Trivia: Joan Chen has been one of a very few actors to have a viable career both in Hollywood and in Hong Kong. Whether playing a wizened Vietnamese peasant woman or the doomed Empress of China, she lends her characters a natural elegance and a beguiling vulnerability.Chen was born tp a family of doctors on April 26, 1961, in Shanghai, China. She tasted fame early in her life when she made her film debut in Xie Jin's Youth (1976) at age 14. She soon enrolled in the prestigious Shanghai Foreign Language Institute while making a couple more feature films, including Zhang Zheng's Little Flower (1979), which eventually won her a Best Actress Prize at the Hundred Flowers Awards (the Mainland Chinese equivalent of the Oscars). Having reached the pinnacle of fame in her own country, Chen made the unusual step to leave China -- not for Hong Kong as many later Chinese stars such as Gong Li and Jet Li did -- but for the United States. While studying at California State University in Northridge, she landed a small role in Wayne Wang's Dim Sum: A Little Bit of Heart (1985), a gentle portrait of Chinese-American family life.In true Hollywood style, she was summarily cast as May-May in the adventure-epic Tai-Pan (1986) after being spotted in the Lorimar parking lot. Though it was savaged by critics (Leonard Maltin called it "silly") and bombed at the box-office, Tai-Pan did allow Chen to segue into her breakthrough role. As Empress Wan Jung in Bernardo Bertolucci's Oscar-award winning The Last Emperor (1987), Chen brilliantly played a woman whose love and life are tragically destroyed by China's rigidly patriarchal culture and the machinations of fate. Hollywood roles being notoriously hard to land for Asian and Asian-American actors, Chen's newfound fame did not immediately lead to better movie offers. She appeared in such low-budget fare as The Blood of Heroes (1989) before she attracted public attention again as Josie Packard in David Lynch's TV series Twin Peaks. In 1993, she played a Vietnamese mother who suffers for a lifetime in a country at war in Oliver Stone's Heaven and Earth.That same year, she returned to Asia to make a pair of critically successful films. She played a supernatural temptress in Clara Law's Temptation of a Monk (1993), a historical epic with the sweep and visual flare of a Sergio Leone film with a pronounced erotic edge. The role was a brave one to tackle as it not only featured Chen as the movie's clear villain, but it also featuring an unusually graphic sex scene for a mainstream Chinese film. In Stanley Kwan's Red Rose, White Rose (1994), which was nominated for Berlin's Golden Bear, Chen played another deliciously evil vixen opposite Winston Chao. For her effort, she won a Best Actress Golden Horse award, Taiwan's equivalent of the Oscar. Her return to the U.S. was marked by another succession of subpar flicks, including On Deadly Ground (1994) and Judge Dredd (1995). Chen also co-produced and starred in The Wild Side (1995), a lesbian romantic thriller in which she played opposite a still-in-the-closet Anne Heche.In 1998, Chen made her directorial debut with Xiu Xiu: The Sent Down Girl, a lyrical, harrowing tale about the loss of innocence and respect during the tumult of the Chinese cultural revolution. Featuring sumptuous cinematography and subtle, remarkably assured direction, Xiu Xiu won armfuls of international prizes, including a virtual sweep of the Golden Horse awards and a nomination for a Golden Bear at the Berlin Film Festival. In 1999, Chen climbed back into the director's chair and began production of Autumn in New York, starring Richard Gere and Winona Ryder.Over the next several years, Chen would cement her position as one of the most loved and respected actresses in film, especially on the Eastern side of the globe, appearing in movies like Sunflower, Lust, Caution, Love in Disguise, and 1911.

Trivia: Signed by Universal in 1950, the perky, redheaded Piper Laurie (born Rosetta Jacobs) was a welcome presence in many a musical, situation comedy and costume drama. In later years, she tended to dismiss her ingenue years, noting that she spent most of her time posing for cheesecake layouts. Thanks in great part to her devastating performance as an alcoholic in the 1958 Playhouse 90 TV drama "The Days of Wine and Roses", Laurie completely altered her cuddly image, reinventing herself as a powerful dramatic actress. She earned an Oscar nomination for her portrayal of Paul Newman's neurotic girlfriend in The Hustler (1961), then suddenly retired from acting upon her marriage to movie critic Joseph Morganstern. She made a brilliant return to films with another Oscar-nominated performance, this time as Sissy Spacek's religious fanatic mother in Carrie (1976). Ten years and several topnotch performances later, she was honored with a third Oscar nomination for Children of a Lesser God (1986). Laurie's television work has included a co-starring assignment opposite a very young Mel Gibson in the superb Australian TV movie Tim (1979) and an Emmy-nominated stint on David Lynch's 1990 "cult" series Twin Peaks. Working only when the spirit moves her in recent years, Piper Laurie has been seen in such prestige productions as Wrestling Ernest Hemingway (1993) and White Man's Burden (1995).

