Trivia: Born in a musically talented family.Grew up in Gary, Indiana.The first African American MFA graduate at Rutgers University.Recorded his lessons for his theater students at Rutgers University while working on the set of Star Trek: Deep Space Nine, often in costume.Plays jazz piano.

Trivia: Although she officially launched her dramatic career on the big screen, with bit parts in Jonathan Demme's nostalgic period piece Swing Shift (1984) and Wes Craven's gore picture The Hills Have Eyes, Part II (1984), African-American actress Penny Johnson (also occasionally credited by her full married name, Penny Johnson Jerald) gained broadest recognition as a network mainstay on innumerable short-lived and long-running U.S. television series. Her presence on the glitter box quickly became so widespread, in fact, that devoted prime-time viewers who fail to connect with Johnson's name will invariably identify her countenance.Born March 14, 1961, in Baltimore, MD, Johnson recognized acting as her life's work while a teenager, and subsequently commenced dramatic training at her home city's Centre Stage Theatre, at age 13, by lying about her age to get in. (She claimed to be 14 -- the ensemble's minimum age requirement.) The ruse worked, and Johnson's success with that troupe encouraged her to subsequently perform in a traveling ensemble (as a mime, juggler, and fire eater) with the Baltimore-based Theatre Project, and attend university for dramatic training at Juilliard several years later. After the aforementioned film roles, Johnson segued into television, first with a brief ongoing role as Debbie on the daytime soap General Hospital (in 1986), then as university law student Vivian on the Showtime pay cable service's revival of the late '70s CBS series The Paper Chase, retitled The Paper Chase: The Second Year (a role she sustained from 1984-1986). After guest spots on such programs as The Jeffersons, Simon & Simon, and Tour of Duty, Johnson landed one of the leads on the very short-lived ABC sitcom Homeroom -- starring as Virginia "Vicki" Harper, the medical-student wife of adman-turned-fourth grade teacher Darryl Harper (Darryl Sivad). That program premiered on September 24, 1989, and wrapped not three months later, unable to find an audience.Johnson then re-teamed with Craven for the director's telemovie Night Visions (1990), about a tough L.A. cop (James Remar) who solicits the help of a psychic (Loryn Locklin) to root out a serial murderer. Craven and co. shot that effort as a pilot for a prospective series, but it never took off. In 1992, the actress returned to pay cable by joining the cast of The Larry Sanders Show, comedian Garry Shandling's HBO satire about the behind-the-scenes shenanigans at a late-night, Carson-style talk program. Johnson struck gold with that move; the show lasted until 1998 and became a massive runaway hit and a critical darling.After small turns in two A-list cinematic releases -- 1993's Tina Turner biopic What's Love Got to Do With It? (as Lorraine) and Rusty Cundieff's 1994 gangsta rap satire Fear of a Black Hat (as Re-Re) -- Johnson carved a permanent niche for herself on three number-one television series, sequentially Star Trek: Deep Space Nine, ER, and 24. In the first, she played Kasidy Yates, a stunningly gorgeous freighter captain who meets and falls in love with Benjamin Sisko, but is indefinitely abandoned by him when he moves into another dimension with The Prophets. She then donned a nurse's uniform for a season (1998-1999) as Lynette Evans at ER's Chicago County General Hospital, alongside co-stars George Clooney, Anthony Edwards, and others, and keyed up for her most prominent role: Sherry Palmer, the wife of Senator David Palmer, and essentially a shrewd, diabolical, Lady Macbeth-like character willing to break any and every moral precept to lock down the presidency of her husband. More recently, Johnson portrayed Secretary of State Condoleeza Rice in the 2003 TV movie DC 9/11: Time of Crisis and again in another TV movie, The Path to 9/11, in 2006. Johnson married her husband, musician Gralin Jerald, in 1982. They have one daughter. In her off time, Johnson is actively involved with her church and with many progressive social causes; she played a significant role in securing aid for victims of Hurricane Katrina.

