Meet John Doe

Gary Cooper (Actor) .. Long John Willoughby, John Doe

Born: May 07, 1901
Died: May 13, 1961
Birthplace: Helena, Montana, United States

Trivia: American actor Gary Cooper was born on the Montana ranch of his wealthy father, and educated in a prestigious school in England -- a dichotomy that may explain how the adult Cooper was able to combine the ruggedness of the frontiersman with the poise of a cultured gentleman. Injured in an auto accident while attending Wesleyan College, he convalesced on his dad's ranch, perfecting the riding skills that would see him through many a future Western film. After trying to make a living at his chosen avocation of political cartooning, Cooper was encouraged by two friends to seek employment as a cowboy extra in movies. Agent Nan Collins felt she could get more prestigious work for the handsome, gangling Cooper, and, in 1926, she was instrumental in obtaining for the actor an important role in The Winning of Barbara Worth. Movie star Clara Bow also took an interest in Cooper, seeing to it that he was cast in a couple of her films. Cooper really couldn't act at this point, but he applied himself to his work in a brief series of silent Westerns for his home studio, Paramount Pictures, and, by 1929, both his acting expertise and his popularity had soared. Cooper's first talking-picture success was The Virginian (1929), in which he developed the taciturn, laconic speech patterns that became fodder for every impressionist on radio, nightclubs, and television. Cooper alternated between tie-and-tails parts in Design for Living (1933) and he-man adventurer roles in The Lives of a Bengal Lancer (1935) for most of the 1930s; in 1941, he was honored with an Oscar for Sergeant York, a part for which he was the personal choice of the real-life title character, World War I hero Alvin York. One year later, Cooper scored in another film biography, Pride of the Yankees. As baseball great Lou Gehrig, the actor was utterly convincing (despite the fact that he'd never played baseball and wasn't a southpaw like Gehrig), and left few dry eyes in the audiences with his fade-out "luckiest man on the face of the earth" speech. In 1933, Cooper married socialite Veronica Balfe, who, billed as Sandra Shaw, enjoyed a short-lived acting career. Too old for World War II service, Cooper gave tirelessly of his time in hazardous South Pacific personal-appearance tours. Ignoring the actor's indirect participation in the communist witch-hunt of the 1940s, Hollywood held Cooper in the highest regard as an actor and a man. Even those co-workers who thought that Cooper wasn't exerting himself at all when filming were amazed to see how, in the final product, Cooper was actually outacting everyone else, albeit in a subtle, unobtrusive manner. Consigned mostly to Westerns by the 1950s (including the classic High Noon [1952]), Cooper retained his box-office stature. Privately, however, he was plagued with painful, recurring illnesses, and one of them developed into lung cancer. Discovering the extent of his sickness, Cooper kept the news secret, although hints of his condition were accidentally blurted out by his close friend Jimmy Stewart during the 1961 Academy Awards ceremony, where Stewart was accepting a career-achievement Oscar for Cooper. One month later, and less than two months after his final public appearance as the narrator of a TV documentary on the "real West," Cooper died; to fans still reeling from the death of Clark Gable six months earlier, it seemed that Hollywood's Golden Era had suddenly died, as well.

Barbara Stanwyck (Actor) .. Ann Mitchell

Born: July 16, 1907
Died: January 20, 1990
Birthplace: Brooklyn, New York, United States

Trivia: In an industry of prima donnas, actress Barbara Stanwyck was universally recognized as a consummate professional; a supremely versatile performer, her strong screen presence established her as a favorite of directors, including Cecil B. De Mille, Fritz Lang, and Frank Capra. Born Ruby Stevens July 16, 1907, in Brooklyn, NY, she was left orphaned at the age of four and raised by her showgirl sister. Upon quitting school a decade later, she began dancing in local speakeasies and at the age of 15 became a Ziegfeld chorus girl. In 1926, Stanwyck made her Broadway debut in The Noose, becoming a major stage star in her next production, Burlesque. MGM requested a screen test, but she rejected the offer. She did, however, agree to a supporting role in 1927's Broadway Nights, and after completing her stage run in 1929 appeared in the drama The Locked Door. With her husband, comedian Frank Fay, Stanwyck traveled to Hollywood. After unsuccessfully testing at Warner Bros., she appeared in Columbia's low-budget Mexicali Rose, followed in 1930 by Capra's Ladies of Leisure, the picture which shot her to stardom. A long-term Columbia contract was the result, and the studio soon loaned Stanwyck to Warners for 1931's Illicit. It was a hit, as was the follow-up Ten Cents a Dance. Reviewers were quite taken with her, and with a series of successful pictures under her belt, she sued Columbia for a bigger salary; a deal was struck to share her with Warners, and she split her time between the two studios for pictures including Miracle Woman, Night Nurse, and Forbidden, a major hit which established her among the most popular actresses in Hollywood. Over the course of films like 1932's Shopworn, Ladies They Talk About, and Baby Face, Stanwyck developed an image as a working girl, tough-minded and often amoral, rarely meeting a happy ending; melodramas including 1934's Gambling Lady and the following year's The Woman in Red further established the persona, and in Red Salute she even appeared as a student flirting with communism. Signing with RKO, Stanwyck starred as Annie Oakley; however, her contract with the studio was non-exclusive, and she also entered into a series of multi-picture deals with the likes of Fox (1936's A Message to Garcia) and MGM (His Brother's Wife, co-starring Robert Taylor, whom she later married).For 1937's Stella Dallas, Stanwyck scored the first of four Academy Award nominations. Refusing to be typecast, she then starred in a screwball comedy, Breakfast for Two, followed respectively by the downcast 1938 drama Always Goodbye and the caper comedy The Mad Miss Manton. After the 1939 De Mille Western Union Pacific, she co-starred with William Holden in Golden Boy, and with Henry Fonda she starred in Preston Sturges' outstanding The Lady Eve. For the 1941 Howard Hawks comedy Ball of Fire, Stanwyck earned her second Oscar nomination. Another superior film, Capra's Meet John Doe, completed a very successful year. Drama was the order of the day for the next few years, as she starred in pictures like The Gay Sisters and The Great Man's Lady. In 1944, she delivered perhaps her most stunning performance in Billy Wilder's classic noir Double Indemnity. Stanwyck's stunning turn as a femme fatale secured her a third Oscar bid and helped make her, according to the IRS, the highest-paid woman in America. It also won her roles in several of the decade's other great film noirs, including 1946's The Strange Love of Martha Ivers and 1949's The File on Thelma Jordon. In between, Stanwyck also starred in the 1948 thriller Sorry, Wrong Number, her final Academy Award-nominated performance. The 1950s, however, were far less kind, and strong roles came her way with increasing rarity. With Anthony Mann she made The Furies and with Lang she appeared opposite Marilyn Monroe in 1952's Clash by Night, but much of her material found her typecast -- in 1953's All I Desire, she portrayed a heartbroken mother not far removed from the far superior Stella Dallas, while in 1954's Blowing Wild she was yet another tough-as-nails, independent woman. Outside of the all-star Executive Suite, Stanwyck did not appear in another major hit; she let her hair go gray, further reducing her chances of winning plum parts, and found herself cast in a series of low-budget Westerns. Only Samuel Fuller's 1957 picture Forty Guns, a film much revered by the Cahiers du Cinema staff, was of any particular notice. It was also her last film for five years. In 1960, she turned to television to host The Barbara Stanwyck Show, winning an Emmy for her work.Stanwyck returned to cinemas in 1962, portraying a lesbian madam in the controversial Walk on the Wild Side. Two years later, she co-starred with Elvis Presley in Roustabout. That same year, she appeared in the thriller The Night Walker, and with that, her feature career was over. After rejecting a role in Hush...Hush, Sweet Charlotte, she returned to television to star in the long-running Western series The Big Valley, earning another Emmy for her performance as the matriarch of a frontier family. Upon the show's conclusion, Stanwyck made a TV movie, The House That Would Not Die. She then appeared in two more, 1971's A Taste of Evil and 1973's The Letters, before vanishing from the public eye for the remainder of the decade. In 1981, she was awarded an honorary Oscar; two years later, she was also the recipient of a Lincoln Center Life Achievement Award. Also in 1983, Stanwyck returned to television to co-star in the popular miniseries The Thorn Birds. Two years later, she headlined The Colbys, a spin-off of the hugely successful nighttime soap opera Dynasty. It was her last project before retiring. Stanwyck died January 20, 1990.

Walter Brennan (Actor) .. The Colonel

Born: July 25, 1894
Died: September 23, 1974

Trivia: It had originally been the hope of Walter Brennan (and his family) that he would follow in the footsteps of his father, an engineer; but while still a student, he was bitten by the acting bug and was already at a crossroads when he graduated in 1915. Brennan had already worked in vaudeville when he enlisted at age 22 to serve in World War I. He served in an artillery unit and although he got through the war without being wounded, his exposure to poison gas ruined his vocal chords, leaving him with the high-pitched voice texture that made him a natural for old man roles while still in his thirties. His health all but broken by the experience, Brennan moved to California in the hope that the warm climate would help him and he lost most of what money he had when land values in the state collapsed in 1925. It was the need for cash that drove him to the gates of the studios that year, for which he worked as an extra and bit player. The advent of the talkies served Brennan well, as he had been mimicking accents in childhood and could imitate a variety of different ethnicities on request. It was also during this period that, in an accident during a shoot, another actor (some stories claimed it was a mule) kicked him in the mouth and cost him his front teeth. Brennan was fitted for a set of false teeth that worked fine, and wearing them allowed him to play lean, lanky, virile supporting roles; but when he took them out, and the reedy, leathery voice kicked in with the altered look, Brennan became the old codger with which he would be identified in a significant number of his parts in the coming decades. He can be spotted in tiny, anonymous roles in a multitude of early-'30s movies, including King Kong (1933) (as a reporter) and one Three Stooges short. In 1935, however, he was fortunate enough to be cast in the supporting role of Jenkins in The Wedding Night. Directed by King Vidor and produced by Samuel Goldwyn, it was supposed to launch Anna Sten (its female lead) to stardom; but instead, it was Brennan who got noticed by the critics. He was put under contract with Goldwyn, and was back the same year as Old Atrocity in Barbary Coast. He continued doing bit parts, but after 1935, his films grew fewer in number and the parts much bigger. It was in the rustic drama Come and Get It (1936) that Brennan won his first Academy Award as Best Supporting Actor. Two years later, he won a second Best Supporting Actor Oscar for his performance in Kentucky (1938). That same year, he played major supporting roles in The Texans and The Buccaneer, and delighted younger audiences with his moving portrayal of Muff Potter, the man wrongfully accused of murder in Norman Taurog's The Adventures of Tom Sawyer. Brennan worked only in high-profile movies from then on, including The Story of Vernon and Irene Castle, Stanley and Livingston, and Goldwyn's They Shall Have Music, all in 1939. In 1940, he rejoined Gary Cooper in The Westerner, playing the part of a notoriously corrupt judge. Giving a beautifully understated performance that made the character seem sympathetic and tragic as much as dangerous and reprehensible, he won his third Best Supporting Actor award. There was no looking back now, as Brennan joined the front rank of leading character actors. His ethnic portrayals gradually tapered off as Brennan took on parts geared specifically for him. In Frank Capra's Meet John Doe and Howard Hawks' Sergeant York (both 1941), he played clear-thinking, key supporting players to leading men, while in Jean Renoir's Swamp Water (released that same year), he played another virtual leading role as a haunted man driven by demons that almost push him to murder. He played only in major movies from that point on, and always in important roles. Sam Wood used him in Goldwyn's The Pride of the Yankees (1942), Lewis Milestone cast him as a Russian villager in The North Star (1943), and he was in Goldwyn's production of The Princess and the Pirate (1944) as a comical half-wit who managed to hold his own working alongside Bob Hope. Brennan played the choice role of Ike Clanton in Ford's My Darling Clementine (1946) and reprised his portrayal of an outlaw clan leader in more comic fashion in Burt Kennedy's Support Your Local Sheriff some 23 years later. He worked with Cooper again on Delmer Daves' Task Force (1949) and played prominent roles in John Sturges' Bad Day at Black Rock and Anthony Mann's The Far Country (both 1955). In 1959, the 64-year-old Brennan got one of the biggest roles of his career in Hawks' Rio Bravo, playing Stumpy, the game-legged jailhouse keeper who is backing up the besieged sheriff. By that time, Brennan had moved to television, starring in the CBS series The Real McCoys, which became a six-season hit built around his portrayal of the cantankerous family patriarch Amos McCoy. The series was such a hit that John Wayne's production company was persuaded to release a previously shelved film, William Wellman's Goodbye, My Lady (1956), about a boy, an old man (played by Brennan), and a dog, during the show's run. Although he had disputes with the network and stayed a season longer than he had wanted, Brennan also liked the spotlight. He even enjoyed a brief, successful career as a recording artist on the Columbia Records label during the 1960s. Following the cancellation of The Real McCoys, Brennan starred in the short-lived series The Tycoon, playing a cantankerous, independent-minded multimillionaire who refuses to behave the way his family or his company's board of directors think a 70-year-old should. By this time, Brennan had become one of the more successful actors in Hollywood, with a 12,000-acre ranch in Northern California that was run by his sons, among other property. He'd invested wisely and also owned a share of his first series. Always an ideological conservative, it was during this period that his political views began taking a sharp turn to the right in response to the strife he saw around him. During the '60s, he was convinced that the anti-war and civil rights movements were being run by overseas communists -- and said as much in interviews. He told reporters that he believed the civil rights movement, in particular, and the riots in places like Watts and Newark, and demonstrations in Birmingham, AL, were the result of perfectly content "Negroes" being stirred up by a handful of trouble-makers with an anti-American agenda. Those on the set of his last series, The Guns of Will Sonnett -- in which he played the surprisingly complex role of an ex-army scout trying to undo the damage caused by his being a mostly absentee father -- say that he cackled with delight upon learning of Martin Luther King Jr.'s assassination in 1968. Brennan later worked on the 1972 presidential campaign of reactionary right-wing California Congressman John Schmitz, a nominee of the American Party, whose campaign was predicated on the notion that the Republican Party under Richard Nixon had become too moderate. Mostly, though, Brennan was known to the public for his lovable, sometimes comical screen persona, and was still working as the '60s drew to a close, on made-for-TV movies such as The Over-the-Hill Gang, which reunited him with one of his favorite directors, Jean Yarbrough, and his old stablemate Chill Wills. Brennan died of emphysema in 1974 at the age of 80.