Trivia: Born in 1959, Washington native Kyle MacLachlan, among other things, claims to be a descendent of the legendary composer Johann Sebastian Bach. However, unlike his very distant relative, MacLachlan made his mark not in music, but in television and film. After performing in a variety of local theater productions throughout his youth -- and acting out scenes from the popular Hardy Boys fiction series in his even younger years -- MacLachlan made his feature-film debut in director David Lynch's adaptation Dune in 1984. This would mark the first of many collaborations with Lynch; in 1986, Lynch cast MacLachlan as a young man shocked at what lies under a small town's picture-perfect facade in Blue Velvet. A year later, MacLachlan starred as an alien FBI agent in The Hidden, Jack Sholder's 1987 cult hit. MacLachlan, however, wouldn't gain true mainstream notoriety until 1989, when David Lynch called upon the young actor to play another FBI agent; this time, he was Special Agent Dale Cooper, who was sent to a small Washington town to investigate the murder of a young girl in ABC's popular but ultimately short-lived prime-time drama, Twin Peaks. The role would earn him two Emmy nominations for Lead Actor in a Drama Series and pave the way for more silver-screen roles, some of which include Ray Manzarek in Oliver Stone's The Doors (1991), villain Cliff Vandercave in The Flintstones (1994), and a falsely accused bank clerk in The Trial (1993). MacLachlan offered several relatively well-received starring and supporting performances throughout the mid- to late '90s, and did what he could for his role in Paul Verhoeven's famous 1995 flop, Showgirls.Luckily, the late '90s to early 2000s were much kinder to MacLachlan. In addition to playing another smooth agent in David Koepp's The Trigger Effect (1996), which some critics claimed was his best performance since Blue Velvet, the actor also was cast as King Claudius in Michael Almereyda's adaptation of Shakespeare's Hamlet. However, it was television that once again made MacLachlan a household name, albeit temporarily. In 2000, he joined the cast of HBO's multiple-award-winning series Sex and the City as Charlotte's (Kristin Davis) mama's boy husband, Trey. In 2003, MacLachlan starred in the Bravo network's popular documentary series, The Reality of Reality. Over the coming years, McLachlan wouldenjoy successful arcs on popular TV shows, like How I Met Your Mother, Desperate Housewives, and Portlandia.

Trivia: A ruggedly handsome Canadian actor whose somewhat imposing frame makes him ideal for authority figures, Michael Ontkean has been appearing in film and television since the early '70s. Though having actors for parents may not necessarily be a surefire sign that one will enter into the entertainment industry, the support and encouragement afforded to young Ontkean was key in building early confidence and skill. Ontkean was a mere four years old when he made his stage debut in his father's repertory company, and in addition to taking the stage at the Stratford Shakespeare Festival, he became a popular child star thanks to television roles in such series as Hudson's Bay. Aside from his ambitions as an actor, Ontkean also showed athletic prowess as a hockey player -- he won a scholarship to the University of New Hampshire and played on their team for three seasons. Little did he know that his skills on the ice would eventually come into play in front of the camera as well. His popularity eventually reached beyond the Canadian border when Ontkean gained stateside notice as a key player in the 1972 series The Rookies. Soon thereafter, Ontkean's featured role in the hockey comedy Slap Shot impressed audiences by showing that the up-and-comer could hold his own alongside such heavies as Paul Newman. Through the 1980s, Ontkean's career maintained an even keel with such moderately successful features as Just the Way You Are (1984) and Maid to Order (1987). In 1990 he returned to television to great effect with his role as Sheriff Harry S. Truman in David Lynch's acclaimed series Twin Peaks. The show provided Ontkean's career with something of a revival, and after he appeared in a minor capacity in Postcards From the Edge (1990), a series of television roles kept the versatile actor busy throughout the decade. Ontkean became somewhat lost in the shuffle in the late '90s, but his performance in the child-friendly made-for-television feature Mrs. Ashboro's Cat (2003) proved that the screen veteran still had what it took to charm on the small screen.

