Trivia: Angela Lansbury received an Oscar nomination for her first film, Gaslight, in 1944, and has been winning acting awards and audience favor ever since. Born in London to a family that included both politicians and performers, Lansbury came to the U.S. during World War II. She made notable early film appearances as the snooty sister in National Velvet (1944); the pathetic singer in The Picture of Dorian Gray (1945), which garnered her another Academy nomination; and the madam-with-a-heart-of-gold saloon singer in The Harvey Girls (1946). She turned evil as the manipulative publisher in State of the Union (1948), but was just as convincing as the good queen in The Three Musketeers (1948) and the petulant daughter in The Court Jester (1956). She received another Oscar nomination for her chilling performance as Laurence Harvey's scheming mother in The Manchurian Candidate (1962) and appeared as the addled witch in Bedknobs and Broomsticks (1971), among other later films. On Broadway, she won Tony awards for the musicals Mame (1966), Dear World (1969), the revival of Gypsy (1975), Sweeney Todd (1979) and, at age 82, for the play Blithe Spirit (2009). Despite a season in the '50s on the game show Pantomime Quiz, she came to series television late, starring in 1984-1996 as Jessica Fletcher in Murder, She Wrote; she took over as producer of the show in the '90s. She returned to the Disney studios to record the voice of Mrs. Potts in Beauty and the Beast (1991) and to sing the title song and later reprised the role in the direct-to-video sequel, The Enchanted Christmas (1997). Lansbury is the sister of TV producer Bruce Lansbury.

Trivia: Street-smart leading actor Harry Guardino entered films in 1952 after several years of knocking around the New York stages. The best of his early film roles was Cary Grant's comic handyman in 1958's Houseboat. Guardino worked extensively in European productions in the 1960s, playing such parts as Barabbas in 1961's King of Kings. Among Harry Guardino's many TV assignments were the title role in the 1964 New York-based series The Reporter and the "Bogart/Bond" hero on the syndicated 1971 weekly Monty Nash. He made his final film appearance in Fist of Honor (1991).

Trivia: In another era, American actor Eugene Roche might have been a perfect next-door neighbor on Ozzie and Harriet; balding, slightly paunchy, with an open, jovial Midwestern face. Following theatrical work, Roche made a name for himself in a project which gave him no on-screen billing: the friendly kitchen employee who sang the brief "Ajax for dishes" ditty in a series of detergent commercials. Roche's breakthrough film was Slaughterhouse Five (1971), in which he played the likeable POW Edgar Derby, whose fascination with war souvenirs results in his perfunctory execution at the hands of his German captors. Not all of Roche's film roles were this benign: in Foul Play (1978), he is a professional assassin who impersonates his murdered archbishop brother, the better to draw a bead on the Pope during an American visit. A reassuringly familiar presence on TV, Eugene Roche also had regular roles on several series, including The Corner Bar (1972), Good Time Harry (1980), Webster (1984), Take Five (1987) and Lenny (1990).

Trivia: American general purpose actor Tim O'Connor gained television fame for his portrayal of a character who was talked about but unseen for nearly half a television season. In 1965, O'Connor walked purposefully onto the set of Peyton Place, and into the role of Constance MacKenzie's long-lost husband Elliot Carson. His later TV-series assignments included Hub Hewitson in the 1979 miniseries Wheels and Dr. Huer during the first (1979-80) season of Buck Rogers in the 25th Century. In films since 1970, Tim O'Connor has played reserved white-collar types in such productions as Groundstar Conspiracy (1972), Across 110th Street (1972) and Naked Gun 2 1/2: The Smell of Fear (1991).

Trivia: While growing up in Chicago, Tom Bosley dreamed of becoming the star left-fielder for the Cubs. As it turned out, the closest Bosley got to organized athletics was a sportscasting class at DePauw University. After additional training at the Radio Institute of Chicago and two years' practical experience in various dramatic radio programs and stock companies, he left for New York in 1950. Five years of odd jobs and summer-theater stints later, he landed his first off-Broadway role, playing Dupont-Dufort in Jean Anouilh's Thieves' Carnival. Steadier work followed at the Arena Theatre in Washington, D.C.; then in 1959, Bosley landed the starring role in the Broadway musical Fiorello!, picking up a Tony Award, an ANTA Award, and the New York Drama Critics Award in the bargain. In 1963, he made his film bow as Natalie Wood's "safe and secure" suitor Anthony Colombo in Love With the Proper Stranger. Occasionally cast as two-bit criminals or pathetic losers (he sold his eyes to blind millionairess Joan Crawford in the Spielberg-directed Night Gallery TV movie), Bosley was most often seen as a harried suburban father. After recurring roles on such TV series as That Was the Week That Was, The Debbie Reynolds Show, and The Sandy Duncan Show, Bosley was hired by Hanna-Barbera to provide the voice of flustered patriarch Howard Boyle on the animated sitcom Wait Til Your Father Gets Home (1972-1973). This served as a dry run of sorts for his most famous series-TV assignment: Howard Cunningham, aka "Mr. C," on the immensely popular Happy Days (1974-1983). The warm, familial ambience of the Happy Days set enabled Bosley to weather the tragic death of his first wife, former dancer Jean Elliot, in 1978. In addition to his Happy Days duties, Bosley was narrator of the syndicated documentary That's Hollywood (1977-1981). From 1989 to 1991, he starred on the weekly series The Father Dowling Mysteries, and thereafter was seen on an occasional basis as down-to-earth Cabot Cove sheriff Amos Tupper on Murder, She Wrote. Reportedly as kind, generous, and giving as his Happy Days character, Tom Bosley has over the last 20 years received numerous honors for his many civic and charitable activities.

