Trivia: Icon of British cool in the 1960s, leading action star in the late '70s, and knighted into official respectability in 1993, Michael Caine has enjoyed a long, varied, and enviably prolific career. Although he played a part in some notable cinematic failures, particularly during the 1980s, Caine remains one of the most established performers in the business, serving as a role model for actors and filmmakers young and old. The son of a fish-porter father and a charwoman mother, Caine's beginnings were less than glamorous. Born Maurice Micklewhite in 1943, in the squalid South London neighborhood of Bermondsey, Caine got his first taste of the world beyond when he was evacuated to the countryside during World War II. A misfit in school, the military (he served during the Korean War), and the job pool, Caine found acceptance after answering a want ad for an assistant stage manager at the Horsham Repertory Company. Already star struck thanks to incessant filmgoing, Caine naturally took to acting, even though the life of a British regional actor was one step away from abject poverty. Changing his last name from Micklewhite to Caine in tribute to one of his favorite movies, The Caine Mutiny (1954), the actor toiled in obscurity in unbilled film bits and TV walk-ons from 1956 through 1962, occasionally obtaining leads on a TV series based on the Edgar Wallace mysteries. Caine's big break occurred in 1963, when he was cast in a leading role in the epic, star-studded historical adventure film Zulu. Suddenly finding himself bearing a modicum of importance in the British film industry, the actor next played Harry Palmer, the bespectacled, iconoclastic secret agent protagonist of The Ipcress File (1965); he would go on to reprise the role in two more films, Funeral in Berlin (1966) and The Billion Dollar Brain (1967). After 12 years of obscure and unappreciated work, Caine was glibly hailed as an "overnight star," and with the success of The Ipcress Files, advanced to a new role as a major industry player. He went on to gain international fame in his next film, Alfie (1966), in which he played the title character, a gleefully cheeky, womanizing cockney lad. For his portrayal of Alfie, Caine was rewarded with a Golden Globe award and an Oscar nomination. One of the most popular action stars of the late '60s and early '70s, Caine had leading roles in films such as the classic 1969 action comedy The Italian Job (considered by many to be the celluloid manifestation of all that was hip in Britain at the time); Joseph L. Manckiewic's Sleuth (1972), in which he starred opposite Laurence Olivier and won his second Oscar nomination; and The Man Who Would Be King (1976), which cast him alongside Sean Connery. During the 1980s, Caine gained additional acclaim with an Oscar nomination for Educating Rita (1983) and a 1986 Best Supporting Actor Oscar for Hannah and Her Sisters. He had a dastardly turn as an underworld kingpin in Neil Jordan's small but fervently praised Mona Lisa, and two years later once again proved his comic talents with the hit comedy Dirty Rotten Scoundrels, in which he and Steve Martin starred as scheming con artists. Although Caine was no less prolific during the 1990s, his career began to falter with a series of lackluster films. Among the disappointments were Steven Seagal's environmental action flick On Deadly Ground (1994) and Blood and Wine, a 1996 thriller in which he starred with Jack Nicholson and Judy Davis. In the late '90s, Caine began to rebound, appearing in the acclaimed independent film Little Voice (1998), for which he won a Golden Globe for his portrayal of a seedy talent agent. In addition, Caine -- or Sir Michael, as he was called after receiving his knighthood in 2000 -- got a new audience through his television work, starring in the 1997 miniseries