Trivia: The daughter of legendary sex symbol Jayne Mansfield and former Mr. Universe Mickey Hargitay, Mariska Hargitay appears born to play the type of larger-than-life roles that would make her a Hollywood idol. Instead, from her breakthrough performance as a vulnerable single mother on ER to her starring turn as a somber detective on Law & Order: SVU, the talented actress has built her career by portraying real-life characters and keeping out of the spotlight. Raised in Los Angeles, Hargitay was a child of divorce before she celebrated her first birthday. In 1967, her mother died tragically when her car collided with a truck outside of New Orleans. Hargitay, then only three years old, was asleep in the backseat of the vehicle, but escaped uninjured. Days later, she moved in with her father and stepmother, Ellen Siano, a flight attendant. Hargitay participated in scores of activities throughout grade school, including cheerleading, student government, and athletics. She also developed a passion for performing: at 18, after being crowned 1982's Miss Beverly Hills, she enrolled in the University of California at Los Angeles' prestigious undergraduate theater program. Hartigay began her professional acting career while she was still a student with a bit part in Bob Fosse's Dorothy Stratten biopic Star 80 (1983). In 1985, she appeared in the B-movie Ghoulies and agreed to portray a teenage parolee inCBS' short-lived series Downtown. Roles in the teen comedies Welcome to 18 (1986) and Jocks (1987) quickly followed. In 1988, the actress joined her dad in the biopic of his own career, Mr. Universe. That same year, Hargitay earned the recurring role of Carly Fixx on television's Falcon Crest. The next several years found Hargitay acting in B-movies, such as a martial arts film called The Perfect Weapon (1991), and a handful of television films, such as Blind Side (1993) and Gambler V: Playing for Keeps (1994). She earned a small role in Mike Figgis's Leaving Las Vegas (1995) and replaced Gabrielle Fitzpatrick as Dulcea in Mighty Morphin Power Rangers: The Movie (1995), but her scenes were eventually re-shot with Fitzpatrick in the role. Throughout the late '80s and early '90s, Hargitay also appeared in numerous popular television shows -- In the Heat of the Night, Baywatch, Wiseguy, thirtysomething, Booker, Seinfeld, Ellen, The Single Guy -- and in quite a few failed series -- Tequila and Bonetti, Key West, Can't Hurry Love, Prince Street, and Cracker. In subsequent years, producer Dick Wolf tapped the actress for his Law & Order spin-off, Law & Order: Special Victims Unit (1999). As NYPD Detective Olivia Benson, Hargitay became a familiar and a celebrated face: She earned several award nominations for her performance on the show, as she stuck with the popular show for over ten years.In addition to working in film and television, Hargitay found time for the theater -- appearing on the Los Angeles stage in Salad Days, Women's Work, and Porno -- and read Rochelle Majer Krich's crime story Regrets Only on a mystery-themed audiobook. She also established her own charity, Spirit of the Dolphin, which gives abused children the chance to swim with dolphins in Hawaii. In 2007, Hargitay served as the National Ambassador for Lee National Denim Day to raise money and awareness for breast cancer. In terms of off-camera activity, Hargitay's successful pregnancy at the age of 42 (with her husband, SVU co-star Peter Hermann) made headlines as well.

Trivia: Launching his career as a standup comic, American performer Richard Belzer entered the 1970s as a member of an odd New York-based comedy troupe called Channel One. Anticipating the home video explosion by over a decade, Channel One staged satirical, scatological routines lampooning the banalities of television -- and staged them in front of TV cameras, which transmitted the routines to little TV monitors, which in turn were watched by the live audience. Some of the best sketches were assembled into an X-rated comedy feature, The Groove Tube (1970), which featured Belzer, Ken Shapiro, and a brash newcomer named Chevy Chase. For the next decade, Belzer played the comedy-club circuit, popped up as a talkshow guest, and appeared in occasional films like Fame (1982). He joined still another comedy troupe in 1983, which appeared nightly on the syndicated interview program Thicke of the Night. The host was Allan Thicke, and Belzer's comic cohorts included such incipient stars as Charles Fleischer, Chloe Webb and Gilbert Gottfried. Thicke of the Night was one of the more notorious bombs of the 1983-84 season, but it enabled Belzer to secure better guest-star bookings, and ultimately a hosting job on his own program, debuting in 1986 over the Lifetime Cable Service. It was on this series that wrestler Hulk Hogan, demonstrating a stranglehold on Belzer caused the host to lose consciousness -- which prompted a highly publicized lawsuit instigated by Belzer against the Hulkster. In the early 1990s, Richard Belzer could be seen as a non-comic regular on the TV series Homicide. His Homicide character, John Munch, would become one of the longest-running fictional creations on TV appearing in more than a half-dozen other television shows, most notably Law & Order: Special Victims Unit.

