Trivia: Brown-eyed, chestnut-haired actress Ally Sheedy has been involved with acting for most of her life. The daughter of a literary agent mother, she began making commercials and appearing on-stage at the age of 15. She was something of a precocious author, as well: When only 12-years-old, she published a children's book, She Was Nice to Mice. (Sheedy has also been published in such periodicals as The New York Times). After high school, the New York-born actress headed west to the University of California where, in addition to her studies, she appeared in TV movies. She began her feature-film career at 21 playing adolescent girls in films such as Bad Boys and WarGames (both 1983), and joined the so-called Brat Pack in 1985 after appearing in John Hughes' The Breakfast Club and Joel Schumacher's St. Elmo's Fire. Despite the huge success of both films, many of her subsequent efforts were relative disappointments, and, by the early '90s, she had slipped into all but complete obscurity. However, her career was revived in 1998 thanks to a starring role as a drug-addicted lesbian photographer in the widely acclaimed High Art. Sheedy won raves for her raw, touching performance, and, in short time, again found herself working steadily. In 1999, she appeared in Allison Anders' Sugar Town and The Autumn Heart, the latter premiering at the Sundance Film Festival. In addition to her film work, Sheedy continued to work in the theater, taking over John Cameron Mitchell's title role in the popular New York production of Hedwig and the Angry Inch, a story about a German entertainer who is neither a man nor a woman but a fascinating composite of both. As the 21st century began, Sheedy continued to work steadily in varied projects like Happy Here and Now, Noise, Harold, and Life During Wartime -- Todd Solondz's sort-of sequel to his black comedy Happiness.

Trivia: Born in Canada and trained for an acting career in New York, Michael Sarrazin made his earliest movie appearances through the auspices of the National Board of Canada. Arriving in Hollywood in 1967, Sarrazin was almost immediately lionized critically for his supporting work opposite George C. Scott in The Flim-Flam Man (1967). He went on to co-star with Jane Fonda in They Shoot Horses, Don't They? (1969); with Paul Newman and Henry Fonda in Sometimes a Great Notion (1971); and with Barbra Streisand in For Pete's Sake (1974). Though his Hollywood commitments kept him hopping, Sarrazin never abandoned his Canadian roots, appearing in such above-the-border productions as The Groundstar Conspiracy (1972), Double Negative (1979), and Joshua Then and Now (1985). On television, Sarrazin played the creature in Frankenstein: The True Story (1973), adhering to Mary Shelley's original intention that the monster be as intelligent and well-spoken as it was uncontrollably violent.