Trivia: Rocketing from obscure bit player to TV's resident über-sex god thanks to his role as FBI agent Fox Mulder on The X-Files, David Duchovny can claim to have had one of the 1990s' more remarkable career metamorphoses. Although his initial attempts to translate his TV stardom into celluloid success proved less than memorable, the tall, classically handsome actor has continued to enjoy a great deal of popularity, evidenced in particular by the countless estrogen-drenched internet shrines erected in his honor.Born in Manhattan on August 7, 1960, to a Jewish father and a Scottish mother, Duchovny did his undergraduate work at Princeton and then went on to pursue a Master's degree in English Literature at Yale. While working toward his degree, he began commuting to New York to study acting, and he was soon appearing in a few off-Broadway plays. His interest in acting ultimately eclipsed his dedication toward earning his degree, and Duchovny dropped out of Yale to pursue a career as a performer. He got his first break starring in a beer commercial, and in 1988, he made his film debut with a breathtakingly abbreviated appearance as a party guest in Mike Nichols's Working Girl. Work in a number of diverse and usually obscure films, including starring roles in Julia Has Two Lovers (1991), The Rapture (1991), and Kalifornia (1993), followed, but the actor was able to command a more steady paycheck from his TV work. Before The X-Files debuted in 1993, Duchovny was best-known to TV viewers as Dennis/Denise, Twin Peaks' resident transvestite detective. As The X-Files steadily grew from cult favorite to mainstream success, becoming recognized as one of the most groundbreaking shows of the decade, Duchovny also began to enjoy both industry respect and huge audience popularity. Dubbed as the latest in a long line of thinking women's sex symbols, he would also appear in films like Playing God and Return to Me.Duchovny would The X-Files during the show's seventh season, much to fans' dismay, returning only for the series finaly. Post X-files, Duchovny would continue to act on screen, most notably in films like Trust the Man and another X-Files movie, The X-Files: I Want to Believe, as well as on the debaucherous TV series Californication.

Trivia: When actress Gillian Anderson landed the role of Agent Scully for the Fox television series X-Files (1993- ) she could not have foreseen that within two years she would become an internationally known cult phenomenon. She was born in Chicago, but moved to London at age two and remained there until she was in her early teens. She and her family then moved to Grand Rapids, MI, where she rebelliously got heavily into the punk rock scene complete with spiky, brilliantly colored hair and body piercings with safety pins. When she was 14, she became romantically involved with a 20-year-old punk singer and occasionally sang in his band. Her punk period lasted through high school. Following graduation, she got involved in local theater and from there studied fine arts at the Goodman Theater School of Drama at Chicago's DePaul University. Following graduation, she moved to New York where she waited tables and appeared in off-Broadway plays, most notably in Absent Friends, in which she had a starring role that won her a Theater World Award. Anderson made her film debut in 1992 with the low-budget drama The Turning. She then appeared in a theatrical production of The Philanthropist and after that moved to Los Angeles. Though she was frequently courted for television roles, Anderson disdained the medium until the X-Files audition came along. Though the producers were looking for a brainy version of a Baywatch girl, the beautiful but more natural looking (having long passed her outrageous days) Anderson got the role thanks to the insistence of the show's creator Chris Carter. The show became a smash hit within two seasons and Anderson found herself an international star, as did her co-star David Duchovny, the subject of numerous pages on the Internet, and the recipient of such awards as a Golden Globe, an Emmy, and a Screen Actors Guild Award. In addition to continuing work on the X-Files, Anderson hosted a couple of television specials, including More Secrets of the X-Files and the BBC documentary series Future Fantastic. She also lent her voice as a documentary narrator on Spies Above and as animated characters on shows like The Simpsons and Reboot and films like the English version of Princess Mononoke.Anderson would spend the next several years working extensively in British television, starring in series like Bleak House, Any Human Heart, Moby Dick, and The Fall, as well as appearing in numerous UK films, like The Last King of Scotland and Shadow Dancer.

Trivia: Fluent in Italian. Is a lifetime member of the Actors Studio. Cofounded Gastown Films production company with director-producer David Langlois. Often cast as a detective or lawman. Cowrote and costarred in the award-winning film Break A Leg (2008) with his brother, actor John Cassini.