Trivia: Spent six years traveling around the world after graduating college. Was a New York City bartender before landing his first acting role. Joined the Workhouse Theatre Company while studying with Will Esper. Nearly died from a bacterial infection in 2009; he spent three weeks in the ICU and had to have two toes and half a thumb amputated. In 2010, began playing Mayhem in a long-running series of Allstate Insurance ads.

Trivia: Dann Florek was a working actor for 15 years, on stage, in movies, and on television before he became a television star on Law and Order. Born in Flat Rock, MI (near Detroit) in 1950, he was a physics major at Eastern Michigan University until he discovered his affinity for acting and theater. He moved to New York in the early 1970s and became a member of The Acting Company at The Juilliard School. Florek's New York theater credits included work in productions of A Midsummer Night's Dream, Love's Labour's Lost, and Death of a Salesman. He later performed in many productions staged at the La Jolla Playhouse and the Old Globe Theater in San Diego. Florek's film credits include Sweet Liberty, Hard Rain, Angel Heart, and The Flintstones, and he has made appearances on NYPD Blue, Wings, The Pretender, and The Practice. Additionally, he played Abraham Lincoln in the short-lived Fox Network series The Secret Diary of Desmond Pfeiffer. It was as Dave Meyer on L.A. Law that Florek first came to the attention of television viewers, but it was his four seasons on Law and Order that made him a star. He became a familiar and popular actor as Lieutenant (and later Captain) Donald Cragen, the head of the detective squad on whose investigations the series focuses from week to week. Florek also directed several episodes of the series after leaving the cast of the show in 1993, and is an active member of the Directors Guild of America. In 1999, he joined the cast of Law and Order: Special Victims Unit, reprising and greatly expanding his role of Captain Cragen, now head of a detective unit specifically assigned to the investigation of sex crimes. Equally skilled at comedy and drama (although more familiar for his work in the latter), Florek is one of a new generation of triple-threat actor/directors to emerge from television in the 1980s and 1990s. Florek continued to work on Law & Order until 2010.

Trivia: Met her husband onstage during a theater production, which is the same way her parents met. Considers her parents the most influential people in her career. Appeared on Broadway in Getting Away With Murder in 1996. Won a Robby Award (a California theater award) for her performance in The Violet Hour with South Coast Repertory in 2002.

Trivia: A graduate of Louisiana State University and New York's Neighborhood Playhouse, Elizabeth Ashley started her professional career as a model and ballet dancer (she had studied with Tatiana Semenova). Ashley was still travelling under her given name of Elizabeth Cole when she made her 1959 Broadway bow in The Highest Tree. She first adopted the billing of "Ashley" for her 1961 breakthrough stage appearance in Take Her, She's Mine, which won her the Theatre World Award. Ashley followed this triumph with her performance as newlywed Corrie Bratter in Neil Simon's Barefoot in the Park (1963). She made her film debut as Monica Winthrop in The Carpetbaggers (1963), co-starring with then-husband George Peppard (she had previously been married to actor James Farentino). After the 1965 film Ship of Fools, Ashley dropped out of acting for five years. In her candid 1978 autobiography Actress: Postcards From the Road, she attributed her career hiatus to a number of mitigating circumstances: a bout with cancer, a difficult pregnancy, her increasingly unhappy marriage to Peppard, and a professional "freeze-out" because she'd turned down the film version of Barefoot in the Park. By the time she reactivated her career in 1970, Ashley's performances had taken on a harsh, dangerous edge -- which, in the long run, had a most salutary effect on her career. With her searing portrayal of Maggie in the 1974 Broadway revival of Cat on a Hot Tin Roof, her comeback was complete. A busier-than-ever character actress in films and on stage, Elizabeth Ashley was also seen on a semiweekly basis as husky-voiced Aunt Frieda on the TV sitcom Evening Shade (1990-1994), which starred fellow Floridian Burt Reynolds.

