Trivia: Long before Eddie Murphy, Andrew Dice Clay, or Howard Stern raised the ire of censors and threatened the delicate sensibilities of mainstream American good taste, there was Redd Foxx, arguably the most notorious "blue" comic of his day. Prior to finding fame in the 1970s as the star of the popular sitcom Sanford and Son, Foxx found little but infamy throughout the first several decades of his performing career; salty and scatological, his material broke new ground with its point-blank riffs and brazen discussions of sex and color, and although his party albums were generally banned from white-owned record stores, the comedian's funky narrative style and raspy delivery proved highly influential on comic talents of all ethnic backgrounds.Foxx was born John Elroy Sanford in St. Louis on December 9, 1922. While still in his teens, he became a professional performer, working as both a comedian and actor on the so-called "chitlin circuit" of black theaters and nightclubs. He formulated his stage name by combining an old nickname, "Red" (given because of his ruddy complexion), with the surname of baseball's Jimmie Foxx. After cutting a handful of explicit blues records in the mid-'40s, beginning in 1951 he often teamed with fellow comic Slappy White, a partnership which lasted through 1955. Foxx was performing at Los Angeles' Club Oasis when a representative from the tiny Dooto label contacted him about cutting an album. The comedian agreed, and was paid 25 dollars to record Laff of the Party, the first of over 50 albums of Foxx's racy anecdotes. An onslaught of Dooto releases followed, among them over half a dozen other Laff of the Party sets, The Sidesplitter, The New Race Track, Sly Sex, and New Fugg. His records were poorly distributed, and offered primarily in black neighborhoods. When they did appear in white record stores, they were sold under the counter. In the 1960s, Foxx signed to the MF label and his routines became even more explicit, as evidenced by titles like Laff Your Ass Off, Huffin' and a Puffin', I'm Curious (Black), 3 or 4 Times a Day, and Mr. Hot Pants. After a brief tenure on King, he signed to Loma, a division of Frank Sinatra's Reprise imprint. With records like Foxx A Delic and Live at Las Vegas, he became one of the very first performers to use four-letter words on major-label releases.As the 1960s wore on and long-standing cultural barriers began to crumble, Foxx's audience expanded, and he made a number of television appearances. In 1970, he made his film debut in Ossie Davis' Cotton Comes to Harlem. When the film became a surprise hit, Foxx became a hot talent, and soon signed to star in Sanford and Son, a retooled sitcom version of the British television hit Steptoe and Son. The series, which starred Foxx as junk dealer Fred Sanford, premiered in 1972 and became a huge hit, running through 1977. He also continued recording, issuing You Gotta Wash Your Ass, a live set taped at the Apollo Theater, in 1976. The short-lived programs Sanford, The Redd Foxx Show, and The Redd Foxx Comedy Hour followed; additionally, he starred in the 1976 feature Norman, Is That You?, and became a Las Vegas headliner.By the early '80s, Foxx's career hit the skids. By the end of the decade, however, his influence on the new breed of African-American comedians was openly acknowledged, and in 1989 Eddie Murphy tapped him to co-star in his black-themed crime-noir film Harlem Nights. Although the film flopped, Foxx's career was renewed, and in 1991 he began work on a new sitcom, The Royal Family. Tragically, he suffered a heart attack on the series' set and died on October 11, 1991. Still, even in death, Foxx's name remained synonymous with off-color comments; on an episode of the hit show Seinfeld broadcast several years later, Jason Alexander's character, George, was chastised for the "curse toast" he delivered at a friend's wedding, prompting an exasperated Jerry Seinfeld to exclaim, "You were like a Redd Foxx record up there!"

Trivia: Began his acting career at the age of 4 with an appearance in the Broadway play Green Pastures. Was drafted by the Army and served a tour of duty in Vietnam. Guest-starred on an Emmy-winning episode of All in the Family, which helped him earn a lead role on the popular sitcom Sanford and Son. Scaled back his acting work after experiencing a spiritual awakening and becoming a minister in 1983. Is also a writer whose works include several children's books and the memoir Second Banana: The Bitter Sweet Memoirs of the Sanford & Son Years.

