Trivia: Morgan Freeman has enjoyed an impressive and varied career on stage, television, and screen. It is a career that began in the mid-'60s, when Freeman appeared in an off-Broadway production of The Niggerlovers and with Pearl Bailey in an all-African-American Broadway production of Hello, Dolly! in 1968. He went on to have a successful career both on and off-Broadway, showcasing his talents in everything from musicals to contemporary drama to Shakespeare. Before studying acting, the Memphis-born Freeman attended Los Angeles Community College and served a five-year stint with the Air Force from 1955 to 1959. After getting his start on the stage, he worked in television, playing Easy Reader on the PBS children's educational series The Electric Company from 1971 through 1976. During that period, Freeman also made his movie debut in the lighthearted children's movie Who Says I Can't Ride a Rainbow? (1971). Save for his work on the PBS show, Freeman's television and feature film appearances through the '70s were sporadic, but in 1980, he earned critical acclaim for his work in the prison drama Brubaker. He gained additional recognition for his work on the small screen with a regular role on the daytime drama Days of Our Lives from 1982 to 1984. Following Brubaker, Freeman's subsequent '80s film work was generally undistinguished until he played the dangerously emotional pimp in Street Smart (1987) and earned his first Oscar nomination. With the success of Street Smart, Freeman's film career duly took off and he appeared in a string of excellent films that began with the powerful Clean and Sober (1988) and continued with Driving Miss Daisy (1989), in which Freeman reprised his Obie-winning role of a dignified, patient Southern chauffeur and earned his second Oscar nomination for his efforts. In 1989, he also played a tough and cynical gravedigger who joins a newly formed regiment of black Union soldiers helmed by Matthew Broderick in Glory. The acclaim he won for that role was replicated with his portrayal of a high school principal in that same year's Lean on Me.Freeman constitutes one of the few African-American actors to play roles not specifically written for African-Americans, as evidenced by his work in such films as Kevin Costner's Robin Hood: Prince of Thieves (1991), in which he played Robin's sidekick, and Clint Eastwood's revisionist Western Unforgiven (1992). In 1993, Freeman demonstrated his skills on the other side of the camera, making his directorial debut with Bopha!, the story of a South African cop alienated from his son by apartheid. The following year, the actor received a third Oscar nomination as an aged lifer in the prison drama The Shawshank Redemption. He went on to do steady work throughout the rest of the decade, turning in memorable performances in films like Seven (1995), in which he played a world-weary detective; Amistad (1997), which featured him as a former slave; Kiss the Girls (1997), a thriller in which he played a police detective; and Deep Impact, a 1998 blockbuster that cast Freeman as the President of the United States. Following an appearance opposite Renee Zellweger in director Neil LaBute's Nurse Betty, Freeman would return to the role of detective Alex Cross in the Kiss the Girls sequel Along Came a Spider (2001). Freeman continued to keep a high profile moving into the new millennium with roles in such thrillers as The Sum of All Fears (2002) and Stephen King's Dreamcatcher, and the popular actor would average at least two films per year through 2004. 2003's Jim Carrey vehicle Bruce Almighty cast Freeman as God (a tall role indeed, and one he inherited from both George Burns and Gene Hackman). The story finds the Supreme Being appearing on Earth and giving Carrey temporary control over the universe - to outrageous comic effect. By the time Freeman appeared opposite Hilary Swank and Clint Eastwood in Eastwood's acclaimed 2004 boxing drama Million Dollar Baby, his reputation as one of Hollywood's hardest-working, most-respected actors was cemented in place. When Freeman took home the Best Supporting Actor Oscar at the 77th Annual Academy Awards for his performance as the former boxer turned trainer who convinces his old friend to take a scrappy female fighter (Hilary Swank) under his wing, the award was considered overdue given Freeman's impressive body of work.The Oscar reception lifted Freeman to further heights. In summer 2005, Freeman was involved in three of the biggest blockbusters of the year, including War of the Worlds, Batman Begins and March of the Penguins. He joined the cast of the first picture as the foreboding narrator who tells of the destruction wrought by aliens upon the Earth. The Batman Begins role represented the first in a renewed franchise (the second being 2008's The Dark Knight), with the actor playing Lucius Fox, a technology expert who equips Bruce Wayne (Christian Bale) with his vast assemblage of gadgetry. Freeman also provided narration for the most unpredictable smash of the year, the nature documentary March of the Penguins.That fall, Miramax's drama An Unfinished Life cast Freeman in a difficult role as Mitch, a bear attack victim reduced to near-paraplegia, living on a derelict western ranch. The picture was shelved for two years; it arrived in cinemas practically stillborn, and many critics turned their noses up at it. After a brutal turn as a sociopathic mob boss in Paul McGuigan's Lucky Number Slevin (2006), Freeman reprised his turn as God in the 2007 Bruce Almighty sequel Evan Almighty; the high-budgeted picture flopped, but Freeman emerged unscathed. Versatile as ever, he then opted for a much different genre and tone with a key role in the same year's detective thriller Gone, Baby, Gone. As written and directed by Ben Affleck (and adapted from the novel by Dennis Lehane) the film wove the tale of two detectives searching for a missing four-year-old in Boston's underbelly. He returned to the Batman franchise in The Dark Knight, a film that broke box-office records, in 2008, and he would stick with the franchise for its final installment, The Dark Knight Rises, in 2012. Freeman would remain a top tier actor in years to come, appearing in such films as Red, Invictus (which saw him playing Nelson Mandela), Conan the Barbarian, and The Magic of Belle Isle.

