Trivia: After graduating from Georgetown University in 1997, Bradley Cooper set his sites on becoming not just a working actor, but a good actor. He enrolled in the Masters of Fine Arts program at the Actors Studio Drama School at New School University and began molding his abilities around a love of the craft, rather than a paycheck. He made his first onscreen debut while attending the program, with an appearance on Sex and the City in 1998, as well as a starring role on the short-lived Darren Star series The $treet. Cooper kept his life well-balanced, however, spending time teaching acting to inner-city children through the Learning through the Expanded Arts Program and taking a job as host of the Discovery Channel show Extreme Treks in a Wild World, which took him on journeys to Peru and British Colombia. His first feature film role came in 2001 with a part in the absurdist comedy Wet Hot American Summer. Near this time, Cooper was cast as Will Tippin in the ABC series Alias, which he stayed with for two seasons. He was also cast in a number of canceled series such as Miss Match, Touching Evil, and Kitchen Confidential. Cooper would find greater and greater success with comedy, however, landing a part in 2005's Owen Wilson comedy The Wedding Crashers that exposed him to a wider audience, as well as roles in 2006's Failure to Launch, and 2008's Yes Man . But of course, Cooper's breakthrough film turned out to be the explosively successful 2009 comedy The Hangover. Cooper's starring role as the smartest friend in a misguided trio, searching for their buddy after losing track of him during his extremely wild bachelor party made him an instant household name, and he would reprise the role for 2011's The Hangover 2. In the meantime, Cooper would nab starring roles in more and more films, like the thriller Limitless and the big screen adaptation of The A-Team.He scored his biggest critical hit to date with 2012's Silver Linings Playbook where his portrayal of a bi-polar man trying to pull his life back together after being released from a mental institution garnered him a number of year-end accolades including a nomination for Best Actor from the Screen Actors Guild and at the Academy Awards. He returned to the Oscar race in 2014 playing the title role in Clint Eastwood's 21st century war drama American Sniper, for which he also was nominated for Best Picture, having served as a producer on the film.