Trivia: American Indian supporting actor, onscreen from the early '80s.

Trivia: A student of dance, music and art as a child in Reno, Nevada, Madchen Amick decided to focus on acting as a teenager, and shortly thereafter, she got her major break in David Lynch's innovative TV series Twin Peaks (1990). After moving to L.A. at 16, Amick appeared on Star Trek: The Next Generation and Baywatch, and mounted a small role in The Borrower (1991), John McNaughton's ill-fated gorefest about a roving alien of ere-shifting appearance who rips heads from his victims and uses them as his own. Amick became famous, however, as waitress Shelly Johnson, one of several beautiful young small-town women harboring terrible secrets, on the much-praised and memorably-eccentric Twin Peaks. Although Amick followed Twin Peaks with starring roles in the Stephen King horror fest Sleepwalkers (1992), it took the actress a few years to match her initial success. She hit her stride in the 2000's however, with a string of roles on ER, Joey, Freddie, Gossip Girl, Californication, My Own Worst Enemy, Damages, and Mad Men.

Trivia: Actress Lara Flynn Boyle has David Lynch to thank for becoming so famous at such a young age. She was barely 20 when she made her series-TV bow on Twin Peaks in the role of Donna Hayward, best friend of the ill-fated Laura Palmer. After the debut of Twin Peaks in 1990, Boyle did steady work in both films and television. Some of her more notable ventures included John Dahl's Red Rock West (1993), a neo-noir in which she played a scheming femme fatale; Threesome (1994), which cast her as a college student whose unique boarding situation provides the basis for oodles of hormonal adventures with her two male roommates; Afterglow (1997), a romantic drama in which Boyle starred as an unhappy wife; and Todd Solondz's Happiness (1998), a very, very black comedy that cast the actress as an irredeemably bitchy celebrity writer. On television, Boyle nabbed one of her most prominent roles to date when she was cast as a lawyer in the acclaimed series The Practice in 1997. The Practice ran for seven years and her most high-profile film role afterward came in Men In Black II. She had recurring roles on the TV shows Huff and Las Vegas and in 2011 she appeared in the sex comedy Cougar Hunting.

Trivia: Actress Sherilyn Fenn had her first taste of show business while touring the country with her mother, a rock musician. Fresh out of high school, Fenn decided to put her stunning physical attributes to good use as a Playboy bunny, but, alas, she failed to survive the first year of "bunny school." After posing for perfume and designer jean ads, Fenn made her film debut in The Wild Life (1984). She skyrocketed to fame in the early '90s as Audrey Horne in David Lynch's cult TV series Twin Peaks. (Her singular series highlight was the scene in which she tied a knot in a cherry stem with her tongue.) Fenn played a seductive wife in Gary Sinese's 1992 version of John Steinbeck's Of Mice and Men, and the following year replaced a recalcitrant Kim Basinger in the role of a haughty beauty whose arms and legs are amputated by a love-obsessed surgeon in Boxing Helena, directed by David Lynch's daughter, Jennifer Lynch. The apex of Fenn's '90s roles, however, may well have been her take-no-prisoners 1995 TV performance as screen goddess Elizabeth Taylor.

Trivia: Actor Richard Beymer has been working steadily on television and in feature films for over four decades. Born in Avoca, IA, Beymer first went before cameras on a Los Angeles children's show at the age of 12, and two years later made his feature-film debut in Vittorio De Sica's Stazione Termini (Indiscretion of an American Wife) (1953). After appearing in several more films during the '50s, with only two major performances in The Diary of Anne Frank (1959) and West Side Story (1961), Beymer had a significant role in The Longest Day (1962), sharing the film's unforgettable last scene with Richard Burton. Beymer enrolled in New York's Actor's Studio in 1963, but subsequently became an active participant in the struggle to allow African-Americans to register for the vote in Mississippi; during his time down South, he also helped to make a prize-winning documentary of the event. In 1974, Beymer directed his first feature film, The Innerview, an avant-garde effort he distributed to various international film festivals. During the '80s, Beymer became a supporting actor and is best remembered for his regular role as Benjamin Horne on David Lynch's television series Twin Peaks.

