Trivia: Gravel-voiced, granite-faced stage actor Charles McGraw made his first film The Moon is Down in 1943. At first it seemed as though McGraw would spend his movie career languishing in villainy, but while working at RKO in the late 1940s-early 1950s, the actor developed into an unorthodox but fascinating leading man. His shining hour (actually 72 minutes) was the role of the embittered detective assigned to protect mob witness Marie Windsor in the 1952 noir classic The Narrow Margin. McGraw continued being cast in the raffish-hero mold on television, essaying the lead in the 1954 syndicated series Adventures of Falcon and assuming the Bogartesque role of café owner Rick Blaine in the 1955 weekly TV adaptation of Casablanca (1955) (his last regular TV work was the supporting part of Captain Hughes on the 1971 Henry Fonda starrer The Smith Family). Active until the mid-1970s, Charles McGraw growled and scowled his way through such choice character roles as gladiator trainer Marcellus in Spartacus (1960), Sebastian Sholes in Hitchcock's The Birds (1963), and The Preacher in the cult favorite A Boy and His Dog (1975).

Trivia: Brando-esque leading man Michael Parks was one of five children of an itinerant laborer. Like the rest of his family, Parks drifted from job to job in his early teens, briefly marrying at 15. When he wasn't nickel-and-diming it as a migrant worker, Parks acted with amateur theater groups up and down the California coast. Discovered by an agent in 1960, Parks was signed to a Universal contract, spending most of his time on suspension due to his ornery outspokenness. He settled down long enough to play an au naturel Adam in John Huston's The Bible (1966) and to star as a young motorcyclist in search of the Real America on the 1969 TV series Then Came Bronson. Parks astonished his anti-establishment fans in 1968 when he supported George Wallace for the presidency. Parks' film appearances since then have been confined to second-string productions, though he managed to attract attention in 1977 by portraying Bobby Kennedy in The Private Files of J. Edgar Hoover. In 1990, Parks co-produced as well as starred in Caged Fury, though it was his turn as Canadian mobster Jean Renault in David Lynch's Twin Peaks that offered him the most exposure that year. Numerous film and television roles followed, and in 1996 director Quentin Tarantino gave Parks a career-boost by casting him in the violent horror/crime hybrid From Dusk Till Dawn (a role that the actor would reprise in Kill Bill, Vol. 1, Death Proof, and Planet Terror). A turn as the volatile leader of a religious cult in Kevin Smith's Red State capitalized on Parks' intense onscreen charisma, and in 2012 he could be spotted in director Ben Affleck's Argo. And though the documentary Kevin Smith: Burn in Hell found the outspoken Clerks director jokingly chiding "View Askewniverse" veteran Affleck for "cherry-picking" Parks on the strength of his Red State performance, few would deny that the talented Parks would have likely won the role on his own merit. Parks died in 2017, at age 77.

Trivia: Stefan Gierasch made his earliest Broadway appearances in comic juvenile roles in such popular fare as Kiss and Tell and A Hatful of Rain. As he matured, Gierasch was afforded meatier assignments in plays like a Hatful of Rain, Compulsion and The Iceman Cometh. He made his first film appearance as a preacher in The Hustler (1961); subsequent film roles have included murder victim Professor Schreiner in Silver Streak (1974), Principal Norton in Carrie (1976) and the House Majority Leader in Dave (1993). Stefan Gierasch has been seen on TV as hospital bureaucrat J. Powell Karbo in AES Hudson Street (1978) and in the dual role of Professor Woodard and Joshua in the 1991 prime time revival of Dark Shadows. Gierasch continued acting through the late 2000s, appearing in TV shows and movies, including a guest spot on ER. He died in 2014, at age 88.

Trivia: Formerly a Broadway and Hollywood actor/dancer--he was seen as Indio in the Oscar-winning West Side Story (1961)--Gus Trikonis switched to directing in 1968. During his first years as director, Trikonis paid his dues with such drive-in fodder as Swinging Barmaids (1975), Student Body (1976), Nashville Girl (1976) and Moonshine County Express (1978), all decidedly better than their titles. The one Trikonis film that garnered the largest amount of audience approval was his 1981 blue-collar comedy Take This Job and Shove It. As busy in television as in films (if not busier), Gus Trikonis has called the shots on such top-rated weeklies as Baywatch, and such noteworthy made-for-TV movies as Elvis and the Beauty Queen (1981), Dempsey (1983) and Malice in Wonderland (1985)

Trivia: Al Ruscio played character roles since his film debut in Al Capone (1959). His best-known roles included crime boss Leo Cuneo in The Godfather: Part III (1990) and a recurring role on Life Goes On; he also appeared in the pilot episode of Seinfeld as the manager of Monk's Café. Ruscio worked as an acting teacher for years and regularly appeared in stage productions in Los Angeles. He passed away in 2013 at age 89.

