Trivia: Born in the Hollis section of Queens in 1976, deep-voiced rapper Ja Rule had made many allies in hardcore rap by 2000. He was aligned with DMX's Ruff Ryders, Jay-Z's Rock-a-Fella label, and producer Irv Gotti's group Murder Inc. Ja Rule had only started recording in 1995, and by 1999, his single "Holla Holla" went gold and he was on Def Jam's Hard Knock Life Tour. Differentiating himself from his peers, he started a parallel acting career while consistently churning out hit records. His feature film debut was a starring role as the shifty friend of Pras (formerly of the Fugees) in Turn It Up, a film based on the solo debut record from Pras, Ghetto Superstar. He also appeared alongside Pras and superstar rapper Eminem that same year in the Blair Witch parody Da Hip Hop Witch. Ja Rule continued to play himself in films as a rap performer, but he also accepted straight acting roles. In 2001, he appeared in the street-racing action flick The Fast and the Furious, and in 2002, he was Steven Seagal's ally on death row in Half Past Dead.

Trivia: A longtime actor turned director whose memorable turn as a suicidal drag queen endeared him to viewers of ER in the mid-'90s, Vondie Curtis-Hall would subsequently essay a role on the other side of the doctor-patient relationship as Dr. Dennis Hancock on ER rival series Chicago Hope. Though he would later step behind the camera, Curtis-Hall remained a recognizable fixture on both film and television with appearances in such high-profile films as Die Hard 2 (1990) and William Shakespeare's Romeo + Juliet (1996). A native of Detroit, Curtis-Hall made his television debut in the short-lived Spenser: For Hire spin-off A Man Called Hawk. Though he had only a vocal role in the 1988 actioner Shakedown, his proper film debut came with a minor role in 1988's Coming to America, followed shortly thereafter with an appearance in director Jim Jarmusch's Mystery Train (1989). A series of minor film roles, as well as an appearance in the short-lived television police musical Cop Rock followed, and through the mid-'90s Curtis-Hall's film roles were mostly of supporting status. Shortly after his sympathetic turn as troubled transvestite Roger McGrath on ER, he embarked on a four-year stint as a doctor on Chicago Hope. Simultaneously appearing in supporting roles in Broken Arrow and Heaven's Prisoners (both 1996), his eagerness to get on the other side of the camera would soon get the best of the struggling actor. Though Curtis-Hall had warmed to the role of director by helming an episode of ER, he was soon putting pen to paper to write a gritty addiction comedy drama about two addicts attempting to kick heroin. A scathing attack on America's healthcare system, Gridlock'd (1997) offered solid performances by Tim Roth and Tupac Shakur and a smart script, but the film was ultimately relegated to obscurity due largely to the fact that its innovative story line proved extremely difficult to market. Though Gridlock'd didn't fare well at the box office, it would prove nowhere near as disastrous as Curtis-Hall's sophomore effort, the Mariah Carey vanity project Glitter (2001). Tanking immediately as it took unrelenting blows from critics and audiences alike, the film's flogging did little to help singer Carey's fragile mental state, let alone boost Curtis-Hall's fledgling directorial career. Undaunted by the failure of Glitter, he nevertheless soldiered on to helm an episode of the short-lived sci-fi television series Firefly the following year.Back in front of the cameras, the tireless actor/director was in very high demand, and in addition to directing a pair of ER episodes in 2001, Hall made a notable impression as sympathetic transvestite on the long-running medical series. Additional roles on such shows as The Sopranos, Soul Food, LAX, and Law & Order proved that even when his directorial career was on shaky ground, he could always find firm footing on the small screen. In the years that followed it wouldn't appear that Curtis-Hall would be having too many concerns about either aspect of his career though, and after directing Oscar-winner Jamie Foxx in the role of Crips founding father Stan "Tookie" Williams in Redemption: The Stan Tookie Williams story in 2004, the increasingly strong director turned his lens towards the action genre with Waist Deep two short years later. An urban Bonnie and Clyde tale for the gangster set, Waist Deep told the tale of an ex-con who, along with his girlfriend, sets out to get his kidnapped son back from a vicious gangster while simultaneously sparking a street war that will seriously diminish the ranks of the ruthless kingpin.

