Trivia: If Harrison Ford had listened to the advice of studio heads early in his career, he would have remained a carpenter and never gone on to star in some of Hollywood's biggest films and become one of the industry's most bankable stars. Born July 13, 1942, in Chicago and raised in a middle-class suburb, he had an average childhood. An introverted loner, he was popular with girls but picked on by school bullies. Ford quietly endured their everyday tortures until he one day lost his cool and beat the tar out of the gang leader responsible for his being repeatedly thrown off an embankment. He had no special affinity for films and usually only went to see them on dates because they were inexpensive and dark. Following high school graduation, Ford studied English and Philosophy at Ripon College in Wisconsin. An admittedly lousy student, he began acting while in college and then worked briefly in summer stock. He was expelled from the school three days before graduation because he did not complete his required thesis. In the mid-'60s, Ford and his first wife, Mary Marquardt (his college sweetheart) moved to Hollywood, where he signed as a contract player with Columbia and, later, Universal. After debuting onscreen in a bit as a bellboy in Dead Heat on a Merry-Go-Round (1966), he played secondary roles, typically a cowboy, in several films of the late '60s and in such TV series as Gunsmoke, The Virginian, and Ironside. Discouraged with both the roles he was getting and his difficulty in providing for his young family, he abandoned acting and taught himself carpentry via books borrowed from the local library. Using his recently purchased run-down Hollywood home for practice, Ford proved himself a talented woodworker, and, after successfully completing his first contract to build an out-building for Sergio Mendez, found himself in demand with other Hollywood residents (it was also during this time that Ford acquired his famous scar, the result of a minor car accident). Meanwhile, Ford's luck as an actor began to change when a casting director friend for whom he was doing some construction helped him get a part in George Lucas' American Graffiti (1973). The film became an unexpected blockbuster and greatly increased Ford's familiarity. Many audience members, particularly women, responded to his turn as the gruffly macho Bob Falfa, the kind of subtly charismatic portrayal that would later become Ford's trademark. However, Ford's career remained stagnant until Lucas cast him as space pilot Han Solo in the megahit Star Wars (1977), after which he became a minor star. He spent the remainder of the 1970s trapped in mostly forgettable films (such as the comedy Western The Frisco Kid with Gene Wilder), although he did manage to land the small role of Colonel G. Lucas in Francis Ford Coppola's Apocalypse Now (1979). The early '80s elevated Ford to major stardom with the combined impact of The Empire Strikes Back (1980) and his portrayal of action-adventure hero Indiana Jones in Raiders of the Lost Ark (1981), which proved to be an enormous hit. He went on to play "Indy" twice more, in 1984's Indiana Jones and the Temple of Doom and Indiana Jones and the Last Crusade in 1989. Ford moved beyond popular acclaim with his role as a big-city police detective who finds himself masquerading as an Amish farmer to protect a young murder witness in Witness (1984), for which he received a Best Actor Oscar nomination for his work, as well as the praise of critics who had previously ignored his acting ability. Having appeared in several of the biggest money-makers of all time, Ford was able to pick and choose his roles in the '80s and '90s. Following the success of Witness, Ford re-teamed with the film's director, Peter Weir, to make a film adaptation of Paul Theroux's novel The Mosquito Coast. The film met with mixed critical results, and audiences largely stayed away, unused to the idea of their hero playing a markedly flawed and somewhat insane character. Undeterred, Ford went on to choose projects that brought him further departure from the action films responsible for his reputation. In 1988 he worked with two of the industry's most celebrated directors, Roman Polanski and Mike Nichols. With Polanski he made Frantic, a dark psychological thriller that fared poorly among critics and audiences alike. He had greater success with Nichols, his director in Working Girl, a saucy comedy in which he co-starred with Melanie Griffith and Sigourney Weaver. The film was a hit, and displayed Ford's largely unexploited comic talent. Ford began the 1990s with Alan J. Pakula's courtroom thriller Presumed Innocent, which he followed with another Mike Nichols outing, Regarding Henry (1991). The film was an unmitigated flop with both critics and audiences, but Ford allayed his disappointment the following year when he signed an unprecedented 50-million-dollar contract to play CIA agent Jack Ryan in a series of five movies based upon the novels of Tom Clancy. The first two films of the series, Patriot Games (1992) and Clear and Present Danger (1994), met with an overwhelming success mirrored by that of Ford's turn as Dr. Richard Kimball in The Fugitive (1993). Ford's next effort, Sydney Pollack's 1995 remake of Sabrina, did not meet similar success, and this bad luck continued with The Devil's Own (which reunited him with Pakula), despite Ford's seemingly fault-proof pairing with Brad Pitt. However, his other 1997 effort, Wolfgang Petersen's Air Force One, more than made up for the critical and commercial shortcomings of his previous two films, proving that Ford, even at 55, was still a bona fide, butt-kicking action hero. Stranded on an island with Anne Hesche for his next feature, the moderately successful romantic adventure Six Days, Seven Nights (1998), Ford subsequently appeared in the less successful romantic drama Random Hearts. Bouncing back a bit with Robert Zemeckis' horror-flavored thriller What Lies Beneath, the tension would remain at a fever pitch as Ford and crew raced to prevent a nuclear catastrophe in the fact based deep sea thriller K-19: The Widowmaker. As the 2000's unfolded, Ford would prove that he had a strong commitment to being active in film, continuing to work in projects like Hollywood Homicide, Firewall, Extraordinary Measures, Morning Glory, and Cowboys & Aliens. Ford would also reprise one of his most famous roles for the disappointing Indiana Jones and the Kingdom of the Crystal Skull.

