Trivia: Italian actor Cesare Danova came to prominence in such post-war European films as La Figlia del Capitano (1947) and Don Giovanni (1955), playing the title role in the latter film. In the American-made Man Who Understood Women (1959), Danova managed to be both funny and menacing as a murderous cuckolded husband. Few of his American films took full advantage of Danova's talents, tending to cast him as a "typical" hot-blooded Mediterranean, but there have been a few rewarding assignments along the way. As Appolodorus in the budget-busting Cleopatra (1963), Danova was one of the few actors whose part wasn't cut to nothing in order to favor the Elizabeth Taylor-Richard Burton combo. Danova was one of the stars of the TV pilot-cum-theatrical movie Chamber of Horrors (1966), and he enjoyed a season's worth of regular TV work as Actor (that was the character's name, not the designation) on the weekly Dirty Dozen rip-off Garrison's Gorillas (1967). In the '70s and '80s, Danova seemed to take turns with Anthony Quinn in portraying Onassis-like Greek tycoons and Mafia bosses; in the latter capacity Danova was hilarious as Carmine DePasto in National Lampoon's Animal House (1978). In the early years of the '80s, Danova could be seen as a regular on the ABC television daytime drama Ryan's Hope. Cesare Danova died suddenly during a 1992 meeting of the Motion Picture Academy's Foreign Film Committee.

Trivia: A professional magazine model at age four, American actress Anne Francis made some 3000 appearances on network radio before she was ten. She was under film contracts to both MGM and 20th Century-Fox as a teenager; in the days of publicity-agent pigeonholing, the actress was dubbed variously as "The Fragile Blonde with the Mona Lisa Smile" and "The Palomino Blonde," labels that she intensely despised. Usually cast in sullen bad-girl or troublemaker roles, Francis suffered from a volcanic private life; throughout these years her one source of comfort was her pet dog Smidgeon, whom she'd named after Walter Pidgeon, her co-star in the science-fiction film classic Forbidden Planet (1956). In 1965, Francis found herself with a more contentious pet, an ocelot named Bruce Biteabit, when she starred in the TV adventure series Honey West, in which she played a glamorous private detective. The series was meant to cash in on the gimmicky James Bond movies of the time (Honey West was a judo expert, had exploding earrings, and a microphone hidden in a martini olive), and like many such imitations, the program was on and off in a single year. Francis' film and TV career continued unabated after that, though a potentially good role in the 1968 movie musical Funny Girl was mostly consigned to the cutting-room floor in order to intensify the spotlight on the film's star, Barbra Streisand. Active in guest star spots into the early '90s, Anne Francis--billing herself in recent years as Anne-Lloyd Francis--enjoyed a brief co-starring turn as Mama Jo on the 1984 action series Riptide.

Trivia: German-born John Ericson trained for an acting career at New York's American Academy of the Dramatic Arts. Ericson possessed a brash, bristly personality and handsome, sensitive features. He appeared in a series of popular films including the outlaw drama Pretty Boy Floyd (1960) and the lyrical romances Teresa (1952) and Rhapsody (1953). In 1965, Ericson co-starred with Anne Francis on the TV private eye series Honey West.

Trivia: Kevin McCarthy and his older sister Mary Therese McCarthy both found careers in the entertainment industry, though in very different arenas -- Mary became a best-selling novelist, and Kevin became an actor after dabbling in student theatricals at the University of Minnesota. On Broadway from 1938 -- Kevin's first appearance was in Robert Sherwood's Abe Lincoln in Illinois -- McCarthy was critically hosannaed for his portrayal of Biff in the original 1948 production of Death of a Salesmen (who could tell that he was but three years younger than the actor playing his father, Lee J. Cobb?) In 1951, McCarthy re-created his Salesman role in the film version, launching a movie career that would thrive for four decades. The film assignment that won McCarthy the hearts of adolescent boys of all ages was his portrayal of Dr. Miles Bennell in Invasion of the Body Snatchers (1956). Bennell's losing battle against the invading pod people, and his climactic in-your-face warning "You're next!, " made so indelible an impression that it's surprising to discover that McCarthy's other sci-fi credits are relatively few. Reportedly, he resented the fact that Body Snatchers was the only film for which many viewers remembered him; if so, he has since come to terms with his discomfiture, to the extent of briefly reviving his "You're next!" admonition (he now screamed "They're here!" to passing motorists) in the 1978 remake of Invasion of the Body Snatchers. He has also shown up with regularity in the films of Body Snatchers aficionado Joe Dante, notably 1984's Twilight Zone: The Movie (McCarthy had earlier played the ageless title role in the 1959 Zone TV episode "Long Live Walter Jamieson") and 1993's Matinee, wherein an unbilled McCarthy appeared in the film-within-a-film Mant as General Ankrum (a tip of the cap to another Dante idol, horror-movie perennial Morris Ankrum). Kevin McCarthy would, of course, have had a healthy stage, screen and TV career without either Body Snatchers or Joe Dante; he continued showing up in films into the early 1990s, scored a personal theatrical triumph in the one-man show Give 'Em Hell, Harry!, and was starred in the TV series The Survivors (1969), Flamingo Road (1981), The Colbys (1983) and Bay City Blues (1984).

Trivia: Alternately blonde and brunette, American actress Nancy Kovack entered films with a Columbia contract in 1960. She had several good scenes as an imbibing suburbanite in Strangers When We Meet (1960), was killed off after an elaborate strip-tease in the Dean Martin spy spoof The Silencers (1966) and at one point even got to play Medea, albeit briefly, in the juvenile-oriented adventure film Jason and the Argonauts (1963). One of Nancy's oddest (but best remembered) Columbia assignments was as Annie Oakley in the Three Stooges' western comedy The Outlaws is Coming (1965) - in which her leading man, a gun-shy Easterner, was a pre-Batman Adam West. Despite the seductive nature of many of her screen roles, Ms. Kovack offscreen was well known for her sturdy moral values and her unwillingness to be sucked in by the Hollywood "swingers" scene. Nancy Kovack married Los Angeles Philharmonic orchestra conducter Zubin Mehta early in the '70s, briefly maintaining her career under her married name but ultimately giving up acting to become a charming and highly respected social leader in New York and Los Angeles musical circles.