Trivia: Red-headed, freckle-faced Martin Milner was only 15 when he made his screen debut in Life With Father (1947), and would continue to play wide-eyed high schoolers and college kids well into the next decade. His early film assignments included the teenaged Marine recruit in Lewis Milestone's The Halls of Montezuma (1951) and the obnoxious suitor of Jeanne Crain in Belles on Their Toes (1952). His first regular TV series was The Stu Erwin Show (1950-1955), in which he played the boyfriend (and later husband) of Stu's daughter Joyce. More mature roles came his way in Marjorie Morningstar (1957) as Natalie Wood's playwright sweetheart and in The Sweet Smell of Success (1957) as the jazz musician targeted for persecution by Winchell-esque columnist Burt Lancaster. Beginning in 1960, he enjoyed a four-year run as Corvette-driving Tod Stiles on TV's Route 66 (a statue of Milner and his co-star George Maharis currently stands at the Corvette Museum in Bowling Green, KY). A longtime friend and associate of producer/director/actor Jack Webb, Milner was cast as veteran L.A.P.D. patrolman Pete Malloy on the Webb-produced TV weekly Adam-12, which ran from 1968 to 1975. His later TV work included a short-lived 1970s series based on Johan Wyss' Swiss Family Robinson. Later employed as a California radio personality, Martin Milner continued to make occasional TV guest appearances; one of these was in the 1989 TV movie Nashville Beat, in which he was reunited with his Adam-12 co-star Kent McCord. He made an appearance on the short-lived series The New Adam-12 and had recurring roles on shows like Life Goes On and Murder, She Wrote. Milner died in 2015, at age 83.

Trivia: George Maharis was one of seven children of Greek immigrant parents. Though he could very easily have gone into his father's restaurant business, Maharis decided to try for a singing career. When his vocal chords were injured by overuse, Maharis switched to acting, studying at the Actors' Studio and making one of his earliest appearances as a Marlon Brando parody on the 1950s TV sitcom Mr. Peepers. Maharis was very active in the off-Broadway scene, appearing in Jean Genet's Deathwatch and Edward Albee's The Zoo Story. He gained a fan following (primarily female) through his weekly appearances as handsome drifter Buzz Murdock on the TV series Route 66. He played Buzz from 1960 to 1963, leaving the series for a variety of reasons, among them artistic differences and a bout of hepatitis. His subsequent film career failed to reach the heights of his TV work, and by 1970 Maharis was back in the weekly small-screen grind in the adventure series The Most Dangerous Game. When not performing in nightclubs, summer stock or films, George Maharis spent a good portion of the 1970s and 1980s indulging in his pet hobby, impressionistic painting.

Trivia: Darren McGavin dropped out of college after one year and moved to New York, where he trained for the stage at the Neighborhood Playhouse and the Actors Studio. In the mid '40s he began landing small roles in occasional films, but worked primarily onstage. He first made an impression onscreen as a painter in David Lean's Summertime and a drug pusher in Otto Preminger's The Man with the Golden Arm (both 1955); nevertheless, his subsequent film work tended to occur in intermittent spurts, with long periods off-screen between roles. He is best known as a TV actor; he starred in the TV series Crime Photographer, Mike Hammer, Riverboat, The Outsider, and Kolchak: The Night Stalker, and also appeared in a number of TV movies. He occasionally directed episodes of his TV shows, and directed and produced the film Happy Mother's Day, Love George (1973), whose title was later changed to Run, Stranger, Run.

Trivia: The very feminine Lois Nettleton made her first stage appearance as "The Father" in a grade-school production of Hansel and Gretel. After studying at the Goodman Theatre and the Actors' Studio, 20-year-old Lois made her Broadway boy in 1949's The Biggest Thief in Town, very briefly adopting the stage name of Lydia Scott (she found her given name too plain and "schoolmarmy"). She understudied Barbara Bel Geddes as Maggie the Cat in the original 1955 production of Cat on a Hot Tin Roof, occasionally getting to play the role herself. For her work in the stage play God and Kate Murphy, Lois won the Clarence Derwent Award. While her official film debut was 1962's Period Adjustment, she previously played a minor role in director Elia Kazan's A Face in the Crowd (1957). Lois' film work, while extensive, has not been as rewarding as her stage and TV endeavors. Bypassing her co-starring stints in the short-term sitcom Accidental Family (1967) and You Can't Take It With You (1987), Lois Nettleton was seen as a regular on the NBC soap opera Brighter Day (1954), enjoyed a healthy two-season run as Joann St. John on the weekly TV version of In the Heat of the Night, and has won two Emmies, the first for the 1977 daytime special The American Woman: Profiles in Courage, and the second for "A Gun for Mandy," a 1983 episode of the syndicated religious anthology Insight. She died of lung cancer at age 80 in January 2008.