Edward Arnold (Actor) .. D.B. Norton

Born: February 18, 1890
Died: April 26, 1956

Trivia: Hearty American character actor Edward Arnold was born in New York to German immigrant parents. Orphaned at 11, Arnold supported himself with a series of manual labor jobs. He made his first stage appearance at 12, playing Lorenzo in an amateur production of The Merchant of Venice at the East Side Settlement House. Encouraged to continue acting by playwright/ journalist John D. Barry, Arnold became a professional at 15, joining the prestigious Ben Greet Players shortly afterward. After touring with such notables as Ethel Barrymore and Maxine Elliot, he did bit and extra work at Chicago's Essanay Film Studios and New Jersey's World Studios during the early 'teens. Hoping to become a slender leading man, Arnold found that his fortune lay in character parts, and accordingly beefed up his body: "The bigger I got, the better character roles I received," he'd observe later. Following several seasons on Broadway, Arnold made his talking picture debut as a gangster in 1933's Whistling in the Dark. He continued playing supporting villains until attaining the title role in Diamond Jim (1935), which required him to add 25 pounds to his already substantial frame; he repeated this characterization in the 1940 biopic Lillian Russell. Other starring roles followed in films like Sutter's Gold (1936), Come and Get It (1936) and Toast of New York (1937), but in 1937 Arnold's career momentum halted briefly when he was labelled "box office poison" by a committee of film exhibitors (other "poisonous" performers were Joan Crawford and Katharine Hepburn!) Undaunted, Arnold accepted lesser billing in secondary roles, remaining in demand until his death. A favorite of director Frank Capra (who frequently chided the actor for the "phony laugh" that was his trademark), Arnold appeared in a trio of Capra films, playing Jimmy Stewart's millionaire father in You Can't Take It With You (1938), a corrupt political boss in Mr. Smith Goes to Washington (1939), and a would-be fascist in Meet John Doe (1941). Despite the fact that he was not considered a box-office draw, Arnold continued to be cast in starring roles from time to time, notably Daniel Webster in 1941's The Devil and Daniel Webster and blind detective Duncan Maclain in Eyes in the Night (1942) and The Hidden Eye (1945). During the 1940s, Arnold became increasingly active in politics, carrying this interest over into a radio anthology, Mr. President, which ran from 1947 through 1953. He was co-founder of the "I Am an American Foundation," an officer of Hollywood's Permanent Charities Committee, and a president of the Screen Actors Guild. Though a staunch right-wing conservative (he once considered running for Senate on the Republican ticket), Arnold labored long and hard to protect his fellow actors from the persecution of the HUAC "communist witch-hunt." Edward Arnold's last film appearance was in the "torn from today's headlines" potboiler Miami Expose (1956).

James Gleason (Actor) .. Henry Connell

Born: May 23, 1886
Died: April 12, 1959

Trivia: Character actor James Gleason usually played tough-talking, world-weary guys with a secret heart-of-gold. He is easily recognized for his tendency to talk out of the side of his mouth. Gleason's parents were actors, and after serving in the Spanish-American War, Gleason joined their stock company in Oakland, California. His career was interrupted by service in World War I, following which he began to appear on Broadway. He debuted onscreen in 1922, but didn't begin to appear regularly in films until 1928. Meanwhile, during the '20s he also wrote a number of plays and musicals, several of which were later made into films. In the early sound era, Gleason collaborated on numerous scripts as a screenwriter or dialogue specialist; he also directed one film, Hot Tip (1935). As an actor, he appeared in character roles in over 150 films, playing a wide range of hard-boiled (and often semi-comic) urban characters, including detectives, reporters, marine sergeants, gamblers, fight managers, and heroes' pals. In a series of films in the '30s, he had a recurring lead role as slow-witted police inspector Oscar Piper. James Gleason was married to actress Lucille Webster Gleason; their son was actor Russell Gleason.

Spring Byington (Actor) .. Mrs. Mitchell

Born: October 17, 1886
Died: September 07, 1971

Trivia: Orphaned as a child, Colorado-born Spring Byington became a professional actress with the Elitch Garden stock company at age 14. Even as a young woman, Ms. Byington specialized in portraying middle-aged dowagers, fussbudgets, flibbertigibbets and small-town gossips. Her first Broadway success was in the role of Louella Parsons clone Helen Hobart in Kaufman and Hart's Once in a Lifetime (1930). Three years later, she made her film debut as Marmee in Little Women. Her myriad of film credits included You Can't Take It With You (1938), for which she was Oscar-nominated. Her TV acting credits include her portrayal of Lily Ruskin on the popular sitcom December Bride, which ran from 1954 through 1959; she then rather unexpectedly popped up as a regular on a western, Laramie. One of Spring Byington's last performances was as society dowager "J. Pauline Spaghetti" on a 1967 episode of Batman.

Gene Lockhart (Actor) .. Mayor Lovett

Born: July 18, 1891
Died: March 31, 1957

Trivia: Canadian-born Gene Lockhart made his first stage appearance at age 6; as a teenager, he appeared in comedy sketches with another fledgling performer, Beatrice Lillie. Lockhart's first Broadway production was 1916's Riviera. His later credits on the Great White Way included Eugene O'Neill's Ah, Wilderness and Arthur Miller's Death of a Salesmen, in which Lockhart replaced Lee J. Cobb in the role of Willy Loman. In between acting assignments, Lockhart taught stage technique at the Juilliard School of Music. A prolific writer, Lockhart turned out a number of magazine articles and song lyrics, and contributed several routines to the Broadway revue Bunk of 1926, in which he also starred. After a false start in 1922, Lockhart launched his film career in 1934. His most familiar screen characterization was that of the cowardly criminal who cringed and snivelled upon being caught; he also showed up in several historical films as small-town stuffed shirts and bigoted disbelievers in scientific progress. When not trafficking in petty villainy, Lockhart was quite adept at roles calling for whimsy and confusion, notably Bob Cratchit in the 1938 version of A Christmas Carol and the beleaguered judge in A Miracle on 34th Street (1947). Extending his activities to television, Lockhart starred in the 1955 "dramedy" series His Honor, Homer Bell. Gene Lockhart was the husband of character actress Kathleen Lockhart, the father of leading lady June Lockhart, and the grandfather of 1980s ingenue Anne Lockhart.

Rod La Rocque (Actor) .. Ted Sheldon

Born: November 29, 1896
Died: October 15, 1969

Trivia: Though it sounded like a Hollywood fabrication, Rod LaRocque was that particular American actor's real name. Stagestruck from childhood, LaRocque did his first stage work at age 9 with Willard Mack's Chicago stock company; the pay was a munificent one dollar per show. During a lull in stock company activity when he was 16, LaRocque entered vaudeville with a dramatic sketch, then broke into films as an extra when director E. H. Calvert was filming The Snowman at Chicago's Essanay Studios. When Essanay folded, LaRocque went to Fort Lee, New Jersey, where in the pre-1920 days films were still being made. After working briefly for Sam Goldwyn in Fort Lee and spending some time as a circus performer, LaRocque finally made it to Hollywood, where his prior experience and matinee-idol looks won him a contract with Cecil B. DeMille. The one silent DeMille picture that gets the most circulation today is The Ten Commandments (1923), which was divided into Biblical and modern scenes; LaRocque was in the latter, playing the weak-willed brother of Richard Dix and ultimately killing himself after contracting leprosy. When DeMille set up his own independent studio in the mid '20s, LaRocque became a stalwart of the operation, building up his box-office pull in such popular films as The Coming of Amos (1926) and Strong Heart (1927). In 1927, LaRocque fell in love with Vilma Banky, the lovely Hungarian star best remembered for her appearances in Rudolph Valentino's final films. They were married in a private ceremony, which infuriated Banky's boss Sam Goldwyn, who wanted to throw a big bash for his two favorite actors. To pacify Goldwyn, Rod and Vilma were married again in a royally lavish ceremony that lacked only one element: it was to have been a double wedding, but the other bride, Greta Garbo, failed to show up to marry her betrothed John Gilbert. LaRocque made an acceptable transition to sound, but Vilma Banky's thick Hungarian accent proved difficult to record; but by this time she was through with films (except for a few European productions), preferring to be Mrs. Rod LaRocque, period. By the late '30s, Rod LaRocque's career had waned, though he was seen to good advantage in character roles in such films as The Hunchback of Notre Dame (1939) and Meet John Doe (1940), but by the early '40s both LaRocque and his wife were too busily socially -- and too rich from real estate investments -- to care about the transience of fame.

Irving Bacon (Actor) .. Beany

Born: September 06, 1893
Died: February 05, 1965

Trivia: Irving Bacon entered films at the Keystone Studios in 1913, where his athletic prowess and Ichabod Crane-like features came in handy for the Keystone brand of broad slapstick. He appeared in over 200 films during the silent and sound era, often playing mailmen, soda jerks and rustics. In The Amazing Dr. Clitterhouse (1938) it is Irving, as a flustered jury foreman, who delivers the film's punchline. In the late 1930s and early 1940s, Irving played the recurring role of Mr. Crumb in Columbia's Blondie series; he's the poor postman who is forever being knocked down by the late-for-work Dagwood Bumstead, each collision accompanied by a cascade of mail flying through the air. Irving Bacon kept his hand in throughout the 1950s, appearing in a sizeable number of TV situation comedies.

Regis Toomey (Actor) .. Bert Hansen

Born: August 13, 1898
Died: October 12, 1991

Trivia: Taking up dramatics while attending the University of Pittsburgh, Regis Toomey extended this interest into a profitable career as a stock and Broadway actor. He specialized in singing roles until falling victim to acute laryngitis while touring England in George M. Cohan's Little Nellie Kelly. In 1929, Toomey made his talking-picture bow in Alibi, where his long, drawn-out climactic death scene attracted both praise and damnation; he'd later claim that, thanks to the maudlin nature of this scene, producers were careful to kill him off in the first or second reel in his subsequent films. Only moderately successful as a leading man, Toomey was far busier once he removed his toupee and became a character actor. A lifelong pal of actor Dick Powell, Regis Toomey was cast in prominent recurring roles in such Powell-created TV series of the 1950s and 1960s as Richard Diamond, Dante's Inferno, and Burke's Law.

