Trivia: Possessing a great dignity tempered by the humorous sparkle in her clear blue eyes, Jessica Tandy was among the grand dames of stage and screen. Like many of her peers, her distinguished acting career stretched back to the early 1930s, though rather than make her name on film, Tandy won much of her fame with her work on the stage.Born in London in 1909, Tandy studied drama at the Ben Greet Academy of Acting. She was sixteen when she made her professional stage debut in London, and just twenty-one when she took her first bow on Broadway. In 1932, Tandy made her first film appearance in Indiscretions of Eve (1932), but due to her extremely busy stage schedule did not appear in her second film, Murder in the Family, until 1938. In 1942, she married Canadian stage and screen actor Hume Cronyn (she had previously been married to actor Jack Hawkins from 1932 until 1940), and they remained professional and personal partners until Tandy's death in 1994.The couple moved to the States shortly after their marriage, and made their Hollywood debut together in Fred Zinnemann's The Seventh Cross (1944). For a long time, Tandy had her greatest success on the stage, beginning with her Tony-winning portrayal of Blanche DuBois in the first production of Tennessee Williams' A Streetcar Named Desire in 1947. Despite the acclaim she received, she was passed by in favor of Vivien Leigh for the play's screen version. Tandy continued to work on the stage and appeared in a few more films through 1951, after which her film career became sporadic. One of her rare appearances was in Hitchcock's The Birds in 1963.It was after she won her second Tony while appearing with Cronyn in The Gin Game (1978) that Tandy's film career was renewed with a supporting role in John Schlesinger's Honky Tonk Freeway in 1981. The following year she appeared in The World According to Garp, and then starred in Merchant Ivory's The Bostonians in 1984. In the meantime, she won her third Tony for her work in 1983's Foxfire (she would win an Emmy in 1987 for the same role in the play's televised version). Tandy's film career then experienced a complete resuscitation in 1985, when she and Cronyn co-starred in Ron Howard's Cocoon; four years later, the then-80-year-old Tandy won an Oscar for her feisty performance as a Southern lady who befriends her black chauffeur in Driving Miss Daisy. She went on to have notable roles in films like Fried Green Tomatoes in 1991 and 1992's Used People. Before succumbing to ovarian cancer in September of 1994, Tandy completed the made-for-TV movie To Dance With the White Dog, in which she starred with Cronyn, and Nobody's Fool, the latter of which was dedicated to her memory.