Trivia: Considered one of the best actors of his generation, Robert De Niro built a durable star career out of his formidable ability to disappear into a character. The son of artists, De Niro was raised in New York's Greenwich Village. The young man made his stage debut at age 10, playing the Cowardly Lion in his school's production of The Wizard of Oz. Along with finding relief from shyness through performing, De Niro was also entranced by the movies, and he quit high school at age 16 to pursue acting. Studying under Stella Adler and Lee Strasberg, De Niro learned how to immerse himself in a character emotionally and physically. After laboring in off-off-Broadway productions in the early '60s, De Niro was cast alongside fellow novice Jill Clayburgh in film-school graduate Brian De Palma's The Wedding Party (1969). He followed this with small movies like Greetings, Hi, Mom!, Sam's Song, and Bloody Mama.De Niro's professional life took an auspicious turn, however, when he was re-introduced to former Little Italy acquaintance Martin Scorsese at a party in 1972. Sharing a love of movies as well as their neighborhood background, De Niro and Scorsese hit it off. De Niro was immediately interested when Scorsese asked him about appearing in his new film, Mean Streets, conceived as a grittier, more authentic portrait of the Mafia than The Godfather. De Niro's appearance in the film made waves with critics, as did his completely different performance as a dying simple-minded catcher in the quiet baseball drama Bang the Drum Slowly (1973). Francis Ford Coppola was impressed enough by Mean Streets to cast De Niro as the young Vito Corleone in the early 1900s portion of The Godfather Part II. Closely studying Brando's Oscar-winning performance as Don Corleone in The Godfather, and perfecting his accent for speaking his lines in subtitled Sicilian, De Niro was so effective as the lethally ambitious and lovingly paternal Corleone that he took home a Best Supporting Actor Oscar for the role.De Niro next headed to Europe to star in Bernardo Bertolucci's opus, 1900 (1976) before returning to the U.S. to collaborate with Scorsese on the far leaner (and meaner) production, Taxi Driver. After working for two weeks as a Manhattan cabbie and losing weight, De Niro transformed himself into disturbed "God's lonely man" Travis Bickle. One of the definitive films of the decade, Taxi Driver earned the Cannes Film Festival's top prize and several Oscar nominations, including Best Picture and De Niro's first nod for Best Actor. Controversy erupted about the film's violence, however, when would-be presidential assassin John W. Hinckley cited Taxi Driver as a formative influence in 1981.De Niro and Scorsese would reteam for the lavish musical New York, New York (1977), and though the film was a complete flop, De Niro quickly recovered with another risky and ambitious project, Michael Cimino's The Deer Hunter (1978). One of the first wave of Vietnam movies, The Deer Hunter starred De Niro as one of three Pennsylvania steel-town friends thrown into the war's inferno who emerged as profoundly changed men. Though the film provoked an uproar over its portrayal of Viet Cong violence as (literally) Russian roulette, The Deer Hunter won several Oscars.Returning to the realm of more personal violence, De Niro followed The Deer Hunter with his and Scorsese's masterpiece, Raging Bull, a tragic portrait of boxer [%Ray La Motta]. Along with his notorious 60-pound weight gain that rendered him unrecognizable as the middle-aged Jake, De Niro also trained so intensely for the outstanding fight scenes that La Motta himself stated that De Niro could have boxed professionally. Along with his physical dedication, De Niro won over critics with his ability to humanize La Motta without softening him. Raging Bull received eight Oscar nominations, including Best Picture.Though he was well suited to star in Sergio Leone's epic homage to gangster films, Once Upon a Time in America (1984), Leone's tough, transcendent vision couldn't survive the studio's decision to hack 88 minutes out of the American release version. De Niro next took a breather from films to return to the stage, playing a drug dealer in the New York Public Theater production Cuba and His Teddy Bear. During his theater stint, De Palma made De Niro a movie offer he couldn't refuse when he asked him to play a small role in his film version of The Untouchables (1987). As the rotund, charismatic, bat-wielding Al Capone, De Niro was a memorable adversary for Kevin Costner's upstanding Elliot Ness, and The Untouchables became De Niro's first hit in almost a decade. De Niro followed The Untouchables with his first comedy success, Midnight Run (1988), costarring as a bounty hunter opposite Charles Grodin's bail-jumping accountant.Though he earned an Oscar nomination for his touching performance as a patient in Penny Marshall's popular drama Awakenings (1990), movie fans were perhaps more thrilled by De Niro's return to the Scorsese fold, playing cruelly duplicitous Irish mobster Jimmy "The Gent" opposite Ray Liotta's turncoat Henry Hill in the critically lauded Mafia film Goodfellas (1990). De Niro worked with Scorsese again in the thriller remake Cape Fear (1991), sporting a hillbilly accent and pumped-up physique. It was Scorsese and De Niro's biggest hit together and earned another Oscar nod for the star. De Niro subsequently costarred as a geeky cop in the Scorsese-produced Mad Dog and Glory (1993).De Niro also revealed that he had learned a great deal from his work with Scorsese with his own directorial debut, A Bronx Tale (1993). A well-observed story of a boy torn between his father and the local mob, A Bronx Tale earned praise, but De Niro was soon back to working with Scorsese, starring as Vegas kingpin Sam Rothstein in Casino (1995) -- based on the story of real-life handicapper Frank "Lefty" Rosenthal -- staged with Scorsese's customary visual brilliance and pairing De Niro with his Raging Bull brother and Goodfellas associate Joe Pesci.Appearing in as many as three films a year after 1990, De Niro was particularly praised for his polished reserve in Michael Mann's glossy policer Heat (1995), which offered the rare spectacle of De Niro and Pacino sharing the screen, if only in two scenes. After indifferently received turns in The Fan (1996), Sleepers (1996), and Cop Land (1997), De Niro stepped outside his comfort zone to play an amoral political strategist in Barry Levinson's sharp satire Wag the Dog (1997) and a dangerously dimwitted crook in Quentin Tarantino's laid-back crime story Jackie Brown (1997). De Niro was front and center -- and knee deep in self-parody -- in the comedy Analyze This (1999), aided and abetted by a nicely low-key Billy Crystal as his reluctant psychiatrist. De Niro would continue to lampoon his own tough-guy image in the sequel Analyze That, as well as the popular Meet the Parents franchise. As the decade wore on, De Niro took on roles that failed to live up to his acclaimed earlier work, such as with lukewarm thrillers like The Score, Godsend, Righteous Kill, and Hide and Seek. However, De Niro continued to work on his ambitious and long-planned next foray behind the camera, the acclaimed CIA drama The Good Shepherd.He continued to work steadily in a variety of projects including Stardust, What Just Happened, and Everybody's Fine. He became a Kennedy Center honoree in 2009. He reteamed with Ben Stiller for Little Fockers in 2010, and played a corrupt politician in Machete that same year. In 2011 he appeared opposite Bradley Cooper in the thriller Limitless, which seemingly laid the groundwork for their reteaming as father and son in the 2012 comedy Silver Linings Playbook. For his work in that movie, De Niro earned an Oscar nomination for Best Supporting Actor.