Trivia: Well-reputed for his "extreme" cinematic personifications in multiple genres, the American character player Peter Boyle doubtless made his onscreen personas doubly intense by pulling directly from his own personal journey to the top -- a wild, unlikely, and occasionally tortuous trek that found Boyle aggressively defining and redefining himself, and struggling constantly with a number of inner demons. Born October 18, 1935, in the hamlet of Northtown, PA, Boyle graduated from La Salle College and joined the Christian Brothers monastic order, under the name "Brother Francis." He prayed endlessly and earnestly until he developed callouses on his knees, but could never quite adjust to the monastic life, which he later declared "unnatural," with its impositions of fasting and celibacy. Dissatisfied, Boyle dropped out and headed for the Navy, but his brief enlistment ended in a nervous breakdown. With no other options in sight that piqued his interest, Boyle opted to pack his bags and head for New York City, where he worked toward making it as an actor. It made perfect sense that Boyle -- with his distinctively stocky frame, bald pate, oversized ears, and bulbous nose -- would fit the bill as a character actor -- more ideally, in fact, than any of his contemporaries on the American screen. He trained under the best of the best -- the legendary dramatic coach Uta Hagen -- while working at any and every odd job he could find. Boyle soon joined a touring production of Neil Simon's Odd Couple (as Oscar Madison) and moved to Chicago, where he signed on with the sketch comedy troupe The Second City -- then in its infancy. Around 1968, Haskell Wexler -- one of the most politically radical mainstream filmmakers in all of Los Angeles (a bona fide revolutionary) -- decided to shoot his groundbreaking epic Medium Cool in the Windy City, and for a pivotal and notorious sequence, mixed documentary and fictional elements by sending the members of his cast (Verna Bloom and others) "right into the fray" of the 1968 Democratic National Convention riots. Boyle happened to still be living in Chicago at the time of the tumult, which dovetailed rather neatly with Wexler's production and brought Boyle one of his first credited Hollywood roles -- that of the Gun Clinic Manager in the film. Unfortunately (and typically), Paramount cowed when faced with the final cut of the film -- terrified that it could incite riots among its youthful audience -- and withheld its distribution for a year. In the interim, Boyle landed the role that would help him "break through" to the American public -- the lead in neophyte writer-director John G. Avildsen's harrowing vigilante drama Joe (1970). The film casts Boyle as a skin-crawling redneck and bigot who wheedles an Arrow-collared businessman (Dennis Patrick) into helping him undertake an onslaught of death against the American counterculture. This sleeper hit received only fair reviews from critics (and has dated terribly), and Boyle reputedly was paid only 3,000 dollars for his contribution. But even those who detested the film lavished praise onto the actor's work -- in 1970, Variety called the picture "flawed" but described Boyle as "stunningly effective." Film historians continue to exalt the performance to this day. Innumerable roles followed for Boyle throughout the '70s, many in a similar vein -- from that of Dillon, the slimy underworld "friend" who betrays career criminal Robert Mitchum by handing him over to death's jaws in Peter Yates' finely-wrought gangster drama The Friends of Eddie Coyle, to that of Wizard, a veteran cabbie with a terrifying degree of "seen it all, done it all" jadedness, in Martin Scorsese's masterful neo-noir meditation on urban psychosis, Taxi Driver (1976), to Andy Mast, a sleazy private dick, in Paul Schrader's Hardcore (1979). In 1974, however, Boyle broke free from his pattern of creepy typecasting and temporarily turned a new leaf. He unveiled a deft comic flair by playing the lead in Young Frankenstein, Mel Brooks' daffy spoof of old Universal horror pictures. The film's two comic highlights have Boyle and Gene Wilder (as the grandson of Dr. Victor Frankenstein) soft-shoeing to "Puttin' on the Ritz," and Boyle and Gene Hackman (as a hapless, bearded blind man) farcically sending up the gothic cabin scene from Mary Shelley's novel in a riotous pas de deux. Boyle's subsequent forays into big-screen comedy proved decidedly less successful on all fronts, however. He played Carl Lazlo, Esquire, the solicitor of Bill Murray's Hunter S. Thompson, in producer/director Art Linson's Where the Buffalo Roam, the pirate Moon in Mel Damski's dreadful swashbuckling spoof Yellowbeard (1983), and Jack McDermott, a Jesus-obsessed escaped mental patient with delusions of healing, in Howard Zieff's The Dream Team (1989) -- all of which received lukewarm critical reactions and flopped with ticket-buyers. (Though it went undocumented as such, the Zieff role appeared to pull heavy influence from Boyle's monastic experience). A more finely tuned and impressive comic role arrived in 1992, when Boyle teamed with Andrew Bergman for an outrageous bit part in Bergman's madcap farce Honeymoon in Vegas. As Chief Orman, a moronic Hawaiian Indian who bears more than a passing resemblance to Marlon Brando, Boyle delighted viewers, and caught the attention of critics. Many read the role as less of an homage than a dig at Brando, who had viciously insulted one of Bergman's movies in the press. For many viewers, this ingenious sequence made the entire film worthwhile. On the whole, the actor continued to fare best with big-screen dramatic roles throughout the '80s and '90s. Highlights include his role as Detective Jimmy Ryan in Wim Wenders' film noir Hammett (1982); Commander Cornelius Vanderbilt, the assistant of South-American explorer William Walker, in Alex Cox's 1987 biopic Walker; and Captain Green in Spike Lee's Malcolm X (1992). In 1996, Boyle transitioned to the small screen for a permanent role as Frank Barone, the father of comedian Ray Romano's Ray Barone, on the hit CBS sitcom Everybody Loves Raymond. The series brought the actor his broadest popularity and exposure, especially among younger viewers -- a popularity not only attested to by the program's seemingly endless syndicated appearance on local stations and cable affiliates such as TBS, but by its initial series run -- it lasted nine seasons. Tragically, Peter Boyle died of multiple myeloma and heart disease almost exactly one year after Raymond took its final network bow, and shortly after his appearance in the holiday film The Santa Clause 3: The Escape Clause. He passed away in New York's Presbyterian Hospital, on December 12, 2006, only two months after his seventy-first birthday. Alongside his film and television work, Boyle occasionally acted on Broadway, off-Broadway, and repertory stages, in such productions as Carl Reiner's The Roast (1980), Sam Shepard's True West (1982), and Joe Pintauro's Snow Orchid (1982). Boyle met journalist Laraine Alderman in the early '70s, while she was interviewing Mel Brooks for Rolling Stone. They wed in 1977, with former Beatle John Lennon as Boyle's best man; the marriage lasted until Peter's death. The Boyles had two daughters, Lucy and Amy, both of whom outlived their father.