Trivia: Chicago-born actress Beverly Todd began her acting career on-stage, appearing in plays such as Deep Are the Roots and No Strings in New York and London. She embarked upon her film career in the '70s, immediately making a major impact with a string of memorable roles in films like The Lost Man, They Call Me Mister Tibbs!, and Brother John, as well as in the legendary miniseries Roots. As the '80s began, Todd's roles became more varied, as she exploring her comedic side in movies like Baby Boom and Moving. This trend continued throughout the '90s and 2000s, as Todd enjoyed working on projects that fell all over the spectrum, from the high-school docudrama Lean on Me to a guest role on the sitcom A Different World and a recurring part on the hit HBO series Six Feet Under to the Oscar-winning Crash. In 2007, she had a supporting role in the Morgan Freeman/Jack Nicholson vehicle The Bucket List.

Trivia: The product of a tough, impoverished upbringing, African American actor Robert Guillaume fought his way out of the St. Louis slums by virtue of talent, persistence and an unwillingness to bow down to anyone. After military service and college, Guillaume held down short-term jobs ranging from cook to streetcar conductor, all the while training his voice for potential musical comedy work--training that paid off with his first Broadway show, 1961's Kwamina. Among his many stage credits were the musical versions of Golden Boy (with Sammy Davis Jr.) and Purlie Victorious, and the long-running review Jacques Brel is Alive and Well and Living in Paris. When New York stage work was scarce, Guillaume created his own opportunities by giving one-man concerts. After guesting in several of the black-oriented TV sitcoms of the 1970s, Guillaume was cast in 1977 as the imperious, outspoken family retainer Benson in the daytime-drama parody Soap (the actor would be first to admit that many of Benson's more contentious traits sprang from Guillaume's own prickly personality). The role won Guillaume a 1978 Emmy as "Outstanding Supporting Actor." In 1979, Guillaume carried over his Soap role into his own starring series, the now classic sitcom Benson, which ran until 1986 and which won Guillaume another Emmy, this time as "Outstanding Lead Actor." Robert Guillaume also headlined the appropriately titled 1989 series The Robert Guillaume Show, wherein for approximately five months he starred as divorced marriage counselor Edward Sawyer. In the several years to follow, Guillaume would star in shows like Sports night, as well as a number of films like Big Fish and Satin.

Trivia: New York native Alan North began his film career in 1971 with his role in Plaza Suite, which co-starred Walter Matthau and Maureen Stapleton. Henceforth, he would portray many secondary characters in an impressive string of high profile films. North was also frequently seen on stage as well as television. His most noticeable role on the small screen was for the early-'80s police spoof Police Squad, as Captain Ed Hocken. North died in early 2000, at the age of 79.

