Trivia: In the first ten years of his life, Raymond Burr moved from town to town with his mother, a single parent who supported her little family by playing the organ in movie houses and churches. An unusually large child, he was able to land odd jobs that would normally go to adults. He worked as a ranch hand, a traveling tinted-photograph salesman, a Forest service fire guard, and a property agent in China, where his mother had briefly resettled. At 19, he made the acquaintance of film director Anatole Litvak, who arranged for Burr to get a job at a Toronto summer-stock theater. This led to a stint with a touring English rep company; one of his co-workers, Annette Sutherland, became his first wife. After a brief stint as a nightclub singer in Paris, Burr studied at the Pasadena Playhouse and took adult education courses at Stanford, Columbia, and the University of Chunking. His first New York theatrical break was in the 1943 play Duke in Darkness. That same year, his wife Sutherland was killed in the same plane crash that took the life of actor Leslie Howard. Distraught after the death of his wife, Burr joined the Navy, served two years, then returned to America in the company of his four-year-old son, Michael Evan Burr (Michael would die of leukemia in 1953). Told by Hollywood agents that he was overweight for movies, the 340-pound Burr spent a torturous six months living on 750 calories per day. Emerging at a trim 210 pounds, he landed his first film role, an unbilled bit as Claudette Colbert's dancing partner in Without Reservations (1946). It was in San Quentin (1946), his next film, that Burr found his true metier, as a brooding villain. He spent the next ten years specializing in heavies, menacing everyone from the Marx Brothers (1949's Love Happy) to Clark Gable (1950's Key to the City) to Montgomery Clift (1951's A Place in the Sun) to Natalie Wood (1954's A Cry in the Night). His most celebrated assignments during this period included the role of melancholy wife murderer Lars Thorwald in Hitchcock's Rear Window (1954) and reporter Steve Martin in the English-language scenes of the Japanese monster rally Godzilla (1956), a characterization he'd repeat three decades later in Godzilla 1985. While he worked steadily on radio and television, Burr seemed a poor prospect for series stardom, especially after being rejected for the role of Matt Dillon on Gunsmoke on the grounds that his voice was too big. In 1957, he was tested for the role of district attorney Hamilton Burger in the upcoming TV series Perry Mason. Tired of playing unpleasant secondary roles, Burr agreed to read for Burger only if he was also given a shot at the leading character. Producer Gail Patrick Jackson, who'd been courting such big names as William Holden, Fred MacMurray, and Efrem Zimbalist Jr., agreed to humor Burr by permitting him to test for both Burger and Perry Mason. Upon viewing Burr's test for the latter role, Perry Mason creator Erle Stanley Gardner jumped up, pointed at the screen, and cried "That's him!" Burr was cast as Mason on the spot, remaining with the role until the series' cancellation in 1966 and winning three Emmies along the way. Though famous for his intense powers of concentration during working hours -- he didn't simply play Perry Mason, he immersed himself in the role -- Burr nonetheless found time to indulge in endless on-set practical jokes, many of these directed at his co-star and beloved friend, actress Barbara Hale. Less than a year after Mason's demise, Burr was back at work as the wheelchair-bound protagonist of the weekly detective series Ironside, which ran from 1967 to 1975. His later projects included the short-lived TVer Kingston Confidential (1976), a sparkling cameo in Airplane 2: The Sequel (1982), and 26 two-hour Perry Mason specials, lensed between 1986 and 1993. Burr was one of the most liked and highly respected men in Hollywood. Fiercely devoted to his friends and co-workers, Burr would threaten to walk off the set whenever one of his associates was treated in a less than chivalrous manner by the producers or the network. Burr also devoted innumerable hours to charitable and humanitarian works, including his personally financed one-man tours of Korean and Vietnamese army bases, his support of two dozen foster children, and his generous financial contributions to the population of the 4,000-acre Fiji island of Naitauba, which he partly owned. Despite his unbounded generosity and genuine love of people, Burr was an intensely private person. After his divorce from his second wife and the death from cancer of his third, Burr remained a bachelor from 1955 until his death. Stricken by kidney cancer late in 1992, he insisted upon maintaining his usual hectic pace, filming one last Mason TV movie and taking an extended trip to Europe. In his last weeks, Burr refused to see anyone but his closest friends, throwing "farewell" parties to keep their spirits up. Forty-eight hours after telling his longtime friend and business partner Robert Benevides, "If I lie down, I'll die," 76-year-old Raymond Burr did just that -- dying as he'd lived, on his own terms.