Trivia: British director Guy Ritchie frequently attributes the success of his unorthodox crime films -- 1998's Lock, Stock, and Two Smoking Barrels, 2000's Snatch -- to the fact that his offbeat miscreants are more than believable, they are real. Preferring to cast for authenticity rather than resumé, Ritchie handpicks many of his actors from the true-life cult figures and rascals of London's underbelly. Actor Jason Statham is among the best of them.A one-time Olympic diver, fashion model, and black-market salesman, Statham came to acting by way of commercials and "street theater" -- a euphemism for hustling tourists on London's Oxford Street. Raised in Syndenham, London, he was the second son of a lounge singer and a dressmaker turned dancer. Although Statham had the familial background to go immediately into entertainment, he excelled first on the high dive. He was a member of the 1988 British Olympic Team in Seoul, Korea, and remained on the National Diving Squad for ten years. In the late '90s, a talent agent specializing in athletes landed Statham a gig in an ad campaign for the European clothing retailer French Connection. This led to an appearance in a Levi's Jeans commercial and a fledgling modeling career. Meanwhile, Statham had also earned local fame as a street corner con man, selling stolen jewelry and counterfeit perfume out of a briefcase. Thus, when French Connection's owner became one of the biggest investors in Lock, Stock, and Two Smoking Barrels, he naturally introduced the diver/model/hustler to knave-hunting Ritchie.Intrigued by Statham's past and impressed by his modeling work, Ritchie invited him to audition for a part in the film. The director challenged Statham to impersonate an illegal street vendor and convince him to purchase a piece of imitation gold jewelry. Statham was evidently so persuasive that Ritchie bought four sets. When the director attempted to return his worthless acquisition -- pretending that the gold had turned to stainless steel -- Statham was so graciously inflexible that Ritchie hired him.This unorthodox audition resulted in Statham's big screen debut as Bacon, one of Lock, Stock, and Two Smoking Barrels' four primary characters engaged in a risky get-rich-quick scheme to repay a massive gambling debt. Bacon supplies a streetwise discipline and restraint that the other characters lack and a sense of humility crucial to Ritchie's film. In the director's follow-up crime comedy, Snatch, Ritchie rehired Statham to play Turkish, a smalltime hood vainly trying to break into the world of underground boxing. As this amateur but respectable hoodlum, Statham is attractive, urbane, immaculate, and smart enough to be bewildered by even his own laughable criminal ineptitude. The role began as a small supporting part in Snatch's star-filled ensemble cast but expanded throughout shooting. By the time of the film's theatrical release, Statham received top billing as its narrator and chief anti-hero.The Guy Ritchie oeuvre that supplied his breakthrough performances is not Statham's only acting arena. In 2000, he made his American film debut as a British drug dealer in Robert Adetuyi's Turn It Up starring Pras Michel. By 2001, he had finished shooting John Carpenter's sci-fi thriller Ghosts of Mars and joined Delroy Lindo in the cast of the Jet Li vehicle The One. A chance to reteam with former Lock, Stock, and Two Smoking Barrel co-star Vinnie Jones proved too fun an opportunity to resist, and Stratham would round out a particularly busy 2001 with his role in the prison-bound sports remake Mean Machine. Just as audiences were finally standing up to take notice of the amiable tough-guy, Stratham stepped into his own as the action lead of the explosive 2002 adrenaline ride The Transporter. A sizable hit that would earn Statham increasingly prominent roles in such high profile pics as The Italian Job, and Cellular, The Transporter established Stratham as a bankable international action star and was eventually followed by a 2005 sequel that miraculously managed the improbable feat of upping the ante of the previous installment's over-the-top cartoon violence. A starring role in Ritchie's 2005 crime thriller Revolver found Stratham re-teaming with the director who launched his career with decidedly mixed results, and the following year it was off to race the clock and rescue the girl as a reformed assassin looking to make good in the hyper-intense action entry Crank. The positively outrageous Crank: High Voltage upped the ante (and the ampage) in every possible way in 2009, but not before Statham got behind the wheel for Resident Evil director Paul W.A. Anderson for the 2008 remake Death Race, discovered just how far a foolproof heist could go awry in The Bank Job, and once again put the pedal to the metal in The Transporter 3. All of this left little doubt that Statham had quickly become one of the most bankable action stars of his generation, and in 2010 he teamed with none other than Sylvester Stallone for the all-star action flick The Expendables. The action just kept coming in The Mechanic, Blitz, Killer Elite (which paired him with screen legend Robert DeNiro), Safe, and the super-sized The Expendables 2 in 2012. Statham next joined another franchise, making a cameo appearance in Fast & Furious 6. He also reprised his role in The Expendables 3. In 2015, Statham appeared in Furious 7 and flexed his comedy chops in Spy, opposite Melissa McCarthy, earning favorable reviews and opening him to another genre.