Trivia: American actress Lynne Thigpen was part of the original cast of the stage musical Godspell in 1971. She reprised her role for the 1973 film and went on to work for three decades on both the stage and screen. Theatrical audiences may remember her for her Tony-nominated lead role in Tintypes, but she is probably best known as the Chief, the host of the PBS educational game shows Where in the World Is Carmen Sandiego? and Where in Time Is Carmen Sandiego? On the big screen, Thigpen appeared in the mainstream features Tootsie, Lean on Me, and Bob Roberts. However, she fared much better in powerful roles on television. She was Aunt Grace Keefer on All My Children, DA Ruby Thomas on L.A. Law, and Judge Ida Boucher on Law & Order. Other TV appearances include thirtysomething, Homicide: Life on the Street, and several Hallmark Hall of Fame features. Possessing rich, powerful speech, Thigpen lent her voice to several different projects. Already known on PBS as the Chief, she narrated stories on Reading Rainbow and provided voices for Bear in the Big Blue House. She also read best-selling novels audiobooks, including titles by Toni Morrison and Zora Neale Hurston. After a lengthy career on-stage, two Obie awards, and an L.A. Drama Critics award, Thigpen finally received her first Tony award in 1997 for her portrayal of Dr. Judith Kaufman in Wendy Wasserstein's An American Daughter. She reprised her role for the 2000 made-for-TV adaptation, released on home video with the title Trial by Media. That same year, she was cast as statistics clerk Ella Mae Farmer in the CBS dramatic series The District. On the big screen, she played authority figures like President Marjorie Bota in Bicentennial Man and Judge Brenda Daniels in Anger Management. A shock to her fellow cast members on The District, Thigpen died of a heart attack in her Los Angeles home in 2003. She was 54.

Trivia: Started her professional acting career in 1974.At the start of her career, learned to type to work in offices while also auditioning in New York.In 2008, was awarded the School of Theatre Distinguished Alumni Award by the Boston University College of Fine Arts.Has played a teacher in multiple projects, including Lean on Me (1989), If Looks Could Kill (1991), Curb Your Enthusiasm and Brooklyn Nine-Nine.In 2016, was nominated for the Independent Spirit Award for Best Supporting Female for her work in the film H. (2014).

Trivia: Philadelphia native Karen Malina White first caught audiences' attention when she took on the role of Charmaine Brown on The Cosby Show in 1989. She would also make waves in the film Lean on Me, but would continue to get mileage out of the role of Charmaine, playing it again on the spin-off A Different World, which she remained with until 1993. White would go on to make appearances on shows like Chicago Hope and My So-Called Life, in addition to appearing in a number of productions on-stage.

Trivia: Trained at Juilliard, actor Michael Beach worked in regional theater and off-Broadway productions before moving to Los Angeles to work on television and film. His stage credits include Much Ado About Nothing and Ascension Day. Though he appeared on television a lot in the late '80s, his film breakthrough came in Carl Franklin's 1991 crime thriller One False Move. He played the ex-con Pluto opposite Billy Bob Thornton, who also co-wrote the script. Thornton later wrote the role of Virgil for Beach in the 1996 drama A Family Thing, starring James Earl Jones. In 1993, he was a part of the ensemble cast in Robert Altman's award-winning feature Short Cuts. After playing opposite Laurence Fishburne in the crime thriller Bad Company (1995), Beach went on to play several unfaithful husbands. He cheated on Angela Bassett in Waiting to Exhale (1995), Vanessa Williams in Soul Food (1997), and Gloria Reuben on ER. Fellow ER cast member Eriq La Salle cast Beach in his sports drama Rebound: The Legend of Earl 'The Goat' Manigault (1996) for HBO. Back on television, Beach earned an Image Award for his role of Monte 'Doc' Parker on the NBC dramatic series Third Watch. In 2002, he re-teamed with actor/director La Salle for the lead role of Dr. Ty Adams in the thriller Crazy as Hell.

Trivia: After commencing minor on-camera appearances in the early '80s, multi-talented African-American actress Regina Taylor juggled careers as a character actress and playwright with great aplomb. As both a thespian and a scribe, Taylor often dealt with material that grappled with race relations and civil rights. This was hardly accidental, for she rose up out of a bitter and tumultuous youth in the Deep South that forced her to face racism head-on and thus marked her for life. After an appearance as Mrs. Carter in John G. Avildsen's uneven Joe Clark biopic Lean on Me (1989), Taylor first made members of the press sit up and take notice with her pivotal role on I'll Fly Away. This thoughtful and heartfelt series drama -- set in the apocryphal Southern town of Bryland in the late '50s -- starred the venerable Sam Waterston as D.A. Forrest Bedford, a conservative prosecuting attorney grappling with shifting attitudes about race relations as he took on a new black housekeeper, Lilly Harper (Taylor). The program's consistent inability to land an audience, in spite of across-the-board critical acclaim, marked one of the most unfortunate events to befall a prime-time series program during the early '90s. Taylor returned to similar themes -- albeit in a much earlier setting -- with the 1995 Children of the Dust, a telemovie starring Sidney Poitier, about the tensions between black and white homesteaders. The actress also graced the casts of such noteworthy theatrical features as Spike Lee's Clockers (1995), Ed Zwick's Courage Under Fire (1996), and F. Gary Gray's The Negotiator (1998) before hearkening back to television as military man Jonas Blane's (Dennis Haysbert) beleaguered wife, Molly, on the CBS drama The Unit. As a playwright, Taylor received her first significant break with the 1983 Watermelon Rinds, and spent the following decades authoring such critically acclaimed productions as Oo-Bla-Dee (2000) and Urban Zulu Mambo (2001). She debuted on Broadway in 2004 with her work Drowning Crow, a loose adaptation of Chekhov's The Seagull posited in the Gullah Islands of South Carolina. At one point, she was reported to have been involved with the Broadway musical production of The Color Purple, but it was ultimately credited to other writers.