Trivia: A comedienne turned actress who rose to fame as outspoken bible-thumper Aunt Ester in Redd Foxx's hit sitcom Sanford and Son, LaWanda Page performed with such other famous contemporaries as Richard Pryor and Rudy Ray Moore before finding success on the small screen. A native of Cleveland who grew up in St. Louis, Page first hit the stage as an exotic dancer and chorus girl billed "the Bronze Goddess of Fire" (due to her penchant for playing with fire on-stage) before fully realizing her talents as a standup comic. Subsequently approached by Foxx to star in Sanford and Son, Page tickled television viewers' funny bones with her memorable role as Foxx's aggressively religious sister-in-law in the original series' spin-off The Sanford Arms, and the 1980 revival Sanford. Throughout the 1980s and '90s, Page crafted a feature-film career with minor roles in such comedies as Zapped! (1982), My Blue Heaven (1990), Friday (1995), and Don't Be a Menace to South Central While Drinking Your Juice in the Hood (1996). Always retaining her fiery approach to comedy, Page also performed on-stage in productions of The Inquest of Sam Cooke and Take It to the Lord...Or Else. On September 14, 2002, LaWanda Page died from complications of diabetes in Los Angeles, CA. She was 81.

Trivia: Best known to audiences as Mr. Miyagi, Ralph Macchio's mentor in the "wax on, wax off" school of combat in the 1984 hit The Karate Kid, Noriyuki "Pat" Morita is the most prominent Japanese-American actor of his generation. Morita is also well known for having played Arnold, the amiable diner owner on the hit television series Happy Days, for two non-consecutive seasons (1975-1976 and 1982-1983). His status as one of the most familiar actors of Asian descent kept him working in a variety of projects throughout the 1980s and '90s.Having spent part of his youth in a Japanese internment camp during World War II, Morita nonetheless emerged with his sense of humor intact, giving up work as a computer programmer to concentrate on stand-up comedy in the early '60s. After a number of nightclub and TV variety show appearances, Morita found his first film role in 1967's Thoroughly Modern Millie as a stereotypical ethnic henchman. His natural affability soon began shining through, winning Morita his role on Happy Days for the 1975-1976 season. As Arnold, Morita interacted with Richie, Fonzie, and company with a memorable combination of good humor and exasperation. He returned to the gig in 1982-1983 after a failed attempt to front his own series (the critically lambasted Mr. T and Tina in 1976), a number of small film roles, and guest appearances on such shows as The Love Boat and Magnum P.I. His major pop culture breakthrough was the role of janitor and karate master Mr. Miyagi in The Karate Kid. An eccentric tutor who at first appears to be using his student for an endless variety of household chores, Miyagi soon reveals the method behind his training, turning the scrawny Daniel (Macchio) into a confident fighter, while also instilling an important message that violence should remain a last resort. The exceedingly popular film made Morita a household name, and audiences were left with the indelible image of a jolly and wise old soul trying desperately to catch a fly with a pair of chopsticks. Morita reprised the role for the two sequels starring Macchio in (1986 and 1989), as well as The Next Karate Kid, which starred future Oscar winner Hilary Swank, in 1994.In the late '80s, Morita found the success that had previously eluded him in television solo efforts with the two-season detective series Ohara (1987-1989). In 1987, he also wrote and starred in the World War II romance Captive Hearts, a film about a pilot shot down over Japan who falls in love with a village woman. Morita plays the village elder who saves the young pilot from execution.Morita spent the 1990s continuing to work regularly as a character actor in both television and movies. His film roles included Honeymoon in Vegas (1992), Even Cowgirls Get the Blues (1993,) and vocal work as the Emperor in Disney's Mulan (1998). He guest starred on such shows as The Fresh Prince of Bel Air, Diagnosis Murder, and The Hughleys, and had a recurring role as Mr. Tanaka on Baywatch.

Trivia: Of Russian descent, actor Martin Kosleck established himself on the Berlin stage under the guidance of Max Reinhardt, fleeing Germany shortly before Hitler came to power. Virtually never anything other than a villain on screen, Kosleck proved an excellent low-priced substitute for Peter Lorre in roles calling for skulking menace (1946's Pursuit to Algiers), implicit sexual depravity (1941's The Mad Doctor, as Basil Rathbone's "good friend") and outright bug-eyed lunacy (1945's House of Horrors). The role with which Kosleck was most closely associated was Nazi propaganda minister Joseph Goebbels, a part he played to chilling perfection in such films as Confessions of a Nazi Spy (1939), The Hitler Gang (1944) and Hitler (1962). Martin Kosleck was careful to invest his interpretation of Goebbels with no redeeming qualities whatsoever, explaining "I wanted people to hate me as much as I hated the character I was playing."