Trivia: British actress Julia Ormond had several solid years of stage work to her credit -- not to mention the starring role in the made-for-cable Catherine the Great biography Young Catherine (1991) -- when, at 27, she co-starred in the expensive HBO biopic Stalin (1992). Most of the publicity guns were aimed at Robert Duvall's heavily accented portrayal of the Soviet dictator, but at least one observer singled out Ormond's performance as the long-suffering Mrs. Stalin as one of the highlights of the picture. That observer was director Edward Zwick, then preparing his own big-budget theatrical feature Legends of the Fall. Thanks to her excellent showing in the formidable company of Fall co-stars Anthony Hopkins, Brad Pitt, Aidan Quinn, and Henry Thomas, Ormond found herself, on the verge of 30, as Hollywood's ingénue du jour. Born in Epsom, Surrey, on January 4, 1965, Ormond was a child when her parents, a businessman and a laboratory technician, divorced. A self-admitted tomboy who excelled at field hockey, she became involved with the theater in school plays, and, following a stint at art school (both of her grandparents were abstract artists), she studied drama at London's Webber-Douglas Academy of Dramatic Arts. Following graduation, she landed her first professional work in TV commercials, and then acted in a series of plays until she had her breakthrough with Catherine the Great.Before 1995, her Hollywood breakthrough year, was over, the graceful, silken-haired Ormond had played Guinevere opposite Sean Connery's King Arthur in First Knight and had been cast in the title role of Sydney Pollack's ill-advised remake of Sabrina. When asked by Premiere magazine what her future plans were, Ormond replied, "Along with Godzilla and the rest of the acting community, I'd like to direct." But although she did set up her own production company, the actress opted to stick with working in front of the camera, starring in Bille August's much-publicized filmization of Peter Hoeg's best-selling Smilla's Sense of Snow (1997). Unfortunately, the film proved to be a virtual nonentity both at the box office and amongst critics, and Ormond disappeared from the radars for a couple of years, only popping up to star in Nikita Mikhalkov's Sibirsky Tsiryulnik (1999). In 2000, she reemerged in front of Hollywood cameras alongside Vince Vaughn in Prime Gig, a drama about the life, loves, and losses of a California telemarketer. She was interviewed for the documentary Searching for Debra Winger over the next few years she did show up in diverse productions ranging from David Lynch's Inland Empire to the failed thriller I Know Who Killed Me. In 2008 she was the mother in Kit Kittredge: An American Girl, and appeared in the sprawling biopic Che. Two years later she was in the award-winning TV movie Temple Grandin, and the year after that she portrayed Vivien Leigh in My Week With Marilyn.