Trivia: Raised in the only Jewish family in his neighborhood, American actor Ed Asner grew up having to defend himself both vocally and physically. A born competitor, he played championship football in high school and organized a top-notch basketball team which toured most of liberated Europe. Asner's performing career got its start while he was announcing for his high school radio station; moving to Chicago in the '50s, the actor was briefly a member of the Playwrights Theatre Club until he went to New York to try his luck on Broadway. Asner starred for several years in the off-Broadway production Threepenny Opera, and, toward the end of the '50s, picked up an occasional check as a film actor for industrial short subjects and TV appearances. Between 1960 and 1965, he established himself as one of television's most reliable villains; thanks to his resemblance to certain Soviet politicians, the actor was particularly busy during the spy-show boom of the mid-'60s. He also showed up briefly as a regular on the New York-filmed dramatic series Slattery's People. And though his film roles became larger, it was in a relatively minor part as a cop in Elvis Presley's Change of Habit (1969) that Asner first worked with Mary Tyler Moore. In 1970, over Moore's initial hesitation (she wasn't certain he was funny enough), Asner was cast as Lou Grant, the irascible head of the WJM newsroom on The Mary Tyler Moore Show. The popular series ran for seven seasons, during which time the actor received three Emmy awards. His new stardom allowed Asner a wider variety of select roles, including a continuing villainous appearance on the miniseries Roots -- which earned him another Emmy. When Moore ceased production in 1977, Asner took his Lou Grant character into an hour-long dramatic weekly about a Los Angeles newspaper. The show's title, of course, was Lou Grant, and its marked liberal stance seemed, to some viewers, to be an extension of Asner's real-life viewpoint. While Lou Grant was in production, Asner was twice elected head of the Screen Actors Guild, a position that he frequently utilized as a forum for his political opinions -- notably his opposition to U.S. involvement in Central America. When Asner suggested that each guild member contribute toward opposing the country's foreign policy, he clashed head to head with Charlton Heston, who wrested Asner's office from him in a highly publicized power play. Although no tangible proof has ever been offered, it was Asner's belief that CBS canceled Lou Grant in 1982 because of his politics and not dwindling ratings. The actor continued to prosper professionally after Lou Grant, however, and, during the remainder of the '80s and into the '90s, starred in several TV movies, had guest and recurring roles in a wide variety of both TV dramas and comedies, and headlining two regular series, Off the Rack and The Bronx Zoo. Slowed but hardly halted by health problems in the '90s, Asner managed to find time to appear in the weekly sitcoms Hearts Afire and Thunder Alley -- atypically cast in the latter show as an ineffective grouch who was easily brow-beaten by his daughter and grandchildren.

Trivia: There is more to character actor Al Lewis than meets the eye. Best known to baby boomers for playing the roles of Officer Schnauzer in Car 54 Where Are You? and Grandpa in The Munsters, he holds a doctorate in child psychology from Columbia University, has penned two children's books, produced a kid-oriented home video, and once hosted a series of Saturday morning television shows on WTBS. He has also been a circus performer, a school teacher, and a vaudevillian. Lewis became an actor after earning his degree, teaching, and writing his books. He studied with the Paul Mann Actor's Workshop in New York. On television, he first appeared in "Trouble-In-Law" on The U.S. Steel Hour (1959). The following year, Lewis appeared in the feature film Naked City and then was cast opposite Fred Gwynne in Car 54, Where Are You? The show ran until 1963 and within a year, he was playing the vampiric Grandpa against Gwynne's Frankenstein, Herman Munster. Though The Munsters lasted two years, it has developed a cult following and has re-aired endlessly in syndication and spawned a feature-length sequel, Munster Go Home (1964), and a made-for-TV reunion movie, Munster's Revenge (1981). In 1994, he reprised his role as Schnauzer for the TV-movie version of Car 54 Where Are You? Lewis has gone on to continue making occasional guest appearances on television and a sporadic movie career. In addition to his other endeavors, Lewis has been a high school basketball scout and the owner of a restaurant in New York.