Trivia: A raven-haired actress with an unmistakable voice, Jennifer Tilly was born in Los Angeles, CA, in 1958. Following her parents' divorce when she was five, Tilly relocated with her mother and siblings to the rural setting of Texada Island, British Columbia, where she'd spend most of her childhood. Tilly's acting career began in the early '80s with small roles on shows like Hill Street Blues and Cheers. Her big break came with the part of Monica the singing waitress in 1989's The Fabulous Baker Boys -- a part that was written for her specifically. Though she divorced Simpsons producer Sam Simon in 1984, she continued to show up in films like The Doors and Body Snatchers throughout the '90s, and in 1994 she was nominated for an Oscar for her role in Woody Allen's Bullets Over Broadway. Another memorable role came in 1996, when she acted opposite Gina Gershon in the erotically charged Bound.In 1998, Tilly delighted horror fans with a tongue-in-cheek turn in Bride of Chucky, voicing the title role and helping to bring a comic twist to the franchise. She soon found another avenue for her comedic voice talents by joining the cast of the animated series Family Guy as the show's perpetually pregnant neighbor, Bonnie. She then went on to lend her voice talent to such titles as Monsters, Inc., Stuart Little, and The Haunted Mansion. In 2005, Tilly won a World Series of Poker bracelet and a cash prize of 158,625 dollars in the Ladies' No-Limit Texas Hold 'Em event. She went on to win the third World Poker Tour Ladies Invitational Tournament and subsequently become a popular and formidable competitor in the world of high-stakes poker as well as the wife of professional poker player Phil Laak.She continued to work steadily in a variety of projects including Tideland, Deal, and Empire of Silver.

Trivia: Eric Roberts is an acquired taste: those watching his movies fall into two distinct camps -- they either love him and consider him one of Hollywood's most intense and underrated actors, or they loathe him and consider him a pretentious, shameless ham. Both viewpoints are not without merit for Roberts has seen many ups and downs in his career. Tall and dark-haired, with a chiseled face, swarthy complexion, and arresting eyes, the young Roberts had the look of a classic movie rebel and off-screen displayed an arrogance and self-possession coupled with a tendency toward womanizing, drug abuse, and behavior that created a bad boy image on and off the screen. A serious car accident roughened his facial features and led to the second phase of his career during the '80s in which he primarily played villains; he spent the third phase during the late '90s trying to establish himself as a character actor. Growing up in Atlanta, GA, Roberts was no stranger to actors and the theater as his parents ran a successful acting and writing school from their home. A terrible stutterer as a child, Roberts and his father discovered that he could speak normally if he memorized his speeches ahead of time. Thus Roberts participated in his father's classes as a form of therapy. It was while watching English character actor Robert Donat during a late-night showing of Goodbye Mr. Chips that Roberts became inspired to become a movie actor. He made his acting debut at age five playing a cripple in a locally produced Saturday morning TV show, The Little Pioneers. He also performed for poor kids on his father's "showmobile." Roberts was quite close to his father, who taught him the spiritual side of acting, but after his parents divorced, became estranged from his mother, who married a man Roberts detested. He was however, a loving brother to his younger sisters, Julia and Lisa, both of whom became actresses. Roberts began experimenting with drugs at age 11 and by 13 was an avowed pot smoker. Later, he admitted that smoking dope was a way of coping with his broken family and that the drug in many ways arrested his emotional development. During his late teens, Roberts' father sacrificed much to send him to the Royal Academy of Dramatic Art in London and the American Academy of Dramatic Arts in New York. By the time he finished training, Roberts was a hardcore Method actor, something that somewhat hindered his personal life as he was unable to easily disassociate from his characters after appearing in a film. In 1976, Roberts' first break was portraying Ted Bancroft in the daily soap Another World. He disliked the job and left to work off-Broadway until agent Bill Treusch discovered him and helped Roberts land the role of a young man who is crowned a gypsy leader by his dying grandfather in King of the Gypsies. The film flopped at the box office, but like his two subsequent films, it has become a cult favorite among video fans. Roberts then appeared in a television movie before starring his next feature as a handsome sailor who falls for Texas divorcée Sissy Spacek in The Raggedy Man (1981). In June that year, Roberts was involved in a serious car crash while driving home from visiting his much older lover Sandy Dennis. He was comatose for three days afterwards with a bruised brain and much facial trauma, a broken collarbone, and an injured hand. No longer suitable for the same roles as before, Roberts bounced back with what became his most famous role, that of the sleazy Paul Snider, the man who killed actress Dorothy Stratten, in Bob Fosse's disturbing Star 80 (1983). The actor made a chilling villain and after playing another bad guy in The Pope of Greenwich Village (1984), found himself typecast. Roberts proved well suited to those roles and received an Oscar nomination for playing an escaped convict in Runaway Train (1985). After that, Roberts chose quick money over artistic integrity and played in a long series of B-movies and direct-to-video fare; while he disappeared from mainstream view, he still maintained a loyal following. Meanwhile the career of his sister Julia Roberts, who made her debut co-starring opposite Roberts in Blood Red (1988), became the most popular female star of the late '80s. Though both were in Hollywood, the formerly close siblings argued and have remained bitter and estranged. In 1987, a drugged Roberts was arrested for harassing a woman and for striking a police officer. He spent 36 hours in jail, pleaded guilty for harassment, and had all other charges dropped. In 1991, he made Hollywood news for a bitter breakup with his live-in girlfriend, Kelly Cunningham. He lost the battle for custody of their daughter, Emma. The next year he married again. Careerwise, Roberts' tempestuous personality and lifestyle did little to make him bankable to studios. In 1995, Roberts gave up drugs and has worked on becoming a more ingratiating, congenial person. That year he made a comeback with his first romantic lead in It's My Party, playing an AIDS-afflicted homosexual who hosts one last bash for family and friends before committing suicide. His hope was that the film would allow him to return to his original dream of becoming a great character actor. In 1996, he played the Master in a new installment of the long-running Dr. Who saga.