Trivia: One of Canada's leading actors, Lothaire Bluteau has repeatedly been hailed for his ability to capture the emotional pain of the characters he plays. The Quebec-born Bluteau began appearing in Canadian films in the early 1980s, and since then, his career has included a roster of diverse projects for international cinema, television, and stage. In 1989, the actor first came to the attention of an international audience with his performance in Denys Arcand's Jesus of Montreal. His turn as an actor who may or may not be Jesus won him a Genie, Canada's equivalent of the Oscar. After gaining additional acclaim two years later for his performance in Bruce Beresford's Black Robe, Bluteau worked on a diverse series of films. He appeared in supporting roles in Orlando (1992), I Shot Andy Warhol (1996), and The English Patient (1996) and in leads in a number of other films. While these films allowed him to demonstrate his talent, it was his work in Le Confessionnal (1994) and Bent (1997) that gave audiences the best grasp of the actor's gifts. Playing a photographer trying to come to grips with his family in the former and a gay concentration camp inmate in the latter, Bluteau communicated both pain and beauty with uncanny grace.

Trivia: For his role in the Broadway production of M. Butterfly, talented stage and screen actor B.D. Wong (born Bradley Darryl Wong) would enter into history as the only actor ever to be honored with a Tony, a Drama Desk Award, an Outer Critics Circle Award, a Clarence Derwent Award, and a Theater World Award for a single performance. Proving equally adept onscreen, Wong's memorable early roles in The Freshman (1990) and Father of the Bride (1991) found him simultaneously attempting to break out of the Asian-American cinema stereotype while seeking out roles that would expand his dramatic capabilities. A native of San Francisco whose musical experimentation during his childhood eventually lead to the discovery of acting, Wong's parents were consistently supportive in nurturing his creative energy. Wong worked his way into Bay Area community theater while still a student at Lincoln High School, and his association with the San Francisco Unified School District proved an essential component in developing his skills as an actor. Following his subsequent graduation from San Francisco State University Wong moved to New York City, where he performed in dinner theater and off-Broadway productions. After making his professional bow in a New York Town Hall production of Androcles and the Lion, Wong began to essay small television roles on such series as Simon & Simon and Sesame Street about the time of his feature debut in The Karate Kid II (1986). Soon thereafter, Wong received coaching from Donald Hotton to prepare for his role in M. Butterfly, and following much critical acclaim, Wong slowly gained onscreen momentum with roles in Jurassic Park (1993) and the HBO AIDS-drama And the Band Played On (both 1993). In his constant search to portray original and diverse characters, Wong had a recurring role as Father Ray Makuda on the HBO series Oz. Subsequent performances included roles in Seven Years in Tibet (1997), voice work in the animated Disney film Mulan (1998), and the crime thriller The Salton Sea (2002). Television viewers became acquainted with Wong through his role on Law and Order: Special Victim's Unit.

