Trivia: The youngest of the seven children of a Brooklyn contractor, Vince Edwards left vocational school when he won an athletic scholarship to Ohio State University. He subsequently gave up college to attend New York's American Academy of Dramatic Arts. After working as a chorus boy in the Broadway musical High Button Shoes, Edwards fell under the spell of the then-fashionable "Method" school of acting: "whoever had the dirtiest outfit was top man on Broadway," he would later comment. Edwards tended to be cast on the basis of his physique rather than his acting ability in such films as Mr. Universe (1951) and Hiawatha (1952). After ten years of film roles of varying quality, Edwards was starred in the television series Ben Casey (1961-66), rapidly developing a reputation as "TV's surly surgeon." Toward the end of the Casey run, Edwards began dabbling in directing, an activity that he has pursued ever since. Later projects involving Vince Edwards have included the brief 1970 TV series Matt Lincoln, an attempt to establish himself as a nightclub singer, and a voiceover stint for the TV cartoon daily The Centurions.

Trivia: Born in Spanish Harlem, Erik Estrada was compelled to go to work at an early age to help support his large, fatherless family. While a student at Brandeis High, Estrada was encouraged by his girlfriend to audition for school plays. The acting bug bit hard, and soon Estrada was working overtime in a laundromat to pay his tuition at the American Musical Dramatic Academy. He also served as errand boy/interpreter for film companies working in the neighborhood. His first professional movie appearance was as a street punk in The Cross and the Switchblade; he won the role over 100 aspirants by ad-libbing his audition, convincingly wielding a prop knife as he spoke. His next important film role was Spanish rookie cop Sergio Duran in The New Centurions (1972), and it was this assignment that led to a spate of TV guest appearances. In 1977, he was cast as motorcycle patrolman Frank "Ponch" Poncherello on the hit TV series CHiPs In 1979, he was nearly killed in a stunting accident; fortunately, he made a complete physical recovery, and remained with the series until its 1983 cancellation. After the demise of CHiPs Estrada's acting career went into decline, though he has enjoyed a career renaissance of late as the heartthrob star of Spanish-language TV soap operas. In 2005 Estrada lent his distinctive voice to the animated Adult Swim series Sealab 2021, which earned him cult status among the shows many devoted fans, and subsequent acting roles have included appearances on Life, According to Jim, and Meet the Browns. Manwhile, in 2007, Estrada earned a star on the Hollywood Walk of Fame.

Trivia: A director and supporting actor, Bercovici has been onscreen from the '80s.

Trivia: Born in Sweden, Bo Svenson moved to the U.S. at the age of 17. Before settling upon an acting career, the husky Svenson attended UCLA, served in the Marines for six years, then worked as a hockey player, race-car driver and 3rd Degree Black Belt judo champ. His first regular TV work was on the 1968 western series Here Come the Brides, in which he was cast to type as Big Swede (though by this time, he had lost all vestiges of his Scandinavian accent). After an impressive movie debut in the little-seen Maury (1974), Svenson was second-billed as Alex Olsson, competitor-cum-partner of barnstorming aviator Robert Redford, in The Great Waldo Pepper (1973). When Joe Don Baker, star of the 1973 sleeper Walking Tall, passed on the opportunity to play Sheriff Buford Pusser in the 1975 sequel, Svenson inherited the role; he would portray Pusser in both Part 2: Walking Tall (1975) and The Final Chapter: Walking Tall (1977), then repeated the assignment in the 1981 Walking Tall TV series. Perhaps someday, Bo Svenson will escape the sleazoid actioners in which he is usually starred, and receive a screen role worthy of his talents.

Trivia: Richard Thomas was seven years old when he made his first Broadway appearance in Sunrise at Campobello (1958). The wide-eyed, mole-cheeked, sensitive-looking Thomas soon found himself very much in demand for television roles. He was seen in the distinguished company of Julie Harris, Christopher Plummer and Hume Cronyn in a 1959 TV presentation of Ibsen's A Doll's House, worked as a regular on the daytime soap operas As the World Turns and Flame in the Wind, and co-starred with Today Show announcer Jack Lescoulie in the captivating 1961 Sunday-afternoon "edutainment" series 1-2-3 Go. While attending Columbia University, Thomas made his theatrical-film debut in Downhill Racer, then settled into a series of unpleasant, psychologically disturbed characters in films like You'll Like My Mother (1971) and such TV series as Bracken's World. In 1971, Thomas was cast as John-Boy Walton in the Earl Hamner-scripted TV movie The Homecoming. Though there would be a number of cast changes before The Homecoming metamorphosed into the weekly series The Waltons in 1972, Thomas was retained as John-Boy, earning a 1973 Emmy for his performance and remaining in the role until only a few months before the series' cancellation in 1981. During the Waltons years, Thomas starred in several well-mounted TV movies, including the 1979 remake of All Quiet on the Western Front. Ever seeking opportunities to expand his range, Thomas has sunk his teeth into such roles as the self-destructive title character in Living Proof: The Hank Williams Jr. Story (1983) and the amusingly sanctimonious Rev. Bobby Joe in the satirical Glory! Glory!. In 1980, Thomas made his first Broadway appearance in over two decades as the paralyzed protagonist of Whose Life is It Anyway. Notable later roles have included a turn as Bill Denbrough in Stephen King's It (1990), an appearance in Curtis Hanson's 2000 drama Wonder Boys, and a bit part as a reverend in Ang Lee's Taking Woodstock (2009). Working through his own Melpomene Productions, Thomas has continued seeking out creative challenges into the 1990s. Richard Thomas has also served as national chairman of the Better Hearing Institute.