Trivia: With the handsome looks and winning sarcasm that befit a late-night television talk show host, it is no surprise that Greg Kinnear first shot to stardom as the host of the E! channel's Talk Soup. More surprising, and thus more impressive, has been Kinnear's success in making the leap from television to the big screen. With only his fourth major celluloid outing, As Good As It Gets, Kinnear scored his first Oscar nomination for Best Supporting Actor, effectively establishing himself as someone whose scope included screens small and large.Born June 17, 1963, in Logansport, IN, as the youngest of three sons, Kinnear led a peripatetic childhood. His father was a Foreign Services diplomat for the State Department, and his family accompanied him to places as far-flung as Beirut and Athens. While a student in Athens, Kinnear first ventured into the role of talk show host with his radio show School Daze With Greg Kinnear. Returning to the States for a college education, Kinnear attended the University of Arizona in Tucson, where he graduated in 1985, with a degree in broadcast journalism. From Arizona, he headed out to Los Angeles, where he landed his first job as a marketing assistant with Empire Entertainment. It was there that Kinnear got his first taste of show business, creating promotional campaigns for such films as Space Sluts in the Slammer. Following this stint, Kinnear found a job with the Movietime cable channel. Using an audition tape from a failed attempt at an MTV VJ position, Kinnear became a host and on-location reporter for the channel. All went swimmingly until he was fired, when Movietime became the E! Entertainment Network, and Kinnear soon found himself taking bit parts on such television shows as L.A. Law and Life Goes On.His luck began to change, however, when he became the creator, co-executive producer, and host of Best of the Worst, which aired from 1990 to 1991. In a more ironic and satisfying twist of fate, Kinnear was then hired back by E! to host Talk Soup, the network's new talk show. The show proved to be hugely popular, and Kinnear acted as its host and eventual executive producer until 1994, when he left the show for the NBC late-night talk show Later With Greg Kinnear. It was also in 1994 that he had his first big-screen role, as -- wait for it -- a talk show host in the Damon Wayans comedy Blankman. In 1995, he snared the part that was to give him more prominence among film audiences -- that of the irresponsible David Larrabee in Sydney Pollack's remake of Billy Wilder's 1954 classic romance Sabrina. The film was less than a success, but it did nothing to prevent Kinnear from getting the lead role in the 1996 comedy Dear God. That film, too, had a somewhat unfortunate fate, but Kinnear (now resigned from Later) more than rebounded with his next effort, James L. Brooks' As Good As It Gets (1997). The film was an unqualified hit, netting seven Oscar nominations and winning two, a Best Actor for Jack Nicholson and a Best Actress for Helen Hunt. Kinnear himself had the honor of both a Best Supporting Actor nomination and a Golden Globe nomination. Kinnear's next film, the romantic comedy A Smile Like Yours, had him starring opposite Lauren Holly as one-half of a couple trying to have a baby. The film met with lukewarm reviews and fairly anemic box-office results, but Kinnear's subsequent film, 1998's You've Got Mail, struck gold. He played Meg Ryan's significant other, a newspaper columnist wholly unlike what was to be his next character, that of Captain Amazing in the 1999 summer action film Mystery Men. With a stellar cast, including Ben Stiller, William H. Macy, Janeane Garofalo, Lena Olin, and Tom Waits, Kinnear was indeed in good company, further proof of how far he had come in a short amount of time. Unfortunately, both Mystery Men and the subsequent Garry Shandling comedy What Planet Are You From (in which Kinnear amusingly portrayed Shandling's sleazy co-worker) fared poorly with both critics and audiences, and by the time he landed the role of a much-desired soap-opera star in Nurse Betty, it seemed that his star may have faded a bit. His role as a smug, one-dimensional college professor in the 2000 comedy Loser seemed near the bottom of the barrel for the formerly Oscar-nominated actor. Despite the fact that none of these failures were necessarily the fault of everyone's favorite smirky former talk-show host, his choice of projects left many wondering what had become of Kinnear. Of course, where there's darkness there will always be room for hope, and thankfully for Kinnear, the choices he was making began to pay off.In 2000, Kinnear essayed the role of a missing woman's grieving fiancé in the dark Sam Raimi thriller The Gift; the film seemed to mark the beginning of a comeback. His next role as the catalyst for an investigative report into the nature of male behavioral patterns in Someone Like You (2001) proved a step in the right direction, and following supporting performances in Dinner With Friends (2001) and We Were Soldiers (2002), Kinnear's comeback had been primed. Cast as ill-fated television star Bob Crane in Paul Schrader's disturbing 2002 biopic Auto Focus, Kinnear's spot-on performance was so eerie that it made the film almost discomforting to watch. The spotlight was somewhat stolen however, by co-star Willem Dafoe's indescribably creepy turn as the man generally believed to have caused Crane's untimely death. The following year Kinnear lightened the mood considerably when he was cast (literally) alongside Matt Damon as one-half of a pair of conjoined twins in the Farrelly Brothers' comedy Stuck on You. Intent on following his dreams of becoming an actor, Kinnear's character drags his reluctant brother to Hollywood to hilarious results.Kinnear's next role would come as the grieving father of a dead son who goes to desperate lengths to recapture his former happiness in the horror flavored Godsend (2004).A fun turn as a salesman who becomes involved with in hitman in the Golden Globe-nominated crime comedy The Matador went largely unseen despite generally favorable critical response, and after lending his voice to the animated Robots and berating little-league players in The Bad News Bears, Kinnear later join an impressive ensemble cast to investigate America's love affair with burgers and fries in director Richard Linklater's Fast Food Nation. Later that same year, Kinnear would take family dysfunction to a whole new level as a motivational speaker attempting to get his daughter to a beauty pageant in Little Miss Sunshine, with a role as NFL coach Dick Vermeil following shortly thereafter in the inspirational sports drama Invincible. Kinnear would spend the following years maintaining his status as a bankable actor, appearing in films like Baby Mama, Green Zone, I Don't Know How She Does It, and the mini series The Kennedys.