Trivia: From her debut as an improvisational comic on the hit series SCTV to her later status as a voice-over artist for such popular children's shows as Sesame Street and Jimmy Neutron: Boy Genius, Emmy-winning actress Andrea Martin has remained a recognizable performer to generations of television viewers. A native of Maine whose relocation to the Great White North found her signing on with the Toronto branch of the famed Second City comedy troupe, Martin formed close working relationships with such fellow improv-ers as Eugene Levy and Catherine O'Hara. Fueled by a powerhouse group of comic talent that included such future stars as John Candy, Martin Short, and Rick Moranis, the Second City troupe gained a loyal following and after small roles in such features as Cannibal Girls and Black Christmas, Martin followed the troupe to the small screen with Second City TV in 1976. Equally, if not more hilarious than its American counterpart Saturday Night Live in the eyes of many comedy fans, SCTV ultimately went through three small-screen incarnations including SCTV: Network 90 and SCTV Channel before calling it quits in 1984. Though she would remain closely involved with her former cast-mates on such projects as Club Paradise, Innerspace, The Completely Mental Misadventures of Ed Grimley, and Camp Candy (the latter two marking her entrance into voice-over work), Martin also branched out on her own as the title character in the 1987 television series Roxie and as a cast member in the 1991 version of The Carol Burnett Show. The '90s found her frequently alternating between television and film, and though roles in such features as Boris and Natasha and Bogus did little to further her career, fans could still catch a glimpse of the old magic when Martin joined former cast-mate Short in 1994's short-lived The Martin Short Show. On the heels of more voice-over work in such efforts as television's Recess: School's Out and the hit Disney feature Anastasia, Martin joined the cast of Sesame Street in 1998, marking something of a shift to more family-oriented material (save for an appearance in the 2001 musical comedy Hedwig and the Angry Inch) that would keep her very busy into the new millennium. Even as a voice-over artist, Martin still got the occasional opportunity to perform alongside old friends Levy (The Kid) and Martin (Prince Charming). Even if the next generation would remember her face mainly from appearances in My Big Fat Greek Wedding and New York Minute, the release of SCTV on DVD in 2004 offered parents with fond memories of the series a chance to share it with their children and show them where all the fun began.

Trivia: While his name might suggest a birthplace somewhere in France -- or at the very least Quebec -- actor Rene Auberjonois was born in New York City. However, his well-to-do parents were of noble European blood, thus French was the language of choice in his household. Despite his first-born-American status, Auberjonois was shunned by many of his schoolmates as a foreigner, and teased for having a "girl's" name. As a defense mechanism, Auberjonois became the class clown, which somehow led naturally to amateur theatricals. The influence of such neighborhood family friends as Burgess Meredith and Lotte Lenya solidified Auberjonois' determination to make performing his life's work. He was cast in a production at Stratford (Ontario)'s Shakespeare company by John Houseman -- another neighbor of his parents' -- and after moving with his family to England, Auberjonois returned to complete his acting training at Carnegie-Mellon University. There he decided to specialize in character parts rather than leads -- a wise decision, in that he's still at it while some of his handsomer and more charismatic Carnegie-Mellon classmates have fallen by the wayside. Three years with the Arena Stage in Washington, D.C. led Auberjonois to San Francisco's American Conservatory Theatre, of which he was a founding member. Movie and TV work was not as easy to come by, so the actor returned to New York, where he won a Tony for his Broadway role in the musical Coco. An introduction to director Robert Altman led Auberjonois to his first film, M*A*S*H (1970), in which he introduced the character that would later be fleshed out on TV as Father Mulcahy (with William Christopher in the role). He worked in two more Altman films before he and the director began to grow in opposite directions. More stage work and films followed, then TV assignments; Auberjonois' characters ranged from arrogant dress designers to snooty aristocrats to schizophrenic killers on film, while the stage afforded him more richly textured roles in such plays as King Lear and The Good Doctor. In 1981, Auberjonois was cast as Clayton Endicott III, the terminally fussy chief of staff to Governor Gatling on Benson. Like so many other professional twits in so many other films, Auberjonois' job was to make life miserable for the more down-to-earth hero, in this case Robert "Benson" Guillaume. Blessed with one of the most flexible voiceboxes in show business, Auberjonois has spent much of his career providing voice-overs for cartoon characters in animated projects like the Disney's The Little Mermaid, The Legend of Tarzan, Justice League, and Pound Puppies. In 1993, Rene Auberjonois assured himself a permanent place in the hearts of "Trekkies" everywhere when he was cast as Odo (complete with understated but distinctive "alien" makeup) on the weekly syndicated TV show Star Trek: Deep Space Nine, which he appeared on until 1999.Auberjonois would remain extremely active on screen in the years to come, appearing in movies like The Patriot, and on shows like Boston Legal.

Trivia: Though she has several features and TV movies to her credit, Terry Farrell has thrived primarily as an actress on series television. Born Theresa Lee Farrell Grussendorf in Cedar Rapids, IA, Farrell moved to New York City to become a model. During her several years as a cover girl, she also studied acting and landed her first major role as an actress by playing a model on the short-lived TV series Paper Dolls (1984). While she continued her acting studies, Farrell had a small role in the Rodney Dangerfield comedy Back to School (1986) and appeared in the TV movies Beverly Hills Madam (1986) and The Deliberate Stranger (1986), a well-received docudrama on serial killer Ted Bundy. After she starred in the horror sequel Hellraiser III: Hell on Earth (1992), Farrell attracted a following as Lt. Commander Jadzia Dax on Star Trek: Deep Space Nine (1993-1998). During her five years on Deep Space Nine, Farrell also appeared in the TV adaptation of Danielle Steel's Star (1993), the B-action movie Red Sun Rising (1994), and the TV thriller Reasons of the Heart (1996). After Deep Space Nine ended, the actress stayed with TV, signing on to play Reggie, the beautiful diner worker and occasionally sharp-tongued foil to Ted Danson's grumpy doctor on the CBS sitcom Becker (1998).