Trivia: Trained at the Royal Academy of Arts and Music in Vienna, Celia Lovsky gained popularity on the Austrian and German stage in the 1920s. When Hitler assumed power in 1933, Lovsky left for France in the company of her then-husband, actor Peter Lorre. Resettling in Hollywood in 1935, she put her career on hold during her marriage to Lorre, returning to films after their divorce (they remained friends and confidants until Lorre's death in 1964). From 1947 until her retirement in the 1960s, Lovsky was most often seen in maternal roles: George Sanders' mother in Death of a Scoundrel (1956), James Cagney's mother in Man of 1000 Faces (1957), Sal Mineo's mother in The Gene Krupa Story (1959), and so on. Star Trek devotees will remember Celia Lovsky as the Queen of Vulcana in the 1967 episode "Amok Time."

Trivia: American character actor Douglas Henderson shifted his activities from stage to screen in 1952, when he appeared in Stanley Kramer's Eight Iron Men. Like many general purpose actors of the era, he was frequently cast in science fiction and horror films along the lines of King Dinosaur and Invasion of the Saucer Men. He was generally cast in authoritative or military roles: officers, congressmen, FBI agents, and the like. Douglas Henderson's final film assignment was the 1970 thriller Zigzag; eight years later, he committed suicide via carbon monoxide poisoning.

Trivia: Helen Westcott launched her stage career at the age of 5. It has long been presumed that she made only one screen appearance in her preteen years, as a fairy in Midsummer Night's Dream (1935); in fact, she played a major role in the 1934 B western Thunder Over Texas, which starred Guinn "Big Boy" Williams. Be that as it may, Westcott would not achieve film prominence until the late 1940s--early 1950s, with such roles as Gregory Peck's ex-wife in The Gunfighter (1950) and the imperiled heroine of Dr. Jekyll and Mr. Hyde (1953). When her starring career in films faded, Helen Westcott turned to television, where she flourished as a character actress; her last screen appearance was as Mrs. Burrows in 1970's I Love My...Wife.

Trivia: Stoutly proportioned yet dignified character actor Howard Wendell was known for his skill and reliability in a screen career lasting three decades -- according to his grandson, he was referred to by those who knew his work as "one-take Wendell." Born Howard David Wendell in Johnstown, Pennsylvania in 1908, though he considered Elyria, Ohio, where he was raised, to be his home. His acting career began with work in a minstrel show, and he later appeared on a radio show broadcast out of Cleveland, Ohio. Wendell worked with the Elyria Playmakers, and was later an apprentice at the Cleveland Playhouse. Later, while traveling across the midwest as an actor, he also began directing plays and acting in summer stock, and subsequently moved on to road show productions in the northeast. By the end of the 1940s, he'd amassed some Broadway credits as well, and made his small-screen debut on Colgate Theatre. By 1952, he was in Hollywood and working in feature films, most notably Fritz Lang's The Big Heat (1953). Wendell proved adept at older character parts, including politicians, doctors, business executives, judges, and other authority figures -- in Lang's film, he was memorable as an incompetent and crooked police chief, who is seen harassing the honest members of his force and kowtowing to his city's worst gang elements. Perhaps Wendell's strangest appearance was in Edward L. Cahn's The Fourt Skulls of Jonathan Drake (1958), in which he portrayed a medical doctor whose skill at saving lives gets him killed -- his character appears, decidedly postmortem, in the guise of a severed head in the vault of the villain. Wendell could also do comedy, and appeared in his share of sitcoms, including The Dick Van Dyke Show. Although he officially retired in 1963, Wendell went on to do appearances in episodes of I Dream of Jeannie Batman in the later 1960s, and he gave his final screen performance on an episode of Adam-12 in 1971.