Trivia: While attending the American Academy of Dramatic Arts, John Savage helped organize a children's theatre troupe, giving non-profit performances at various housing projects. When next heard from, Savage had won a Drama Circle award for his starring performance in a Chicago-New York revival of One Flew Over the Cuckoo's Nest. In films and television from 1972, Savage reached a watershed in 1975, starring as cub reporter Jim Malloy in the TV series Gibbsville and both starring in and composing the music for the theatrical feature Sister-in-Law. His career continued to flourish as the 1970s drew to a close: he played paraplegic war veteran Steven in the Oscar-winning The Deer Hunter (1978), hippie convert Claude in Hair, guilt-ridden police officer Karl Hettinger in The Onion Field (1979) and the suicidal, physically challenged Roary in Inside Moves (1980). For reasons unknown, Savage's star began fading in the 1980s, despite such choice roles as a cynical photojournalist in Oliver Stone's Salvador (1986). Most of John Savage's footage as Andrew Hagen in 1990's The Godfather III unfortunately wound up on the cutting room floor.

Trivia: Born October 10th, 1965, Ohioan Luke Perry did well enough on the high school baseball team, but he was a somewhat lackadaisical student, with no real aim in life except for a vague desire to become an actor someday. That desire solidified into reality when Perry headed for Los Angeles in 1984, took acting lessons, and sought out auditions while supporting himself with construction and asphalting jobs. Eventually he landed the role of Ned Bates on the TV daytime drama Loving. In 1990, Perry was cast in the Fox Network's Beverly Hills 90210 in the supporting role of Dylan McKay. Audience response to Perry was so overwhelming that, by the time 90210 swung into its second season, he was not only one of the series' leading characters, but a full-fledged teen idol. From all accounts, Perry handled his "hunk heartthrob" status with class and diplomacy; this latter quality served him well during the well-publicized brouhaha over co-star Shannen Doherty. Perry finally left Beverly Hills 90210 for the greener pastures of theatrical films.Perry won cult notoriety for his portrayal of a hapless teenage vampire hunter in 1992's Buffy the Vampire Slayer (which inspired Joss Whedon's phenomenally popular series of the same name). After working in a series of critical and commerical failures, Perry co-starred with Chris Tucker and Gary Oldman in 1997's iconic sci-fi thriller The Fifth Element. The actor worked for a short time on HBO's prison drama Oz, in which he played a well meanng, yet ill-fated priest, and went the opposite direction when he guest-starred on Law & Order: SVU in the role of rapist Noah Sibert. In 2009, Perry starred in a music video for The Killers' fourth annual Christmas single.