Warren Hymer (Actor) .. Angelface

Born: February 25, 1906
Died: March 25, 1948

Trivia: Though he appeared to be an illiterate, streetwise plug-ugly, American actor Warren Hymer was actually the son of two affluent stage performers, John B. Hymer and Elsie Hunt. Hymer was also a graduate of Yale University, and a moderately successful Broadway stage actor before coming to Hollywood in 1928. Because of his rough-hewn facial features and his ability to feign incredible stupidity, Hymer was much in demand in gangster parts, from his first talking picture, This Cockeyed World (1929), onward. So popular was Hymer during the early-talkie period that he shared co-starring status with Spencer Tracy in two films, and was billed over Humphrey Bogart in Up the River (1932). Unfortunately, Hymer's love of acting took second place to his love of liquor. Things went from bad to worse as Hymer's condition deteriorated; at one point he began filming a scene, opened his mouth to speak, and collapsed cold on the floor. Producers were willing to overlook this in view of Hymer's talent, but the actor also suffered from an uncontrollable temper. The axe fell on the day that Hymer, arguing with Columbia Pictures chieftan Harry Cohn, punctuated his tirade by urinating on Cohn's desk. After that, Hymer was virtually blackballed from Hollywood, resurfacing from time to time for an unbilled bit or a barely coherent supporting role. Warren Hymer died in 1948, not having worked in two years; he was only 42.

Aldrich Bowker (Actor) .. Pop Dwyer

Born: January 01, 1874
Died: January 01, 1947

Ann Doran (Actor) .. Mrs. Hansen

Born: July 28, 1911
Died: September 19, 2000
Birthplace: Amarillo, Texas

Trivia: A sadly neglected supporting actress, Ann Doran played everything from Charley Chase's foil in Columbia two-reelers of the late '30s to James Dean's mother in Rebel Without a Cause (1955) and also guest starred in such television shows as Superman, Petticoat Junction, Bewitched, and The A Team. A former child model and the daughter of silent screen actress Rose Allen (1885-1977), Doran made her screen bow in Douglas Fairbanks' Robin Hood (1922) but then spent the next 12 years or so getting herself an education. She returned to films in 1934 and joined the Columbia short subject department two years later. While with Columbia, Doran worked on all of Frank Capra's films save Lost Horizon (1937) and she later toiled for both Paramount and Warner Bros., often receiving fine reviews but always missing out on the one role that may have made her a star. Appearing in more than 500 films and television shows (her own count), Doran worked well into the 1980s, often unbilled but always a noticeable presence.

Sterling Holloway (Actor) .. Dan

Born: January 14, 1905
Died: November 22, 1992

Trivia: Famed for his country-bumpkin features and fruity vocal intonations, American actor Sterling Holloway left his native Georgia as a teenager to study acting in New York City. Working through the Theatre Guild, the young Holloway was cast in the first Broadway production of songwriters Rodgers and Hart, Garrick Gaieties. In the 1925 edition of the revue, Holloway introduced the Rodgers-Hart standard "I'll Take Manhattan;" in the 1926 version, the actor introduced another hit, "Mountain Greenery." Hollywood beckoned, and Holloway made a group of silent two-reelers and one feature, the Wallace Beery vehicle Casey at the Bat (1927), before he was fired by the higher-ups because they deemed his face "too grotesque" for movies. Small wonder that Holloway would insist in later years that he was never satisfied with any of the work Hollywood would throw his way, and longed for the satisfaction of stage work. When talkies came, Holloway's distinctive voice made him much in demand, and from 1932 through the late '40s he became the archetypal soda jerk, messenger boy, and backwoods rube. His most rewarding assignments came from Walt Disney Studios, where Holloway provided delightful voiceovers for such cartoon productions as Dumbo (1941), Bambi (1942), Alice in Wonderland (1951), Ben and Me (1954) and The Jungle Book (1967). Holloway's most enduring role at Disney was as the wistful voice of Winnie the Pooh in a group of mid-'60s animated shorts. On the "live" front, Holloway became fed up of movie work one day when he found his character being referred to as "boy" - and he was past forty at the time. A few satisfactory film moments were enjoyed by Holloway as he grew older; he starred in an above-average series of two reel comedies for Columbia Pictures from 1946 to 1948 (in one of these, 1948's Flat Feat, he convincingly and hilariously impersonated a gangster), and in 1956 he had what was probably the most bizarre assignment of his career when he played a "groovy" hipster in the low-budget musical Shake, Rattle and Rock (1956). Holloway worked prodigiously in TV during the '50s and '60s as a regular or semi-regular on such series as The Life of Riley, Adventures of Superman and The Baileys of Balboa. Edging into retirement in the '70s, Sterling Holloway preferred to stay in his lavish hilltop house in San Laguna, California, where he maintained one of the most impressive and expensive collections of modern paintings in the world.

Madge Crane (Actor) .. Mrs. Brewster

J. Farrell MacDonald (Actor) .. Sourpuss Smithers

Born: June 06, 1875
Died: August 02, 1952

Trivia: J. Farrell MacDonald was one of the most beloved and prolific character actors in Hollywood history. A former minstrel singer, MacDonald toured the U.S. in stage productions for nearly two decades before he ever set foot in Tinseltown. He made his earliest film appearances in 1911 with Carl Laemmle's IMP company (the forerunner of Universal); within two years he was a firmly established lead actor and director. While functioning in the latter capacity with L. Frank Baum's Oz Film Company, MacDonald gave much-needed work to up-and-coming extras Hal Roach and Harold Lloyd. When Roach set up his own production company in 1915 with Lloyd as his star, he signed MacDonald as director (both Roach and Lloyd would hire their one-time employer as character actor well into the sound era). In the 1920's, MacDonald had returned to acting full time, appearing extensively in westerns and Irish-flavored comedies. A particular favorite of director John Ford, he was prominently featured in such Ford silents as The Iron Horse (1924), The Bad Man (1926) and Riley the Cop (1927, as Riley). He also showed up as Kelly in some of Universal's culture-clash "Cohens and Kellys" comedies. With a voice that matched his personality perfectly, MacDonald was busier than ever in the early-talkie era, usually playing such workaday roles as cops and railroad engineers; in 1932 alone, he showed up in 18 films! Even when his footage was limited, he was always given a moment or two to shine, as witness his emotional curtain speech in Shirley Temple's Our Little Girl. He kept up his workload into the 1940s, often popping up in the films of John Ford and Preston Sturges. His later roles often went unbilled, but he gave his all no matter how fleeting the assignment. One of his choicest roles of the 1940s was as the Dodge City barkeep in Ford's My Darling Clementine (1946). J. Farrell MacDonald continued working right up to his death in 1952; one of his last assignments was a continuing character on the Gene Autry-produced TV series Range Rider.

Pat Flaherty (Actor) .. Mike

Born: March 08, 1903
Died: December 02, 1970

Trivia: A former professional baseball player, Pat Flaherty was seen in quite a few baseball pictures after his 1934 screen debut. Flaherty can be seen in roles both large and small in Death on the Diamond (1934), Pride of the Yankees (1942), It Happened in Flatbush (1942), The Stratton Story (1949, as the Western All-Stars coach), The Jackie Robinson Story (1950) and The Winning Team (1952, as legendary umpire Bill Klem). In 1948's Babe Ruth Story, Flaherty not only essayed the role of Bill Corrigan, but also served as the film's technical advisor. Outside the realm of baseball, he was usually cast in blunt, muscle-bound roles, notably Fredric March's taciturn male nurse "Cuddles" in A Star is Born (1937). One of Pat Flaherty's most unusual assignments was Wheeler and Woolsey's Off Again, On Again (1937), in which, upon finding his wife (Patricia Wilder) in a compromising position with Bert Wheeler, he doesn't pummel the hapless Wheeler as expected, but instead meekly apologizes for his wife's flirtatiousness!

Carlotta Jelm (Actor) .. Ann's Sister

Tina Thayer (Actor) .. Ann's Sister

Bennie Bartlett (Actor) .. Red, the Office Boy

Born: August 16, 1927

Sarah Edwards (Actor) .. Mrs. Hawkins

Born: January 01, 1892
Died: January 07, 1955

Trivia: After a tentative movie debut in the New York-filmed 1929 musical Glorifying the American Girl, stately character actress Sarah Edwards settled in Hollywood for keeps in 1935. Another of those performers who evidently jumped directly from birth to old age, Edwards portrayed many a kindly grandmother, imperious dowager, hardy pioneer wife, ill-tempered teacher and strict governess. She played peripheral roles in films like The Great Ziegfeld (1936) and Shadow of the Doubt (1942), and enjoyed larger assignments in films like Hal Roach's Dudes are Pretty People (1942, as "The Colonel") and Frank Capra's It's a Wonderful Life (1946). Sarah Edwards is not related to the 1980s TV personality of the same name.

Stanley Andrews (Actor) .. Weston

Born: August 28, 1891
Died: June 23, 1969

Trivia: Actor Stanley Andrews moved from the stage to the movies in the mid 1930s, where at first he was typed in steadfast, authoritative roles. The tall, mustachioed Adrews became familiar to regular moviegoers in a string of performances as ship's captains, doctors, executives, military officials and construction supervisors. By the early 1950s, Andrews had broadened his range to include grizzled old western prospectors and ageing sheriffs. This led to his most lasting contribution to the entertainment world: the role of the Old Ranger on the long-running syndicated TV series Death Valley Days. Beginning in 1952, Andrews introduced each DVD episode, doing double duty as commercial pitchman for 20 Mule Team Borax; he also became a goodwill ambassador for the program and its sponsor, showing up at county fairs, supermarket openings and charity telethons. Stanley Andrews continued to portray the Old Ranger until 1963, when the US Borax company decided to alter its corporate image with a younger spokesperson -- a 51-year-old "sprout" named Ronald Reagan.

Andrew Tombes (Actor) .. Spencer

Born: January 01, 1889
Died: January 01, 1976

Trivia: Excelling in baseball while at Phillips-Exeter academy, American comic actor Andrew Tombes determined he'd make a better living as an actor than as a ballplayer. By the time he became a headliner in the Ziegfeld Follies, Tombes had performed in everything from Shakespeare to musical comedy. He received star billing in five editions of the Follies in the '20s, during which time he befriended fellow Ziegfeldite Will Rogers. It was Rogers who invited Tombes to Hollywood for the 1935 Fox production Doubting Thomas. An endearingly nutty farceur in his stage roles, Tombes' screen persona was that of an eternally befuddled, easily aggravated business executive. The baldheaded, popeyed actor remained at Fox for several years after Doubting Thomas, playing an overabundance of police commissioners, movie executives, college deans, and Broadway "angels." Tombes' problem was that he arrived in talkies too late in the game: most of the larger roles in which he specialized usually went to such long-established character men as Walter Catlett and Berton Churchill, obliging Tombes to settle for parts of diminishing importance in the '40s. Most of his later screen appearances were unbilled, even such sizeable assignments as the would-be musical backer in Olsen and Johnson's Hellzapoppin' (1941) and the royal undertaker's assistant in Hope and Crosby's Road to Morocco (1942). Still, Tombes was given ample opportunity to shine, especially as the secretive, suicidal bartender in the 1944 "film noir" Phantom Lady. Andrew Tombes last picture was How to Be Very Very Popular (1955), which starred a colleague from his busier days at 20th Century-Fox, Betty Grable.

Pierre Watkin (Actor) .. Hammett

Born: December 29, 1889
Died: February 03, 1960

Trivia: Actor Pierre Watkin looked as though he was born to a family of Chase Manhattan executives. Tall, imposing, imbued with a corporate demeanor and adorned with well-trimmed white mustache, Watkin appeared to be a walking Brooks Brothers ad as he strolled through his many film assignments as bankers, lawyers, judges, generals and doctors. When director Frank Capra cast the actors playing US senators in Mr Smith Goes to Washington (1939) using as criteria the average weight, height and age of genuine senators, Watkin fit the physical bill perfectly. Occasionally Watkin could utilize his established screen character for satirical comedy: in W.C. Fields' The Bank Dick, he portrayed Lompoc banker Mr. Skinner, who extended to Fields the coldest and least congenial "hearty handclasp" in movie history. Serial fans know Pierre Watkin as the actor who originated the role of bombastic Daily Planet editor Perry White in Columbia's two Superman chapter plays of the late '40s.