Trivia: Starred in her own variety show, Una Chica Llamada Ivonne Coll in Puerto Rico. Was crowned Miss Puerto Rico in the Miss Universe pageant in 1967. Trained in comedy with Lucille Ball. Performed with the USO Tour Puerto Rico Sings for the troops stationed in Vietnam in 1972. Her role in The Godfather Part II was created specifically for her after being discovered by Francis Ford Coppola in Puerto Rico.

Trivia: A character actor whose beefy, imposing build (a magazine once listed him as 6'3" and 245 pounds) typecast him as thugs, hoods, and underworld heavies, performer Mike Starr was raised in the Manhattan area, as the son of a meatpacker and a five-and-dime clerk. He attended Long Island's Hofstra University on a drama scholarship, and -- after graduation -- toiled at menial jobs as a bartender and club bouncer before landing his first film role in William Friedkin's gay-themed cop thriller Cruising (1980). Many projects ensued over the following decades, including The Natural (1984), Uncle Buck (1989, in a memorable bit as a drunken clown), Ed Wood (1994), and Jersey Girl (2004). Fans of the gangster-themed comedy Mad Dog and Glory (1993), in particular, might remember Starr -- he played Harold, the wife-beater husband who gets on David Caruso's bad side, and physically suffers for it. In 2007, Starr essayed a rare lead in the character comedy Osso Bucco; he played a gangster unknowingly targeted for death and due for extermination by his cousin.

Trivia: Actress Yvette Hawkins appeared on Broadway, in films, and on television. Her film credits include Nighthawks (1981), Lean on Me (1989), and Zebrahead (1992). As a television guest star, she appeared on dramas like Law & Order and soap operas such as Guiding Light.

Trivia: Before his starring role in The Sopranos made his name, character actor Michael Imperioli worked in numerous films during the 1990s with an impressive array of New York-based talent. Born in Mount Vernon, NY, Imperioli did not have to move far when he decided to study acting at New York City's Stella Adler Conservatory. Soon after his 1988 movie debut, Imperioli burnished his acting resumé with a small part as Spider, shot by Joe Pesci in Martin Scorsese's Goodfellas (1990). The following year, Imperioli earned his first role in a Spike Lee film, Jungle Fever (1991). Becoming a Lee regular, Imperioli also played small parts in Malcolm X (1992), Clockers (1995), and Girl 6 (1996), and garnered his first feature screenplay credit as co-writer and executive producer of Lee's Summer of Sam (1999). Imperioli added Italian-American authenticity to Nancy Savoca's quirky ethnic tale Household Saints (1993) and appeared with future Sopranos co-stars Dominic Chianese in The Night We Never Met (1993) and Edie Falco in Abel Ferrara's vampire allegory The Addiction (1995). Briefly "going Hollywood" with parts in the first Michael Bay extravaganza Bad Boys (1995), and Walter Hill's Last Man Standing (1996), Imperioli returned to his New York state of mind in the latter half of the 1990s. Working with The Addiction star Lili Taylor again, Imperioli was an arrogant Ondine to Taylor's disturbed Factory hanger-on Valerie Solanas in Mary Harron's I Shot Andy Warhol (1996). Audiences could finally attach a name to Imperioli's oft-seen face when he was cast as drug-addicted wannabe screenwriter/mobster Christopher Moltisanti in David Chase's Mafia series The Sopranos. A critical hit from its 1999 debut onward, The Sopranos' potent combination of black comedy, family drama, and violence allowed Imperioli to display the full range of his talents onscreen, particularly when Christopher dabbles in Method acting, and offscreen as one of the second season writers. Imperioli is married and has two children.

Trivia: Known to many as the Candyman, character actor Tony Todd is known for his extreme height (6'5") and deep voice. The Washington D.C. native cut his teeth with numerous TV appearances throughout the 80's, and went on to appear in movies like Platoon, The Rock, and of course, Candyman. He would also enjoy major arcs on shows like 24 and Chuck.