They Were Expendable

Robert Montgomery (Actor) .. Lieutenant John Brickley

Born: May 21, 1904
Died: September 27, 1981
Birthplace: Fishkill Landing, New York, United States

Trivia: Actor/director/producer. In his early career, from the late '20s to the early '40s, Montgomery was an amiable light comedian and dramatic actor, appearing in almost 40 sound films before 1935. He starred opposite Norma Shearer in Private Lives (1931), Joan Crawford in The Last of Mrs. Cheyney (1937), Carole Lombard in Hitchcock's comedy Mr. and Mrs. Smith (1941) and was nominated for an Academy Award for Night Must Fall (1937) and Here Comes Mr. Jordan (1941). His career took a more serious turn after his stint in World War II. For his first film after returning, They Were Expendable (1945), Montgomery not only starred but assisted John Ford in the direction. He also starred in and directed the Raymond Chandler detective thriller Lady in the Lake, noted for its unique first-person point of view. His attentions then turned to politics and television. Montgomery gave "friendly" testimony before the House Un-American Activities Committee (HUAC) and by the mid '50s was a consultant to Republican President Eisenhower. As a prestigious television producer, he supervised the '50s dramatic anthology series Eye Witness (1953) and Robert Montgomery Presents (1950-57), which offered his daughter Elizabeth her acting debut and which won him an early Emmy Award in 1952.

John Wayne (Actor) .. Lieutenant Rusty Ryan

Born: May 26, 1907
Died: June 11, 1979
Birthplace: Winterset, Iowa

Trivia: Arguably the most popular -- and certainly the busiest -- movie leading man in Hollywood history, John Wayne entered the film business while working as a laborer on the Fox lot during summer vacations from U.S.C., which he attended on a football scholarship. He met and was befriended by John Ford, a young director who was beginning to make a name for himself in action films, comedies, and dramas. Wayne was cast in small roles in Ford's late-'20s films, occasionally under the name Duke Morrison. It was Ford who recommended Wayne to director Raoul Walsh for the male lead in the 1930 epic Western The Big Trail, and, although it was a failure at the box office, the movie showed Wayne's potential as a leading man. During the next nine years, be busied himself in a multitude of B-Westerns and serials -- most notably Shadow of the Eagle and The Three Mesquiteers series -- in between occasional bit parts in larger features such as Warner Bros.' Baby Face, starring Barbara Stanwyck. But it was in action roles that Wayne excelled, exuding a warm and imposing manliness onscreen to which both men and women could respond. In 1939, Ford cast Wayne as the Ringo Kid in the adventure Stagecoach, a brilliant Western of modest scale but tremendous power (and incalculable importance to the genre), and the actor finally showed what he could do. Wayne nearly stole a picture filled with Oscar-caliber performances, and his career was made. He starred in most of Ford's subsequent major films, whether Westerns (Fort Apache [1948], She Wore a Yellow Ribbon [1949], Rio Grande [1950], The Searchers [1956]); war pictures (They Were Expendable [1945]); or serious dramas (The Quiet Man [1952], in which Wayne also directed some of the action sequences). He also starred in numerous movies for other directors, including several extremely popular World War II thrillers (Flying Tigers [1942], Back to Bataan [1945], Fighting Seabees [1944], Sands of Iwo Jima [1949]); costume action films (Reap the Wild Wind [1942], Wake of the Red Witch [1949]); and Westerns (Red River [1948]). His box-office popularity rose steadily through the 1940s, and by the beginning of the 1950s he'd also begun producing movies through his company Wayne-Fellowes, later Batjac, in association with his sons Michael and Patrick (who also became an actor). Most of these films were extremely successful, and included such titles as Angel and the Badman (1947), Island in the Sky (1953), The High and the Mighty (1954), and Hondo (1953). The 1958 Western Rio Bravo, directed by Howard Hawks, proved so popular that it was remade by Hawks and Wayne twice, once as El Dorado and later as Rio Lobo. At the end of the 1950s, Wayne began taking on bigger films, most notably The Alamo (1960), which he produced and directed, as well as starred in. It was well received but had to be cut to sustain any box-office success (the film was restored to full length in 1992). During the early '60s, concerned over the growing liberal slant in American politics, Wayne emerged as a spokesman for conservative causes, especially support for America's role in Vietnam, which put him at odds with a new generation of journalists and film critics. Coupled with his advancing age, and a seeming tendency to overact, he became a target for liberals and leftists. However, his movies remained popular. McLintock!, which, despite well-articulated statements against racism and the mistreatment of Native Americans, and in support of environmentalism, seemed to confirm the left's worst fears, but also earned more than ten million dollars and made the list of top-grossing films of 1963-1964. Virtually all of his subsequent movies, including the pro-Vietnam War drama The Green Berets (1968), were very popular with audiences, but not with critics. Further controversy erupted with the release of The Cowboys, which outraged liberals with its seeming justification of violence as a solution to lawlessness, but it was successful enough to generate a short-lived television series. Amid all of the shouting and agonizing over his politics, Wayne won an Oscar for his role as marshal Rooster Cogburn in True Grit, a part that he later reprised in a sequel. Wayne weathered the Vietnam War, but, by then, time had become his enemy. His action films saw him working alongside increasingly younger co-stars, and the decline in popularity of the Western ended up putting him into awkward contemporary action films like McQ (1974). Following his final film, The Shootist (1976) -- possibly his best Western since The Searchers -- the news that Wayne was stricken ill with cancer (which eventually took his life in 1979) wiped the slate clean, and his support for the Panama Canal Treaty at the end of the 1970s belatedly made him a hero for the left. Wayne finished his life honored by the film community, the U.S. Congress, and the American people as had no actor before or since. He remains among the most popular actors of his generation, as evidenced by the continual rereleases of his films on home video.

