and Birdland (1994), as well as the sporadically produced Jack Reed feature-length mysteries. It was in one of the last-mentioned projects, Jack Reed: A Search for Justice (1994), that Dennehy made his directorial debut. Aside from his work in film and television, Dennehy has also had considerable success on the stage, particularly with his Tony-winning portrayal of Willy Loman in the 1998 Broadway revival of Death of a Salesman.The actor continued to show his range in the 1995 comedy Tommy Boy (starring David Spade and the late comedian Chris Farley), in which he became well known for his role as Big Tom Callahan, and for a voice role in Ratatouille (2007) as Django, the father of rat and aspiring chef Remy.Dennehy joined Robert DeNiro and Al Pacino in Righteous Kill, a 2008 police drama, and worked alongisde Russell Crowe in the 2010 suspense film The Next Three Days. In 2011, Dennehy played the pivotal role of Clarence Darrow in Alleged, a romantic drama set during the infamous Scopes Monkey Trial.

Trivia: Actor Ken Howard was 6'5" when he was a junior at Manhasset High School (he would later peak at 6'6"), and it was this physical fact, coupled with his remarkable athletic prowess, that assured him a position in Manhasset's "starting five." Offered several athletic scholarships, Howard turned them all down in favor of a liberal arts education at Amherst College, where he developed a taste for theatre. After two years' graduate work at the Yale School of Drama, he dropped out to accept a small role in the Broadway musical Promises Promises. In 1969, Howard graduated to stage stardom as Thomas Jefferson in the popular musical 1776, a role he would repeat in the 1972 film version. He went on to win a Tony Award for his performance in Child's Play, and to spend his summers essaying his two favorite roles, Billy Bigelow in Carousel and Chance Wayne in Sweet Bird of Youth. His first film was the 1970 Otto Preminger production Tell Me That You Love Me, Junie Moon. In 1973, Howard and his frequent co-star Blythe Danner were cast in the series-TV version of the Tracy-Hepburn picture Adam's Rib (both stars had previously turned down MacMillan and Wife). Neither this series nor Howard's subsequent Manhunter (1974) clicked with the public. He was far more successful as high school basketball coach Ken Hughes on The White Shadow, which ran from 1976 to 1981 (and which, coincidentally, was produced by Blythe Danner's husband Bruce Paltrow). Howard's later TV projects included the title character in the 1984 American Playhouse production of Mark Twain's "Pudd'nhead Wilson;" the recurring role of Garret Boydston on both Dynasty and The Colbys (1985-86); his hosting chores on the syndicated 1986 talent show Dream Girl USA; and another hosting stint on the NBC documentary weekly What Happened? (1992). In 2009, Howard was elected president of the Screen Actors Guild, a role he would continue after the union merged with another and became SAG-AFTRA. He continued to work as an actor, appearing on shows like Crossing Jordan, Cane, and 30 Rock, as well as movies like The Beacon. Howard died in 2016, at age 71.

Trivia: Born Dawn Bethel, North began dancing professionally at age 10 and, during her teens, modeled and danced in clubs and for film loops; meanwhile, she got married at 15 and soon had a child. She got bit roles in a couple of films, and in 1953 gained Hollywood's attention with a wild dance performance in the Broadway musical Hazel Flagg. North reprised her role in the play's screen version, Living It Up (1954), with Martin and Lewis. Soon thereafter she was signed to a film contract by Fox, which tried to make her into a '50s-style platinum blond "sexpot" and potential replacement for Marilyn Monroe; the studio mounted a big publicity campaign and starred her in several light productions. She proved herself to be a skilled comedian and dancer and a reasonably good actress. However, within a few years other actresses usurped her "dumb blond" roles, and after 1958 she disappeared from the screen for almost a decade. She went on to perform in stock, on the road, and on TV. Gradually, she developed a reputation as a serious actress, an unprecedented transformation of performing personas for an actress of her generation. In the late '60s she began appearing regularly in films in character roles, and she sustained a busy screen and TV career through the '90s.

