Trivia: Andy Devine was born in Kingman, Arizona, where his father ran a hotel. During his youth, Devine was a self-confessed hellraiser, and stories of his rowdy antics are still part of Kingman folklore (though they've undoubtedly improved in the telling). His trademarked ratchety voice was the result of a childhood accident, when he fell while carrying a stick in his mouth, resulting in permanent vocal-chord injuries. A star football player at Santa Clara University, Andy decided to break into movies in 1926; he was almost immediately cast in Universal's two-reel series The Collegians. When talkies came, Devine was convinced that his voice was unsuitable for the microphone. He reportedly became so despondent at one point that he attempted to commit suicide by asphyxiation, only to discover that his landlady had turned off the gas! Devine needn't have worried; his voice became his greatest asset, and from 1930 until his retirement, he was very much in demand for bucolic comedy roles. In 1937 he became a regular on Jack Benny's radio program, his howl of "Hiya, Buck!" becoming a national catchphrase. During the late 1940s and early 1950s, he was a popular comedy sidekick in the western films of Roy Rogers. Later film assignments included his atypical performance as a corrupt Kansas City cop in Jack Webb's Pete Kelly's Blues (1955). Most baby boomers retain fond memories of Devine's TV appearances as Jingles Jones on the long-running western series Wild Bill Hickock, and as host of the Saturday morning kid's program Andy's Gang. In his later years, Devine cut down his performing activities, preferring to stay on his Van Nuys (California) ranch with his wife and children. Made a very wealthy man thanks to real estate investments, Andy Devine abandoned moviemaking in 1970, resurfacing only to provide voices for a brace of Disney cartoon features; he remained active in civic and charitable affairs, at one juncture serving as honorary mayor of Van Nuys.

Trivia: Peter Marshall has been best-known, since the mid-'60s, as the popular host of The Hollywood Squares game show for 15 years. Audience members are, thus, surprised when they learn that Marshall was a legitimate actor for more than 15 years before he ever set foot on the set of The Hollywood Squares and came from a family that counts several well-known figures among its members. Born Pierre LaCock (or la Cocque) in 1927 in Huntington, WV, he was the son of a pharmacist and the younger brother of Joanne la Cocque, who moved from being a successful model to a movie star in the 1940s and 1950s under the name Joanne Dru. He began singing in big bands as a teenager during the 1940s, then took a job as a page at NBC, and moved through different varieties of employment before finding himself broke and in Los Angeles in 1949. He hooked up with a slightly older contemporary, Tommy Noonan, in a comedy duo called Noonan & Marshall; the duo made several appearances on the Ed Sullivan Show and got cast in a handful of films at the outset of the 1950s. Marshall's obvious talent for comedy was augmented by his good looks and he had a sporadically successful, busy career over the next 15 years as an actor, working in a variety of stage and film vehicles, among them a London production of Bye Bye Birdie and the abortive Warner Bros. sequel to Mister Roberts, Ensign Pulver. Perhaps his best performance was as the young officer trapped underground with a group of allied and enemy troops in Edgar G. Ulmer's World War II drama The Cavern. That film, made in 1965, was the last screen performance that Marshall was able to give as an anonymous working actor. In 1966, NBC and the sponsors were looking for a host for a new program called The Hollywood Squares, in which well-known actors and comedians were invited to give comical (and often comically wrong answers) to leading, sometimes double-entendre questions. Somebody at the network noticed Marshall's photograph on top of a pile of publicity materials, liked what they saw and the fact that he'd acted and had also done comedy, and called him in. Starting in October 1966, and lasting until 1981, he was the host of the extraordinarily popular program, which became a kind of pop culture fixture for decades. He ceased his career as a working actor, although he did co-write the screenplay for (and appear in) Maury Dexter's notorious 1968 anti-marijuana drama Maryjane, starring an overage Fabian. He also hosted a syndicated variety show during the 1970s and was a frequent guest as a host, singer, or dancer, on programs like The People's Choice Awards. Since The Hollywood Squares, he has appeared onscreen (usually as a game show host) and done comedy in films such as Annie, and poked fun at his own image on the Fox network comedy series In Living Color. He also has a recording career, and starred in HMS Pinafore with the London Symphony Orchestra. Marshall remains busy in his seventies and his son, Pete LaCock, is a well-known major league baseball player.

Trivia: His father was a World War I flying ace, and his mother was a silent film actress. His name was Richard Cox until he changed it to Dick Sargent, fearing that casting directors of the 1950s would assume he was trying to capitalize on the success of then-hot TV star Wally Cox. In films since 1957's Bernardine, Sargent was also a regular on several one-season-wonder TV series of the '60s; his oddest gig was on the very short-lived The Tammy Grimes Show (1966), playing the star's twin brother. Sargent's latter-day fame rests with his five-season (1969-73) tenure as the "second Darrin Stevens" on the weekly sitcom Bewitched. "I don't know why (Dick York) quit the show" commented Sargent at the time he succeeded York as Darrin. "I just thank God that he did." At the peak of his popularity, Sargent listed a failed first marriage on his studio biography. This, however, was a subterfuge, calculated to keep the actor's homosexuality a secret. Many years after the cancellation of Bewitched, Sargent became incensed at California governor Pete Wilson's veto of a gay-rights bill. At this point, the actor deliberately put his career on the line by making public his own sexual orientation. Thus, Sargent was one of the first major Hollywood actors to voluntarily come out of the closet without the spectre of AIDS hanging over him. Dick Sargent died of prostate cancer at the reported age of 61.

