Trivia: Like Clark Gable, David Janssen lost quite a few film roles in the early stages of his career because his ears were "too big" and -- also like Gable-- he did pretty well for himself in the long run. The son of a former beauty queen-cum-stage mother, Janssen was virtually strong-armed into show business, appearing as a child actor on-stage and as a juvenile performer in such films as Swamp Fire (1946). Signed to a Universal contract in 1950, he showed up fleetingly in films both big-budget (To Hell and Back) and small (Francis Goes to West Point). Full stardom eluded Janssen until 1957, when he was personally selected by actor/producer Dick Powell to star in the TV version of Powell's radio series Richard Diamond, Private Detective. Though he didn't exactly become a millionaire (for several years he earned a beggarly 750 dollars per week), Janssen's saleability soared as a result of his three-year Diamond gig, and by 1960 he was earning top billing in such Allied Artists productions as King of the Roaring 20s (1960), in which he played gambler Arnold Rothstein, and Hell to Eternity (1960). In 1963, he landed his signature role of Dr. Richard Kimble on TV's The Fugitive. For the next four years, Janssen/Kimble perambulated throughout the country in search of the "one-armed man" who committed the murder for which Kimble was sentenced to death, all the while keeping one step ahead of his dogged pursuer, Lieutenant Gerard (Barry Morse). The final episode of The Fugitive, telecast in August of 1967, was for many years the highest-rated TV episode in history. There was little Janssen could do to top that, though he continued appearing in such films as Warning Shot (1967) and Green Berets (1969), and starring in such TV series as O'Hara, U.S. Treasury (1971) and Harry O (1974-1976). David Janssen died of a sudden heart attack at age 49, not long after completing his final TV movie, City in Fear (1980).

Trivia: The son of a London shopkeeper, Barry Morse enrolled at the Royal Academy of Dramatic Arts at age 15. Upon graduation, Morse spent four years in provincial repertory, playing (by his own count) some 300 roles. In 1942 he made his first film appearance in Will Hays's The Goose Steps Out. Firmly established in London theatrical circles by 1951, he starred in an early BBC telecast of Hamlet--then left for Canada, where he would spend the next decade. Dubbed "the Laurence Olivier of Canada" by more than one admirer, Morse appeared with regularity on the CBC, occasionally producing and directing as well. He began dividing his time between Toronto and Hollywood in 1959, showing up in such American TV anthologies as Playhouse 90 and The Twilight Zone. In 1963, he was hired by producer Quinn Martin to play the diligent Lieutenant Girard in the popular weekly series The Fugitive. Morse's post-Fugitive television work includes two weekly series, The Adventurer (1974) and Space: 1999 (1975-77), and any number of specials and miniseries. Barry Morse's best performances of the past two decades include his interpretation of Menachem Begin in the American miniseries Sadat (1980) and his hilarious turn as a numbskull American president (who happens to be a former movie actor!) in the London Weekend Television black comedy Whoops Apocalypse (1982). Morse died in February 2008 at age 89.

Trivia: Fresh out of the University of California, sprightly Colorado-born actress Barbara Rush attended the Pasadena Playhouse, walking several miles to and from her classes to save up enough money for her tuition. Before launching her film career, she married actor Jeffrey Hunter, the first of two desultory unions. She became a favorite of little boys of all ages due to her leading-lady stints in two of the most influential science fiction films of the 1950s, When Worlds Collide (1951) and It Came From Outer Space (1953). After biding her time in idiotic programmers like Prince of Pirates (1953), she emerged as an A-list leading lady at the major studios, adept at both comedy (Oh Men! Oh Women! [1957]) and drama (The Young Lions [1958]). Easing into character parts in the 1960s, Rush was often cast as viper-tongued shrews, cheating wives, and abrasive alcoholics. She also surprised many of her fans by appearing as "special guest villain" Nora Clavicle on an outrageous 1968 episode of Batman, which proposed that the miniskirted policewomen of Gotham City could be cowed into submission simply by releasing mice into the community. Though she hasn't been seen in many films in later years, Barbara Rush has continued to flourish as a stage actress and TV guest star.

Trivia: Herschel Bernardi, along with his actor-brother Jack, was the product of a long-established family of Yiddish performers. On stage from childhood, Bernardi made his first on-camera appearances in a brace of Yiddish-language films, Green Fields and Yankel the Blacksmith, both lensed in New Jersey in 1939. While successful in ethnic productions, Herschel encountered resistance from producers of mainstream Broadway plays, one of whom advised the actor to wait until he "grew into" his character-actor face. As Harold Bernardi, he played a bit in the 1945 Hollywood film Miss Susie Slagle's. He was one of several actors blacklisted for their alleged leftist politics in the 1950s, an experience he relived as a cast member of the 1976 film The Front. Shortly after being "exonerated," Bernardi was cast in the recurring role of Lt. Jacoby on the late-1950s series Peter Gunn, an assignment for which he won an Emmy. In 1969, Bernardi played the starring part of a blue-collar worker thrust into the executive pool in the TV sitcom Arnie. He also provided voiceovers for hundreds of cartoons and commercials, "starring" as Charley the Tuna and the Jolly Green Giant. On Broadway in the 1960s and '70s, Herschel Bernardi starred in over 700 performances of Fiddler on the Roof and also played the lead in the musical Zorba; at one juncture, Bernardi had so strained his vocal chords that he was ordered by his doctor not to speak for a full year, lest he permanently lose his voice.

Trivia: Actor Jud Taylor -- probably best remembered for his role as Steve McQueen's American prisoner-of-war friend in The Great Escape -- turned to directing in 1968 with Paramount's Fade-In, but had his name removed from the film, replaced by the Directors Guild authorized psuedonym of Alan Smithee. The actor-turned-filmmaker got his first official directorial credit two years later with the TV movie Weekend of Terror, also made for Paramount. His career thereafter was largely confined to television movies, but included several excellent works, including Tail Gunner Joe, Mary White (both 1977), and, ironically, The Great Escape II: The Untold Story (1988), following up on the events depicted in his most famous feature film as an actor.

Trivia: American actor Bill Zuckert's long career included appearances on stage, screen, radio, and television. He made his acting debut on radio in 1941. During the 1970s, he made frequent television appearances on programs ranging from Dynasty to The Mary Tyler Moore Show to Little House on the Prairie. Zuckert made his last appearance in two films of 1994, Ace Ventura, Pet Detective and Naked Gun 33 1/3: The Final Insult. Zuckert was an active member of the Screen Actors Guild and the American Federation of Television and Radio Artists. For the latter, he played a key role in developing a new member program. Zuckert also launched the practice of holding casting showcases for members of both guilds. Zuckert died of pneumonia in Woodland Hills, CA, at age 76.

Trivia: Armed with extensive radio and stage credits, Arthur Franz made his first film appearance in 1948's Jungle Patrol. Franz has been prominently featured in a number of "fantastic" films: he played one-third of the title role in Abbott and Costello Meet the Invisible Man (1951), and had leads in Flight to Mars (1952), Invaders From Mars (1953), and The Atomic Submarine (1960). He has also thrived in military characterizations in films like Sands of Iwo Jima (1949), Submarine Command (1951), and The Caine Mutiny (1954). His finest screen portrayal was as the psychopathic "hero" of Stanley Kramer's The Sniper (1952). Arthur Franz flourished as a character actor into the 1980s, retiring from films after appearing in That Championship Season (1982).