Trivia: Carnegie Tech alumnus Gretchen Corbett made her professional acting bow with the Oregon Shakespeare Festival. Corbett's first New York stage appearance was in a 1967 revival of Shaw's Arms and the Man. While specializing in the classics on-stage, her film assignments were on a less artistically lofty plane. Her first film was 1969's Out of It, followed by such credits as Let's Scare Jessica to Death (1971) and the made-for-TV Mandrake (1979). Gretchen Corbett's TV-series obligations have included a lengthy run as attorney Beth Davenport on The Rockford Files (1974-1980) and reluctant parallel-universe denizen June Sterling on Otherworld (1985).

Trivia: A glance at Ken Olin's filmography as an actor alone shows a driven and tireless performer, but take an even closer look and you'll see that not only did Olin appear on-camera in some of the most memorable series of the 1980s and '90s, but he somehow managed to find the time to step into the director/producer chair as well. A Chicago native who attended the University of Pennsylvania in Philadelphia, Olin got his start in the industry in the late '70s. A few years after making his small-screen debut in the made-for-television feature Women at West Point (1979), Olin graduated to feature work with a minor role in the 1981 chiller Ghost Story. Throughout the '80s, the burgeoning actor could be spotted in such television fare as Hill Street Blues and Falcon Crest, and, in 1987, Olin steeped up his responsibilities by not only appearing on thirtysomething, but serving as director as well (for which he won two Humanitas Prizes). Olin would continue to pull double duty on such series as EZ Streets and L.A. Doctors, and in the late '90s he found work behind the camera for such popular shows as Felicity, Judging Amy, The West Wing, Alias, and Freaks and Geeks. Olin's 1992 television drama Doing Time on Maple Drive was nominated for three Emmys. Continuing to acquire at least two credits a year on average as an actor, audiences could rest assured that not only would they be seeing more of Olin onscreen, but they would also bear witness as he refined his skills as a director.

Trivia: African American character actor Glynn R. Turman was first introduced to the general public as Lew Miles, teen-aged son of Dr. Harry Miles (Percy Rodrigues) and his wife, Alma (Ruby Dee), during the 1968-1969 season of the prime-time TV soap opera Peyton Place. Turman went on to star as Chicago high schooler Leroy "Preach" Jackson in the 1975 film sleeper Cooley High. Settling into character roles in the 1980s, Turman was most often seen as judges, military officers, police detectives, and well-to-do patriarches. A departure from these "establishment" assignments was Turman's star turn in the 1981 TV-movie Thornwell, in which he portrayed real-life soldier James Thornwell, who accused the U.S. Army of subjecting him to illegal mind-controlling drugs. Turman's weekly series roles have included Secretary of State LaRue Hawkes in 1985's Hail to the Chief, and Colonel Bradford Taylor (aka "Dr. War") in the popular Cosby Show spin-off A Different World (1988-1993); he also appeared in the 1983 pilot episode of Manimal as Ty Earl, a role essayed by Michael D. Roberts in the series proper. In the 2000s, Turman played the memorable role of fictional Baltimore mayor Clarence V. Royce on the critically acclaimed HBO series The Wire. Also on HBO, he appeared in a few episodes of the psychotherapy drama In Treatment, winning an Emmy for Outstanding Guest Actor in a Drama Series for his role as the tough, strict father of Blair Underwood's troubled fighter pilot. In the years to come, Turman would remain active on screen, appearing on shows like The Defenders and House of Lies.

Trivia: A producer, actor, and screenwriter whose credits ranged from a bit role in The Naked Gun 33 1/3 to stage producer for Mel Brooks' production of The Producers, multi-faceted show business man Matt Roe had his irons in multiple fires -- and all to great effect. A Brooklyn native, he founded the Denver-based production house Clear Concepts, a company which eventually settled in Mexico, where Roe tried his hand at directing, as well. Though he eventually sold Clear Concepts and moved to Los Angeles to do commercial work, the company continued to flourish while its founder embarked on a series of supporting feature roles. From the late '80s to the early 2000s, Roe's work in such features as The Puppet Master (1989), Child's Play 2 (1990), Improper Conduct (1994), and Black Scorpion (1995) added an extra dimension to otherwise run-of-the-mill supporting roles. Behind the camera, he wrote the screenplays for Tainted Love (1996), Irresistible Impulse (1996), and The Minion (1998). Matt Roe died of multiple myeloma October 9, 2003, in Los Angeles. He was 51.