Trivia: Following extensive dramatic training at Carnegie Tech, American actress Nancy Marchand did some stage work, then entered the infant TV medium with a 1950 production of Little Women. One year later she appeared on Broadway for the first time; for the rest of the '50s she fluctuated between on-stage classics (Shakespeare, Euripedes) and TV anthologies and soap operas. In later years, Nancy explained that she retreated to contemporary characters on TV because she was "tired of being a queen or a poor put-upon Greek" on stage. A handsome woman, but not voluptuously beautiful in the then-fashionable Marilyn Monroe tradition, Ms. Marchand was usually cast in character roles: she was the dateless "dog" with whom lonely Bronx butcher Rod Steiger fell in love in the original 1953 telecast of Paddy Chayefsky's Marty. Marchand made her movie bow in another Chayefsky work, The Bachelor Party (1957). In 1960, Ms. Marchand won an Obie for her stage performance as the Madam of a fantasy-granting brothel in Genet's The Balcony (also in the cast were future TV stars Michael Conrad and Jack Dodson). From 1977 through 1982, Ms. Marchand played Mrs. Margaret Pynchon, a powerful newspaper executive said to be patterned after the Washington Post's Katherine Graham, on the TV series Lou Grant; she won four Emmies, one for each year of the series' existence. When at one point her character suffered a stroke and spent several weeks recovering, Ms. Marchand was besieged with get-well cards from fans who believed that the actress' fictional stroke was genuine. Recent film appearances for Nancy Marchand include the role of the long-suffering mayor in The Naked Gun (1988).

Trivia: American actor Richard Crenna started out as a radio performer at age 11, demonstrating an astonishing range for one so young. The momentum of his career was unaffected by an army hitch and time spent earning an English degree at the University of Southern California. But even though he was by then in his twenties, Crenna found himself still playing adolescents, notably squeaky-voiced high schooler Walter Denton on the radio comedy Our Miss Brooks. That he was able to play characters of virtually any age was overlooked by movie and TV casting directors, who could see Crenna only in callow-juvenile roles. After making an excellent impression as ballplayer Daffy Dean in the 1953 film Pride of St. Louis, for example, Crenna wasn't cast in another film until the 1955 movie version of Our Miss Brooks--in which, at 29, he was Walter Denton once more. The following year, Crenna decided "to sorta let Walter Denton die," and took a decidedly mature role in the sleazy exploitation film Over-Exposed (1956). It was a fully grown Crenna who took on the role of Luke McCoy on the Walter Brennan TV series The Real McCoys, which ran from 1957 through 1963 and which gave Crenna his first opportunities as a director. After McCoys, Crenna found himself facing potential career standstill again, since it seemed that now he was typed as the rubeish Luke McCoy. This time, however, the actor had impressed enough producers with his dogged work ethic and the range displayed in guest-star appearances. In 1964, Crenna was cast in a prestigious TV drama For the People as assistant DA David Koster, and though the program lasted only one season, Crenna was firmly established as a compelling dramatic actor. Still, and despite solid Richard Crenna film performances in The Sand Pebbles (1966), Body Heat (1981) and The Flamingo Kid (1985), the actor has never completely escaped the spectre of Walter Denton. Crenna was able to conjure up the old adenoidal Denton voice on talk shows of the 1980s and 1990s, and in the action-film spoof Hot Shots: Part Deux, the actor, with an absolute straight face, portrayed Colonel Denton Walters!