Garry Owen (Actor) .. Sign Painter

Born: February 18, 1902
Died: June 01, 1951

Trivia: The son of an actress, Garry Owen first appeared on-stage with his mother in vaudeville. Owen went on to perform in such Broadway productions as Square Crooks and Miss Manhattan. In films from 1933, Owen was occasionally seen in such sizeable roles as private-eye Paul Drake in the 1936 Perry Mason movie Case of the Black Cat. For the most part, however, he played character bits, most memorably in the films of Frank Capra; in Capra's Arsenic and Old Lace (1944), for example, he plays the monumentally impatient taxi driver who closes the picture with the exclamation, "I'm not a cab driver, I'm a coffee pot!" In addition to his feature-film work, Garry Owen showed up in scores of short subjects for Hal Roach and MGM.

Charles Wilson (Actor) .. Charlie Dawson

Born: January 01, 1894
Died: January 07, 1948

Trivia: When actor Charles C. Wilson wasn't portraying a police chief onscreen, he was likely to be cast as a newspaper editor. The definitive Wilson performance in this vein was as Joe Gordon, reporter Clark Gable's apoplectic city editor in the 1934 multi-award winner It Happened One Night. Like many easily typecast actors, Wilson was usually consigned to one-scene (and often one-line) bits, making the sort of instant impression that hundreds of scripted words could not adequately convey. Shortly before his death in 1948, Charles C. Wilson could once more be seen at the editor's desk of a big-city newspaper -- this time as the boss of those erstwhile newshounds the Three Stooges in the two-reel comedy Crime on Their Hands (1948).

Gene Morgan (Actor) .. Mug

Born: January 01, 1892
Died: August 13, 1940

Trivia: Pudgy character actor Gene Morgan started out as a utility player in Pathe's Folly comedies in the late teens, then worked for several years at Hal Roach studios. From 1935 to 1940, Morgan was under contract to Columbia Pictures, where he was usually cast as a perplexed cop or city detective. He was fleetingly but memorably seen in such Columbia's as She Couldn't Take It (1935), Meet Nero Wolfe (1936), The Devil's Playground (1937), and Mr. Smith Goes to Washington (1939). Gene Morgan made his last appearance in Warner Bros.' Meet John Doe (1941) under the direction of another longtime Columbia contractee, Frank Capra.

Cyril Thornton (Actor) .. Butler

Born: August 06, 1905

Edward Earle (Actor) .. Radio MC

Born: July 16, 1882
Died: December 15, 1972

Trivia: One of the first stars to emerge from the old Edison film company, Canadian-born actor Edward Earle had toured in vaudeville and stock before settling on movies in 1915. The blonde, muscular Earle quickly rose to the rank of romantic lead in films like Ranson's Folly (1915), The Gates of Eden (1916), and East Lynne (1921). In the '20s he could be seen supporting such luminaries as George Arliss (The Man Who Played God [1922]) and Lillian Gish (The Wind [1928]). In talkies, Earle became a character player. Though his voice was resonant and his handsome features still intact, he often as not played unbilled bits, in everything from prestige pictures (Magnificent Obsession [1935]) to B-items (Laurel and Hardy's The Dancing Masters [1943] and Nothing but Trouble [1944]). In Beware of Blondie, Earle assumed the role of Dagwood's boss, Mr. Dithers -- but his back was turned to the camera and his voice was dubbed by the Blondie series' former Dithers, Jonathan Hale. Earle's best sound opportunities came in Westerns and serials; in the latter category, he was one of the characters suspected of being the diabolical Rattler in Ken Maynard's Mystery Mountain (1934). Edward Earle retired to the Motion Picture Country Home in the early '60s, where he died at age 90 in 1972.

M.J. Frankovich (Actor) .. Radio Announcer

Born: September 10, 1910
Died: January 01, 1992

Trivia: Mike Frankovich was the son of comedian Joe E. Brown (who encouraged the boy's activities in the field of athletics). Frankovich's preteen sports prowess brought him to the attention of Douglas Fairbanks Sr., who arranged for the boy to appear in Rosita, a 1923 film starring Fairbanks' wife Mary Pickford. After distinguishing himself athletically at UCLA, Frankovich worked as a radio producer, announcer and sportscaster. He returned to films in 1938 as a screenwriter then from 1940 to 1941 acted in a handful of films, nearly always cast as a radio commentator. Following World War II service, Frankovich made a second return to Hollywood in a production capacity. He produced several films abroad before being put in charge of Columbia Pictures' British division. He was made supervisor of Columbia's international productions in 1962, and the following year was appointed vice president in charge of the studio's entire production output. In 1968 he went "independent" again, producing such films as Bob & Carol & Ted & Alice (1968), Cactus Flower (1969) and Butterflies are Free (1972). He was married to actress Binnie Barnes, who made her final screen appearance in her husband's production of Cactus Flower (1969). Though in the early stages of Alzheimer's disease, Mike Frankovich put in an appearance at the 1984 Oscar ceremony to accept the Jean Hersholt Humanitarian Award, valiantly delivering a halting but heartfelt "thank you" speech.

Harry Holman (Actor) .. Mayor Hawkins

Born: January 01, 1874
Died: June 02, 1947

Trivia: Rotund, squeaky-voiced American actor Harry Holman forsook vaudeville and the legitimate stage for films in 1929. For the next 18 years, Holman played a vast array of mayors, justices of the peace, attorneys, millionaires and sugar daddies. Sometimes he had no professional designation at all, and was simply a "Jolly Fat Man" (as he was billed in 1935's Dante's Inferno). Equally busy in short subjects as in features, Holman is best remembered by Three Stooges fans as the first of many wealthy professors who tried to turn the Stooges into gentlemen in Hoi Polloi (1935). A fixture of Frank Capra films, Harry Holman showed up as the high school principal in Capra's Yuletide perennial It's a Wonderful Life.

Bess Flowers (Actor) .. Newspaper Secretary

Born: January 01, 1900
Died: July 28, 1984

Trivia: The faces of most movie extras are unmemorable blurs in the public's memory. Not so the elegant, statuesque Bess Flowers, who was crowned by appreciative film buffs as "Queen of the Hollywood Dress Extras." After studying drama (against her father's wishes) at the Carnegie Inst of Technology, Flowers intended to head to New York, but at the last moment opted for Hollywood. She made her first film in 1922, subsequently appearing prominently in such productions as Hollywood (1922) and Chaplin's Woman of Paris (1923). Too tall for most leading men, Flowers found her true niche as a supporting actress. By the time talkies came around, Flowers was mostly playing bits in features, though her roles were more sizeable in two-reel comedies; she was a special favorite of popular short-subject star Charley Chase. Major directors like Frank Lloyd always found work for Flowers because of her elegant bearing and her luminescent gift for making the people around her look good. While generally an extra, Flowers enjoyed substantial roles in such films as Frank Capra's It Happened One Night (1934), Gregory La Cava's Private Worlds and Leo McCarey's The Awful Truth (1937). In 1947's Song of the Thin Man, the usually unheralded Flowers was afforded screen billing. Her fans particularly cherish Flowers' bit as a well-wisher in All About Eve (1950), in which she breaks her customary screen silence to utter "I'm so happy for you, Eve." Flowers was married twice, first to Cecil B. DeMille's legendary "right hand man" Cullen Tate, then to Columbia studio manager William S. Holman. After her retirement, Bess Flowers made one last on-camera appearance in 1974 when she was interviewed by NBC's Tom Snyder.

Emma Tansey (Actor) .. Mrs. Delaney

Born: September 12, 1870
Died: March 23, 1942

Trivia: A veteran touring company actress, Emma Tansey is perhaps best remembered as the mother of the low-budget Tansey dynasty, a clan that included her three sons, producer/writer/director Robert Emmett Tansey and actors Sheridan Tansey and John Tansey. Emma Tansey appeared in many of her sons' films but is probably more remembered for playing nice old ladies in the comedies of W.C. Fields.

Mitchell Lewis (Actor) .. Bennett

Born: June 26, 1880
Died: August 24, 1956

Trivia: Husky actor Mitchell Lewis attended Annapolis and Syracus University before making his stage debut in 1902. Lewis went on tour with such theatrical heavyweights as William Collier, Dustin Farnum and Alla Nazimova. He made his film bow in 1914 at the old Thanhouser Company. Specializing in ethnic roles, Lewis spent both the silent and talkie era playing menacing gypsies (The Cuckoos, The Bohemina Girl), Arab potentates (he was horse-loving Sheik Iderim in the 1926 version of Ben-Hur), East Indian warriors and Native American chiefs. He even donned blackface to portray "Tambo" in Al Jolson's Big Boy (1930). In 1937, Lewis was signed to an MGM lifetime contract, which assured him steady if not always stellar work for the next eighteen years. One of his many MGM bit-part assignments was the green-skinned Winkie Captain ("You've killed her! She's dead! Long live Dorothy!") in The Wizard of Oz (1939). Active throughout his career in charitable pursuits, Mitchell Lewis served on the original board of the Motion Picture Relief Fund.

Billy Curtis (Actor) .. Midget

Born: June 27, 1909
Died: November 09, 1988

Trivia: Born to normal-sized parents, American midget actor Billy Curtis avoided the usual onus of freak-show employment as a youth, opting for a mainstream job as a shoe clerk. Encouraged by stock company actress Shirley Booth (later the star of the TV sitcom Hazel) to take a little person role in a stage production, Curtis soon became a professional actor, with numerous Broadway musical productions to his credit. Curtis' big movie season was 1938-39: he was cast as the Mayor of the Munchkin City in The Wizard of Oz (albeit with voice dubbed by Pinto Colvig) and as the cowboy hero of the all-midget western Terror of Tiny Town (1938). This last epic was one of the few instances that Curtis was cast as a good guy; many of his screen characters were ill-tempered and pugnacious, willing to bite a kneecap if unable to punch out an opponent. Seldom accepting a role which demeaned or patronized little people, Curtis played an obnoxious vaudeville performer compelled to sit on Gary Cooper's lap in Meet John Doe (1941), a suspicious circus star willing to turn Robert Cummings over to the cops in Saboteur (1942), and one of the many fair-weather friends of "The Incredible Shrinking Man" in the 1957 film of the same name. Billy Curtis' career thrived into the 1970s, notably with solid parts in the Clint Eastwood western High Plains Drifter (1973) and the crime-caper meller Little Cigars (1973), in which he had second billing as a diminutive criminal mastermind. Billy Curtis retired in the 1980s, except for the occasional interview or Wizard of Oz cast reunion.

Johnny Fern (Actor) .. Midget

Vernon Dent (Actor) .. Man

Born: February 16, 1895
Died: November 05, 1963

Trivia: Actor Vernon Dent launched his career in stock companies and as one-third of a singing cabaret trio. Silent comedian Hank Mann, impressed by Dent's girth (250 pounds) and comic know-how, helped Vernon enter films in 1919. Dent starred in a 2-reel series at the Pacific Film Company, then settled in at Mack Sennett studios as a supporting player, generally cast as a heavy. During his Sennett years, Dent was most often teamed with pasty-faced comedian Harry Langdon, who became his lifelong friend and co-worker. Remaining with Sennett until the producer closed down his studio in 1933, Dent moved to Educational Pictures, where he was afforded equal billing with Harry Langdon; and when Langdon moved to Columbia Pictures in 1934, Dent followed, remaining a mainstay of the Columbia 2-reel stock company until 1953. Here he was featured with such comic luminaries as Andy Clyde, Buster Keaton, Hugh Herbert, Vera Vague, and especially the Three Stooges. Among Dent's dozens of talkie feature-film credits were W.C. Fields' Million Dollar Legs (1932) and You're Telling Me (1934); in one of his rare feature starring roles, Dent played a boisterous, wife-beating sailor in the 1932 "B" Dragnet Patrol. Well-connected politically in the Los Angeles area, Dent supplemented his acting income by running the concession stand at Westlake Park. Vernon Dent retired in the mid-1950s, due to total blindness brought about by diabetes; the ever-upbeat actor was so well-adjusted to his handicap that many of Dent's close friends were unaware that he was blind.

Vaughan Glaser (Actor) .. Governor

Born: January 01, 1872
Died: November 23, 1958

Trivia: Vaughan Glaser spent many of the pre-WW I years as a stock company actor/manager in his native Georgia. One of Glaser's personal triumphs during this era was landing baseball star (and fellow Georgian) Ty Cobb for an acting role in the stage play The College Widow. When he set up the Sunbeam Motion Picture Company in 1916, Glaser's first--and apparently last--production was Somewhere in Georgia, again starring Ty Cobb. Glaser's Hollywood career began in 1939, when he re-created his Broadway role as ulcerated high-school principal Bradley in What a Life. When this film resulted in Paramount's "Henry Aldrich" series, Glaser came along for the ride, playing Bradley in most of the "Aldrich" installments. He was also seen as Judge Scoggs in Those Were the Days (1940) and in supporting roles in a brace of Frank Capra productions, Meet John Doe (1941) and Arsenic and Old Lace (1941). Disciples of Alfred Hitchcock will remember Vaughan Glaser as the sightless Philip Martin in Saboteur (1942).