Trivia: After a couple of minor ingenue roles in her native Australia, actress Abbie Cornish attained instant superstardom down under with a hypnotic, evocative, and multi-layered lead performance in director Cate Shortland's well-received psychological drama Somersault. That film -- about a fragile young woman who comes completely unhinged while trying to build a new life for herself in a snowy Australian town -- spoke volumes about Cornish's raw ability and foreshadowed a long and successful career for the young dramatist. She reinforced these notions with an equally demanding and harrowing turn as an art student who slides backward into heroin addiction in Neil Armfield's justly praised Candy (2005). Dissatisfied with the limitations of the Australian film industry, Cornish then jumped ship and went Hollywood, where she tackled supporting roles in such features as the 2006 A Good Year (opposite fellow Aussie Russell Crowe) and the 2007 period piece Elizabeth: The Golden Age. She kept up her period piece bona fides in 2008's Bright Star, but that same year she played in the Iraq War drama Stop-Loss. She had a very busy 2011 with parts in the fantasy action film Sucker Punch, a supporting turn in the box office hit Limitless, and the lead in the Madonna directed period drama W.E.

Trivia: A staple of British soap operas before she was even out of her teens, Anna Friel experienced the type of fame encouraged by tabloids and Internet shrines before getting a chance to prove her talents on the stage and screen. Born in Rochdale, Lancashire on July 12, 1976, Friel began acting as a teenager, performing with theatres across Britain. In 1990, she made her television debut with a role on the BBC series In Their Shoes, and was soon appearing in a number of popular TV series, including Coronation Street and Emmerdale. She received her greatest amount of notice to date when she was cast on the soap opera Brookside in 1993; the resulting popularity of her role on the show made the waifish, saucer-eyed actress something of a celebrity in her native country.In 1997--two years after leaving Brookside--Friel made her film debut in The Land Girls. A World War II drama, it featured Friel, Rachel Weisz and Catherine McCormack as its titular heroines. Although the film was virtually unheard of outside the UK, it received generally favorable reviews. The following year, Friel appeared in two more films, The Stringer and Rogue Trader, the latter of which had her starring opposite Ewan McGregor. That same year, she won great acclaim on the London stage for her performance in Patrick Marber's Closer. A trenchant commentary on love and sex, it featured the young actress as an enigmatic stripper, and allowed her to work alongside such performers as Natasha Richardson, Ciaran Hinds and Rupert Graves. The play proved to be so successful that it moved to Broadway the next year, where it continued to win accolade after accolade. Friel herself won a Drama Desk award for Best Supporting Actress for her work. That same year, she continued to broaden her resume and fan base with starring roles in A Midsummer Night's Dream and Sunset Strip, the former of which featured her as Hermia, and the latter of which saw her experiencing the ups and downs of life in 1972 Los Angeles. Following roles in The War Bride and Me Without You (both 2001) Friel continued to develop her onscreen persona, and with Richard Donner's time travel adventure Timeline (2003) the actress remained poised for the role that would provide her with her widest exposure to date.In 2005, Friel appeared in the sports drama Goal!, about a Los Angeles teenager with dreams of becoming a professional soccer player. She also appeared alongside Kevin Pollak in the drama Niagra Motel, which found a group of seemingly disparate strangers connecting when they pass through the same motel. Then in 2007, Friel joined the cast of the new series Pushing Daisies, about a man who falls in love with a deceased woman after he discovers he can communicate with the dead. Over the next several years, the actress would remain active ons creen, appearing memorably in films like Limitless and London Boulevard.

Trivia: Actor Johnny Whitworth racked up a lengthy resumé tackling everyman roles in American films, honing in largely on supporting parts in mainstream studio features, with the occasional indie effort. His film credits, which run the gamut in terms of quality and genre, include such outings as the John Grisham legal drama The Rainmaker (1997), the slasher picture Valentine (2001), and the Andy Warhol-centered drama Factory Girl (2006), about the tragic life of Edie Sedgwick.

