Trivia: The son of a hotelier, Dan Dailey began taking dancing lessons at the age of 14. He worked in minstrel shows, vaudeville and burlesque, taking many "joe jobs" during fallow periods. Graduating to Broadway, Dailey was featured in Babes in Arms, Stars in Your Eyes and I Married an Angel. He came to Hollywood in 1940 when he was signed as an MGM contract player. After serving as an officer in World War II, Dailey rose to film stardom in such 20th Century-Fox productions as Mother Wore Tights (1947), A Ticket to Tomahawk (1950) and When My Baby Smiles at Me (1948), for which he won an Oscar nomination. Other top-rank Dan Dailey musical performances can be seen in Universal's Meet Me at the Fair (1952) and MGM's It's Always Fair Weather (1953). The actor's athletic physique and remarkable dexterity won him leading roles in two baseball films, Pride of St Louis (1953) (in which he played Dizzy Dean) and The Kid From Left Field (1953). On television, Dailey starred in three series: Four Just Men (1959), The Governor and JJ (1970), and Farraday and Company (1974). In 1977, Dan Dailey broke his hip while appearing in a touring production of The Odd Couple; he died of acute anemia one year later.

Trivia: Hardcase leading man Howard Duff built his reputation on radio, where among several other assignments he was cast as Dashiell Hammett's two-fisted private eye Sam Spade. He made so vivid an impression in this role that, when cast in his first film Brute Force (1947), he was given special billing in the credits as "radio's Sam Spade." His burgeoning film career was slowed down in the early 1950s by the iniquities of the Hollywood Blacklist. Duff's no-nonsense image was softened into sitcom buffoonery when, in 1957, he was cast in TV's Mr. Adams and Eve. His co-star was his then-wife Ida Lupino, and the series' producer was Lupino's previous husband Collier Young. Ida was a frequent director for Duff's subsequent TV series Dante (1960), in which he more-or-less reprised his Sam Spade characterization. Duff's later TV assignments included a three-year starring stint on Felony Squad (1966-69) and supporting roles in the prime time serials Flamingo Road and Knot's Landing. In the 1970s, Howard Duff returned to filmmaking as a character actor, scoring critical successes with his roles as an eternally inebriated relative in Altman's A Wedding (1978) and as Dustin Hoffman's attorney in Kramer vs. Kramer (1979).

Trivia: Born into a prosperous New York family, Jan Sterling was educated in private schools before heading to England, where she studied acting with Fay Compton. Billed as Jane Sterling, she made her first Broadway appearance at the age of fifteen; she went on to appear in such major stage offerings as Panama Hattie, Over 21 and Present Laughter. In 1947, she made her movie bow--billed as Jane Darian for the first and last time in her career--in RKO's Tycoon. Seldom cast in passive roles, Sterling was at her best in parts calling for hard-bitten, sometimes hard-boiled determination. In Billy Wilder's searing The Big Carnival (1951), she played Lorraine, the slatternly, opportunistic wife of cave-in victim Richard Benedict, summing up her philosophy of life with the classic line "I don't go to church. Kneeling bags my nylons." In 1954, Jan was nominated for an Academy Award for her portrayal of Sally McKee, a mail-order bride with a questionable past, in The High and the Mighty. In a prime example of giving one's all to one's art, Sterling submitted to having her eyebrows shaved off for a crucial scene; her brows never grew back, and she was required to pencil them in for the rest of her career. Also in 1954, Sterling travelled to England to play Julia in the first film version of George Orwell's 1984; though her character was a member of "The Anti-Sex League," Sterling was several months pregnant at the time. Having no qualms about shuttling between films and television, she showed up in nearly all the major live anthologies of the 1950s. She was also a panelist on such quiz programs as You're In the Picture (1961) and Made in America (1964). Married twice, Sterling's second husband was actor Paul Douglas. Jan Sterling retired from films in favor of the stage in 1969; she returned before the cameras in 1976 to portray Mrs. Herbert Hoover in the TV miniseries Backstairs at the White House.

Trivia: One didn't become a stage and movie leading man with a monicker like Milton LeRoy in the early '30s, so the Brooklyn-born, Cornell-educated LeRoy was rechristened Phillip Reed. He made his earliest appearances as a utility actor in films like Penthouse (1933), then came into his own with several starring parts in the late '30s and early '40s. Mostly he was cast opposite big names like Dorothy Lamour and Bette Davis, who occasionally preferred to work with handsome but unremarkable hunks who wouldn't detract from their star performances. When not outshone by his female costars, Reed was often seen as a good-looking but mean-spirited type, who lost the girl to the hero or who found himself the principal murder suspect. Better served in his stage work, Reed still managed a few truly memorable film appearances: he was the stalwart Uncas in the 1936 version of Last of the Mohicans (1936), and was superb as a loudmouthed house guest who just won't leave in Weekend for Three (1941). Phillip Reed's final film was the Elvis Presley vehicle Harum Scarum (1965), after which the 57 year old actor launched a lucrative career in business.