Selmer Jackson (Actor) .. Radio Announcers at Convention

Born: May 07, 1888

Knox Manning (Actor) .. Radio Announcers at Convention

Born: January 01, 1903
Died: January 01, 1980

John B. Hughes (Actor) .. Radio Announcers at Convention

The Hall Johnson Choir (Actor) .. Themselves

Lucia Carroll (Actor) .. Herself

Born: November 16, 1916

James McNamara (Actor) .. Sheriff

Frank Austin (Actor) .. Grubbel

Born: October 09, 1877
Died: May 13, 1954

Trivia: His hangdog expression gracing scores of Hollywood films from 1925 to 1950, Frank Austin (born George Francis Austin) portrayed Abraham Lincoln in the 1928 Jack Holt film Court-Martial. Adept at comedy as well as drama, Austin is memorable as the sinister butler in The Laurel and Hardy Murder Case (1930), the prisoner with the sore tooth in the team's Pardon Us (1931), and the diner with high blood pressure in W.C. Fields' Never Give a Sucker an Even Break (1941). Making his mark on B-Westerns as well, Austin delivered standout performances as the coroner in Reb Russell's Outlaw Rule (1935), the ill-fated Chuckwalla in the serial Riders of Death Valley (1941), and the assayer in Whip Wilson's Arizona Territory (1950), his final screen performance.

Edward Keane (Actor) .. Relief Administrator

Born: May 24, 1884
Died: October 12, 1959

Trivia: American actor Edward Keane was eminently suitable for roles requiring tuxedos and military uniforms. From his first screen appearance in 1921 to his last in 1952, Keane exuded the dignity and assurance of a self-made man of wealth or a briskly authoritative Armed Services officer. Fortunately his acting fee was modest, enabling Keane to add class to even the cheapest of poverty-row "B"s. Generations of Marx Bros. fans will remember Edward Keane as the ship's captain (he's the one who heaps praise upon the three bearded Russian aviators) in A Night at the Opera (1935).

Lafe McKee (Actor) .. Mr. Delaney

Born: January 23, 1872
Died: August 10, 1959

Trivia: White-haired Lafe McKee (real name, Lafayette McKee) was seemingly born old, dignified, and kind. Already playing old codgers by the mid-1910s, McKee delivered one of the funniest and most improbable moments in B-Western history, when, disguised as a bedraggled señorita, he sprang Ken Maynard from prison in Range Law (1931). "The Grand Old Man of Westerns," as film historian William K. Everson called him, retired in the early '40s after more than three decades of yeoman work opposite every cowboy hero on the Hollywood range, from Franklyn Farnum to Gary Cooper.

Edward McWade (Actor) .. Joe, Newsman

Born: January 14, 1865
Died: May 16, 1943

Trivia: Stage actor Edward McWade entered films as a screenwriter in 1913. From 1920 until his death, the wizened, wispy-haired McWade showed up in dozens of utility roles, playing professors, doctors, justices of the peace and ministers. In 1936, he essayed the title role in the Perry Mason mystery The Case of the Stuttering Bishop. His last screen assignment was Mr. Gibbs, one of the few "lonely old gentlemen" who isn't slipped a poisoned glass of elderberry wine in Arsenic and Old Lace (1944). Edward McWade was married to actress Margaret McWade, famed as one of the "pixillated" sisters in Mr. Deeds Goes to Town (1936).

Guy Usher (Actor) .. Bixler

Born: January 01, 1875
Died: June 16, 1944

Trivia: Stocky, officious American actor Guy Usher made a spectacular film debut in The Penguin Pool Murder (1932), playing the drowned victim of the titular crime. Many of Usher's subsequent roles required a great deal of fluster and bluster: As land-developer Harry Payne Bosterly in It's a Gift (1934), he dismissed W.C. Fields by bellowing, "You're drunk!," whereupon Fields put him in his place by responding, "And you're crazy. But tomorrow I'll be sober, and you'll always be crazy." Usher also appeared as D.A. Hamilton Burger in the 1934 Perry Mason adaptation The Case of the Black Cat. In the late '30s-early '40s, Guy Usher was a mainstay at Monogram Pictures, again specializing in murder victims.

Walter Soderling (Actor) .. Barrington

Born: April 13, 1872
Died: April 10, 1948

Trivia: Walter Soderling never evinced an interest in drama while attending the University of Chicago, Northwestern, or Harvard. After graduation, however, Soderling plunged into the theater world with a vengeance, chalking up credits with Chicago's Dearborn and Hopkins stock companies before making his turn-of-the-century Broadway debut. He came to films late in life -- to be exact, he was 63 -- but made up for lost time by working steadily in Hollywood until his death in 1948. Playing characters with names like Old Muck, Abner Thriffle, and Grumpy Andrews, the balding, pickle-pussed Walter Soderling was one of filmdom's foremost grouches.

John Hamilton (Actor) .. Jim, Governor's Associate

Born: January 01, 1886
Died: October 15, 1958

Trivia: Born and educated in Pennsylvania, John Hamilton headed to New York in his twenties to launch a 25-year stage career. Ideally cast as businessmen and officials, the silver-haired Hamilton worked opposite such luminaries as George M. Cohan and Ann Harding. He toured in the original company of the long-running Frank Bacon vehicle Lightnin', and also figured prominently in the original New York productions of Seventh Heaven and Broadway. He made his film bow in 1930, costarring with Donald Meek in a series of 2-reel S.S.Van Dyne whodunits (The Skull Mystery, The Wall St. Mystery) filmed at Vitaphone's Brooklyn studios. Vitaphone's parent company, Warner Bros., brought Hamilton to Hollywood in 1936, where he spent the next twenty years playing bits and supporting roles as police chiefs, judges, senators, generals and other authority figures. Humphrey Bogart fans will remember Hamilton as the clipped-speech DA in The Maltese Falcon (1941), while Jimmy Cagney devotees will recall Hamilton as the recruiting officer who inspires George M. Cohan (Cagney) to compose "Over There" in Yankee Doodle Dandy (1942). Continuing to accept small roles in films until the mid '50s (he was the justice of the peace who marries Marlon Brando to Teresa Wright in 1950's The Men), Hamilton also supplemented his income with a group of advertisements for an eyeglasses firm. John Hamilton is best known to TV-addicted baby boomers for his six-year stint as blustering editor Perry "Great Caesar's Ghost!" White on the Adventures of Superman series.

William Forrest (Actor) .. Governor's Associate

Born: January 01, 1904
Died: January 01, 1989

Trivia: Baby boomers will recall silver-maned actor William Forrest as Major Swanson, the brusque but fair-minded commander of Fort Apache in the 1950s TV series The Adventures of Rin Tin Tin. This character was but one of many military officers portrayed by the prolific Forrest since the late 1930s. Most of his film appearances were fleeting, and few were billed, but Forrest managed to pack more authority into 30 seconds' film time than many bigger stars were able to manage in an hour and a half. Outside of Rin Tin Tin, William Forrest is probably most familiar as the sinister fifth-columnist Martin Crane in the 1943 Republic serial The Masked Marvel.

Charles K. French (Actor) .. Fired Reporter

Born: January 17, 1860
Died: August 02, 1952

Trivia: An imposing stage actor from Ohio and a true screen pioneer, Charles K. French (born Strauss) appeared with the famed Biograph stock company before organizing his own production entity, The Navajo Film Co. That venture lasted only a year, 1914-1915, and French returned to the ranks of actors for hire. Sporting a formidable beard, French was often cast in historical settings, notably Thomas Ince's Civilization (1916) as the prime minister, D. W. Griffith's Abraham Lincoln (1924) as Enlow, and Raymond Griffith's Hands-Up (1926) as Brigham Young. In between, he played countless fathers, military officers, and the like, often opposite such stars as Tom Mix and Hoot Gibson, and continued in films until his retirement in 1944. French was the father of B-Western regular Ted French (1899-1978) and grandfather of Little House on the Prairie star Victor French (1934-1989).

Edward Hearn (Actor) .. Mayor's Secretary

Born: September 06, 1888
Died: April 15, 1963

Trivia: Actor Edward Hearn's Hollywood career extended from 1916 to 1951. A leading man in the silent era, Hearn was seen in such roles as Philip Nolan, the title character in Man without a Country (1925). His first talkie effort was Frank Capra's The Donovan Affair (1929). Capra never forgot Hearn, securing minor roles for the actor when his star faded in the early 1930s. Edward Hearn spent his last two decades in films playing dozens of cops, jurors, and military officers, essaying bits in features and supporting roles in serials and short subjects.

Hank Mann (Actor) .. Ed, a Photographer

Born: January 01, 1888
Died: November 25, 1971

Trivia: American comedian Hank Mann was a product of the turbulent tenement district of New York in the 1880s, where a kid had better learn to be handy with his fists or lose all his teeth by the age of 12. Putting his physical prowess to practical use, Mann became a circus acrobat, then headed westward for a job at Mack Sennett's Keystone studios. His junkyard-dog face was softened a bit by a huge paintbrush mustache, which emphasized his expressive, almost wistful eyes. Seldom a star comedian at Sennett, Mann quickly learned how to "catch flies" -- steal scenes, that is. In the most famous example of this, Mann played the foreman of a jury where Chester Conklin was on trial for his life; as Conklin energetically pleaded his case, Mann grabbed the audience's attention by silently yanking up his necktie in a hanging motion. Mann left Keystone for his own starring series at Fox, thence to a career as a character comic in feature films. He had the potential to be one of the top comedy stars of the era, but bad management and worse judgment left him broke by the late '20s. Mann was given a good break as Charlie Chaplin's contemptuous boxing opponent in City Lights (1931), and was provided with a meaty role as a house detective in the 1935 two-reeler Keystone Hotel, which reunited such former Sennett headliners as Ford Sterling, Ben Turpin, Chester Conklin and Marie Prevost. But Mann's talkie career consisted primarily of bit parts. He worked steadily in the films of Frank Capra, a friend from the silent days, and appeared prominently in two Three Stooge comedies, 1934's Men in Black (as a long-suffering janitor) and 1937's Goofs and Saddles (performing some bone-crushing pratfalls as a confused cattle rustler). Mann also showed up briefly in the two-reelers of such Columbia contractees as Andy Clyde, Buster Keaton and El Brendel. When jobs were scarce, Mann farmed out his services as a makeup artist, and also ran a small California malt shop. During the '50s, Hank Mann could always be relied upon for newspaper interviews about the good old days, and he was cast along with other silent comedy vets in such nostalgic feature films as Abbott and Costello Meet the Keystone Kops (1955) and Man of a Thousand Faces (1957).

James Millican (Actor) .. Photographer

Born: January 01, 1910
Died: November 24, 1955

Trivia: Signed up by MGM's dramatic school directly after graduating from the University of Southern California, American actor James Millican was groomed for that studio's stable of young leading men. Instead, he made his first film, Sign of the Cross (1932), at Paramount, then moved on to Columbia for his first important role in Mills of the Gods (1934). Possessor of an athletic physique and Irish good looks, Millican wasn't a distinctive enough personality for stardom, but came in handy for secondary roles as the hero's best friend, the boss' male secretary, and various assorted military adjutants. According to his own count, Millican also appeared in 400 westerns; while such a number is hard to document, it is true that he was a close associate of cowboy star "Wild Bill" Elliott, staging a number of personal-appearance rodeos on Elliott's behalf. Fans of baseball films will recall James Millican's persuasive performance as Bill Killefer in the Grover Cleveland Alexander biopic The Winning Team.

Harry Davenport (Actor) .. Ex-owner of Bulletin

Born: January 19, 1866
Died: August 09, 1949

Trivia: Harry Davenport was descended from a long and illustrious line of stage actors who could trace their heritage to famed 18th-century Irish thespian Jack Johnson. Davenport made his own stage bow at the age of five, racking up a list of theatrical credits that eventually would fill two pages of Equity magazine. He started his film career at the age of 48, co-starring with Rose Tapley as "Mr. and Mrs. Jarr" in a series of silent comedy shorts. He also directed several silent features in the pre-World War I era. Most of his film activity was in the sound era, with such rich characterizations as Dr. Mead in Gone With the Wind (1939) and Louis XI in The Hunchback of Notre Dame (1939) to his credit. He also essayed a few leading film roles, notably as a lovable hermit in the 1946 PRC programmer The Enchanted Forest. At the time of his final screen performance in Frank Capra's Riding High (1950), much was made in the press of the fact that this film represented Davenport's seventy-eighth year in show business. Married twice, Harry Davenport was the father of actors Arthur Rankin and Dorothy Davenport.