Trivia: Though a multihyphenate ad extremis who racked up a litany of influential accomplishments in the theater, modern art, and film worlds, distinguished Tomas Arana is perhaps best known for his contributions to cinema as a character actor, where he initially specialized in portrayals of period figures from ancient times. Over the course of his career Arana set himself apart from the pack by refusing to limit himself to productions from one country; he seemed equally at home working in the U.S., Italy, and Japan.A native of San Francisco, Arana received formal, classical training in stage work at the American Conservatory Theatre, then hitchhiked all over Europe, working as an itinerant artist and collaborating with giants including Andy Warhol, Robert Rauschenberg, and Joseph Beuys. Upon returning to the States, Arana began signing for film roles; memorable studio parts included Lazarus in Martin Scorsese's The Last Temptation of Christ (1988), Leginov the cook in The Hunt for Red October (1990), and Quintus in Ridley Scott's Best Picture winner Gladiator (2000). As time rolled on, Arana also turned up in independent films such as the porn star coming of age drama This Girl's Life (2003) and the natural horror shlockfest Frankenfish (2004). International directors with whom he collaborated include Liliana Cavani, Carlo Verdone, and Michele Soavi. Theatrically, Arana made headlines by serving as producer and starring in numerous productions with the Naples-based theatrical ensemble Falso Movimento.

Trivia: Tall, chiseled-face character actor Robert John Burke has been acting since the 1970s, but he is best known to art house audiences as a regular member of New York-based director Hal Hartley's stock company of decidedly non-Hollywood actors. Born on Long Island, Burke studied acting at S.U.N.Y. Purchase in the early '70s. After he graduated from college, Burke began acting in TV, appearing on such shows as As the World Turns and Happy Days. Though he made his feature film debut in The Chosen (1981), Burke devoted his energies in the early '80s to an experimental teaching program designed to involve students directly in the arts. Burke returned to movies and TV in the latter half of the 1980s with roles in actioner Wanted Dead or Alive (1986), TV movie comedy Pass the Ammo (1989), and late-'80s dance trend vehicle Lambada (1989). Burke's fortunes began to change when he was cast in the lead role of an enigmatic ex-con who returns to his Long Island hometown in the then-unknown Hartley's first feature, The Unbelievable Truth (1990). Shot on a shoestring budget in 11 days, The Unbelievable Truth garnered positive notice for Hartley's distinctly offbeat, dark comic sensibility and his stars' deadpan, wry performances. Burke followed The Unbelievable Truth with a supporting part in the Oscar-nominated 1930s coming of age film Rambling Rose (1991) and a high-profile starring role replacing Peter Weller as the imposing eponymous cyborg law enforcer in Robocop 3 (1992). Burke stayed busy from then on, alternating between independent movies and Hollywood projects. Working with Hartley again, Burke starred as one of a pair of brothers searching for their ballplayer-turned-anarchist father in the quirky yet appealing Simple Men (1992); he played a smaller role in Hartley's troubled romance triad Flirt (1995). Burke also acted more than once with the far less celebrated independent filmmaker Eric Schaeffer, appearing in Schaeffer's industry insider comedy My Life's in Turnaround (1993) and self-indulgent romantic comedy If Lucy Fell (1996). Outside of the New York independent scene, Burke played Reese Witherspoon's African gamekeeper father in the children's adventure A Far Off Place (1993), joined the distinguished cast populating Tombstone (1993) (the Kurt Russell version of the Wyatt Earp Western legend), appeared in Oliver Stone's third Vietnam movie, Heaven and Earth (1993), and starred as the cursed obese lawyer in Stephen King's horror yarn Thinner (1996). Continuing to show his versatility in both comedy and drama, Burke joined the supporting cast of the light-hearted buddy chase movie Fled (1996) and starred as Natasha Gregson Wagner's father in the bayou love story First Love, Last Rites (1997). Burke returned to TV in the late '90s in two acclaimed HBO productions, the ambitious miniseries From the Earth to the Moon (1998) and the wrenching Vietnam War docudrama A Bright Shining Lie (1998). At the start of the 2000s, Burke reunited with Hal Hartley for the Cannes Film Festival entry No Such Thing (2001). Drawing upon his varied experience, not to mention his formidable mien, Burke played the mammal/lizard Beast to Sarah Polley's Beauty in Hartley's singular reworking of the fairy tale romance.

Trivia: After essaying bit parts on Law & Order and a supporting turn in Spike Lee's She Hate Me (2004), actress T.V. Carpio ascended to slightly higher billing with her portrayal of Prudence (from the John Lennon song "Dear Prudence") in Julie Taymor's controversial Beatles phantasmagoria Across the Universe (2007).