Trivia: Born in Kulm, North Dakota and educated at Glendale College and Immaculate Heart College, Angeline Brown acquired her professional name Angie Dickinson when she married college football star Gene Dickinson. A beauty contest winner, Dickinson entered films with an unbilled bit in the 1954 Warner Bros. musical Lucky Me. Her earliest films consisted mostly of "B" Westerns (at one point, she dubbed in actress Sarita Montiel's voice in 1957's Run of the Arrow) and television (Dickinson was rather nastily murdered in very first episode of Mike Hammer). She moved to the A-list when selected by Howard Hawks to play the female lead in Rio Bravo (1958). The film gave Dickinson ample opportunity to display her celebrated legs, which, for publicity purposes, were reportedly insured by Lloyd's of London. She went on to star in films both famous and forgettable: one of the roles for which she is best remembered is as the mistress of gangster Ronald Reagan (!) in The Killers (1964). In 1974, Dickinson jump-started her flagging career as the star of the TV cop drama Police Woman, which lasted four seasons and represented a tremendous step up in popularity for Dickinson. On that program, the actress played Suzanne "Pepper" Anderson, an undercover agent with the LAPD's criminal conspiracy division, whose assignments nearly always included donning a crafty and sexy guise in order to nab an underworld criminal.At about the same time, Dickinson also moved into motion pictures and (after years of consciously avoiding nude scenes), went au naturel for exploitation king Roger Corman in that producer's depression-era romp Big Bad Mama, which unsurprisingly became a cult favorite. (Years later, in 1987, she teamed up with Z-grade shlockmeister Jim Wynorski for New World's Big Bad Mama II). Brian DePalma's Psycho-influenced thriller Dressed to Kill (1980) brought the actress greater visibility, and like the Corman assignments, required Angie to do erotic nudity (though in this case, the below-the-waist shower shots were reportedly performed by a body double).In later years, Dickinson leaned more heavily on starring and supporting turns in made-for-television productions, including a telemovie follow-up to Police Woman, Police Woman: The Freeway Killings (1987); the Oliver Stone miniseries Wild Palms (1993); the direct-to-video thriller The Maddening (1995) (opposite longtime friend and colleague Burt Reynolds); and the prime-time soaper Danielle Steele's Rememberance (1996). The next decade found the septuagenarian actress unexpectedly returning to A-list Hollywood features, albeit in small supporting roles; these included Duets (2000), Pay it Forward (2000) and Ocean's Eleven (2001) (in a cameo as herself, nodding to her involvement in the original).Angie Dickinson was married to composer Burt Bacharach from 1965 to 1980.