Trivia: Perhaps most famous for his dramatic work on TV series like Law & Order: Special Victims Unit, Christopher Meloni has also been praised for his comedic appearances on screens of all sizes. His resumé proves him a versatile actor, indeed, with experience on television, in feature films -- both comedic and dramatic -- and even on-stage. (He acted in the 2001 Williamstown Theatre Festival.)He was born on April 2, 1961, in Washington, D.C., and earned his degree in 1983 at the University of Colorado in Boulder. Having grown interested in acting in college, he next studied at the Neighborhood Playhouse in New York City with Sandford Meisner. First noted for his role that began in 1990 on the hit series The Fanelli Boys on NBC, Meloni's accomplished television background consists of appearances on NYPD Blue (1993), the HBO's prison series Oz (1997), and numerous other series and TV movie roles. His lengthy list of supporting appearances on film includes major features like 12 Monkeys (1995), Bound (1996), and Fear and Loathing in Las Vegas (1998). In 1999, he played one of Julia Roberts' husbands-to-be in Runaway Bride. Building upon his Oz experience, he starred in the PBS feature Shift in 2001, in a dramatic role as a prison inmate lovesick over a woman whom he only knows via telephone, and who doesn't know his whereabouts. Also in that year, he played a crazy 'Nam vet chef -- who provided some of the most accessible laughs of the absurd comedy -- at summer camp in David Wain's Wet Hot American Summer.In the years to come Meloni would appear in films like Nights in Rodanthe, Carriers, and Harold and Kumar Go to White Castle, as well as the series True Blood.

Trivia: Born August 10th, 1972, Texan model-turned-actress Angie Harmon's private life (and concomitant rise to fame) bear closer correlation to a fairy tale than to a factual account. Born Angela Michelle Harmon in the Dallas suburb of Highland Park in the late summer of 1972, Harmon never sought out celebrity; it beckoned to her. An "accidental" discovery by the esteemed Kim Dawson Modeling Agency and a win of Seventeen Magazine's cover-girl contest (at age 15) launched Harmon on the path to modeling, but once she reached Manhattan, Harmon discovered a deep-seated love of drama. Harmon then survived a series of not-so-prestigious early roles (including a very brief stint on the exploitationer Baywatch Nights and a turn as a dysfunctional suburbanite in John Duigan's ugly allegory Lawn Dogs), to establish herself as a respected and esteemed actress.Harmon first garnered national attention in the late '90s, as Abbie Carmichael, an assistant district attorney on the hit prime-time drama Law & Order -- a role she maintained for multiple seasons. Beginning in 2003, the actress segued from television into cinematic roles, with generally promising results. Her highest-profile turns include contributions to the family-oriented spy comedy Agent Cody Banks (2003), the action thriller End Game (2005), and the Jim Carrey/Téa Leoni comedy Fun With Dick and Jane (2005).Harmon made coast-to-coast headlines in March 2000 when she received a marriage proposal from then-boyfriend Jason Sehorn, a running back for the New York Giants, on The Tonight Show with Jay Leno. Sehorn popped the question in front of Elton John and a nationwide TV audience. Harmon immediately accepted on the air, and the two wed a short time later, parenting children in successive years before annoucing their split in 2014. In her private life, Harmon is also an outspoken born-again Christian and an advocate of conservative political causes. She and Sehorn co-hosted the Lifetime special Together: Stop Violence Against Women (2003) to spread awareness and prevention of domestic abuse. In fall 2007, Harmon took on a lead role in the ABC detective series Women's Murder Club as Lindsay Boxer, one of four women who band together to solve crimes in the city of San Francisco; the series was an instant success. In 2010, Harmon begun work on Rizzoli & Isles in the leading role of Detective Jane Rizzoli, a hard-working law enforcer entrusted with solving some of Boston's toughest cases.

Trivia: For the first decade or so of her acting career, Lauren Stamile specialized in television work, with occasional guest appearances on such programs as The West Wing, Cold Case, Boston Legal, and Rules of Engagement. She evoked the presence of actress Kate Jackson in the 2004 telemovie Behind the Camera: The Unauthorized Story of Charlie's Angels and scored her first major recurring series role in 2007 during the fourth season of the medical drama Grey's Anatomy .