Trivia: The son of legendary Broadway actor DeWolfe Hopper and movie actress Hedda Hopper, William Hopper made his film debut as an infant in one of his father's films. The popular consensus is that the younger Hopper was given his first talking-picture break because of his mother's reputation as the most feared of the Hollywood gossips. Not so: Hopper was signed to his first Warner Bros. contract in 1937, a year or so before Hedda had established herself as the queen of the dirt-dishers. At first billing himself as DeWolfe Hopper Jr., Hopper languished in bit parts and walk-ons for several years. He wasn't able to graduate to better roles until the 1950s, by which time he was calling himself William Hopper. After a largely undistinguished film career (notable exceptions to his usual humdrum assignments were his roles in 20 Million Miles to Earth [1957] and The Bad Seed [1956]) Hopper finally gained fame -- and on his own merits -- as private detective Paul Drake on the enormously popular Perry Mason television series, which began its eight-season run in 1957. In a bizarre coincidence, Perry Mason left the air in 1966, the same year that William Hopper's mother Hedda passed away.

Trivia: American actor Grant Williams is best remembered for playing the lead in the memorable sci-fi film The Incredible Shrinking Man. Before breaking into films in 1956 in Red Sundown, Williams had attended three colleges and spent four years in the U.S. Air Force. He then trained under Lee Strasberg and performed in summer theater. He also appeared occasionally on television. Following his success with The Incredible Shrinking Man, Williams continued making film and television appearances, but none of them attracted much notice. Eventually he launched his own acting school. Williams also wrote text books on acting.

Trivia: Dee Hartford was a model turned actress who became the third wife of director Howard Hawks. Born Donna Higgins in 1927, she was the older sister of Eden Hartford, who married Groucho Marx in 1954. Dee Hartford initially achieved fame in the late '40s as a model for Vogue magazine -- a tall brunette with beautifully etched features, she could stop traffic or conversation in a room by entering it, and cut a startling figure in photographs. Hartford chalked up exactly one big-screen credit in her early career, with a role in the 1952 Groucho Marx vehicle A Girl in Every Port, directed by Chester Erskine. She married Hawks -- who was more than 30 years her senior -- the following year, and did no acting during the six years that they were together. The two divorced in 1959, but the director gave her a small uncredited role in his 1965 film Red Line 7000. She had already resumed her acting career by then, on Gunsmoke, Perry Mason, Burke's Law, The Outer Limits ("The Invisibles"), and The Twilight Zone ("Bewitchin' Pool"). Her later work included appearances on Batman, Time Tunnel, Land of the Giants, and Lost in Space. Her work on the latter three series likely came about in part as a result of Hartford's sister Eden's marriage to Groucho Marx -- Marx was one of the primary investors in Irwin Allen's production company, which was responsible for all three programs. Her performance as the android Verda in the 1966 Lost in Space episode "The Android Machine" led to her return in the same role in a sequel, "Revolt of the Androids." Hartford brought an engaging warmth and sincerity to the role of an android who finds herself turning into a human, and is no longer content to allow herself to be treated like a piece of property, with no rights. As a result of "Revolt of the Androids," Hartford became one of the most popular female guest stars in the three-year run of the series. Her last screen role to date was in Michael Campus' 1976 thriller Survival.

Trivia: Supporting actor Gilbert Green first appeared onscreen in the '60s.

Trivia: From adolescence on, Ben Cooper was an actor on both the stage and in radio. After attending Columbia University, Cooper began his film career with 1950's Side Street. A low-key actor, Cooper fluctuated between heroes and villains, mostly in westerns, until retiring from films in 1961. Ben Cooper also popped up in secondary roles on many TV anthologies of the so-called "Golden Era."

Trivia: Won Best Featured Actor in a Play at the 2004 Tony Awards, for his role in Frozen. In 2011, was nominated for the Primetime Emmy Award for Outstanding Supporting Actor in a Miniseries or Movie, for his role in Mildred Pierce. Played the part of Auggie in 2018 sci-fi series Nightflyers. In 2018, won Best Supporting Actor at the BAFTA Television Awards for his role in Little Boy Blue. In 2020, played the Bone Collector in the American crime drama Lincoln Rhyme: Hunt for the Bone Collector.

Trivia: Trained as a dancer, Mary Treen spent the late '20s-early '30s as a leading lady in vaudeville, light opera, and musical comedy. After a handful of Vitaphone short subjects, Treen was signed to a Warner Bros. contract in 1934. She spent the bulk of her film career playing wisecracking clerks and telephone operators, or essaying "heroine's best friend" roles. Her movie assignment was the Tillie the Toiler-type role especially written for her in Paramount's I Love a Soldier (1944), though her many fans would probably nominate her performance as Cousin Tilly in the ubiquitous It's a Wonderful Life (1946). On television, Treen was a regular on the 1954 sitcom Willy, and later played Hilda the maid on The Joey Bishop Show (1962-1965). Mary Treen's final appearance before the cameras was in the 1983 made-for-TV movie Wait Till Your Mother Gets Home!