Trivia: American actor Spanky McFarland (born George Emmett McFarland in Forth Worth, TX) was the most popular member of the Our Gang children's comedy troupe. He got his start while still a baby as an advertising model for a bakery in Dallas because he looked so fat and happy. It was his pudginess as a toddler that led him to the Our Gang series of shorts when he was hired to replace Joe Cobb as the tubby child. In addition to appearing in that series, McFarland also appeared in a few feature films and in other shorts. By the mid-'40s, his acting career was over and he found gainful employment elsewhere.

Trivia: Juvenile performer Carl Switzer and his brother, Harold, began singing at local functions in their Illinois hometown. While visiting an aunt in California, the Switzer boys accompanied their mother to Hal Roach Studios, then proceeded to warble a hillbilly ditty in the Roach cafeteria. This performance won them both contracts at Roach, though only Carl achieved any sort of stardom. Nicknamed "Alfalfa," Carl became a popular member of the Our Gang kids, his performances distinguished by his cowlicked hair, vacuous grin, and off-key singing. Few who have seen The Our Gang Follies of 1938 can ever forget the sight of Alfalfa being pelted with tomatoes as he bravely vocalizes the immortal aria "I'm the Bar-ber of Sevilllllle!" The boy remained with Our Gang when Roach sold the property to MGM in 1938; his last Gang short was 1940's Kiddie Kure. Switzer found it hard to get film roles after his Our Gang tenure, especially when he began to mature. By the early '50s, his movie appearances had dwindled to bits. Switzer's handful of worthwhile adult film roles include a 100-year-old Indian in director William Wellman's Track of the Cat (1954); he was also a semi-regular on Roy Rogers' TV series. Throughout most of the 1950s, he supported himself as a hunting guide and bartender. Miles removed from the lovable Alfalfa, 32-year-old Carl Switzer was killed in a boozy brawl over a 50-dollar debt.

Trivia: Appeared as a background actor in the 1934 Our Gang (Little Rascals) shorts The First Round-Up, For Pete's Sake and Washee Ironee before landing the role of Buckwheat.Joined the U.S. Army at age 23 in 1954 and earned a National Defense Service Medal and a Good Conduct Medal in 1956.Chose a career in film editing with the Technicolor corporation instead of acting upon returning from active duty.Was moved to tears when he received a standing ovation at a Little Rascals reunion at the Sons of the Desert convention in 1980.The Buckwheat Scholarship for students at California State University Northridge was established in his honor by his son Bill Thomas Jr. in 1992.

Trivia: American actress Darla Hood is best remembered for being the adorable childhood sweetheart of "Alfalfa" (played by Carl Switzer) in the mid 1930s version of the "Our Gang" series of comedy shorts. She got her start in the series in 1935 when she was only four and went on to appear and occasionally sing in dozens of episodes for the next ten years. Hood also sometimes got roles in feature films such as Born to Sing (1942). She left films at age 14. Later she had a career singing television commercial jingles. She also occasionally took tiny roles in feature films.

Trivia: Prissy, trimly mustached comic actor Johnny Arthur was a veteran of 25 years on stage before he entered films in 1923 as a utility player. His screen personality was nebulous enough to allow him to play the romantic lead in the 1925 Lon Chaney vehicle The Monster. At the Al Christie studio, Arthur established himself as a star comedian in a series of slapstick two-reelers. With the coming of talkies, Arthur began specializing in comic "nance" types -- limp-wristed, whiny-voiced homosexual stereotypes. His largest role along these stereotypical lines was as reporter Benny Kidd in the first movie-version of The Desert Song (1929). Once the Production Code was established in 1933, the "pansy" characters played by Arthur were banned from the screen. He spent the rest of the 1930s playing fussy, long-suffering wimps, albeit certifiably "masculine"; he is best-remembered for his appearances as Darla Hood's mealy-mouthed father in Hal Roach's Our Gang series. Most of Arthur's later roles were unbilled bits, with the notable exception of the 1942 Republic serial The Masked Marvel, in which he hissed and slithered his way through the role of Japanese villain Sakima. Unable to find film work in the last years of his life, Johnny Arthur died at the age of 68 at the Motion Picture Country Home.

Trivia: Blonde and uncommonly pretty, Elaine Shepard had her hands full in her first screen assignment, Republic Pictures' 15-chapter serial Darkest Africa (1936), what with Big Game hunter Clyde Beatty and pudgy circus tyke Manuel King attempting (and succeeding) in stealing every scene. She had even less luck in her second film, the Our Gang short Night N' Gales (1937), in which she was Darla's mother and married to the fey Johnny Arthur. The remainder of Shepard's ten-year or so screen career was spent playing secretaries and chorus girls and is rather less memorable.

Trivia: The son of a Los Angeles minister, three-year-old Matthew Beard won out of 350 kids to replace Allen "Farina" Hoskins as the resident black child in Hal Roach's Our Gang comedies. Nicknamed Hercules in his first two-reeler, Teacher's Pet (1930), Beard was thereafter known as Stymie because of his innocent offscreen habit of confounding his elders. Wearing an oversized derby hat (borrowed from Roach comedian Stan Laurel), the clever, resourceful, eternally grinning Stymie quickly became one of the most popular Our Gang kids. After appearing in 36 Our Gang shorts, Beard began freelancing in 1935, playing small roles in big films like Captain Blood (1935), Jezebel (1938), The Great Man Votes (1939), and Stormy Weather (1943). Alas, after dropping out of high school in 1945, he fell into a bad crowd, spending the next two decades in and out of jails for committing crimes to feed his drug habit. Miraculously, Beard completely turned his life around in the mid-'60s when he entered the drug rehab organization Synanon. Looking remarkably like the eternally optimistic Stymie of old, Matthew Beard made a successful show business comeback in the 1970s, appearing in such films as The Buddy Holly Story (1978) and such weekly TV series as Good Times and The Jeffersons.