Trivia: Forrest Tucker occupied an odd niche in movies -- though not an "A" movie lead, he was, nonetheless, a prominent "B" picture star and even a marquee name, who could pull audiences into theaters for certain kinds of pictures. From the early/mid-1950s on, he was a solid presence in westerns and other genre pictures. Born Forrest Meredith Tucker in Plainfield, Indiana in 1919, he was bitten by the performing bug early in life -- he made his debut in burlesque while he was still under-age. Shortly after graduating from high school in 1937, he enlisted in the United States Army, joining a cavalry unit. Tucker next headed for Hollywood, where his powerful build and six-foot-four frame and his enthusiasm were sufficient to get him a big-screen debut in The Westerner (1940), starring Gary Cooper and Walter Brennan. Signed to Columbia Pictures, he mostly played anonymous tough-guy roles over the next two years, primarily in B pictures, before entering the army in 1943. Resuming his career in 1946, he started getting bigger roles on a steady basis in better pictures, and in 1948 signed with Republic Pictures. He became a mainstay of that studio's star roster, moving up to a co-starring role in Sands Of Iwo Jima (1949), which also brought him into the professional orbit of John Wayne, the movie's star. Across the early/middle 1950s, Tucker starred in a brace of action/adventure films and westerns, alternating between heroes and villains, building up a significant fan base. By the mid-1950s, he was one of the company's top box-office draws. As it also turned out, Tucker's appeal was international, and he went to England in the second half of the decade to play starring roles in a handful of movies. At that time, British studios such as Hammer Films needed visiting American actors to boost the international appeal of their best productions, and Tucker fulfilled the role admirably in a trio of sci-fi/horror films: The Crawling Eye, The Cosmic Monsters, and The Abominable Snowman of the Himalayas. Part of Tucker's motivation for taking these roles, beyond the money, he later admitted, was his desire to sample the offerings of England's pubs -- Tucker was a two-fisted drinker and, in those days, was well able to handle the effects of that activity so that it never showed up on-screen. And he ran with the opportunity afforded by those three science fiction movies -- each of those films, he played a distinctly different role, in a different way, but always with a certain fundamental honesty that resonated with audiences. When he returned to Hollywood, he was cast as Beauregard Burnside in Auntie Mame (1958), which was the top-grossing movie of the year. Then stage director Morton De Costa, seeing a joyful, playful romantic huckster in Tucker (where others had mostly seen an earnest tough-guy), picked him to star as Professor Harold Hill in the touring production of The Music Man -- Tucker played that role more than 2000 times over the years that followed. He was also the star of the 1964 Broadway show Fair Game For Lovers (in a cast that included Leo Genn, Maggie Hayes, and a young Alan Alda), which closed after eight performances. The Music Man opened a new phase for Tucker's career. The wily huckster became his image, one that was picked up by Warner Bros.' television division, which cast him in the role of Sgt. Morgan O'Rourke, the charmingly larcenous post-Civil War cavalry soldier at the center of the western/spoof series F-Troop. That series only ran for two seasons, but was in syndicated reruns for decades afterward, and though Tucker kept his hand in other media -- returning to The Music Man and also starring in an unsold pilot based on the movie The Flim-Flam Man (taking over the George C. Scott part), it was the part of O'Rourke with which he would be most closely identified for the rest of his life. He did occasionally take tougher roles that moved him away from the comedy in that series -- in one of the better episodes of the series Hondo, entitled "Hondo And The Judas", he played Colonel William Clark Quantrill very effectively. At the end of the decade, he returned to straight dramatic acting, most notably in the John Wayne western Chisum, in which he played primary villain Lawrence Murphy. That same year, he appeared in a challenging episode of the series Bracken's World entitled "Love It Or Leave It, Change It Or Lose It", playing "Jim Grange," a sort of film-a-clef version of John Wayne -- a World War II-era film star known for his patriotism, Grange is determined to express his political views while working alongside a young film star (portrayed by Tony Bill) who is closely associated with the anti-war movement. Tucker continued getting television work and occasional film roles, in addition to returning to the straw-hat circuit, mostly as Professor Harold Hill. None of his subsequent series lasted very long, but he was seldom out of work, despite a drinking problem that did worsen significantly during his final decade. In his final years, he had brought that under control, and was in the process of making a comeback -- there was even talk of an F-Troop revival in film form -- when he was diagnosed with lung cancer and emphysema. He died in the fall of 1986 at age 67.

Trivia: Chicago-born actor Brian Kerwin's film appearances have been more plentiful on the small screen than on the large. Kerwin has been costarred on such TV movies as Bluegrass (1983), A Real American Hero (1978), The Challenger (1990) (as doomed astronaut Capt. Michael Smith) and Against Her Will: An Incident in Baltimore (1992). He also had regular roles on the TV series The Chisholms (1979), and on Lobo (1980), playing the handsomer of Sheriff Claude Akins' two deputies. In addition, Brian Kerwin played Michelle Pfeiffer's married lover in the 1987 PBS adaptation of John O'Hara's Natica Jackson.

Trivia: American actor Brad Davis set out for a show-business life after winning a music talent contest in his teens. After studying at the American Academy of Dramatic Arts, Davis worked in a number of New York stage productions. On TV, he was one of many cast members of the 1977 miniseries Roots, in the 1981 TV movie A Rumor of War he played an American soldier in Vietnam, he essayed the title role in 1985's Robert Kennedy and His Times, and played the classic paranoid Lt. Cmdr. Queeg in Robert Altman's 1988 production of The Caine Mutiny Court Martial. In films, Davis' stardom was secured by his intense portrayal of Billy, a young American imprisoned in Turkey for drug charges in Midnight Express (1978); he also shone in a brief but memorable appearance in Chariots of Fire (1981), and in the lead of Querelle (1983), Rainer Werner Fassbinder's adaptation of a once-censorable Jean Genet novel. Davis died of AIDS at the age of 42.

Trivia: American actor Charlie Briggs played in a few films during the '60s and '70s. He also appeared in a number of television series, primarily westerns.