Trivia: Born Sarah Jane Fulks, Jane Wyman tried to break into films as a child but was unsuccessful despite encouragement from her mother. A decade later, she began her show business career as a radio singer, using the name Jane Durrell. In 1936, she began appearing in films as a chorus girl and bit player. Eventually, she moved into secondary roles and occasional leads, usually playing brassy blondes in comic relief. She broke out of this mold with her performance in The Lost Weekend (1945), in which she demonstrated her talents as a serious actress; this led to better roles as a major star. For her work in The Yearling (1946), she received a Best Actress Oscar nomination, then won an Oscar for her portrayal of a deaf-mute rape victim in Johnny Belinda (1948). She went on to star in many films, demonstrating her versatility in both comedies and tearjerkers. She was twice more nominated for Oscars, for The Blue Veil (1951) and Magnificent Obsession (1954). After 1956, her screen work was infrequent. She returned from retirement in the early '80s to play a regular role on the TV series Falcon Crest. From 1940 to 1948, she was married to Ronald Reagan; their daughter, Maureen Reagan, was a singer-actress. After a long period of inactivity, Wyman died at age 93 in early September 2007.

Trivia: Born in Illinois, Howard Keel was raised in California by his widowed mother. Here he supported himself with odd jobs after high-school graduation, vaguely holding out hopes of becoming a professional singer. His first gig was as a singing busboy at a Los Angeles cafe for the princely wage of $15 per week. Temporarily discouraged, Keel took a job at Douglas Aircraft; the executive staff, impressed by Keel's movie-star looks and pleasant baritone, sent the young man out on a tour of Douglas' other plants, where as a "manufacturing representative" he entertained the workers while they hastened to meet their wartime quotas. After winning several singing contests, Keel was hired by Rodgers and Hammerstein; he replaced John Raitt in the Broadway production of Carousel and played Curley in the London staging of Oklahoma. It was while in England that Keel, billed as Harold Keel, made his film debut in a villainous role in The Small Voice (1949). He was brought back to Hollywood to play Frank Butler in MGM's filmization of Irving Berlin's Annie Get Your Gun. This led to leading roles in such subsequent big-budget MGM musicals as Showboat (1951), Lovely to Look At (1952), Kiss Me Kate (1953), Rose Marie (1954), Seven Brides for Seven Brothers (1954), Kismet (1955) and Jupiter's Darling (1955). Ever on the lookout for a straight, nonsinging role, Keel was occasionally satisfied with such films as Callaway Went Thataway (1951) (in which he essayed a dual role), Desperate Search (1953) and The Big Fisherman (1959). After parting company with MGM, Keel appeared in nightclub and touring companies, often in the company of his frequent MGM co-star Kathryn Grayson, and also starred in several medium-budget westerns; he also was cast in the British sci-fi classic Day of the Triffids (1963). Howard Keel's most recent on-camera credit was the sizeable supporting role of Clayton Farrow on the TV series Dallas.

Trivia: Actor Barry Sullivan was a theater usher and department store employee at the time he made his first Broadway appearance in 1936. His "official" film debut was in the 1943 Western Woman of the Town, though in fact Sullivan had previously appeared in a handful of two-reel comedies produced by the Manhattan-based Educational Studios in the late '30s. A bit too raffish to be a standard leading man, Sullivan was better served in tough, aggressive roles, notably the title character in 1947's The Gangster and the boorish Tom Buchanan in the 1949 version of The Great Gatsby. One of his better film assignments of the 1950s was as the Howard Hawks-style movie director in The Bad and the Beautiful (1952). Sullivan continued appearing in movie roles of varying importance until 1978. A frequent visitor to television, Barry Sullivan starred as Sheriff Pat Garrett in the 1960s Western series The Tall Man, and was seen as the hateful patriarch Marcus Hubbard in a 1972 PBS production of Lillian Hellman's Another Part of the Forest.

Trivia: The wide eyes and cool smile of actress/model Phyllis Kirk graced many a magazine cover before she made her film debut in 1950. While her deep, sultry voice precluded most of the typical ingénue roles, Kirk nonetheless achieved film fame as a woman in peril, in André De Toth's 1953 3-D horror classic House of Wax. Born Phyllis Kirkegaard in Plainfield, NJ, on September 18, 1926, Kirk shortened her name after moving to the Big Apple during her teens to formally train as a thespian. She officially launched her career with a series of supporting turns on Broadway, then migrated to Hollywood in the early '50s, where she landed parts in such films as Johnny Concho (1956, opposite Frank Sinatra) and The Sad Sack (1957, opposite Jerry Lewis). During the '50s, Kirk appeared on television semi-frequently as well, guest-starring in dozens of live and prerecorded anthology series, and briefly appearing as Red Buttons' wife on the comedian's weekly variety series, The Red Buttons Show. From 1957 through 1959, Kirk starred as the inquisitive Nora Charles on the TV version of The Thin Man (Peter Lawford played her detective hubby Nick Charles). After 1960, Kirk concentrated on stage acting, but devoted the preponderance of her time to various social causes, such as establishing two inner-city preschools in south Los Angeles after the Watts riots. Kirk continued to crop up on television, however, as a celebrity contestant on such quiz shows as To Tell the Truth and Password. In 1965, she hosted an erudite ABC daytime talk show, The Young Set. A hip injury obliged Phyllis Kirk to curtail her acting career; she married a former CBS news executive and turned to the production end of the business, as a public-relations liaison for several TV specials of the 1970s.Following two decades of big- and small-screen inactivity, 79-year-old Phyllis Kirk died of a post-cerebral aneurysm at the Motion Picture and Television Hospital in Woodland Hills, CA, on October 19, 2006.

