Trivia: Red-headed, freckle-faced Martin Milner was only 15 when he made his screen debut in Life With Father (1947), and would continue to play wide-eyed high schoolers and college kids well into the next decade. His early film assignments included the teenaged Marine recruit in Lewis Milestone's The Halls of Montezuma (1951) and the obnoxious suitor of Jeanne Crain in Belles on Their Toes (1952). His first regular TV series was The Stu Erwin Show (1950-1955), in which he played the boyfriend (and later husband) of Stu's daughter Joyce. More mature roles came his way in Marjorie Morningstar (1957) as Natalie Wood's playwright sweetheart and in The Sweet Smell of Success (1957) as the jazz musician targeted for persecution by Winchell-esque columnist Burt Lancaster. Beginning in 1960, he enjoyed a four-year run as Corvette-driving Tod Stiles on TV's Route 66 (a statue of Milner and his co-star George Maharis currently stands at the Corvette Museum in Bowling Green, KY). A longtime friend and associate of producer/director/actor Jack Webb, Milner was cast as veteran L.A.P.D. patrolman Pete Malloy on the Webb-produced TV weekly Adam-12, which ran from 1968 to 1975. His later TV work included a short-lived 1970s series based on Johan Wyss' Swiss Family Robinson. Later employed as a California radio personality, Martin Milner continued to make occasional TV guest appearances; one of these was in the 1989 TV movie Nashville Beat, in which he was reunited with his Adam-12 co-star Kent McCord. He made an appearance on the short-lived series The New Adam-12 and had recurring roles on shows like Life Goes On and Murder, She Wrote. Milner died in 2015, at age 83.

Trivia: George Maharis was one of seven children of Greek immigrant parents. Though he could very easily have gone into his father's restaurant business, Maharis decided to try for a singing career. When his vocal chords were injured by overuse, Maharis switched to acting, studying at the Actors' Studio and making one of his earliest appearances as a Marlon Brando parody on the 1950s TV sitcom Mr. Peepers. Maharis was very active in the off-Broadway scene, appearing in Jean Genet's Deathwatch and Edward Albee's The Zoo Story. He gained a fan following (primarily female) through his weekly appearances as handsome drifter Buzz Murdock on the TV series Route 66. He played Buzz from 1960 to 1963, leaving the series for a variety of reasons, among them artistic differences and a bout of hepatitis. His subsequent film career failed to reach the heights of his TV work, and by 1970 Maharis was back in the weekly small-screen grind in the adventure series The Most Dangerous Game. When not performing in nightclubs, summer stock or films, George Maharis spent a good portion of the 1970s and 1980s indulging in his pet hobby, impressionistic painting.

Trivia: The son of an insurance salesman, David Wayne attended Western Michigan University. While working as a statistician in Cleveland, Wayne became attracted to the local theatrical activity. Auditioning for a Shakespearean repertory company, he won the role of Touchstone in As You Like It, which he performed before an audience for the first time at the 1935 Cleveland Exposition. In 1938, he made his first New York stage appearance in Escape This Night. Classified 4F at the outbreak of World War II, Wayne volunteered for the ambulance corps, subsequently serving as a Red Cross driver in North Africa. His theatrical career really began to pick up steam after the war: cast as Og the Leprechaun in the 1947 musical hit Finian's Rainbow, he became the first actor ever to win a Tony Award. The following year, he created the role of Ensign Pulver in Mister Roberts, and in 1955 he was seen as Okinawan interpreter Sakini in Teahouse of the August Moon. While all of his major stage roles went to other actors in the film versions, Wayne enjoyed a substantial movie career of his own. Though he made his screen debut in 1947's Portrait of Jennie, Wayne was given "and introducing" billing in the Tracy/Hepburn comedy Adam's Rib (1949), in which he played capricious composer Kip Lurie. After playing Joe, cartoonist Bill Mauldin's mud-caked infantryman, in Universal's Up Front (1951), Wayne spent most of his screen time at 20th Century-Fox, where, among other things, he did two co-starring stints with Marilyn Monroe (1952's We're Not Married, 1953's How to Marry a Millionaire), played theatrical impresario Sol Hurok in Tonight We Sing (1953), starred as a tragedy-plagued small-town barber in the underrated Wait Till the Sun Shines Nellie (1953) and portrayed schizophrenic Joanne Woodward's long-suffering husband in Three Faces of Eve (1957). One of Wayne's co-stars during his Fox years was Una Merkel, who once remarked "I loved David Wayne. I think he's one of the finest actors we have. He's so good they don't know what to do with him."One place where they evidently did know what to do with Wayne was television, where he worked steadily from 1948 onward. Besides playing such prominent personages as Andrew Carnegie, Mark Twain and even "Old Scratch" (in a 1961 telecast of The Devil and Daniel Webster), he appeared in classic individual episodes of Alfred Hitchcock Presents and Twilight Zone, played "special guest villain" The Mad Hatter on Batman, and was a regular on the weekly series Norby (1955), The Good Life (1973), Ellery Queen (1975, as Inspector Queen), Dallas (1978), and House Calls (1980). In addition, Wayne appeared with New York's Lincoln Center Repertory, and was one of the hosts of the NBC weekend radio potpourri Monitor. Curtailing his activities in the late 1980s, David Wayne retired altogether in 1993, after the death of his wife of 51 years.

Trivia: Not to be confused with African-American action star Jim Brown or with the "Godfather of Soul" of the same name, American actor James Brown was a tennis pro before entering films in 1941. Clearly a man of unlimited athletic prowess, Brown appeared in such rugged Hollywood productions as The Forest Rangers (1942), Air Force (1943), Objective Burma (1945) and Sands of Iwo Jima (1949). He had more sedate roles in Going My Way (1944), as nominal romantic lead Ted Haines (Bing Crosby, the star of the film, was a priest and therefore out of the running with the leading lady), and in Pride of St. Louis (1952), a biopic about baseball star Dizzy Dean wherein Brown played sidelines ballplayer "Moose." Few of his later movies were worth mentioning, though Brown had a few telling moments as the stern, rifle-toting father of the serial killer "protagonist" in Peter Bogdanovich's Targets (1968). Brown, sometimes billed as Jim L. Brown, is best known to aging baby boomers for his continuing role as Lt. Rip Masters on the enormously popular 1950s TV series Rin Tin Tin. He retired from acting in the late 1960s to manage his successful body-building equipment concern, then was appointed head of customer relations at Faberge, a cosmetics firm. When Faberge's filmmaking division, Brut Productions, put together a 1975 comedy titled Whiffs, the producers persuaded Brown to return to acting in a supporting role. And in 1976, James Brown redonned his 19th century cavalry uniform to film new wraparounds for a syndicated Rin Tin Tin rerun package.