Trivia: Born in Des Moines, Iowa, Sada Thompson grew up in New Jersey, where her magazine-editor father had been transferred. Active in high school plays, she was all of 16 when she first appeared at the Carnegie Institute of Technology, playing Nick's Ma in a campus production of The Time of Your Life. Graduating from Carnegie with a BFA in 1949, Thompson launched her professional career, playing mature and sometimes elderly women at a time when she herself was barely old enough to vote. While working at New York's 92nd Street YMHA, a Jewish cultural center, she participated in the first-ever reading of Dylan Thomas' Under Milk Wood, which led to her off-Broadway debut in the 1955 staging of that same piece. She spent the next decade in regional theatre, returning to New York for her first real breakthrough performance in the Lincoln Center's production of Tartuffe. A few years later, Thompson won an Obie Award for her work in Paul Zindel's The Effect of Gamma Rays on Man-in-the-Moon Marigolds, and in 1971 she copped the Tony award for her interpretation of four different women in the Broadway production Twigs. On the strength of this success, she was signed to play the Bunker Family's free-spirited neighbor Irene Lorenzo on All in the Family. After a single taping session, it was obvious that Thompson and producer Norman Lear would never see eye to eye, and she was replaced by Betty Garrett (one unnamed source close to both sides of the argument later claimed that "Sada had too much genuine class and didn't yell loud enough for a Norman Lear show"). While she continued appearing in television specials like Our Town and The Entertainer and miniseries like Sandburg's Lincoln, Thompson would not consider a weekly program until she was personally asked by executive producer Mike Nichols to play matriarch Kate Lawrence on his seriocomic series Family. She remained with Family from its debut in 1976 until its cancellation in 1980, winning a 1978 Emmy Award in the process. Thompson spent her later years occasionally co-starring in such made-for-TV films as 1985's The Adventures of Huckleberry Finn and the controversial Indictment: The McMartin Trial (for HBO). Her last major assignment was a turn as Jackson Pollock's mother in Ed Harris's Pollock (2000). Thompson died 11 years later, of lung disease. She was 83.

Trivia: Authoritative American character actor James Broderick is best known to filmgoers of the flower-power generation for his performance as Alice's husband in the 1969 film Alice's Restaurant. It was but one of many incisive film characterizations for Broderick, who was equally effective in such films as The Group (1966), The Taking of Pelham One Two Three (1973) and Dog Day Afternoon (1975). From 1976 through 1980, Broderick played lawyer/patriarch Doug Lawrence in the weekly TV drama Family; he had previously starred in the detective series Brenner, playing the rookie-cop son of Edward Binns (who wasn't that much older). James Broderick was the father of contemporary film star Matthew Broderick, who paid homage to his dad by prominently displaying the elder Broderick's photograph in the 1990 film The Freshman.

Trivia: The daughter of actress Whitney Blake, Meredith Baxter received extensive training in the arts at the Interlochen Summer Camp in Michigan. Meredith worked as an usher, file clerk and cafeteria checker before getting her first film break in Ben (1971). The 5'7" blonde actress entered the "America's sweetheart" category when she was cast as Bridget Fitzgerald Steinberg, the prettier half of a Catholic-Jewish married couple, in the TV sitcom Bridget Loves Bernie (1972). While the series lasted only a year, her "reel" marriage became a "real" one when, in 1974, she wed her B Loves B co-star David Birney. In addition to yielding a new, hyphenated professional name for Meredith, her union with Birney produced three children before the couple divorced in the early 1990s (she also had two children from a previous marriage). In between stage appearances in such productions as Hamlet, Guys and Dolls and Butterflies are Free, Meredith played Nancy Lawrence Maitland on the TV dramedy Family, winning two Emmy nominations during her four-year (1976-80) stint with this series. In 1982, Meredith agreed to star as flower child-turned-suburban mom Elyse Keaton on the weekly TV comedy Family Ties, having been assured that she would be the star of the series in fact as well as in name. As it happened, Family Ties was dominated throughout its seven-year run by co-star Michael J. Fox. A prolific TV-movie actress, she owns the distinction of playing the same real-life character twice, with two entirely different interpretations. When she first played accused murderess Betty Broderick in 1992's A Woman Scorned, Meredith was sympathetic to Broderick's plight, and played the role accordingly (earning an Emmy nomination in the process); but by the time 1993's Her Final Fury rolled around, Meredith, like everyone else involved in the project, was convinced that Betty Broderick deserved what she got--and played the role in the manner of a Gothic Novel villainess. A made-for-TV movie fixture over the course of the next decade, Baxter remained a familiar face on the small screen thanks to appearances in such popular shows as The Closer and Cold Case, later showing her playful side with voice work in such animated series' as Family Guy and Dan Vs. A breast-cancer survivor, she received a public-awareness award from the National Breast Cancer Coalition for starring in and coproducing the 1994 drama My Breast.