Trivia: Colm Meaney is no stranger to the run down Barrytown district of Dublin depicted in The Commitments, The Snapper, and The Van, having grown up near the much mythologized neighborhood. The Dublin native began his acting career at the age of 14, eventually receiving formal training at Dublin's prestigious Abbey Theatre School of Acting and going on to join the Irish National Theatre Company. Meaney eventually graduated to the English stage, working in various London theaters, and then began to audition for television work, mainly landing bit parts in such TV shows as the cop drama Z Cars.Meaney moved to the U.S. in 1982, continuing to work mainly on the stage, but gradually made the transition into television and film playing small parts and guest roles on a variety of series. He was part of the cast of One Life to Live from 1986 to 1987, playing Patrick London, and then was hired for a bit part on Encounter at Farpoint, the pilot for the Star Trek: The Next Generation series. He was hired again for another part and then given the role of Chief Miles Edward O'Brien, and quickly went from being a bit player to an important member of the ensemble cast. The character was transferred to Star Trek: Deep Space Nine in the pilot for that series, and Meaney became a staple member of the show's cast.During his tenure on both Star Trek series, Meaney's motion picture career began to take off, as the bit parts he was given gradually became more substantial. Meaney made his greatest impact in smaller films like the so-called Barrytown Trilogy -- The Commitments (1991), in which he played the father of one of the band members; The Snapper (1993), in which he portrayed Dessie, who finds himself out of a job and suddenly a grandfather; and The Van (1996), which cast him as Larry, a layabout who manages to have a grand idea one day that results in his and a friend Bimbo starting a business out of a derelict vending van. Meaney was also notable in 1996's The Englishman Who Went Up a Hill But Came Down a Mountain: his Morgan the Goat, a randy Welsh pub owner with a flair for smart remarks, was an appropriate foil for the naive Englishman played by Hugh Grant. Meaney has continued to divide his time between the U.K. and the U.S., making particularly notable appearances in Paul Quinn's This Is My Father (1998), which cast him as the swishy son of an old gypsy woman; Lodge Kerrigan's Claire Dolan, in which he played a high-class pimp; Ted Demme's Monument Avenue (1998), which featured him as the bullying leader of a Boston gang; and Chapter Zero (2000), an independent comedy that cast Meaney as the cross-dressing father of a struggling writer.He continued to work steadily well into the 21st century in a variety of projects including Bitter Harvest, Intermission, Layer Cake, and Turning Green. He played soccer coach Don Revie in the sports drama The Damned United before playing the father of a strung-out rockstar in the comedy Get Him to the Greek. He appeared in Robert Redford's historical drama The Conspirator, as well as the period drama Bel Ami.

Trivia: A versatile performer born into the lap of show business -- her parents were Gypsy stage choreographer Robert Tucker and ballet instructor Nenette Charisse, and her aunt (by marriage) acclaimed dancer Cyd Charisse -- Nana Visitor grew up on the west side of Manhattan, not far from Broadway. Visitor followed her parents' lead by formally training as a ballet dancer from the age of seven, then segued into tap dance, and in virtually no time seemed destined for the stages of the Great White Way, an accomplishment secured by late adolescence. Visitor's stage credits include My One and Only, Gypsy, 42nd Street, and The Ladies' Room; by the mid-'80s she began signing for on-camera appearances as well, often though not always in telemovies and series roles. Her best-known parts include a regular role as Major Kira Nerys on Star Trek: Deep Space Nine for the series' entire seven-season run and a recurring part during the first season of James Cameron's Dark Angel as the nefarious Dr. Elizabeth Renfro (aka Madame X). Visitor then went on to star as Roxie Hart in a revival of the stage musical Chicago before again taking a regular TV role. This time, Visitor played Jean Ritter on the horse-racing teen drama Wildfire.

Trivia: African-American actor Michael Dorn received much of his on-the-job training as a semi-regular on the daytime drama Days of Our Lives. In the prime-time hours, Dorn was seen as Officer Turner during the final two seasons (1980-1982) of the weekly cop series CHiPs. He went on to a flurry of supporting-cast activity in such theatrical features as The Jagged Edge (1985). Then, in 1987, Michael Dorn donned mounds of facial makeup for what was to be his signature role: the U.S.S. Enterprise's Klingon officer Lt. Worf on Star Trek: The Next Generation (1987-1994).

Trivia: Born to an English mother and Sudanese father. Uncle Sadiq Al Mahdi was a two-time Prime Minister of Sudan (in the 1960s and '80s). Was bitten by the acting bug as a teenager, when he played Puck in a high-school production of Shakespeare's A Midsummer Night's Dream. Initially aspired to be a director, and has directed plays as well as two episodes of Star Trek: Deep Space Nine. Interests include wine collecting, role-playing games, gardening and home projects.