Trivia: Actress Tamala Jones launched her career as a model, appearing in magazine ads and television commercials, before landing her first acting job on an episode of the preteen sitcom California Dreams, but her interest in the craft goes back to early childhood, when Jones and her cousin would stage backyard shows. Los Angeles-born and raised, Jones first studied drama in the sixth grade. As a young woman, she guest starred on series ranging from The Fresh Prince of Bel-Air to E.R. to The Wayans Brothers. She had her first regular television role playing a student in the ABC network's short-lived drama Dangerous Minds. Jones entered feature films with a small role in How to Make an American Quilt (1995) and had her first starring film role in Booty Call (1997). In 1998, Jones starred in the short-lived NBC summer replacement sitcom For Your Love. After appearing in Blue Streak and The Wood the following year, Jones began to gain even more momentum in 2000 with roles in Ice Cube's Next Friday and the Tim Meadows SNL vehicle The Ladies Man. Jones would later share the limelight with a talented cast in Kingdom Come in 2001. She continued to work steadily in a variety of projects including Head of State, Daddy Day Camp, Who's Your Caddy?, and What Love Is before being cast on the television show Castle as Lanie Paris. In 2010 she starred in and co-produced the romantic comedy 35 & Ticking.

Trivia: Was a narrator for the Dogs With Jobs series. Played Frank Sinatra in the made-for-TV movie Power and Beauty. Landed recurring roles on Instant Star and Strange Days at Blake Holsey High. Cast as the iconic villain Ming in the Flash Gordon TV series.

Trivia: A character-oriented actor who specialized in playing American everymen, Chris Messina emerged in the mid-'90s, landing guest appearances on series programs such as Law & Order and mounting supporting parts in Hollywood features including You've Got Mail and Rounders (both 1998). Messina gained even more exposure when he joined the cast of the quirky HBO comedy drama Six Feet Under during that program's fifth and final season. On that series, Messina played Ted Fairwell, a Republican attorney smitten with Claire Fisher (Lauren Ambrose) who (as the program reveals) will eventually marry her. After Six Feet wrapped, Messina hearkened back to feature portrayals, this time as a lead, in director Jennifer Westfeldt's (Kissing Jessica Stein) critically praised sophomore effort Ira & Abby (2006). The actor proved he could hold his own with a multilayered turn as a neurotic therapist's son who rushes headlong into marriage only to watch his confidence fall to pieces when he learns of his new wife's two ex-husbands. In 2008, Messina took on a supporting role in Woody Allen's Vicky Cristina Barcelona, opposite Penélope Cruz and Scarlett Johansson. In the years to come, Messina would enjoy continued success as an established actor, appearing in films like Ruby Sparks and Argo, as well as on TV series like The Mindy Project and The Newsroom.