Trivia: American actress Lauren Holly has herself admitted that turning down the female lead in the Jim Carrey vehicle Ace Ventura, Pet Detective (1994) may not have been the wisest career move. Holly was acting on instinct, having co-starred with another highly individual comedian, Andrew Dice Clay, in 1990's forgettable The Adventures of Ford Fairlane. But when profits from Ace Ventura soared, Lauren was more than willing to sign on for the subsequent Carrey vehicle, Dumb and Dumber (1995), during the filming of which she and Carrey became an item. The actress has kept busy ever since her first important TV role as Betty in Archie: To Riverdale and Back Again (1990) and a stint on the ABC soap opera All My Children. Prior to her recent film success, Holly was perhaps best known for her role as Deputy Maxine Stewart on the CBS drama Picket Fences .In 1995 the actress played a doctor in Sydney Pollack's remake of Sabrina, and went a different direction in 1996's comedy Down Periscope, in which she played Lieutenant Emily Lake. Holly took on a supporting role in Any Given Sunday (1999), a rousing sports drama from director Oliver Stone, and joined Mel Gibson and Helen Hunt to play a supporting role in 2000's romantic comedy What Women Want. The following year Holly would voice Chihiro's mother in the US rerelease of the acclaimed anime fantasy Spirited Away the following year, and from 2005 until 2008 became known for her role as Director Jenny Shepard on CBS' long-running police procedural NCIS. Holly voiced the character of Haulie on the Adventures of Chuck & Friends, an animated series for children in 2010, and continues to be active in film and television.

Trivia: Her name may not ring any bells, but talented actress Dana Ivey has a face familiar to audiences thanks to countless supporting roles in such high-profile films as The Color Purple (1985), Sleepless in Seattle (1993), Sabrina (1995), and Legally Blonde 2 (2003). And though she was almost always at least halfway down the credits list, Ivey consistently added dimension and personality to even the most minor roles. A Georgia native who got her start on-stage, Ivey appeared in numerous American and Canadian theater productions before making her home in New York during the 1980s. It wasn't long before she rose through the ranks of the New York stage scene and made her Broadway debut in Noël Coward's Present Laughter. Roles in Quartermaine's Terms and Driving Miss Daisy (as the eponymous character) earned Ivey two Obies and found her reputation as an actress growing. Subsequent work in the Broadway production of Heartbreak Hotel earned her two supporting actress Tony nominations in the mid-'80s. In 1978, Ivey made her television debut in the daytime soap opera Search for Tomorrow, and soon her small-screen career blossomed in such efforts as the NBC miniseries Little Gloria... Happy at Last. Though Ivey simultaneously nurtured a feature career with supporting roles in Explorers and The Color Purple, it was her performance in the 1986 sitcom Easy Street that truly found her coming into her own on the television. After recalling her previous stage exploits with Heartbreak House and Sunday in the Park With George in 1986, Ivey joined the cast of All My Children in 1989 and spent the majority of the following decade in such features as The Addams Family (1991), Sabrina (1995), and Simon Birch (1998). Although her career leaned increasingly toward feature work, Ivey also remained true to her stage roots, appearing in such plays as The Glass Menagerie in 1998 and Major Barbara in 2001.

Trivia: An elegant brunette with strong, striking features, actress Fanny Ardant has been touted by at least one publication as France's answer to Katharine Hepburn. Since first gaining international attention in her starring role opposite Gérard Depardieu in François Truffaut's La Femme d'à côté (1981), Ardant has become recognized as one of France's most popular and well-respected actresses.The daughter of a calvary officer, Ardant was born in Saumur, Maine-et-Loire, on March 22, 1949. She grew up in Monaco, where her father's position allowed the family to be on familiar terms with the royal household. After an upbringing marked by frequent visits with Princess Grace, Ardant relocated to Aix-en-Provence to study political science. Her interests gradually turned toward acting, and after taking drama classes from Jean Périmony, she made her professional debut in a 1974 stage production of Corneille's Polyeucte.Ardant's first dose of acclaim came with her performance in the made-for-TV drama Les dames de la côte (1979). Shortly thereafter, she began her association with Truffaut, which would lead to both excellent work in La Femme d'à côté and Vivement dimanche! (1983) and a relationship that lasted until Truffaut's death in 1984 and produced one daughter, Joséphine.Ardant's work continued to flourish after Truffaut's death, and she cemented her reputation with serious, passionate roles in a number of dramatic films. She did particularly strong work in Un amour de Swann (1984), Le Colonel Chabert (1994), Ridicule (1996) -- which featured her in a delightfully nasty turn as the acidic noblewoman Madame de Blayac -- and Gabriel Aghion's Pédale douce (1996), a broad comedy in which Ardant's uncharacteristic comic turn won her the 1997 Best Actress César. Ardant again explored her humorous side for Aghion in his Le Libertin (2000), co-starring alongside such well-respected colleagues as Vincent Pérez, Michel Serrault, and Josiane Balasko.Ardant has also maintained a career on the stage, appearing in productions of Strindberg's Miss Julie, Molière's Don Juan, and Roman Polanski's highly praised 1997 adaptation of Master Class, which featured the actress as Maria Callas.