Trivia: With his trademark howls, distinctive gravelly voice (almost the personification of the R&B music he loved so well), and flamboyant but laid-back cool, radio personality Wolfman Jack tore up the airwaves of the 1960s with the dangerous, subversive sounds of black rhythm & blues, a new kind of ethnic music that had been thus far banned from mainstream AM radio. Broadcasting from the X, a shadowy but powerful radio station located just across the Mexican border, the Wolfman was an enigma to most of his audience. His voice, accent, and style revealed nothing of his origins, which turned out to be humble. He was born Robert Weston Smith in Brooklyn and spent much of his time growing up trying to stay out of gangs and other forms of trouble, preferring instead to nurture his love of pop radio. A high school dropout who would later excel in broadcasting school, Smith started out as a gofer for the Paramount radio network, the home of his hero Alan Freed. This led to experience at a New Jersey station and then night classes at Virginia's National Academy of Broadcasting. Graduating at the top of his class, Smith found work at a station in Shreveport, LA. Though popular there, Smith had bigger goals and moved to Mexico, to work first at XERF-AM (where he began developing his new lycanthropic character) and then the powerful XERB-AM in 1965. It was there that Wolfman became a radio legend. At the height of his popularity, the identity of the mysterious W.J. was the subject of widespread media speculation and thanks largely to his influence, R&B music was making its way into the mainstream. He was so popular that several rock musicians, including Todd Rundgren, the Guess Who, and Freddie King wrote songs about him.The mystery of Wolfman Jack was solved when Smith appeared as himself in longtime listener George Lucas' American Graffiti (1973); it was not his first involvement in feature films, as he had played himself in The Committee (1968), an experimental comedy anthology from San Francisco, and The Seven Minutes (1971), filmmaker Russ Meyer's one attempt at a serious, socially relevant film. Though no longer an enigma, his popularity continued and he made cameo appearances in movies and on television, where he hosted The Midnight Special for eight years and made countless appearances on other shows. Though in films he most frequently played himself, the Wolfman occasionally played other characters, as in Motel Hell (1980) and Mortuary Academy (1991).

Trivia: American actor Milton Frome made an unlikely film debut as the cowboy star of Grand National's Ride 'Em Cowgirl (1939)--unlikely in that the tall, bald actor spent the rest of his career playing nervous corporate types and "second bananas" for some of show business' greatest clowns. After touring with the USO during World War II, the vaudeville-trained Frome was an early arrival on the television scene: he worked as a straight man and foil on Milton Berle's variety series, and also functioned as the hapless target of the antics of Martin and Lewis on The Colgate Comedy Hour. The actor was also busy in live and filmed detective and action series (he frequently appeared in Superman with his good friend George Reeves) as well as in two-reel comedies with The Three Stooges. After Jerry Lewis broke away from Dean Martin, Frome continued to function as one of Lewis' stock company in such films as The Delicate Delinquent (1957), The Nutty Professor (1963) and Disorderly Orderly (1964). TV sitcom buffs remember Milton Frome best as Lawrence Chapman, the hapless mogul who ran a film studio owned by rustic millionaire Jed Clampett on The Beverly Hillbillies.

Trivia: A multi-talented actress/singer/comedienne, Philadelphia native Fritzi Burr's work spanned Broadway, film, and television. Maintaining a successful stint as an East Coast comedienne, the early '60s found the aspiring actress appearing frequently in vaudeville legends Smith & Dale's stage act before taking to the bright lights of Broadway in I Can Get it for You Wholesale and Funny Girl. Burr would land numerous film roles after relocating to Hollywood in the early '60s, appearing in such films as They Shoot Horses Don't They (1969), Chinatown (1974), and The Star Chamber (1983). In addition to her film work, Burr would also appear in such popular television shows as Seinfeld and Friends and frequently served as a hospital volunteer. On January 17, 2002, Fritzi Burr died of natural causes in Fort Myers, FL. She was 78.