Mandela and de Klerk. The actor, who was ranked 55 in Empire Magazine's 1997 Top 100 Actors of All Time list, also kept busy as the co-owner of a successful London restaurant, and enjoyed a new wave of appreciation from younger filmmakers who praised him as the film industry's enduring model of British cool. This appreciation was further evidenced in 2000, when Caine was honored with a Best Supporting Actor Academy Award for his portrayal of an abortionist in The Cider House Rules. After launching the new millennium with both a revitalized career momentum and newfound popularity among fans who were too young to appreciate his early efforts, Caine once again scored a hit with the art-house circuit as the torturous Dr Royer-Collard in director Phillip Kaufman's Quills. Later paid homage by Hollywood icon Sylvester Stallone when the muscle-bound actor stepped into Caine's well-worn shoes for a remake of Get Carter (in which Caine also appeared in a minor role) the actor would gain positive notice the following year for his turn as a friend attempting to keep a promise in Last Orders. As if the Get Carter remake wasn't enought to emphasize Caine's coolness to a new generation of moviegoers, his turn as bespectacled super-spy Austin Powers' father in Austin Powers in Goldfinger proved that even years beyond The Italian Job Caine was still at the top of his game. Moving seamlessly from kitsch to stirring drama, Caine's role in 2002's The Quiet American earned the actor not only some of the best reviews of his later career, but another Oscar nomination as well. Caine had long demonstrated an unusual versatility that made him a cult favorite with popular and arthouse audiences, but as the decade wore on, he demonstrated more box-office savvy by pursuing increasingly lucrative audience pleasers, almost exclusively for a period of time. The thesp first resusciated the triumph of his Muppet role with a brief return to family-friendly material in Disney's Secondhand Lions, alongside screen legend Robert Duvall (Tender Mercies, The Apostle). The two play quirky great-uncles to a maladjusted adolescent boy (Haley Joel Osment), who take the child for the summer as a guest on their Texas ranch. The film elicited mediocre reviews (Carrie Rickey termed it "edgeless as a marshmallow and twice as syrupy") but scored with ticket buyers during its initial fall 2003 run. Caine then co-starred with Christopher Walken and Josh Lucas in the family issues drama Around the Bend (2004). In 2005, perhaps cued by the bankability of Goldfinger and Lions, Caine landed a couple of additional turns in Hollywood A-listers. In that year's Nicole Kidman/Will Ferrell starrer Bewitched, he plays Nigel Bigelow, Kidman's ever philandering warlock father. Even as critics wrote the vehicle off as a turkey, audiences didn't listen, and it did outstanding business, doubtless helped by the weight of old pros Caine and Shirley Maclaine. That same year's franchise prequel Batman Begins not only grossed dollar one, but handed Caine some of his most favorable notices to date, as he inherited the role of Bruce Wayne's butler, a role he would return to in both of the film's sequels, The Dark Knight and The Dark Knight Rises. Caine contributed an elegiac portrayal to Gore Verbinski's quirky late 2005 character drama The Weatherman, as Robert Spritz, the novelist father of Nic Cage's David Spritz, who casts a giant shadow over the young man. In 2006, Caine joined the cast of the esteemed Alfonso Cuaron's dystopian sci-fi drama Children of Men, and lent a supporting role to Memento helmer Christopher Nolan's psychological thriller The Prestige. In 2009 Caine starred as the title character in Harry Brown, a thriller about a senior citizen vigilante, and the next year worked with Nolan yet again on the mind-bending Inception.