Trivia: A professional actress since age 14, Ohio-born Carol Kane is best known for essaying a staggering variety of characterizations in her career. Most of her early film roles were fleeting but memorable, such as that of the hippie girlfriend of Art Garfunkel in Carnal Knowledge (1971), the "sailor's plaything" in The Last Detail (1973) and the terrified bank teller in Dog Day Afternoon (1973). Kane's first starring appearance was in Hester Street (1975), wherein she was Oscar-nominated for her portrayal of a Jewish newlywed in turn-of-the-century New York. From 1981 through 1983, Kane played Simka, the wife of immigrant mechanic Latka Gavras (Andy Kaufman) on the TV sitcom Taxi. Simka's country of origin was fictitious, but Kane and Kaufman managed between them to "create" a Slavic language peppered with ridiculous, non-sequitur terms of endearment. The actress won an Emmy for her work on Taxi. Other regular TV sitcom assignments for Kane have included 1986's All Is Forgiven and 1990's American Dreamer. Kane has excelled in bizarre character roles, notably the kvetching old peasant wife in The Princess Bride (1986), the abusive "Ghost of Christmas Present" in Scrooged (1988), and the toothless, witchlike Grandmama in the two Addams Family theatrical features. She remained an in-demand character actress appearing in a variety of movies and TV shows including Even Cowgirls Get the blues, Trees Lounge, Office Killer, and appearing as herself in the Andy Kaufman biopic Man on the Moon. She slowed down not a whit in the 21st century playing parts in My First Mister, Love in the Time of Money, The Pacifier, My Girlfriend's Boyfriend, and the 2012 indie Sleepwalk With Me.

Trivia: Manhattan-born character actor James Russo has been showing up in hard-bitten film supporting roles since 1981. In the otherwise teen-oriented Fast Times at Ridgemont High (1982), Russo brought a welcome gust of reality as a nasty robber. His gangster characters have borne spell-it-out names like Bugsy (1982's Once Upon a Time in America) and Vince Hood (1984's Cotton Club). Even in such westerns as 1994's Bad Girls, James Russo could be counted upon to show up as a Bad Boy (in this instance, a worthy by the name of Kid Jarret).

Trivia: Actor Brion James launched his career in television and feature films and on television in the mid '70s. With his piercing eyes and cruel smile, the versatile, 6' 3"James, usually portrays assorted eccentric bad-guys, urban scum, and red-necks. One of his most memorable roles was Leon, an android in Ridley Scott's Blade Runner (1982). As his father owned a movie theater in Beaumont, California, James spent most of his life around movies . Following high school, James moved to New York City where he became a cook and butler for Stella Adler, a renowned drama coach. While in the Big Apple, James also appeared off-Broadway, and as a stand-up comedian. In 1973, he returned to Los Angeles to become a full time actor with the philosophy that he would never turn down a job. James's strategy has worked, and since then he has appeared in over 100 TV shows and 70 features.