Paul Everton (Actor) .. GOP Man

Born: September 19, 1868
Died: February 26, 1948

Trivia: A busy supporting actor in the silent era, white-haired, stern-looking Paul Everton played in everything from the serial The Romance of Elaine (1915) to Cappy Ricks (1921), in which he appeared as the ill-fated ship's captain. Devoting most of the '30s to stage work, Everton returned to Hollywood late in the decade to play a variety of judges, mayors, senators, governors, and wardens. In between bit parts, he was featured in the continuing role of Townsend, a powerful industrialist, in Columbia Pictures' short-lived Five Little Peppers series from 1939 to 1940.

Forrester Harvey (Actor) .. Bum

Born: January 01, 1889
Died: December 14, 1945

Trivia: Diminuitive Irish actor Forrester Harvey was most often cast as cockney tradesmen, family gardeners and pub hangers-on. He entered films in 1922, but only with the advent of talking pictures were his talents exploited to full advantage. Part subservient, part pugnacious, Harvey became a fixture of Hollywood films set in England, Ireland or Scotland. His better-known film stints included Beamish in Tarzan, the Ape Man (1932) and Meredith the valet in Laurel and Hardy's A Chump at Oxford (1940). So ubiquitous was Forrester Harvey that he managed to appear in a film five years after his death! That film was Frank Capra's Riding High (1950), a remake of Broadway Bill (1934) which utilized extensive footage from the earlier film -- including virtually all of Harvey's scenes as a horse trainer.

Mary Benoit (Actor) .. Secretary

Born: January 01, 1911
Died: February 23, 2002

Mildred Coles (Actor) .. Secretary

Born: July 18, 1920

Trivia: An RKO starlet of the early 1940s, Mildred Coles ran the gamut from playing such "fallen" girls as the title role in Play Girl (1940) and a dysfunctional wife in the exploitation classic Bob and Sally (1948), to appearing as Allan "Rocky" Lane's leading lady in three Republic Westerns (1948). A typical road-show spectacular in which Coles' and Rick Jason's baby is born syphilitic, the aforementioned Bob and Sally became one of the highlights of a career that was decidedly on the wane. Coles appeared in a couple of bit roles at Warner Bros. before calling it quits in 1949, but Bob and Sally kept her name on theater marquees for decades.

Eddie Kane (Actor) .. Tycoon

Born: August 12, 1889
Died: April 30, 1969

Trivia: Tall, distinguished-looking Eddie Kane was never remotely a star in movies or television, but he played just about every kind of important supporting and bit role that there was to portray in a Hollywood career that stretched over a quarter century. Born in 1889, Kane entered show business by way of vaudeville and rose to the top of that field as a member of the team of Kane & Herman. Hollywood beckoned with the coming of sound and his first role was typical of the kind of work that he would do for the next 25 years. In MGM's The Broadway Melody, although uncredited, Kane played the important supporting role of Francis Zanfield (a thin burlesque of Ziegfeld), the theatrical producer whose interest in one of the two sisters, played by Anita Page and Bessie Love, gets the backstage plot rolling. In later films, the actor's parts varied from anonymous head waiters and hotel managers to essential supporting roles, small but telling in the plot. He was apparently at least a nodding acquaintance of James Cagney, playing important bit parts in two of Cagney's movies: in Something To Sing About, Kane portrayed the San Francisco theater manager who shelters Cagney from the crowds swarming around him on his return from an ocean voyage; in Yankee Doodle Dandy he played the actor in Little Johnny Jones who tells Cagney's George M. Cohan, in the title role of Jones, of the plan to fire a rocket from the ship when the evidence clearing him has been found. Kane's range of roles ran from business executives and impressarios to maitre d's and as he grew older and more distinguished-looking, his delivery grew even sharper onscreen. Kane is probably best known to audiences from the 1950s and beyond for his portrayal (uncredited, as usual) of Mr. Monahan, Ralph Kramden's boss at the Gotham Bus Company, in The Honeymooners' episode in which Kramden impersonates a bus company executive to impress an old rival. Kane retired from movies and television after the 1950s and died in 1969 of a heart attack at his home.

Melvin Lang (Actor) .. Foreign Dignitary

Born: January 01, 1894
Died: January 01, 1940

Alphonse Martell (Actor) .. Foreign Dignitary

Born: March 27, 1890
Died: March 18, 1976

Trivia: In films from 1926, former vaudevillian and stage actor/playwright Alphonse Martell was one of Hollywood's favorite Frenchmen. While he sometimes enjoyed a large role, Martell could usually be found playing bits as maitre d's, concierges, gendarmes, duelists, and, during WW II, French resistance fighters. In 1933, he directed the poverty-row quickie Gigolettes of Paris. Alphonse Martell remained active into the 1960s, guest-starring on such TV programs as Mission: Impossible.

Wyndham Standing (Actor) .. Democrat

Born: August 23, 1880
Died: February 01, 1963

Trivia: In films from 1915 to 1948, British stage veteran Wyndham Standing's heyday was in the silent era. During this time, Standing appeared in stiff-collar, stuffed-shirt roles in films like The Dark Angel and The Unchastened Woman (both 1925). His early-talkie credits include the squadron leader in Hell's Angels (1931) and Captain Pyke in A Study in Scarlet (1933). Thereafter, Standing showed up in such one-scene bits as King Oscar in Madame Curie (1943); he was also one of several silent-screen veterans appearing as U.S. senators in Capra's Mr. Smith Goes to Washington (1939). Wyndham Standing was the brother of actors Sir Guy Standing and Herbert Standing.

Edwin Stanley (Actor) .. Democrat

Born: January 01, 1880
Died: December 24, 1944

Trivia: Following his film debut in the 1916 adaptation of King Lear, actor Edwin Stanley returned to his first love, the stage. Stanley's next appearance was a featured role in the 1932 Columbia "special" Virtue. He spent the next 14 years playing military officers, theatrical producers, and other dignified take-charge characters. A familiar figure on the serial scene, Edwin Stanley played such chapter-play roles as Odette in Dick Tracy (1937), General Rankin in Flash Gordon's Trip to Mars (1938), Dr. Mallory in The Phantom Creeps (1939), and Colonel Bevans in The Mysterious Dr. Satan (1940).

Isabelle La Mal (Actor) .. Chamber of Commerce Member

Born: July 16, 1886

Alfred Hall (Actor) .. Chamber of Commerce Member

Born: December 02, 1881

George Melford (Actor) .. Chamber of Commerce Member

Born: January 01, 1899
Died: April 25, 1961

Trivia: A stage actor, Melford began appearing in films in 1909 and was directing by the early teens. Notable among his silent films are the Rudolph Valentino vehicles The Sheik and Moran of the Lady Letty; the standout among his talkies is the Spanish-language version of Dracula, which he shot on the sets of Tod Browning's 1931 film. In the late '30s Melford left directing and returned to acting, and appeared in several major films of the '40s, including the comedy My Little Chickadee with W.C. Fields and Mae West; Preston Sturges' classic farces The Miracle of Morgan's Creek and Hail the Conquering Hero; and Elia Kazan's debut feature A Tree Grows in Brookly.

Henry Roquemore (Actor) .. Chamber of Commerce Member

Born: March 13, 1886
Died: June 30, 1943

Trivia: In films from 1928, heavy-set character actor Henry Roquemore essayed small-to-medium roles as politicians, storekeepers, judges, and "sugar daddies." A typical Roquemore characterization was "the Match King," one of Mae West's many over-the-hill suitors in Goin' to Town (1935). His more memorable roles include the Justice of the Peace who marries Spencer Tracy and Katharine Hepburn in Woman of the Year (1941). Henry Roquemore was the husband of actress Fern Emmett.

John Ince (Actor) .. Doctor

Born: January 01, 1877
Died: April 10, 1947

Trivia: John Ince was the older brother of producer/directors Tom Ince and Ralph Ince. Like his siblings, John was a stage actor from childhood. Despite his huge, fleshy frame, Ince found work as a leading man when entered films in 1913; he also directed and scripted several of his own vehicles. Concentrating almost exclusively on directing from 1915 through 1928, Ince returned before the cameras as a character actor in the early years of the talkies. While many of assignments were bit roles, John Ince could always be counted on to make his scenes important; he was quite memorable as Major Bowes clone "Colonel Crowe" in the 1935 Buster Keaton two-reeler Grand Slam Opera, and as the real-life Monogram producer Sam Katzman (whom Ince resembled not in the slightest) in the Bela Lugosi chiller Voodoo Man (1944).

Gail Newbray (Actor) .. Telephone Operator

Earl Bunn (Actor) .. Policeman

Edmund Cobb (Actor) .. Policeman

Born: June 23, 1892
Died: August 15, 1974

Trivia: The grandson of a governor of New Mexico, pioneering screen cowboy Edmund Cobb began his long career toiling in Colorado-produced potboilers such as Hands Across the Border (1914), the filming of which turned tragic when Cobb's leading lady, Grace McHugh, drowned in the Arkansas River. Despite this harrowing experience, Cobb continued to star in scores of cheap Westerns and was making two-reelers at Universal in Hollywood by the 1920s. But unlike other studio cowboys, Cobb didn't do his own stunts -- despite the fact that he later claimed to have invented the infamous "running w" horse stunt -- and that may actually have shortened his starring career. By the late '20s, he was mainly playing villains. The Edmund Cobb remembered today, always a welcome sign whether playing the main henchman or merely a member of the posse, would pop up in about every other B-Western made during the 1930s and 1940s, invariably unsmiling and with a characteristic monotone delivery. When series Westerns bit the dust in the mid-'50s, Cobb simply continued on television. In every sense of the word a true screen pioneer and reportedly one of the kindest members of the Hollywood chuck-wagon fraternity, Edmund Cobb died at the age of 82 at the Motion Picture Country House and Hospital in Woodland Hills, CA.

Jack Cheatham (Actor) .. Policeman

Born: January 01, 1894
Died: January 01, 1971

Lew Davis (Actor) .. Electrician

Howard Chase (Actor) .. Electrician

Floyd Criswell (Actor) .. Electrician

Carl Ekberg (Actor) .. Reporter

Born: March 01, 1903

Frank Fanning (Actor) .. Reporter

Born: September 06, 1885

Eddie Fetherston (Actor) .. Reporter

Born: September 09, 1896

Walter Finden (Actor) .. Photographer

Jack Gardner (Actor) .. Photographer

Born: December 13, 1902
Died: February 13, 1977

Trivia: One of the busiest supporting players in the 1930s and early '40s, wiry general purpose actor Jack Gardner popped up in such disparate films as The Devil's Squadron (1936), Sinners in Paradise (1938), and Mr. Smith Goes to Washington (1939). He played a reporter in all three and that profession would become his on-screen stock-in-trade. Whenever a gaggle of inquisitive newspapermen gathered in a film to attack someone with a barrage of questions, chances were good that Jack Gardner and Lynton Brent were among them. Gardner also played his fair share of messenger boys, receptionists, mechanics, and henchmen. He was a wily Japanese spy in the 1943 Universal serial Adventures of Smilin' Jack (1943). Not to be confused with a silent screen actor (1873-1950) and a vaudevillian (1876-1929) of the same name, this Jack Gardner seems to have left films in the mid-'40s.

William Gould (Actor) .. Sergeant

Born: May 02, 1886
Died: March 20, 1960

Trivia: American actor William Gould's credits are often confused with those of silent-movie actor Billy Gould. Thus, it's difficult to determine whether William made his film debut in 1922 (as has often been claimed) or sometime in the early 1930s. What is known is that Gould most-often appeared in peripheral roles as police officers and frontier types. Two of William Gould's better-known screen roles were Marshall Kragg in the 1939 Universal serial Buck Rogers and the night watchman who is killed during the nocturnal robbery in Warner Bros.' High Sierra (1940).