Donna Reed (Actor) .. Lieutenant Sandy Davyss

Born: January 27, 1921
Died: January 14, 1986
Birthplace: Dennison, Iowa, United States

Trivia: Reed was elected beauty queen of her high school and Campus Queen of her college. The latter honor resulted in her photo making the L.A. papers, and as a result she was invited to take a screen test with MGM, which signed her in 1941. She played supporting roles in a number of minor films (at first being billed as "Donna Adams"), then in the mid '40s she began getting leads; with rare exceptions, she portrayed sincere, wholesome types and loving wives and girlfriends. She went against type playing a prostitute in From Here to Eternity (1953), for which she won a Best Supporting Actress Oscar. Rarely getting rewarding roles, she retired from the screen in 1958 to star in the TV series "The Donna Reed Show," which was a great success and remained on the air through 1966. After 1960 she appeared in only one more film. In the mid '80s she emerged from retirement to star in "Dallas;" Barbara Bel Geddes returned to the show in 1985, and Reed won a $1 million settlement for a breach of contract suit against the show's producers. She died of cancer several months later.

Ward Bond (Actor) .. Mulcahey

Born: April 09, 1903
Died: November 05, 1960

Trivia: American actor Ward Bond was a football player at the University of Southern California when, together with teammate and lifelong chum John Wayne, he was hired for extra work in the silent film Salute (1928), directed by John Ford. Both Bond and Wayne continued in films, but it was Wayne who ascended to stardom, while Bond would have to be content with bit roles and character parts throughout the 1930s. Mostly playing traffic cops, bus drivers and western heavies, Bond began getting better breaks after a showy role as the murderous Cass in John Ford's Young Mr. Lincoln (1939). Ford cast Bond in important roles all through the 1940s, usually contriving to include at least one scene per picture in which the camera would favor Bond's rather sizable posterior; it was an "inside" joke which delighted everyone on the set but Bond. A starring role in Ford's Wagonmaster (1950) led, somewhat indirectly, to Bond's most lasting professional achievement: His continuing part as trailmaster Seth Adams on the extremely popular NBC TV western, Wagon Train. No longer supporting anyone, Bond exerted considerable creative control over the series from its 1957 debut onward, even seeing to it that his old mentor John Ford would direct one episode in which John Wayne had a bit role, billed under his real name, Marion Michael Morrison. Finally achieving the wide popularity that had eluded him during his screen career, Bond stayed with Wagon Train for three years, during which time he became as famous for his offscreen clashes with his supporting cast and his ultra-conservative politics as he was for his acting. Wagon Train was still NBC's Number One series when, in November of 1960, Bond unexpectedly suffered a heart attack and died while taking a shower.