Trivia: A versatile actress who can bring a keen emotional edge to either comic or dramatic roles, Melora Walters is best known for her work with director Paul Thomas Anderson, who, more than anyone, seems to have known how to best utilize her gifts onscreen. Melora Walters began her career in acting doing off-Broadway theater in New York before she began to make a name for herself in television, in 1989 scoring a small recurring role as Debbi on the popular sitcom Roseanne. After making her film debut in an undistinguished low-budget thriller, 1988's Underground Terror, Walters earned her Screen Actors Guild card for her work as Gloria in the 1989 hit Dead Poets Society. Over the next several years, Walters made a number of appearances on episodic television shows, including such hits as The Wonder Years, Seinfeld, and NYPD Blue, while playing small roles in several forgettable films, as well as occasional high-profile items such as Cabin Boy, Ed Wood, Eraser, and the critically respected indie film Twenty Bucks. In 1996, Walters was cast in a small role in a little-seen independent film called Hard Eight. However, the film's director, first-time feature filmmaker Paul Thomas Anderson, was impressed enough to cast her in a much meatier role in his second feature. Walters played Jessie St. Vincent, a soft-hearted second-string porn actress in the breakthrough hit Boogie Nights, and the film made a name for both Anderson and Walters. Walters' new notoriety helped her land a regular role as Felicity on the television drama series L.A. Doctors, but the show only lasted a single season. Thankfully, Anderson once again had plans for Walters, and cast her as Claudia, a cocaine-addled woman on the verge of emotional collapse in Magnolia; hers was one of the strongest performances in one of the year's most eagerly anticipated films, and the critical response to her intense portrayal led to a string of leading roles in independent films, including Rain, Desert Saints, and Jupiter City. She continued to work steadily, bouncing between Hollywood projects and indie fare like Wisegirls, Runaway Jury, Cold Mountain, Melvin Goes to Dinner, and The Butterfly Effect. In 2006 she was cast in the HBO drama series Big Love as Wanda Hendricks. After her run on that show came to an end, she could be seen in I Melt With You, and she made cameo in Paul Thomas Anderson's The Master.

Trivia: Sullen, sensuous leading lady Luana Anders began making films in her teens, starring in such American-International cheapies as Reform School Girls. During this first stage of her career, Luana enjoyed a few above-average (albeit fleeting) assignments, including the role of walled-up Catherina Medina in Roger Corman's The Pit and the Pendulum (1961) and a similar "victim" characterization in Francis Ford Coppola's shakedown-cruise picture Dementia 13 (1962). Evidently, she made a lot of valuable professional contacts while toiling away in the "B" mills of the 1950s and 1960s. Cycle-flick refugees Dennis Hopper and Jack Nicholson both hired Luana to appear in their respective directorial efforts Easy Rider (1969) and Goin' South (1976). She also showed up in Nicholson's starring vehicles The Last Detail (1973, as the prostitute who "services" jail-bound Randy Quaid in a most unexpected and touching manner) and The Two Jakes (1990). In 1984, she was prominently featured in Movers and Shakers, a cinematic labor of love for actor/scripter Charles Grodin; nine years later she again appeared with Grodin, playing a Records Bureaucrat in Hearts and Souls (1993). In 1989, Luana Anders co-wrote the script for Limit Up (1989), a contemporary rehash of the "Faust" legend.

Trivia: Robert Fields has always been a far busier stage actor than a film performer, but this hasn't prevented him from appearing in a number of notable theatrical and made-for-television features since the 1950s. His first break came in 1957 when he was chosen for the role of Tony, one of the "teenagers" (though he was well into his twenties at the time) in The Blob, an independently produced sci-fi/horror film being shot in Pennsylvania. Fields was a friend of Steve McQueen, who starred in the film, and their scenes together had a dynamism in the acting that made them one of the most effective parts of the movie, which has become regarded as a classic of the sci-fi genre. Fields was absent from films for the next decade but did a considerable amount of theater work, including Marat/Sade. He next appeared on screen in The Incident, a tense drama about a group of people victimized by a pair of thugs on a New York City subway. Following the hit They Shoot Horses, Don't They?, the next two films in which Fields worked, Cover Me Babe and The Sporting Club, fared so poorly among critics and at the box office that they virtually disappeared without a trace. But in 1973, he played an assistant district attorney in The Marcus-Nelson Murders, which was one of the most watched made-for-television features of the decade. Fields also played major roles in such films as the international production Vertigo En Manhattan during the early 1980s and appeared in Bob Fosse's Star 80, but has had his most visible big-screen success to date with his performance as the male lead in Anna, directed by Yurek Bogayevicz and starring Sally Kirkland.