Kenneth Harlan (Actor) .. Publicity Man

Born: July 26, 1895
Died: March 06, 1967

Trivia: American actor Kenneth Harlan possessed the main prerequisite to succeed as a silent-movie leading man: he looked as though he'd just stepped out of an Arrow Collar ad. The nephew of rolypoly character actor Otis Harlan, Kenneth was on stage from the age of seven. He signed with D.W. Griffith's production company in the mid teens, though he was never actually directed by Griffith. Taking to the Roaring Twenties like a fish to water, Harlan spent as much time partying as he did acting; he also was quite a ladies' man, toting up seven marriages. Harlan's popularity was already on the wane when sound came in, so it didn't really matter that his voice had a surly edge to it which precluded future romantic leading roles. He remained in films as a supporting and bit actor in major features, and as a leading player in serials (Dick Tracy's G-Men [1937]) and short subjects (The Three Stooges' Movie Maniacs [1936]). It was clear that he couldn't muster much enthusiasm for the roles assigned him in the '30s; whenever appearing as a western villain, Harlan seldom bothered to dress the part, generally showing up on the set with a stetson hat and a modern business suit. Kenneth Harlan left acting in 1944 to become a reasonably successful actor's agent and restauranteur.

Richard Kipling (Actor) .. Police Commissioner

Born: August 21, 1879
Died: March 11, 1965

Trivia: Sporting a pencil-thin mustache and an air of superiority, New York-born actor Richard Kipling played literally hundreds of unbilled bit parts from 1934 to 1955, often cast as "dignified men," the exact description of his character in the 1943 musical Girl Crazy. A veteran stock company actor, Kipling had formed Richard Kipling Enterprises in the late '10s to produce low-budget Westerns starring also-ran cowboys Bill Patton and Roy Stewart. At least five films were produced: The Midnight Rider (1920), Outlawed (1921), The Battlin' Kid (1921), and The Golden Silence (1923) -- all directed by Alvin J. Neitz and starring Patton -- and The Lone Hand (1920), starring Stewart.

Frank Meredith (Actor) .. Guard

Jack Mower (Actor) .. Guard

Born: September 01, 1890
Died: January 06, 1965

Trivia: Silent film leading man Jack Mower was at his most effective when cast in outgoing, athletic roles. Never a great actor, he was competent in displaying such qualities as dependability and honesty. His best known silent role was as the motorcycle cop who is spectacularly killed by reckless driver Leatrice Joy in Cecil B. DeMille's Manslaughter (1922). Talkies reduced Jack Mower to bit parts, but he was frequently given work by directors whom he'd befriended in his days of prominence; Mower's last film was John Ford's The Long Gray Line (1955).

Cliff Saum (Actor) .. Guard

Born: December 18, 1882
Died: March 01, 1943

Trivia: A film actor from 1914, Cliff Saum was much in demand during WWI as scurrilous Teutonic types. Saum also served as assistant director for By Whose Hand? (1927) and other silent productions. From 1930 to 1942, he essayed dozens of bits and supporting roles, usually at Warner Bros. Amidst many one-day roles as detectives, truck drivers, and the like, Cliff Saum played a comic Native American named Chief Thunderbird in 1940's Ladies Must Live.

Don Turner (Actor) .. Guard

Forbes Murray (Actor) .. Legislator

Born: November 04, 1884

Trivia: In films from 1937, silver-haired American actor Forbes Murray could be described as a less-costly Claude Rains. Murray lent his middle-aged dignity to such serials as The Spider's Web (1938), Mandrake the Magician (1940), Lone Ranger (1938), Perils of Nyoka (1942), Manhunt of Mystery Island (1945), and Radar Patrol vs. Spy King (1950). He also showed up in quite a few comedies, notably as the bank president who finances the college education of Laurel and Hardy ("Diamonds in the rough," as he describes them) in A Chump at Oxford (1940). Forbes Murray was active at least until 1955.

Maris Wrixon (Actor) .. Autograph Hound

Born: January 01, 1917

Trivia: In films from 1938, statuesque brunette American actress Maris Wrixon fluctuated from full leads to supporting parts. In many of her films, Wrixon was bumped off in the first or second reel, but in just as many she was permitted to survive to the fadeout. She was starred in several Warner Bros. B-pictures of the 1940s, usually in remakes of earlier Warner A's. Horror fans remember her best as Boris Karloff's daughter in Monogram's The Ape (1941). Maris Wrixon retired in the late '40s following her marriage to film editor Rudi Fehr.

Susan Peters (Actor) .. Autograph Hound

Born: July 03, 1921
Died: October 23, 1952

Trivia: Suzanne Carnahan was billed under her own name when she made her entree into films in 1940. As Susan Peters, she was signed as an MGM contract player in 1942, earning an Oscar nomination for her portrayal of Kitty in MGM's Random Harvest. In 1944, she was paralyzed from the waist down in a hunting accident, and was thereafter confined to a wheelchair. Peters made a courageous film comeback in 1948, playing a vicious, conniving invalid in Sign of the Ram. In 1951, she starred as a female lawyer in the Philadelphia-based daily TV serial Miss Susan. The pressures of live television exacerbated Peters' already precarious physical condition, forcing her to retire from the series; not long afterward, she died of a variety of medical complications at the age of 31. From 1943 to 1948, Susan Peters was married to writer/director Richard Quine.

Frank Mayo (Actor) .. Attendant

Born: January 01, 1886
Died: July 09, 1963

Trivia: Silent film star Frank Mayo was in movies as early as 1913 when he began a long association with the World Film Company of New Jersey; later he was most closely linked with Universal Pictures. Equally impressive in a dinner jacket or rugged outdoor garb, Mayo was a dependable strong-and-stalwart hero in such Hollywood films as The Brute Breaker (19), Afraid to Fight (22) and Souls for Sale (23). Toward the end of the silent era, Mayo married actress Dagmar Godowsky, whose star began ascending even as her husband's eclipsed; the marriage was annulled in 1928. Confined to bit and extra roles in the 1930s and 1940s, Frank Mayo was frequently hired by producer Jack Warner and director Cecil B. DeMille, both of whom regularly employed the faded stars of the silent years; Mayo's final appearance was in DeMille's Samson and Delilah (49).

Wedgewood Nowell (Actor) .. Bit Part

Born: January 24, 1878
Died: June 17, 1957

Trivia: A handsome, mustachioed supporting player, Wedgewood Nowell entered films in 1915, according to his official studio bio, "after 15 years of stage work." A classically trained musician as well, the actor moonlighted as a composer of original music, his scores accompanying the screenings of such popular melodramas as The Disciple (1915) and The Deserter (1916). Very busy throughout the silent era -- mostly playing slightly degenerate noblemen and various bluenoses -- Nowell became a dress extra and bit player after the changeover to sound.

Evelyn Barlowe (Actor) .. Bit Part

Fritzi Brunette (Actor) .. Bit Part

Born: May 27, 1890
Died: September 28, 1943

Trivia: A star for various independent producers as early as 1911, dark-eyed Fritzi Brunette (born Florence Brunet) later became a leading lady for Victor, Powers, and, in the last years of its existence, the Selig Polyscope Company, often appearing opposite her husband, actor/director William Robert Daly. She played supporting roles in the 1920s and was one of many fading silent stars to obtain work as a dress extra after the advent of sound. Never retiring, Brunette's final known appearance came in Universal's You're Telling Me (1942), in which she can be spotted along with her older sister, Vera.

Lucie Carroll (Actor) .. Bit Part

Florence Lawler (Actor) .. Bit Part

Evelyn Dockson (Actor) .. Bit Part

Ethel Gilstrom (Actor) .. Bit Part

Claire Meade (Actor) .. Bit Part

Born: January 01, 1883
Died: January 01, 1968

Mrs. Wilfred North (Actor) .. Bit Part

Elsa Peterson (Actor) .. Bit Part

Born: December 23, 1897

Sada Simmons (Actor) .. Bit Part

Bessie Wade (Actor) .. Bit Part

Born: January 01, 1884
Died: January 01, 1966

Lillian West (Actor) .. Bit Part

Born: March 15, 1886

Mack Gray (Actor) .. Bit Part

Born: December 11, 1910
Died: January 17, 1981

Jay Guedillio (Actor) .. Bit Part

Donald Hall (Actor) .. Bit Part

Born: August 14, 1868
Died: July 18, 1948

Trivia: A prominent character actor of the 1910s, former light baritone Donald Hall starred opposite Anna Held and Fritzi Scheff in hit shows such as Floradora and The Girl Behind the Counter before entering films with Vitagraph in 1914. Often appearing opposite his wife, Frankie Mann, Hall made a fine James II in the melodrama Hearts and the Highway (1915) and added dignity to such less than sterling efforts as The Sex Lure (1916), Alias Mrs. Jessup (1917), and the serial The Drake Case (1919). Less busy in the 1920s, Hall became an extra after the advent of sound and was spotted as late as 1943 playing a senator in the housing shortage comedy Government Girl. He died at the Motion Picture Country House and Hospital in Woodland Hills, CA.

James Harrison (Actor) .. Bit Part

Max Hoffman Jr. (Actor) .. Bit Part

Born: January 01, 1902
Died: January 01, 1945

Frank Jaquet (Actor) .. Police Desk Sergeant

Born: March 16, 1885
Died: May 11, 1958

Trivia: Actor Frank Jaquet's screen career extended from 1934 to the mid-1950s. Seldom playing a major role, Jaquet essayed dozens of bit parts as senators, judges, doctors, and politicians. As a pompous small-town mayor, he served as a "human punch line" in the 1938 "Our Gang" comedy Party Fever. Among his larger assignments was the part of murder suspect Paul Hawlin in the 1944 Charlie Chan entry Black Magic. One of Frank Jaquet's last roles was the kindly butcher in the "Gift of the Magi" sequence in O. Henry's Full House (1952).

Charles McAvoy (Actor) .. Bit Part

Born: January 01, 1884
Died: January 01, 1953

Larry McGrath (Actor) .. Bit Part

Born: January 01, 1889
Died: January 01, 1960

Joe Mcguinn (Actor) .. Bit Part

Born: January 01, 1903
Died: January 01, 1971

Tom McGuire (Actor) .. Bit Part

Born: January 01, 1873
Died: January 01, 1954

Frank Moran (Actor) .. Bit Part

Born: March 18, 1887
Died: December 14, 1967

Trivia: Gravel-voiced, granite-faced former heavyweight boxer Frank C. Moran made his film debut as a convict in Mae West's She Done Him Wrong (1933). Though quickly typecast as a thick-eared brute, Moran was in real life a gentle soul, fond of poetry and fine art. Perhaps it was this aspect of his personality that attracted Moran to eccentric producer/director/writer Preston Sturges, who cast the big lug in all of his productions of the 1940s. It was Moran who, as a cop in Sturges' Christmas in July (1940), halted a tirade by an argumentative Jewish storeowner by barking, "Who do ya think you are, Hitler?" And it was Moran who, as a tough truck driver in Sullivan's Travels (1942), patiently explains to his traveling companions the meaning of the word "paraphrase." On a less lofty level, Frank Moran shared the title role with George Zucco in Monogram's Return of the Ape Man (1944).

Clark Morgan (Actor) .. Bit Part

George Pembroke (Actor) .. Bit Part

Born: December 27, 1900
Died: June 11, 1972

Trivia: Canadian-born general-purpose actor George Pembroke is perhaps best remembered as Dr. Saunders, the leader of the fifth columnists in Bela Lugosi's Black Dragons (1942) and as the police inspector posing as an art connoisseur in the semi-classic Bluebeard (1944). In Hollywood from 1937, Pembroke made serials somewhat of a specialty, appearing in Drums of Fu Manchu (1940), Adventures of Captain Marvel (1941), Perils of Nyoka (1942), Captain Midnight (1942), and Daredevils of the West (1943). He later became a frequent guest star on television's The Lone Ranger and Gene Autry.

Bob Perry (Actor) .. Delegate

Born: January 01, 1879
Died: January 08, 1962

Trivia: Character actor Bob Perry made his film debut as Tuxedo George in 1928's Me Gangster. For the rest of his Hollywood career, Perry popped up in brief roles as bartenders, croupiers, referees, guards, and the like. Many of his characters were on the wrong side of the law, and few of them spoke when shooting or slugging would do. Bob Perry kept busy in films until 1949, when he retired at the reported age of 70.