Trivia: Miss Jeff Donnell, as she was often billed, was signed by Columbia Pictures almost immediately after her graduation from Yale Drama School. Though likeable and talented enough for leading roles, the toothy, frizzy-haired Ms. Donnell was most often seen as the heroine's best friend or as kooky comedy relief. Columbia certainly kept her busy during her ten-year stay at that studio, casting her in such "A" pictures as My Sister Eileen (1942) and In a Lonely Place (1952) and "B"s like The Boogie Man Will Get You (1942) and Thief of Damascus (1952); she is particularly amusing in the latter film as Scheherezade, garrulously insisting upon telling her Arabian Nights stories to a villainous caliph whether he likes it or not. From 1954 through 1956, Jeff was married to another longtime Columbia contractee, Aldo Ray. On television, Jeff spent four years on The George Gobel Show as Gobel's wife, "Spooky Old Alice." Jeff Donnell's last regular TV work was the recurring role of Sheila Fields on the daytime soap opera General Hospital.

Trivia: Former press agent Don McGuire turned to acting in 1945. McGuire's pencil-thin mustache and patronizing persona made him a useful screen antagonist to such stars as Red Skelton (The Fuller Brush Man) and Frank Sinatra (Double Dynamite). His friendship with Sinatra lead to his first screenwriting assignment, Meet Danny Wilson (1951). He was also a pal of comedian Jerry Lewis, collaborating on Jerry's "all star" home movies in the 1950s. After scripting several topnotch 1950s films--including a handful of Martin and Lewis efforts--he landed his first directorial job, the 1956 Frank Sinatra western Johnny Concho. He then directed Jerry Lewis' first solo effort, The Delicate Delinquent (1957). His third and last theatrical-feature directorial gig was 1957's Hear Me Good, a Runyonesque comedy starring TV game show host Hal March. In partnership with comedian Jackie Cooper, McGuire wrote, produced and directed Cooper's TV sitcom Hennessey. After splitting with Cooper, McGuire turned to writing novels. In 1982, Don McGuire shared an Academy Award - posthumously - with the eminent Larry Gelbart and Murray Schisgal - for his first draft of the Dustin Hoffman comedy blockbuster Tootsie.

Trivia: Though she played many diverse roles in films of the '50s before Leave It to Beaver (1957-1963), slim, blonde, and wholesome-looking Barbara Billingsley will always be best remembered as June Cleaver, one of the greatest mothers in the vast pantheon of television sitcom domestic goddesses. In addition to her filmwork, Billingsley also appeared on a number of television plays on such shows as Four Star Playhouse and Matinee Theater. Following the end of Beaver, Billingsley traveled extensively until the late '70s. She made her acting comeback playing the crazy "Jive Lady" in Airplane (1980). In 1983, she reprised her role as June Cleaver in the television reunion movie Still the Beaver, which spawned a television series by the same name two years later. In 1984, she gave voice to the character of Nanny in Jim Hanson's animated kids' show Muppet Babies. After that, she appeared occasionally in movies and made guest television appearances; in 1997, she played Aunt Martha in the big-screen version of Leave It to Beaver. Billingsley died in 2010 after a long illness.

Trivia: The son of actors, Percy Helton began his own career at age two in a Tony Pastor revue in which his parents were performing. The undersized Helton was a valuable juvenile player for producer David Belasco, making his film debut in a 1915 Belasco production, The Fairy and the Waif. Helton matured into adult roles under the stern guidance of George M. Cohan. After serving in the Army during World War I, Helton established himself on Broadway, appearing in such productions as Young America, One Sunday Afternoon and The Fabulous Invalid. He made his talkie debut in 1947's Miracle on 34th Street, playing the inebriated Macy's Santa Claus whom Edmund Gwenn replaces. Perhaps the quintessential "who is that?" actor, Helton popped up, often uncredited, in over one hundred succinct screen characterizations. Forever hunched over and eternally short of breath, he played many an obnoxious clerk, nosey mailman, irascible bartender, officious train conductor and tremulous stool pigeon. His credits include Fancy Pants (1950), The Robe (1953), White Christmas (1954), Rally Round the Flag Boys (1959), The Music Man (1962) and Hush Hush Sweet Charlotte (1965), as well as two appearances as sweetshop proprietor Mike Clancy in the Bowery Boys series. Thanks to his trademarked squeaky voice, and because he showed up in so many "cult" films (Wicked Woman, Kiss Me Deadly, Sons of Katie Elder), Helton became something of a high-camp icon in his last years. In this vein, Percy Helton was cast as the "Heraldic Messenger" in the bizarre Monkees vehicle Head (he showed up at the Monkees' doorstep with a beautiful blonde manacled to his wrist!), the treacherous Sweetieface in the satirical western Butch Cassidy and the Sundance Kid (1969), and the bedraggled bank clerk Cratchit on the TV series The Beverly Hillbillies.