Trivia: A handsome and talented young actor who cut his thespian chops on-stage, young Will Rothhaar was bitten by the acting bug early in life, making his feature debut at the age of nine in the gross-out kings Farrelly brothers' homage to the sleazy side of bowling, Kingpin (1996).Born in the Big Apple in January of 1987, Rothaar is a dedicated scholar in addition to an actor, attaining honor student status and becoming fluent in Spanish despite the young actor's hectic schedule. Nominated twice for a Young Star award and once for a Young Artist award, the tireless young actor has appeared in features ranging from Jack Frost (1998) to Hearts in Atlantis (2001). Additionally appearing in such made-for-television efforts as Fail Safe and An American Daughter (both 2001), Rothaar has also made frequent appearances in television's JAG.

Trivia: Squared-jawed beefcake Patrick Warburton leapt into pop culture consciousness as David Puddy, Elaine's on-again, off-again boyfriend on the hit sitcom Seinfeld in 1995, and has since then steadily found his deadpan talents in ever-greater demand. With his squinty eyes and hard-boiled detective's voice, Warburton has become a humorous personality who can generate giggles with almost no effort, whether onscreen or in voice-overs.Warburton was born on November 14, 1964, in Paterson, NJ, and raised in Southern California, a son of little-known television actress Barbara Lord. The future Bugle Boy model studied marine biology at Orange Coast College, where he met his wife, Cathi, before dropping out to pursue modeling and acting at age 19. In his first screen appearance, the 17th century slave film Dragonard (1987), Warburton was subject to what is thought to be the longest onscreen flogging on film, a 100-lash scene that consumes nearly four minutes of screen time. He also appeared in the sequel, Master of Dragonard Hill (1989), before turning his attention to television.Warburton had guest spots on such shows as Murphy Brown, Designing Women, and Quantum Leap before scoring a recurring role on the short-lived Dave Barry sitcom Dave's World in 1993. But it was not until he appeared in the 1995 episode of Seinfeld entitled "The Fusilli Jerry" that Warburton really started to attract attention. As Puddy, Jerry's lunkhead mechanic who spits out dialogue in macho spurts, notably the catchphrase affirmation "Yeah that's right," Warburton quickly became a popular semi-regular, involved in a running joke about his frequent breakups and reconciliations with Elaine (Julia Louis-Dreyfus). He stayed with the show until it finished in 1998, and provided the voice for Superman in a series of commercials starring Seinfeld.Warburton had another recurring role as unscrupulous businessman Johnny Johnson on News Radio in 1999, then contributed his memorable voice to characters on the animated shows Family Guy, Hercules, and Buzz Lightyear of Star Command. By this time the big screen was really beckoning, as Warburton flexed his comic talents as a bodyguard in Scream 3 (2000), then toned them down as an American astronomer in Australia in The Dish (2000). His voice was again called upon, this time by Disney, for the role of a sorceress' thug assistant in The Emperor's New Groove (2000). Going zanier than on Seinfeld, Warburton signed on as the star of the Fox sitcom The Tick, about a muscle-bound but dimwitted superhero in a blue costume, which premiered in the fall of 2001. High-profile projects in 2002 would include a role in the delayed ensemble farce Big Trouble and as Agent T alongside Tommy Lee Jones and Will Smith in Men in Black 2.Warburton became an in demand voice actor working on a variety of projects including TV series like The Venture Brothers and Family Guy, as well as movies such as Home on the Range, Chicken Little, The Wild, and Bee Movie. In 2007 he started on a successful run with the sitcom Rules of Engagement, and in 2012 he appeared in Seth McFarland's directorial debut, Ted.