Edward Peil Sr (Actor)

Born: January 18, 1882
Died: December 29, 1958

Trivia: Enjoying a screen career that began in 1908 and lasted until the early '50s, Edward Peil Sr. remains one of those faces every lover of classic Hollywood movies knows so well but just cannot quite place. A barnstormer of the old school, Peil supported legendary stage diva Helena Modjeska in road companies of such theatrical classics as The Witching Hour and Brewster's Millions. Although he had dabbled in motion picture acting as early as 1908 (probably with the Philadelphia-based Lubin company), Peil came into his own with D.W. Griffith, who cast him as Evil Eye in Broken Blossoms (1919) and Swan Way in Dream Street (1921), not exactly characterizations that will endear him to modern, more politically correct moviegoers. Peil, whose last name was often misspelled "Piel," performed more evil-doing later in the decade, although age had a mellowing effect and he increasingly began playing gentleman ranchers, the heroine's father/uncle, decent lawmen, and the like, carving out a whole new career for himself in the field of B-Westerns. According to genre expert Les Adams, Peil made a total of 104 sound Westerns and 11 serials, adding the "Sr." to his name when his namesake son dropped his previous moniker of Johnny Jones. Father and son made one film together: the 1941 aviation drama I Wanted Wings. Edward Peil Sr. died in 1958 at the age of 76.

Hal Price (Actor) .. Bit Part

Born: June 14, 1886
Died: April 15, 1964

Trivia: Sometimes he was Hal Price, other times he was Harry Price. Sometimes (in fact, much of the time) he wasn't billed at all. Whatever the case, Hal Price was one of the more ubiquitous performers in the field of B-Westerns and serials. He was the bald, mustachioed frontiersman who usually said something like, "We got a nice, quiet town here, stranger...and we aim to keep it that way."

Stanley Price (Actor) .. Bit Part

Born: January 01, 1892
Died: January 01, 1955

Trivia: American character actor Stanley Price reportedly launched his screen career in 1922. Possessed of a sharkish smile and luminescent stare, Price was usually seen as a villain, often of the psychotic variety. He was a "regular" in the serial field, appearing in such chapter plays as The Miracle Rider (1935), Red Barry (1938), Adventures of Captain Marvel (1941), Holt of the Secret Service (1942), Batman (1943), Captain America (1944), Superman (1948), and King of the Rocket Man (1949). His flair for comedy was well represented in such films as Road to Morocco (1942), in which he played the blithering idiot in the opening bazaar scene, and his many appearances with the Three Stooges. According to at least one source, Stanley Price was briefly a dialogue director at Lippert Studios.

Don Roberts (Actor) .. Bit Part

Thomas W. Ross (Actor) .. Bit Part

Born: January 01, 1872
Died: January 01, 1959

Bernard Wheeler (Actor) .. Bit Part

Ed Williams (Actor) .. Bit Part

Max Blum (Actor) .. Bit Part

Sidney Bracey (Actor) .. Club Member

Born: January 01, 1877
Died: August 05, 1942

Trivia: You'd never know it from his desiccated, crackly voiced film appearances of the 1930s, but Australian actor Sidney Bracey was once a romantic leading man. The son of actress Clara T. Bracey and lyric tenor Henry Bracey, Sidney began his own stage career at the turn of the century. By 1910, he was starring in American film productions at the old Kalem Studios. Eventually, his short, thin stature worked against his credibility as a virile lover, and Bracey became a character player in such silent features as Ruggles of Red Gap (1922), The Merry-Go-Round (1923), and Courtship of Miles Standish (1923). He was a particular favorite of director King Vidor and comedian Buster Keaton; the latter was among the first to recognize Bracey's potential in low-key "gentleman's gentleman" roles. Sidney Bracey continued playing butlers, valets, and stewards into the early '40s; he was also prominently featured in such short subjects as Our Gang's Second Childhood (1936) and Three Smart Boys (1937).

Glen Cavender (Actor) .. Bit Part

Born: September 19, 1883
Died: February 09, 1962

Trivia: Burly American comic actor Glen Cavender is perhaps best remembered for playing the Union spy, Captain Anderson, in Keaton's masterpiece The General (1927), but the ex-vaudevillian began his screen career with the St. Louis Motion Picture Company (which, despite its name, was located in Los Angeles) in the early 1910s. Acknowledged as one of the original Keystone Kops, Cavender later directed the Sennett stock company in such farces as The Lion and the Girl (1916) and The Scoundrel's Toll (1916), as well as The Sheriff (1918) for Joseph Schenck's Comique, starring "Fatty" Arbuckle and Buster Keaton. Returning to acting in the 1920s, Cavender appeared mainly in two-reelers produced by comedy veteran Joe Rock but he did turn up in a few feature films, including the Buck Jones Western Straight from the Shoulder (1921). By the 1930s, however, Cavender was reduced to playing unbilled bit parts. He retired around 1941.

Inez Gay (Actor) .. Bit Part

Bess Meyers (Actor)

Sally Sage (Actor) .. Bit Part

Lottie Williams (Actor) .. Bit Part

Born: January 20, 1874

Eddie Graham (Actor) .. Tall Autograph Hound

Stuart Holmes (Actor) .. Bit Part

Born: March 10, 1887
Died: December 29, 1971

Trivia: It is probably correct to assume that American actor Stuart Holmes never turned down work. In films since 1914's Life's Shop Window, Holmes showed up in roles both large and microscopic until 1962. In his early days (he entered the movie business in 1911), Holmes cut quite a villainous swath with his oily moustache and cold, baleful glare. He played Black Michael in the 1922 version of The Prisoner of Zenda and Alec D'Uberville in Tess of the D'Ubervilles (1923), and also could be seen as wicked land barons in the many westerns of the period. While firmly established in feature films, Holmes had no qualms about accepting bad-guy parts in comedy shorts, notably Stan Laurel's Should Tall Men Marry? (1926) In talkies, Holmes' non-descript voice tended to work against his demonic bearing. Had Tom Mix's My Pal the King (1932) been a silent picture, Holmes would have been ideal as one of the corrupt noblemen plotting the death of boy king Mickey Rooney; instead, Holmes was cast as Rooney's bumbling but honest chamberlain. By the mid '30s, Holmes' hair had turned white, giving him the veneer of a shopkeeper or courtroom bailiff. He signed a contract for bits and extra roles at Warner Bros, spending the next two decades popping up at odd moments in such features as Confession (1937), Each Dawn I Die (1939) and The Adventures of Mark Twain (1944), and in such short subjects as At the Stroke of Twelve (1941). Stuart Holmes remained on call at Central Casting for major films like Around the World in Eighty Days (1956) and The Man Who Shot Liberty Valance (1962) until his retirement; he died of an abdominal aortic aneurism at the age of 83.

Al Lloyd (Actor) .. Bit Part

Paul Panzer (Actor) .. Bit Part

Born: November 03, 1872
Died: August 16, 1958

Trivia: German-born stage actor Paul Panzer entered films in 1904 with Vitagraph studios. Panzer appeared in most of Vitagraph's one-reel Shakespearean adaptations of the 1908-1909 season, including Othello (as Cassio), MacBeth (as MacDuff), Julius Caesar, and Antony and Cleopatra. Refusing to be typecast, he played in everything from romantic dramas to slapstick comedies. All this ended in 1914 when he was cast as the flamboyantly duplicitous Koerner in the landmark serial The Perils of Pauline; thereafter, he was pigeonholed in villainous roles, nearly all of them based on the eye-rolling, lip-smacking Koerner. In the early talkie era, he co-starred in German-language versions of popular Hollywood films, and thereafter was confined to bit roles until his retirement in the early '50s. One of Paul Panzer's last assignments was a cameo role in the 1947 Pearl White musical biopic The Perils of Pauline -- not as a villain, surprisingly enough, but as a tuxedoed silent-flick leading man.

Jack Richardson (Actor) .. Man in Diner

Born: November 18, 1883
Died: November 01, 1957

Trivia: A veteran stage actor, Jack Richardson began his screen career at the American Film Manufacturing Company opposite his then-wife Louise Lester, the studio's comic "Calamity Anne." One of the better "Boss Heavies" around, Richardson even starred in a couple of low-budget Westerns in the 1920s, but was not really suitable hero material. Today he is perhaps best remembered for playing the brutal servant -- in blackface, no less -- in Thomas H. Ince's justly infamous Free and Equal (1915, released 1925). Richardson's career lasted through the 1940s, but mostly in minor roles.

Leo White (Actor) .. Bit Part

Born: January 01, 1880
Died: September 21, 1948

Trivia: A music-hall favorite in his native England, dapper, diminutive Leo White was brought to America by theatrical impresario Daniel Frohman. In 1914, White joined the Essanay film company, where he appeared in support of Wallace Beery in the Sweedie comedies. Within a year he was a member in good standing of Charlie Chaplin's stock company, playing a variety of dandies, noblemen, and anarchists. He moved to Hal Roach's "Rollin'" comedies in 1917, where he co-starred with such funmakers as Harold Lloyd, Harry "Snub" Pollard, Bebe Daniels, and Bud Jamison. White showed up in several features of the 1920s, including Lloyd's Why Worry (1923), Valentino's Blood and Sand (1922), and the mighty Ben-Hur (1926, as Sallanbat). In the talkie era, he played supporting roles in Columbia and RKO two-reel comedies, and bits in features: in the Marx Brothers' Night at the Opera, for example, he's one of the three bearded Russian aviators. From 1934 to 1948, he was on call at Warner Bros. for bits and extra roles. Leo White spent his last decade essaying one-scene roles in such Warner features as Yankee Doodle Dandy (1942), Arsenic and Old Lace (1944), and The Fountainhead (1949), and even had a part in the animated Looney Tune Eatin' on the Cuff (1943).

Tom Wilson (Actor) .. Man in Diner / Man in Radio Station Audience

Born: January 01, 1879
Died: January 01, 1965

Charles Trowbridge (Actor) .. Bit Part

Born: January 10, 1882
Died: October 30, 1967

Trivia: Actor Charles Trowbridge was born in Mexico to American parents. An architect for the first decade of his adult life, Trowbridge turned to stage acting in the early teens, making his film bow in 1918's Thais. Silver-haired even as a young man, Trowbridge was generally cast in kindly but authoritative roles, usually as doctors, lawyers and military officers. He also had a bad habit of being killed off before the film was half over; in 1940, Trowbridge had the distinction of being murdered (by Lionel Atwill and George Zucco respectively) in two separate Universal horror films, Man Made Monster and The Mummy's Hand. While he was active until 1957, Charles Trowbridge was best known to millions of wartime servicemen as the cautionary military doctor in John Ford's venereal disease prevention film Sex Hygiene (1941).

Fredrik Vogeding (Actor) .. Bit Part

Born: March 02, 1887
Died: April 01, 1942

Trivia: A cabaret artist in his native Holland, Frederick (or Fredrik) Vogedink spent the early years of his screen career in Germany. In 1920, he married American actress Florence Roberts (1871-1927) and co-starred with Dorothy Dalton in Behind Masks (1921), a routine crime drama from Paramount. He appeared in a few other silent films in Hollywood, but Vogedink's screen career began in earnest in 1933, when he made an indelible impression as the grim U-boat captain in Below the Sea. With his stern visage, Vogedink later excelled at playing Nazis and was memorable as the nasty Captain Richter in one of the earliest Hollywood films to openly criticize Hitler's Germany, Confessions of a Nazi Spy (1939). Vogedink's death was attributed to the aftereffects of a heart attack.

Jack Wise (Actor) .. Delegate

Born: January 01, 1902
Died: January 01, 1954

Frank C. Moran (Actor) .. Bit Part

George H. Melford (Actor)

Eddie Fetherstone (Actor) .. Reporter

Born: January 01, 1896
Died: June 12, 1965

Trivia: American vaudevillian Eddie Fetherstone (sometimes spelled Fetherston) started popping up in films around 1925. A perfect "working-stiff" type (he usually wore cap and overalls on screen), Fetherstone became a favorite of star comedian Harold Lloyd, appearing in the Lloyd talkies Movie Crazy (1932), Cat's Paw (1934) and The Milky Way (1936). Elsewhere, Fetherston played dozens of bit roles as reporters, cabbies and crooks. Larger roles came his way in such "B"'s as Republic's Sky Bandits and in the two-reel efforts of The Three Stooges, Buster Keaton and Harry Langdon at Columbia. Eddie Fetherstone can currently be seen on TV on an annual basis, playing a bank teller in Frank Capra's It's a Wonderful Life (1946).

Lotta Williams (Actor)

Born: January 01, 1873
Died: January 01, 1962

12:30 am - 02:45 am, Thursday, October 23 on KAOB Nostalgia (27.4)