Trivia: When she began working with Sid Caesar in 1949, American actress Imogene Coca agreed to have her "official" birth date readjusted to 1920, so that she'd seem more a contemporary of Caesar. In truth, she was born in 1908, and was performing professionally while Caesar was still in knee pants. Feeling that she was not attractive by 1930s standards (though certainly so by the standards of the present), Coca realized early that she'd never be taken seriously as an actress or dancer; accordingly, she went the "Fanny Brice" route by lampooning the Classic Arts. Coca first caught the fancy of the public in Leonard Silleman's New Faces of 1937 (co-starring with then-husband Robert Burton), in which she performed ballet parodies and heavy-drama lampoons. Also in 1937, Coca made her film debut in the 2-reel comedy Dime a Dance; the supporting cast included fellow up-and-comers Danny Kaye, June Allyson and Barry Sullivan. During this period, Coca starred in experimental television broadcasts, recreating her best New Faces sketches. She met producer Max Liebman while starring in the resort-hotel Tamiment revues of the 1940s. It was Liebman's inspiration to team Coca with another Tamiment alumnus Sid Caesar on the 1949 TV weekly The Admiral Revue. This project led to the immortal Your Show of Shows (1950-54), wherein Caesar and Coca shared the spotlight with Carl Reiner and Howard Morris. In 1954, Caesar and Coca parted company. Caesar was able to sustain his success as a solo for awhile, but 1954's The Imogene Coca Show failed to do the actress justice and lasted only a year. Most of Coca's subsequent projects were likewise beneath her talents and doomed to failure. She starred with second husband King Donovan in the 1959 Broadway flop The Girls in 509, was a featured player in the 1963 comedy film Under the Yum Yum Tree, and headlined two weekly TV series, Grindl (1963) and It's About Time (1967). A 1967 TV reunion with Sid Caesar, and the 1973 theatrical release of Ten From Your Show of Shows, thrust Coca back into prominence, allowing her to thrive on the touring-show and tent-musical circuit. In the last two decades, her career has encompassed such highs as the Broadway musical On the 20th Century (as a dotty religious fanatic) and such lows as TV's Return of the Beverly Hillbillies (1982), in which she played Granny's mother. Imogene Coca's most memorable movie appearance of recent years has been as the troublesome Aunt Edna in National Lampoon's Vacation (1983), whose death en route to California provides the film its most tastelessly hilarious sight gag.

Trivia: Veteran nightclub comedian Shecky Greene is more of a storyteller than a dispenser of one-liners, and this fact might be the secret behind his durability. Greene started out in his home turf of Chicago in 1947; within six years, he was headlining in Las Vegas and making the first of thousands of TV appearances. Not entirely comfortable playing anyone other than "himself," he has nonetheless essayed character parts in such films as Tony Rome (1968), The Love Machine (1970), History of the World Part One (1981), and Splash (1984, as Mr. Buyrite). He also played wisecracking Private Braddock on the first (1962-63) season of the TV war drama Combat. Shecky Greene has been the recipient of many honors and industry awards for his stand-up work.

Trivia: Never the typical ingénue, American actress Mariette Hartley was distinguished by attractively offbeat facial features and a full, throaty voice -- acting tools that enabled her to play a wide spectrum of ages and personalities even when she was barely out of her teens. The granddaughter of behavioral psychologist John B. Watson, Hartley began her training at Carnegie Tech, then studied acting under Eva LeGalleine . Shakespeare was Hartley's forte in her salad days; thus, she was a full-blown professional before the age of 21. Hartley's first film, Ride the High Country (1961), may well have been her best; as the runaway bride of a mentally deficient mountain man, Hartley was permitted to forego cutesiness and glamour, spending most of the film in dusty male western garb. She was so good in this first appearance that MGM literally had no idea what to do with her; the solution was to cast her as a garden-variety damsel in distress in Drums of Africa (1963), which Hartley now regards as her worst film (and it is -- far worse than the more obvious candidate, 1971's The Return of Count Yorga). Then as now, Hartley was better served on TV than in films. Appearing with regularity on such programs as Twilight Zone and Bonanza, Hartley exuded an intelligence and versatility rare in so young an actress. She gained a following with her recurring role on the nighttime soapera Peyton Place (1965), then provided the only bright moments of the misfire satirical sitcom The Hero (1966), in which she played the wife of a bumbling TV cowboy (Richard Mulligan). Her TV work load increased in the '70s, during which time she appeared as futuristic heroine Lyra-a in Gene Roddenberry's TV pilot Genesis II, a role which gained a great deal of press attention due to Hartley's exotic midriff makeup (her character was endowed with two navels). She also won an Emmy for her appearance in a 1978 installment of The Incredible Hulk. A popular talk-show raconteur, Hartley was able to parlay her no-nonsense persona into a series of lucrative camera commercials, in which she co-starred with James Garner. Her easy rapport with Garner led many to believe that she was married to the Rockford Files star, compelling her to make public appearances wearing a sweatshirt emblazoned with the message "I am NOT Mrs. James Garner" (she was, in fact, married to producer/director Patrick Boyriven). Her high audience "Q" rating led certain TV producers to believe that Hartley would be ideally cast as a news reporter on the 1983 sitcom Goodnight, Beantown. The casting was good, the show wasn't. Nor were follow-ups in this vein, including a foredoomed hitch as co-host of the 1987 revamping of CBS Morning News titled The Morning Program and the very short-lived newsroom-oriented weekly drama WIOU (1990). That the actress took to kidding about her many TV failures only added to her upbeat public image -- an image which masked a surfeit of grief brought on by the alcoholism and suicide of Hartley's father, which formed the basis of her 1990 book Breaking the Silence. Audiences were able to see this serious side of Mariette Hartley in her frequent TV-movie appearances, notably her performance as grieving mother Candy Lightner in M.A.D.D.: Mothers Against Drunk Driving. Mariette Hartley remained busy on films and in television into the '90s; once again, the TV work was more rewarding than the movie assignments, which included such negligible entertainments as Encino Man (1992).