Trivia: Was an Army brat and traveled around with her parents from base to base. Got the acting bug after appearing in a 6th grade play. Started acting professionally in theater as a chorus girl and landed a part in The Best Little Whorehouse in Texas on Broadway in 1978. Other Broadway credits include: Titanic; Assassins; All My Sons; A Streetcar Named Desire; and Good People. Big TV break came when she was cast as Jean Weir, the lovable mom on Freaks and Geeks in 1999. In 2012 was cast as Lena Dunham's mother on Girls and appeared as Katharine McPhee's mom on Smash, along with her real-life husband Dylan Baker who played McPhee's dad. Is a founding member of New York-based theater company The Drama Dept. and is a member of Actor's Studio.

Trivia: The balding, likeable, nervous-looking character actor Paul Giamatti is the son of the author, Yale president, and Major League Baseball commissioner A. Bartlett Giamatti. After earning his M.F.A. in Drama from Yale, the younger Giamatti got started on his acting career with small film parts and TV guest spots. He quickly became a recognizable face but his name was not yet well-known in Hollywood, while on-stage he appeared in lead roles for Broadway productions of The Three Sisters and The Iceman Cometh. Giamatti's film breakthrough came in 1997 with the role of media executive Kenny (aka "Pig Vomit") in the Howard Stern movie Private Parts. In his next few films, he played small yet funny parts like the inept mob henchman in Safe Men, the slave-peddling ape in Planet of the Apes, and the bellboy in My Best Friend's Wedding. He then got starring roles in the HBO movies Winchell (opposite fellow character actor Stanley Tucci) and If These Walls Could Talk 2. Giamatti seemed to get good parts in both independent films (Storytelling, Confidence) and in major studio blockbusters (Big Momma's House, Big Fat Liar). After playing the real-life eccentric Bob Zmuda in Milos Forman's Man on the Moon, he got his first major starring role in 2003 as the leading real-life eccentric Harvey Pekar in American Splendor, which won the Grand Jury Prize at the Sundance Film Festival. The same year he starred in the FX original movie The Pentagon Papers with James Spader.Many thought Giamatti was more than deserving of an Academy Award nomination for his role in American Splendor, but when the nods were announced his name was absent. Nonetheless, he received even more raves for his next film. As the wine-loving love-lorn lead in Sideways, Giamatti wowed critics and increased his popularity with audiences exponentially. However, despite the overwhelming accolades and multiple Oscar nominations for the film, Giamatti was again ignored by the Academy.Next up, Giamatti returned to supporting work with a role in director Ron Howard's acclaimed 2005 biopic of boxer Jim Braddock, Cinderella Man. Playing the concerned, passionate manager to Russell Crowe's headstrong underdog, Giamatti finally received some belated Academy attention, even if he lost the 2005 Best Supporting Actor prize to popular favorite George Clooney. No matter, since Giamatti was already at work on his next leading man project in M. Night Shyamalan's Lady in the Water. Of course his role as the befuddled apartment complex supervisor attempting to protect a mysterious woman who emerges from the swimming pool in Shyamalan's eagerly-anticipated fairy-tale thriller still only seemed like the beginning of an incredibly productive period that continued to capitalize on Giamatti's post-Sideways success, and with an exhausting six films featuring the actor scheduled for release in 2006 alone, the actor previously content essaying supporting roles found himself increasingly gravitating towards the status of leading man. Still, it wasn't all big budget blockbusters for the screen's most well-known wine connisseur, and with a prominant role as an obsessive falconer in writer/director Julian Goldberger's 2006 adaptation of author Harry Crews 1973 novel The Hawk is Dying, Giamatti delivered the distinct message that his career was still very much about the creativity afforded to actors and not necessarily the financial payoff. An additional role in the romantic fantasy adventure The Illusionist that same year found Giamatti taking a trip back to turn-of-the-century Vienna to play a conflicted police inspector whose outward obligations to the aristocracy belie his growing suspicions that they may be covering up an especially confounding murder. With a voice that was equally as recognizable as his distinctive face, Giamatti began lending his vocal chords to a variety of animated projects including Robots, The Ant Bully, The Haunted World of El Superbeasto and the curiously titled Amazing Screw-on Head as well. Unrelenting in the coming years, Giamatti would continue to take on a wide range of memorable character roles in interesting films like Shoot Em Up, John Adams, Cold Souls, The Last Station, The Hangover Part II, The Ides of March and Rock of Ages.