Trivia: Chameleon-like British actor Ben Kingsley has proven he can play just about anyone, from Nazi war criminals to Jewish Holocaust survivors to quiet British bookshop owners. For many viewers, however, he will always be inextricably linked with his title role in Gandhi, a film that won him an Oscar and the undying respect of critics and filmgoers alike.Of English, East Indian, and South African descent, Kingsley was born Krishna Bhanji on December 31, 1943 in Snaiton, Yorkshire, England. The son of a general practitioner, Kingsley started out in amateur theatricals in Manchester before making his professional debut at age 23. In 1967 he made his first London appearance at the Aldwych theater and then joined the Royal Shakespeare Company, devoting himself almost exclusively to stage work for the next 15 years (with the exception of two obscure films, Fear Is the Key [1972] and Hard Labour [1973]). When asked about his favorite stage roles, he listed Hamlet, The Tempest's Ariel, and Volpone's Mosca.American audiences first saw Kingsley in 1971, when he made his Broadway debut with the Royal Shakespeare Company. In 1982, actor and director Richard Attenborough selected Kingsley for the demanding title role in the epic Gandhi. The film swept the international awards that year, earning the 39-year-old actor overnight success. Among the several awards he was honored with, Kingsley won a Best Actor Oscar. Adamantly refusing to recycle the same roles, Kingsley spent the next decade playing a wide spectrum of characters. Among his more notable parts were an Arab potentate in Harem (1985), an introverted bibliophile and "social rebel" in Turtle Diary (also 1985), a spy of little import in Pascali's Island (1988), an incorruptible American vice president in Dave (1992), New York gangster Meyer Lansky in Bugsy (1992), a Jewish bookkeeper in Schindler's List (1993), and a suspected Nazi war criminal in Death and the Maiden (1994). So many of his characters have been either taciturn or downright villainous that, upon being cast in a good-guy role in the escapist sci-fier Species (1995), Kingsley publicly expressed his relief in several widely circulated magazine articles.In the latter half of the 1990s, Kingsley continued to embrace a variety of eclectic roles, with turns as the Fool in Trevor Nunn's 1996 film adaptation of Twelfth Night, a media mogul in the 1997 made-for-HBO satire Weapons of Mass Distraction, and the barbarous barber Sweeney Todd in John Schlesinger's 1998 The Tale of Sweeney Todd. Kingsley also took Broadway by storm with his one-man show Edward Kean (later taped for cable), which was directed by his wife, Alison Sutcliffe. Though Kingsley had retained the variety in his career that he had so diligently pursued, the ever-sharp actor remained as focused as ever heading into the new millennium. For his role as a manipulative criminal with a strong power for persuasion in Sexy Beast (2001), Kingsley earned both a Golden Globe nomination and a third Oscar nomination. His fourth Academy nod would come just 2 years later with his role as a proud Arab-American patriarch in The House of Sand and Fog. Along with the Best Actor Oscar nomination, the role also netted Kingsley Golden Globe and Screen Actor's Guild nominations. Kingsley lost his Oscar bid for House to Sean Penn, who collected the statue for his contribution to Clint Eastwood's Mystic River. Over the next several years, Sir Ben Kingsley's acting choices often demonstrated the degree of difficulty that A-listers may encounter when seeking multilayered roles in respectable films, with solid scripts and direction; like many of his contemporaries, the magnificent thespian Kingsley turned up in more than one schlocky Hollywood stinker after House of Sand and Fog -- from Jonathan Frakes's ugly Thunderbirds revamp (2004) to Uwe Boll's horrendous, gothic fx-extravaganza BloodRayne (2006) (as evil ruler Lord Kagan). If anyone could ferret out the creme-de-la-creme of roles, however, Kingsley could, and he simultaneously proved it with contributions to the interesting 2005 biopic Mrs. Harris (as the ill-fated Scarsdale Diet Doctor) and the wondrous documentary I Have Never Forgotten You: The Life and Legacy of Simon Rosenthal (2007).2007 marked a banner year for Kingsley - his most active in quite some time, with contributions to no less than seven key pictures. In the most prominent, the John Dahl-directed crime comedy You Kill Me, Kingsley plays Frank Falenczyk, an alcoholic hit man who travels to Los Angeles to dry out, takes a job in a morgue, and strikes up a relationship with a relative of one of his victims. That same year, Kingsley re-projected his innate ability to essay ethnic roles convincingly, with his turn as one of two Russian police offers investigating an espionage case on a train, in Brad Anderson's thriller Trans-Siberian.Later that same year, Kingsley appeared opposite lead Dan Fogler in English director Chase Palmer's Number Thirteen - a period drama about Alfred Hitchcock's ill-fated attempt to realize one of his first movie projects.