Trivia: For an actor almost universally associated with a single character -- Captain James Tiberius Kirk of the U.S.S. Enterprise -- William Shatner has found diverse ways to stay active in the public eye, even spoofing his overblown acting style in a way far more hip than desperate. Years after he last uttered "warp speed," Shatner remains a well-known face beyond Star Trek conventions, re-creating himself as the spoken-word pitchman for priceline.com, and starring in a popular series of smoky nightclub ads that featured some of the most cutting-edge musicians of the day.The Canadian native was born on March 22, 1931, in Montréal, where he grew up and attended Verdun High School. Shatner studied commerce at McGill University before getting the acting bug, which eventually prompted him to move to New York in 1956. He initially worked in such live television dramatic shows as Studio One and The United States Steel Hour in 1957 and 1958, as well as on Broadway. His big screen debut soon followed as Alexei in the 1958 version of Dostoyevsky's The Brothers Karamazov.Throughout the 1960s, Shatner worked mostly in television. His most memorable appearance came in a 1963 episode of The Twilight Zone entitled "Nightmare at 20,000 Feet," in which he plays a terrified airline passenger unable to convince the crew that there's a mysterious gremlin tearing apart the wing. He also appeared in such films as Judgment at Nuremberg (1961) and the bizarrely experimental Esperanto-language horror film Incubus (1963). In 1966, he got his big break, though neither he nor anyone else knew it at the time. Shatner was cast as the macho starship captain James Kirk on Star Trek, commanding a crew that included an acerbic doctor, a Scottish engineer, and a logician with pointy ears, on a mission "to boldly go where no man has gone before." However, the show lasted only three seasons, considered by many to be high camp. After providing a voice on the even shorter-lived animated series in 1973, Shatner must have thought Star Trek too would pass. A costly divorce and a lingering diva reputation from Star Trek left him with few prospects or allies, forcing him to take whatever work came his way. But in 1979, after a decade of B-movie labor in such films as The Kingdom of Spiders (1977) and a second failed series (Barbary Coast, 1975-1976), Shatner re-upped for another attempt to capitalize on the science fiction series with Star Trek: The Motion Picture. This time it caught on, though the first film was considered a costly disappointment. With dogged determination, the producers continued onward with Star Trek II: The Wrath of Khan (1982), at which point fans finally flocked to the series, rallying behind the film's crisp space battles and the melodramatic tête-à-tête between Shatner and Ricardo Montalban.Shatner had to wrestle with his advancing age and the deaths of several characters in Star Trek II and Star Trek III: The Search for Spock (1984), but by Star Trek IV: The Voyage Home (1986), the actor got to indulge in his more whimsical side, which has since characterized his career. As the series shifted toward comedy, Shatner led the way, even serving as director of Star Trek V: The Final Frontier (1989), which many considered among the series' weaker entries. During this period, Shatner also began parodying himself in earnest, appearing as host of Saturday Night Live in a famous sketch in which he tells a group of Trekkies to "Get a life." He also turned in a wickedly energetic mockery of a moon base captain in Airplane II: The Sequel (1982). Shatner made one final appearance with the regular Star Trek cast in Star Trek VI: The Undiscovered Country (1991), then served as one of the crossovers to the new series of films in Star Trek: Generations (1994), in which endlessly theorizing fans finally learned the fate of Captain Kirk.The success of the Trek movies reenergized Shatner's TV career, even if it didn't immediately earn him more film roles. Shatner played the title role on the successful police drama T.J. Hooker from 1982 to 1987, directing some episodes, then began hosting the medical reality series Rescue 911 in 1989. Shatner returned to the movies with another parody, Loaded Weapon I, in 1993, and in 1994 began directing, executive producing, and acting in episodes of the syndicated TV show TekWar, based on the popular series of Trek-like novels he authored. In the later '90s, Shatner was best known for his humorously out-there priceline.com ads, but also guested on a variety of TV shows, most notably as the "Big Giant Head" on the lowbrow farce Third Rock From the Sun. He also appeared as game show hosts both in film (Miss Congeniality, 2000) and real life (50th Annual Miss America Pageant, 2001). In 1999, Shatner suffered public personal tragedy when his third wife, Nerine, accidentally drowned in their swimming pool. The champion horse breeder and tennis enthusiast owns a ranch in Kentucky and remains active in environmental causes. Shatner took on a small role for 2004's Dodgeball: A True Underdog Story, and voiced the villainous wildebeest Kazar in Disney's animated adventure The Wild in 2006. Shatner returned to television for a starring role on the popular dramady Boston Legal, in which he plays Denny Crane, a once unbeatable lawyer who co-founded the successful law firm where he continues to work despite his reputation as an eccentric old man.

Trivia: Born in St. Petersburg, Russia, Tom Conway was the son of a British rope manufacturer. After the Bolshevik revolution, Conway's family returned to England, where he attended a succession of boarding schools before graduating from Brighton college. Aimlessly wandering from job to job, Conway was working as a rancher when his older brother, George Sanders, achieved success as a film actor. Deciding this might be suitable work for himself, Conway gleaned some stage experience in a Manchester repertory company. Upon arriving in Hollywood in 1940, Conway was taken under the wing of brother George, who helped him find film work. When George quit the Falcon "B"-picture series at RKO in 1941, he recommended Tom as his replacement; the transition was cleverly handled in The Falcon's Brother (1942), with Tom taking over after George had been "killed." Achieving popularity as the Falcon, Conway continued in private-detective roles, playing Sherlock Holmes on radio and Mark Sabre on television. Though he reportedly amassed a fortune in excess of one million dollars during his Hollywood years, personal problems sent Conway into a downward spiral. Tom Conway died in 1967 at the age of 63; his brother George Sanders committed suicide five years later.