Trivia: Lead and former juvenile actress McNichol is the daughter of a former actress. At age six she began appearing in commercials and was in TV shows by age nine. At 12 she became a regular on the TV series Apple's Way; after that show was canceled she was soon signed to the cast of Family, for which she went on to win two Emmy Awards. She began appearing onscreen in the late '70s, and looked to be on her way to a good film career with her costarring role in Little Darlings (1980), a popular teen-oriented comedy; however, most of her subsequent films were either low-quality or unsuccessful, and she never established herself as a screen actress. In the late '80s and early '90s she costarred on the TV sitcom Empty Nest.

Trivia: A popular screen figure of the 1980s and '90s whose casting in HBO's runaway hit series Sex and the City provided her career with a solid second wind, Emmy-winning actress Kim Cattrall has endured to prove that older women can retain their sexuality and femininity while simultaneously maintaining a vital screen presence. Born in Liverpool, England, Cattrall's parents immigrated the family to Vancouver Island, British Columbia, when the future actress was three years old. After returning to England at age 11 to study at the London Academy of Music and Dramatic Arts, Cattrall finished high school in Vancouver, and at age 16 struck out on her own after winning a scholarship to the American Academy of Dramatic Arts in New York. Though director Otto Preminger would sign Cattrall to a five-year contract and give the actress her film debut in Rosebud (1975), Universal would soon step in to buy out her contract, making Cattrall one of the last actors to participate in the now defunct Universal Contract Player System. Following with television appearances in Starskey and Hutch and Charlie's Angels, and turning up in such features as Deadly Harvest (1977), it appeared as if good things were in store for Cattrall in the future. The dawn of the 1980s found Cattrall's star ascending in such features as Porky's (1981), and with the release of Police Academy in 1984 her face was becoming a familiar one to film and television audiences.Following up with such typically '80s fare as Turk 182! (1985), Cattrall essayed the role of the green-eyed girl whose fate was questionable in John Carpenter's Big Trouble in Little China (1986), the year before her most famous (until Sex and the City of course) role in Mannequin (1987). Essentially a typical '80s throwaway comedy, Cattrall's effervescent presence, combined with Starship's catchy title tune "Nothing's Gonna Stop Us Now," gave the film such a boost that it even spawned a Cattrall-less sequel. It was following Mannequin that Cattrall's career began to stall in the wake of such instantly forgettable films as Honeymoon Academy (1990) and the Gary Busey actioner Breaking Point (1993), though her role in 1995's Live Nude Girls proved a curious precursor to her role on Sex and the City. A frank and funny HBO series based on the writings of New York Observer columnist Candace Bushnell, Sex and the City gave Cattrall a chance to shine as a lusty an unabashedly sexual PR executive whose confidence in the bedroom rivals only her confidence in the boardroom. A runaway hit that's popularity only grew as the show entered is sixth season, Sex and the City once again made Cattrall a household name as it influenced everything from fashion to the drinks of the New York scene. Cattrall's character made her a bigger pop culture icon than ever, and she would stick with the franchise throughout its spin-off movies, while also appearing in feature films like Ice Princess and The Ghost Writer.

Trivia: Though he made his first film appearance in 1959's Pork Chop Hill, American character actor Bert Remsen did not achieve prominence until the 1980s. On TV, Remsen was seen as Mario the Chef in It's a Living (1980-81) and as wildcat oil man Harrison "Dandy" Dandridge during the 1987-88 season of Dallas. In films, he was featured in several Robert Altman productions, and also essayed the title character in Daddy's Dyin'...Who's Got the Will? (1990). In addition, he occasionally worked as a Hollywood casting director. Bert Remsen's most recent credit (as of 1996) was as one of the "expert witnesses" during the Bruno Richard Hauptmann trial in the made-for-cable Crime of the Century.