Trivia: A native of London, England, actress Lysette Anthony got her start with the National Youth Theatre at age 14; she was the youngest member there. She began her television and film career in the U.S. in the early '80s appearing in two CBS adaptations of classic literature, Ivanhoe and Oliver Twist. In 1983, Anthony appeared in the NBC miniseries Princess Daisy as Lady Sarah. In feature films, she made a notable appearance as a sexy, astrology-crazed aerobics instructor who seduces Woody Allen in Husbands and Wives (1992). She again played "the other woman" the following year in Look Who's Talking Now. Anthony has subsequently continued to appear in feature and television films.

Trivia: A noted character actor in England, Paul Freeman spent his early performing years on the stage, moving into film with the abysmal Whose Child Am I?, which still turns up on cable once in a while. TV appearances (including The Life of Shakespeare in which he played Burbage) followed. In 1979 he was drafted to play Colin, the best friend of fictional British crime boss Harold Shand (played by Bob Hoskins) in the controversial and troubled The Long Good Friday. Equally as controversial was Death of a Princess, a docudrama about the 1977 execution of a Saudi Arabian princess for adultery, in which Freeman portrayed journalist Anthony Thomas.The Dogs of War took Freeman to Africa, co-starring with Christopher Walken and Tom Berenger, and it was during this shoot that he met his wife, Maggie Scott, who was cast in the key role of Gabrielle. Tunisia was one of the next stops for Freeman, who stepped into one of the defining roles of his career at this point -- that of crooked archaeologist Rene Belloq, chief rival to Harrison Ford's Indiana Jones in Raiders of the Lost Ark.Freeman returned briefly to television, as the villainous Gustav Riebman in Falcon Crest, then returned to feature work with The Sender,The Final Option, and others, salting these with Sakharov for HBO and the miniseries A.D., which led to him being cast in the title role of the aborted Pontius Pilate project, based on the Paul Maier novel.Over the years, he has essayed a remarkable number of roles, from parts in the universally panned Shanghai Surprise (which sank George Harrison's Handmade Films company) to the role of Moriarty in Without a Clue and even, buried under pounds of makeup, the evil Ivan Ooze in Mighty Morphin Power Rangers: The Movie. On occasion he has even managed to turn up in controversial projects, such as 1990's barely-seen Prisoner of Rio, in which he played Ronald Biggs, a fugitive British train robber living handsomely in Brazil. By late 1997, early 1998, he was working with the Royal Shakespeare Company. Paul Freeman is not to be confused with a producer by the same name.

Trivia: A character player even in youth, British actor Nigel Davenport spent nearly fifty years in briskly businesslike stage, screen and TV roles. He made his film debut as the police sergeant in Michael Powell's notorious Peeping Tom (1959). Among his many colorful screen characterizations were the Duke of Norfolk in A Man For All Seasons (1966), Bothwell in Mary Queen of Scots (1971), Van Helsing in the 1973 Frank Langella version of Dracula and Lord Birkenbed in the Oscar-winning Chariots of Fire. Nigel Davenport's TV credits include the miniseries Prince Regent (1979, as King George III), and Masada (1981). Towards the end of his career, he made appearances in popular British TV series such as Keeping Up Appearances and Midsomer Murders, and played Dan Peggotty in a TV movie version of David Copperfield (2000). Davenport died in 2013 at age 85.

Trivia: Cambridge-educated Peter Cook was, along with Dudley Moore, David Frost and Jonathan Miller, one of the founders of the irreverent British comedy troupe "Beyond the Fringe." When the group came to Broadway (an event celebrated on a near-nightly basis on such TV programs as The Jack Paar Program and The Ed Sullivan Show), Cook shared a Tony award with his fellow Fringers. Together with longtime collaborator Dudley Moore, Cook split off into a two-man act. The towering Cook and diminutive Moore co-starred in such cheeky British comedies as The Wrong Box (1968) and The Hound of the Baskervilles (1968), usually writing all their own material. The best of their filmic collaborations was Bedazzled, a breezily sacrilegious update of the "Faust" legend. While they remained friends, Cook and Moore eventually decided that they'd fare better as "singles." Cook continued to write for and appear in such films as Supergirl (1984), The Princess Bride (1986) and Great Balls of Fire (1989), and also co-starred with Mimi Kennedy on the 1981 American TV sitcom The Two of Us. Peter Cook died of a gastrointestinal hemorrhage at the age of 57.

Trivia: Famously portrayed the titular character in the comedy series Rab C. Nesbitt.Starred in two adaptations of the Robert Louis Stevenson novel Kidnapped in 1995 and 2005.Published his autobiography The Boy from Nowhere in 2015.

Trivia: Worked in Charing Cross Hospital as a Scientific Officer before turning his hand to acting. Appeared in various adverts for Sega in the 1990s.