Trivia: Known for her stage work and solid supporting performances in film and television, Rosemary Harris has earned particular praise for her ability to skillfully portray formidable characters, despite a petite frame and delicate features that would normally belie such a strong aura of authority. Harris grew up in India and did not plan on pursuing a career in acting -- in fact, her original career choice was nursing. She would, however, change course and begin acting studies at the prestigious Royal Academy of Dramatic Art in London. By 1951, Harris made her U.S. stage debut with great success in a Broadway production of Moss Hart's Climate of Eden, and returned to England to participate in the British premiere of The Seven Year Itch.Harris continued to act -- both on-stage, on the small screen, and in the film world -- throughout the '50s and '60s, starring opposite some of the industry's most prominent figures, including Richard Burton, Jason Robards, Rex Harrison, Laurence Olivier, and Peter O'Toole. After winning a British Tony award in 1966, Harris impressed critics and audiences with her portrayal of a Jewish doctor's wife in the multi-Emmy award-winning television production of Holocaust in 1978, and again in 1979, when she played the matriarch of an 1844 Virginian pioneer family in The Chisholms. Holocaust wasn't Harris' introduction to the Emmys -- one of the actress' most celebrated performances was for her role in the 1975 Masterpiece Theatre production of The Notorious Woman, a portrait of flamboyant novelist George Sand.Harris' 1954 film debut as the unrequited love interest of Stewart Granger in Beau Brummell was met exceedingly well; in fact, the actress was offered a variety of long-term roles from Hollywood, but she turned them down to pursue theater. Ten years later, however, Harris would return to the big screen for her supporting role in the thriller The Boys From Brazil (1978), and later co-starred in TV's The Ploughman's Lunch, a 1983 political drama. After performing at her typical standard in film and television, as well as traveling across continents for her theater career, Harris gave a volatile performance as renowned author T.S. Eliot's mother-in-law in Tom & Viv (1994) -- earning her an Oscar nomination for Best Supporting Actress. This, however, was only after earning critical praise for a series of mid-'90s theater roles, including those of a diabetic's mother in the 1991 tearjerker Steel Magnolias, an imposing grandmother in Lost in Yonkers (1992), and a troubled wife in An Inspector Calls (1994). After Harris' Oscar recognition, Kenneth Branagh felt it only appropriate to cast her as the Player Queen opposite Charlton Heston's Player King in Hamlet (1996). In 2002, Harris portrayed Peter Parker's aunt in Spider-Man, and reprised the role in Spider-Man 2 (2004).

Trivia: American dwarf actor Billy Barty always claimed to have been born in the early '20s, but the evidence of his somewhat wizened, all-knowing countenance in his film appearances of the 1930s would suggest that he was at least ten years shy of the whole truth. At any rate, Barty made many film appearances from at least 1931 onward, most often cast as bratty children due to his height. He was a peripheral member of an Our Gang rip-off in the Mickey McGuire comedy shorts, portrayed the infant-turned-pig in Alice in Wonderland (1933), he did a turn in blackface as a "shrunken" Eddie Cantor in Roman Scandals (also 1933), and he frequently popped up as a lasciviously leering baby in the risqué musical highlights of Busby Berkeley's Warner Bros. films. One of Barty's most celebrated cinema moments occurred in 1937's Nothing Sacred, in which, playing a small boy, he pops up out of nowhere to bite Fredric March in the leg. Barty was busy but virtually anonymous in films, since he seldom received screen credit. TV audiences began to connect his name with his face in the 1950s when Barty was featured on various variety series hosted by bandleader Spike Jones. Disdainful of certain professional "little people" who rely on size alone to get laughs, Barty was seen at his very best on the Jones programs, dancing, singing, and delivering dead-on impressions: the diminutive actor's takeoff on Liberace was almost unbearably funny. Though he was willing to poke fun at himself on camera, Barty was fiercely opposed to TV and film producers who exploited midgets and dwarves, and as he continued his career into the 1970s and '80s, Barty saw to it that his own roles were devoid of patronization -- in fact, he often secured parts that could have been portrayed by so-called "normal" actors, proof that one's stature has little to do with one's talent. A two-fisted advocate of equitable treatment of short actors, Billy Barty took time away from his many roles in movies (Foul Play [1978], Willow [1988]) and TV to maintain his support organization The Little People of America and the Billy Barty Foundation. Billy Barty died in December 2000 of heart failure.

Trivia: Of the many movie-industryites bearing the name "Colin Campbell," the best known was the Scots-born silent film director listed below. Emigrating to the U.S. at the turn of the century, Campbell barnstormed as a stage actor and director before settling at the Selig studios in 1911. The best-remembered of his Selig directorial efforts was 1914's The Spoilers, a crude but ruggedly realistic Alaskan adventure film climaxed by a brutal fistfight. It was during his Selig years that Campbell helped to nurture the talents of future western star Tom Mix. Considered an "old-timer" and has-been by the early 1920s, Colin Campbell ended his career with such plodding time-fillers as Pagan Passions (1924) and The Bowery Bishop (1924).