Trivia: Lead actress Brantley has been onscreen from the early '80s.

Trivia: Character actress Diana Scarwid's pre-film credentials are impeccable. Scarwid was active with the University of Georgia Theatre Workshop, the American Academy of Dramatic Arts, the National Shakespeare Conservatory and the Film Actor's Workshop at Burbank Studios before making her first movie appearance in Louis Malle's Pretty Baby (1978). She was nominated for an Academy Award for her portrayal of John Savage's girlfriend in Inside Moves (1980), then moved on to her most talked-about screen role: Cristina Crawford, the much-abused adopted daughter of Hollywood star Joan Crawford (Faye Dunaway) in Mommie Dearest (1980). Opinions are split right down the middle concerning Scarwid's work in this film: Some congratulate her for bringing artistry and craftsmanship to an impossibly written role, while others condemn her for never rising above the tawdry material--and for failing to shed her Southern accent. Evidently Mommie Dearest did more harm than good for Scarwid; thereafter, with isolated exceptions like 1981's Silkwood (in which she was superb as Cher's humorless lesbian lover), she was largely confined to garbage like Psycho III (1986) and Brenda Starr (1993). Happily, there are still some producers willing to cast Diana Scarwid in worthwhile parts; the most recent of these was the role of Rose Kennedy in the made-for-TV JFK: The Restless Years (1993).

Trivia: The son of actor John Carradine, Keith Carradine began his own theatrical training at Colorado State University, dropping out after one semester because he felt he wasn't getting anywhere. Soon afterward, Carradine made his stage debut in the "tribal love rock musical" Hair; his brief relationship with fellow cast member Shelley Plimpton resulted in a daughter, Martha Plimpton, who grew up to become a prominent actress in her own right. Carradine's first film was 1971's McCabe and Mrs. Miller, directed by Robert Altman. Four years later, Carradine's musical composition "I'm Easy," which he performed in Altman's Nashville (1975), won an Academy Award. Carradine divested himself of his familiar movie mannerisms in the early 1990s to portray the folksy, gum-chewing title character in the Broadway hit The Will Rogers Follies. In 1995, he emulated the past screen villainy of his father and his brother, David, as the smirking antagonist of the movie melodrama The Ties That Bind. He continued to work in film and television throughout the rest of the decade, showing up in movies like A Thousand Acres (1997) and various TV series. Meanwhile, the early 2000s found Carradine as busy as ever, with a recurring role as Wild Bill Hickock (whom he had previously played in the 1995 feature WIld Bill) on HBO's popular wild west series Deadwood, as well as roles on Dexter, Dollhouse, and Damages serving well to keep him in the public eye. Always handy with a six-shooter, Carradine took aim at some particularly nasty extraterrestrials in Iron Man director Jon Favreau's sci-fi/western genre mash-up Cowboys and Aliens in 2011.

Trivia: Sporting a clean-cut, all-American look, Los Angeles-born actor Michael Welch entered the limelight well before his teens and balanced feature and television work with about equal weight. Early small screen projects included guest appearances and recurring roles on series such as Frasier (as a young version of David Hyde Pierce's Niles), Veronica's Closet, and Touched by an Angel, while Welch's feature work invariably emphasized teen-oriented material and often found him cast as a young heartthrob. These big screen endeavors included the teen slasher movie All the Boys Love Mandy Lane (2006), the gore-soaked shocker Day of the Dead (2007), the family-friendly political comedy Choose Connor (2007), and the gothic vampire outing Twilight (2008). Welch also starred as Luke Girardi on the offbeat fantasy series Joan of Arcadia (2003-5).

Trivia: Burly character actor Pat Hingle held down a variety of bread-and-butter jobs--mostly in the construction field--while studying at the University of Texas, the Hagen-Bergdorf studio, the Theatre Wing and the Actors Studio. Earning his Equity card in 1950, Hingle made his Broadway debut in 1953 as Harold Koble in End as a Man (he would repeat this role in the 1957 film adaptation, retitled The Strange One). One year later, he was cast as Gooper-aka "Brother Man"-in Tennessee Williams' Pulitzer-winning play Cat on a Hot Tin Roof. Also in 1954, he made his inaugural film appearance in On the Waterfront as a bartender. Though a familiar Broadway presence and a prolific TV actor, Hingle remained a relatively unknown film quantity, so much so that he was ballyhooed as one of the "eight new stars" in the 1957 release No Down Payment. As busy as he was before the cameras in the 1950s, 1960s and 1970s, Hingle's first love was the theatre, where he starred in such productions as William Inge's Dark at the Top of the Stairs and Archibald MacLeish's JB, and later appeared in the one-man show Thomas Edison: Reflections of a Genius. His made-for-TV assignments include such historical personages as Colonel Tom Parker in Elvis (1979), Sam Rayburn in LBJ: The Early Years (1988), J. Edgar Hoover in Citizen Cohn (1992) and Earl Warren in Simple Justice (1993). Among his more recent big-screen assignments has been Commissioner Gordon in the Batman films. Amidst his hundreds of TV guest shots, Pat Hingle has played the regular roles of Chief Paulton in Stone (1980) and Henry Cobb in Blue Skies (1988), was briefly a replacement for Doc (Milburn Stone) on the vintage western Gunsmoke, and has shown up sporadically as the globe-trotting father of Tim Daly and Steven Weber on the evergreen sitcom Wings.

Trivia: An everyman character actor with a slightly authoritarian bent, Nick Searcy spent his first two decades onscreen specializing in portrayals of such easily recognizable types as policemen, FBI agents, private detectives, and military colonels. Searcy took one of his first bows as a highway patrol officer in the Tom Cruise-headlined Don Simpson/Jerry Bruckheimer outing Days of Thunder (1990), then followed this up with roles in such projects as the telemovies Nightmare in Columbia County and White Lie (both 1991) and the Barbra Streisand feature drama The Prince of Tides (1991). Moviegoers may also associate Searcy with another portrayal from that same year, albeit a far nastier one: that of Frank Bennett, the slug of a husband who ends up as human barbecue at the Whistle Stop Café in Jon Avnet's sleeper hit Fried Green Tomatoes.As the following two decades unfurled, Searcy maintained an almost constant onscreen presence in dozens of films (albeit frequently low-profiled ones). Some of his more memorable projects included Michael Apted's Nell (1994) opposite Jodie Foster, Robert Zemeckis' Cast Away (2000) opposite Tom Hanks, and The Assassination of Richard Nixon (2004) opposite Sean Penn. In 2008, Searcy signed on as a regular -- portraying Roy Buffkin -- in the CW network's series drama Easy Money. That series was short-lived, but Searcy kept going with roles in The Ugly Truth and Blood Done Sign My Name. He was part of the cast for Justified, the hit cable series based on the work of Elmore Leonard, and in 2011 he played Matt Keough in the Brad Pitt sports drama Moneyball.