Trivia: She might not be a household name, but the statuesque character actress Tamara Tunie sports a resumé as distinctive as she is innately glamorous. Tunie landed her first major role as litigator Jessica Griffin McKechnie Harris on the soap opera As the World Turns in 1986 -- a part she played for 11 years. In the mean time, Tunie signed for a small role in the endearing yet sadly overlooked coming-of-age dramedy Sweet Lorraine (1987), an unsung predecessor to the box-office blockbuster Dirty Dancing, starring Maureen Stapleton and Trini Alvarado. Tunie signed for a bit part in the 1989 period murder mystery Bloodhounds of Broadway, but despite the fact that it claimed a pedigree as impressive as Lorraine (with Matt Dillon, Madonna, Jennifer Grey, and others), the movie unfortunately failed to deliver on its noble intentions. Over the course of the next several years, Tunie turned up several times on Steven Bochco's NYPD Blue, and landed the bit part of Leslie Christos in the Al Pacino big-city crime drama City Hall (1996), directed by Harold Becker (Taps). She re-teamed with Pacino for the darkly comic supernatural horror film The Devil's Advocate (1997), then worked with Brian De Palma and Nicolas Cage on the 1998 thriller Snake Eyes. Tunie's most high-profile work, however, was yet to come. In 2002, she delivered a compelling performance as Alberta Green in the first season of the series thriller 24. In 1999, the actress resumed her portrayal of Jessica Harris on As the World Turns and continued to sporatically return to the role through the 2000s. Beginning in 2000, Tunie also portrayed Melinda Warner on the popular series Law & Order: Special Victims Unit.

Trivia: The comely blonde supporting actress Diane Neal is best known for her ongoing portrayal of District Attorney Casey Novak on the blockbuster series Law & Order: Special Victims Unit. Her resumé also includes appearances in such direct-to-video exploitationers as Dracula II: Ascension and Dracula III: Legacy.

Trivia: For many fans, the image of fair-haired actress Stephanie March includes a pair of black horn-rimmed glasses, which she wore for the role of Assistant District Attorney Alexandra Cabot on the series Law & Order: SVU. The role was one of the Texas native's first TV gigs, and she remained with the series from 2000 to 2004, then rejoined the series in 2009. March made her Broadway debut opposite Brian Dennehy in Death of a Salesman, and later appeared in a filmed version of the show. She also appeared in a number of other projects, like the Angelina Jolie spy movie Mr. and Mrs. Smith, before reprising the role of Alexandra Cabot for the Law & Order spinoff Conviction. March continued to make memorable guest appearances in shows like Grey's Anatomy, 30 Rock and Happy Endings. She had a supporting role in the film Innocence in 2014.

Trivia: Wrote an essay that was published in the book Struggle for Ethnic Identity: Narratives by Asian American Professionals. In 2001, played the role of Florizel in Winter's Tale at the Williamstown Theatre Festival. Was the Artistic Associate of the National Asian American Theatre Company (NAATCO) in 2005 and has appeared in five NAATCO productions. Played Ariel in the Shakespeare Theatre of New Jersey's stage production of The Tempest in 2009. In 2013, received a Drama Desk nomination for Best Solo Performance for his role as Gordon Hirabayashi in Jeanne Sakata's one-person play Hold These Truths.

Trivia: Began acting in community theater productions at age 6. Played on her high-school softball team. Appeared in the short-lived Broadway-bound play Bobbi Boland opposite Farrah Fawcett after arriving in New York in 2002. Costarred in the Web sitcom The Burg. Made television debut on the ABC soap opera All My Children in 2005. Filmed Past Life in Atlanta, Georgia, located about 45 minutes from her hometown of Cumming. Spent a week with real U.S. Marshals to prepare for her starring role in NBC's Chase.

Trivia: Is the son of Cuban immigrants. In his youth, aspired to become a baseball player or a lawyer, or join the Coast Guard. Was a lifeguard in Miami as a teen. Met his future wife, Lilly, during a middle-school theater class when they were just 13. They continued their education together through junior high, high school, college and graduate school. Off-camera pursuits include writing; received writing credits on the Cold Case episodes "Stealing Home" (2009) and "Metamorphosis" (2010).

Trivia: UCLA grad Joanna Merlin made her first film appearance in 1956, as one of Jethro's daughters in the Cecil B. DeMille superspectacular The Ten Commandments. Five years later she first stepped on a Broadway stage in Jean Anouilh's Becket. Her subsequent theatrical credits include the role of Tzeitel in the original 1964 production of Fiddler on the Roof. In films, she has specialized in such ethnically oriented character roles as the landlady in Hester Street (1975). From bag ladies to judges, Merlin has played 'em all. More recently, Joanna Merlin has functioned as a Hollywood casting director.