Trivia: Longtime character actor Ray Wise is beloved by genre fans for his over-the-top roles in Swamp Thing, RoboCop, Twin Peaks (both the series and the feature), and Jeepers Creepers 2, yet one look at the actor's diverse filmography reveals that it's Wise's diverse body of small-screen work that has been his bread and butter throughout the years.As an adolescent, Wise became keenly aware of his love for acting, and displayed his ambition by appearing in as many plays as possible throughout high school. A college theater major who spent most of his summer breaks in summer stock, Wise was well and ready to enter the professional world after receiving his degree in 1970. As with many other aspiring actors, Wise was drawn to the bright lights of Broadway and New York City, landing a job on the soap opera Love of Life after being in town for only two weeks. During the six years that he was acting on Love of Life, Wise would moonlight with stage roles both on and off-Broadway in addition to dabbling in repertory theater. When Love of Life was canceled in 1976, it was time to expand into features with supporting roles in Swamp Thing and Cat People (both 1982). Throughout the 1980s, Wise appeared on some of the most popular series on television, including Dallas, Trapper John, M.D., Knots Landing, and Moonlighting -- occasionally returning for a recurring role. While his part in Paul Verhoeven's over-the-top sci-fi action flick RoboCop offered the busy actor a chance to truly explore his inner villain, it was another menacing role that would propel Wise's career in the 1990s.Cast as grieving father Leland Palmer in the surreal David Lynch series Twin Peaks, Wise captivated television viewers with his emotionally charged performance -- Palmer was a challenging character, and few actors could have brought him to life quite as effectively as Wise. In 1992, Wise reprised the role of Leland Palmer for the polarizing feature Twin Peaks: Fire Walk With Me, with subsequent performances in Bob Roberts and Powder, as well as on television in Star Trek: Voyager and Beverly Hills 90210, proving his highest-profile works of the decade. While by the year 2000 it appeared as if Wise had settled into a comfortable small-screen groove thanks to his numerous television credits, roles as a frightened father in the underappreciated, Twilight Zone-flavored frightener Dead End and a monster-fighting farmer in Jeepers Creepers 2 (which re-teamed him with Powder director Victor Salva) both gave genre fans cause to celebrate. In 2005, Wise took an affecting turn as communist witch-hunt victim Don Hollenbeck in director George Clooney's Oscar-nominated drama Good Night, and Good Luck, and the following year he had a recurring role as Vice President Hal Gardner in the hit Fox series 24. With additional small-screen roles in The Closer, CSI, Law & Order: SVU, and the supernatural series Reaper (on which he played the Devil himself) serving well to balance out feature work in Peaceful Warrior, Pandemic, and One Missed Call, it appeared that Wise remained as comfortable as ever fluctuating between work in film and television. He continued to work steadily on small and big-screen projects like Pandemic, One Missed Call, Crazy Eyes, Mad Men, and Tim and Eric's Billion Dollar Movie.

Trivia: Despite over four decades in the industry, actress Peggy Lipton is best known for a role she played in 1968, that of undercover cop Julie Barnes in The Mod Squad (1968-1973). However, prior to life as Julie Barnes, Lipton had participated in The John Forsythe Show (1965-1966) and starred alongside Kurt Russell in Mosby's Marauders, a critically praised three-part tale from The Wonderful World of Disney series. After the finale of The Mod Squad (and the reunion in 1979's The Return of the Mod Squad), Lipton played supporting roles in Purple People Eater and Keenen Ivory Wayans' I'm Gonna Git You Sucka! (both 1988). Before long, another television role launched Lipton's name back into the mainstream -- David Lynch's surreal drama series Twin Peaks (1990-1991), which featured Lipton in the role of Norma Jennings.Lipton reprised her Twin Peaks role in 1992, though, unlike The Return of the Mod Squad, Twin Peaks: Fire Walk With Me was a feature-film prequel to the television series. Lipton continued to make sporadic appearances in film and television throughout the '90s -- she had decided to focus most of her attention on raising a family rather than pursuing acting full-time -- and played a small, supporting role in Kevin Costner's ill-conceived film The Postman in 1997. In 2000, Lipton worked with Drew Barrymore and Jennifer Jason Leigh in director Tamra Davis' coming-of-age drama Skipped Parts, and went on to perform in Michael and Mark Polish's Jackpot in 2001. She also turned up on the popular spy series Alias in 2004 as the duplicitous mother of the similarly deceptive government agent Lauren Reed (Melissa George). Peggy Lipton was married to composer/producer Quincy Jones from 1974-1989, and the former couple have two daughters together.