Trivia: While some may not recognize Margo Martindale's name, many recognize her face. An actress onscreen from the early '90s, Martindale's list of memorable roles is long, and the character actress found a strong niche playing mothers (Million Dollar Baby) grandmothers (Hannah Montana: The Movie), and generally maternal figures (Practical Magic). Martindale even parodied her own typecasting, playing the mother of the title character in the biopic spoof Walk Hard: The Dewey Cox Story. Martindale would continue to act at a furious pace for years to come, appearing in movies like Secretariat, and on shows like Justified and A Gifted Man.

Trivia: J. Smith-Cameron is an Obie-winning actress for her performance in the Broadway presentation of As Bees In Honey Drown. She has made numerous television appearances, ranging from Spin City to Law & Order.

Trivia: Took up acting when he was 19. Won a Molière Award for Best Newcomer in 2010 for his one-man stage show Les Garçons et Guillaume, à table! (Boys and Guillaume, to the table!). Became a member of the Comédie-Française company in 2005. Became a Knight of the National Order of Merit in November 2008 and later an Officer of the Order of Arts and Letters in 2013. Made his directorial debut in 2013 with the autobiographical feature Me, Myself and Mum, which he also co-wrote and starred in. Recorded the children's music album Monsieur Django et Lady Swing with The Amazing Keystone Big Band, and it was released in September 2017.

Trivia: Made his acting debut in the 1988 short New York 1935.Made his American film debut in the Sydney Pollack remake of Sabrina in 1995, which starred Harrison Ford.First recurring TV role was Mitchell Duanell on the telenovela Yo soy Betty, la fea, which was later remade for U.S. audiences as Ugly Betty.

Trivia: At age 12, appeared in a commercial for McDonald's.After seeing her in the fast-food commercial, producer Carlos Saura offered her a role in the movie El Dorado (1987), which launched her acting career.In 1989, turned down a modeling contract with Elite because she wanted to finish her studies.In 1996, replaced Isabella Rossellini as the face of Lancome's Tresor fragrance.Speaks Spanish, English, French and Italian.Is an ambassador for UNICEF.

Trivia: Screenwriter David Rayfiel is perhaps best known as the longtime collaborator of filmmaker Sydney Pollack. Born in Brooklyn, New York, Rayfiel began his career as a screenwriter writing episodes of TV shows like Norby and Assigment Foreign Legion in the 1950's. By the 70s, he was penning scripts for motion pictures like Castle Keep, Three Days of the Condor, and Round Midnight, as well as adding additional, sometimes uncredited assistance to screenplays like The Way We Were and The Electric Horseman. Rayfiel continued to write into the '90s, with projects like The Firm and the 1995 remake of Sabrina. Rayfiel died in Manhattan in 2011 at the age of 87.

Trivia: British actor John Wood attended Oxford, where he served as president of the university's Dramatic Society. After serving as a lieutenant in the Royal Horse Academy, Wood joined the Old Vic in 1954, then spent several seasons with the Royal Shakespeare Company. In 1967, he made his Broadway bow as the glib Guildenstern in Tom Stoppard's Rosencrantz and Guildenstern Are Dead. He went to star in such Atlantic-crossing stage productions as Sherlock Holmes (in the title role), Travesties (for which he won a Tony Award), Tartuffe, Deathtrap, and Amadeus. His infrequent film roles include the reclusive computer whiz Stephen Falken in WarGames (1983) and the Bishop in Ladyhawke (1985). John Wood was seen as the heroine's chauffeur father in Sabrina (1995) and the forbidding Lord Brocklehurst in Jane Eyre (1996).. He died of natural causes at age 81 in 2011.