Trivia: Tousle-haired juvenile actor Russ Tamblyn began taking up dancing and acrobatics at the age of six. Needing very little prodding from his parents, the eager Tamblyn embarked on his professional career in the late '40s, performing in radio and Los Angeles musical revues. His first "straight" acting assignment was opposite Lloyd Bridges in the 1947 play Stone Jungle. He entered films in 1948, then was given an "introducing" screen credit for his first starring role in The Kid From Cleveland (1949). Signed by MGM, the young actor changed his billing from Rusty to Russ when cast as an army trainee in 1953's Take the High Ground. Beginning with Seven Brides for Seven Brothers, Tamblyn became a popular musical star, playing the title role in Tom Thumb (1958) and co-starring as gang leader Riff in the Oscar-winning West Side Story (1961). He was nominated for an Academy Award for his performance as the teenaged swain of Allison McKenzie (Diane Varsi) in 1958's Peyton Place. By the late '60s, Tamblyn's career had waned, and he was accepting roles in such cheapjack exploitation flicks as Satan's Sadists (1970) and Dracula vs. Frankenstein (1971). Russ Tamblyn stuck it out long enough to make a healthy comeback in the late '80s, notably in the role of psychiatrist Lawrence Jacoby on the cult-TV favorite Twin Peaks (1990).

Trivia: A favorite actor of director David Lynch, Jack Nance has appeared in all of Lynch's films but Elephant Man (1980). Nance's affiliation with the iconoclastic filmmaker began in 1977 when Lynch cast him as the unpleasant, stressed-out father/husband with the crazy stand-up hair, Henry Spencer, in Eraserhead. The film was wildly popular among certain audiences and earned Lynch and Nance, a cult following. Interestingly Nance, who had much stage experience and had been in feature films since Fools (1970), was not impressed with Lynch after their first meeting and found the young director's script too strange. To help him decide to take the part, Lynch showed Nance his short film, "The Grandmother." Nance was deeply impressed and accepted the role. Afterwards, he specialized in playing weird, often disturbing characters, not only for Lynch but for others too, including Dennis Hopper's Colors (1988) and The Blob (1988). Nance appeared for the final time in a Lynch film, The Lost Highway (1997) On December 30, 1996, Nance was found dead in his home, the result of head injuries. An investigation revealed that the trauma had been incurred a day or so before at a Los Angeles donut shop where the famously temperamental Nance had gotten into a fight with two young men.

Trivia: Supporting actor, occasional lead, onscreen from the late '60s.

Trivia: American actress Sheryl Lee has come a long way since her screen debut as the enigmatic, beautiful corpse of Laura Palmer, a murdered homecoming queen in David Lynch's surreal TV soap Twin Peaks (1990-1992). Later in the series, Lee got to play Laura's twin cousin, Madeleine Ferguson, until she too was slain. Though playing a dead girl may not have been the most ideal role, it earned Lee considerable fame, though she claims passerby recognizing her on the street would "look startled and look at me as if I were a ghost." She made her feature-film debut playing a supporting role in Lawrence Kasden's I Love You to Death (1990) and then played Glinda the Good Witch in Lynch's Wild at Heart (1990). Lee got to play an alive Laura Palmer in Lynch's panned feature-film prequel to his series, Twin Peaks: Firewalk With Me (1992). She has gone on to play the swinging German photographer who caused the "fifth Beatle" to leave the group in Back Beat (1994) and as Helga Noth in the screen adaptation of Kurt Vonnegut's Mother Night (1996). Though she has appeared in these and other relatively mainstream films, Lee is perhaps best known for appearing in American independent features such as Fall Time (1995) and Notes From the Underground (1996). In addition to her filmwork, Lee also performs in television movies and on-stage. One of her more famous stage roles was that of the title role in the New York production of Salome in which she starred opposite Al Pacino. As her career progresses, Lee has gained a reputation for appearing nude on stage, screen, and television. Though she claims she hates it, the nudity she displays is never exploitative, rather she imbues it with an ethereal quality that defies tawdriness. In 1997, she appeared in the sexually frank drama Bliss as a frustrated wife who visits a tantric sex therapist to learn how to find fulfillment with her spouse.

Trivia: Character actor and screenwriter Chris Mulkey is best remembered for his convincing portrayal of creepy former convict Hank Jennings in David Lynch's innovative television series Twin Peaks. A five-year veteran of the Children's Theatre Company of Minnesota, Mulkey, who had previously studied theater at the University of Minnesota, made his feature film debut in the comedy Loose Ends (1975). He made his screenwriting debut in 1988, with Patti Rocks.