Jack Holt (Actor) .. General Martin

Born: May 31, 1888
Died: January 18, 1951

Trivia: When comic-strip artist Chester Gould created his famed detective Dick Tracy in 1931, he deliberately patterned Tracy's jut-jawed countenance and stoic demeanor after that of his favorite film star, Jack Holt. Dropping out of Virginia Military Institute as a teenager, Holt held down a variety of tough, he-man jobs before settling into film acting in 1913. He flourished in the 1920s as a virile action hero, especially in the late-silent Columbia productions of up-and-coming director Frank Capra. Holt was one of Columbia's most valuable commodities in the early talkie era, but his popularity waned as the quality of his films plummeted. After serving as a major in World War II, Holt returned to films as a supporting actor, often (as in the 1950 Roy Rogers vehicle Trail of Robin Hood) playing thinly disguised variations on his own off-screen persona. Jack Holt was the father of three film performers: western star Tim Holt, leading lady Jennifer Holt, and character actor David Holt.

Marshall Thompson (Actor) .. Snake Gardner

Born: November 22, 1926
Died: May 18, 1992

Trivia: A proud descendant of U.S. Supreme Court Chief Justice John Marshall, Marshall Thompson moved from his home town of Peoria, Illinois to the West Coast when his dentist father's health began to flag. Intending to follow his father's example by taking pre-med at Occidental Junior college, Thompson was sidetracked by a love of performing, inherited from his concert-singer mother. His already impressive physique pumped by several summers as a rodeo-rider and cowpuncher, Thompson was offered a $350-per-week contract by Universal studios in 1943. He accepted, expecting to use the money to pay for his college tuition. As it happened, Thompson never returned to the halls of academia; from 1944 onward he worked steadily as a film actor at Universal, 20th Century-Fox, MGM and other studios, sometimes as a lead, more often in supporting roles. For a while, he was typed as a mental case after convincingly portraying a psycho killer in MGM's Dial 119 (1950). He also acted in something like 250 TV programs, and for eight weeks in 1953 co-starred with Janet Blair in the Broadway play A Girl Can Tell. The boyish enthusiasm of his early screen roles a thing of the past, Thompson provided maturity and authority to his two-dimensional roles in such Saturday-matinee melodramas as Cult of the Cobra (1955), It! The Terror From Beyond Space (1958), Fiend Without a Face (1958), and First Man Into Space (1959), assignments that indirectly led to his first TV-series starring stint as the miniaturized hero of World of Giants (1959). In 1960, Thompson briefly went the "dumb sitcom husband" route in the weekly Angel. In 1961, the staunchly patriotic Thompson starred in and directed the low-budget feature A Yank in Vietnam, which he would later insist, with some justification, was the first up-close-and-personal study of that unfortunate Asian conflict (alas, good intentions do not always make good films; abysmally bad, Yank in Vietnam lay on the shelf until 1965). During the early 1960s, Thompson worked in close association with producer Ivan Tors as an actor and director of animal-oriented short subjects. The actor's fascination with African wildlife was later manifested in his two-year starring stint on Tors' TV series Daktari (1966-68), an outgrowth of the feature film Clarence the Cross-Eyed Lion, in which Thompson both starred and collaborated on the script. After playing character parts in such films as The Turning Point (1977) and The Formula (1980), Thompson spent the bulk of the 1980s in Africa, where he assembled the internationally syndicated documentary series Orphans of the Wild. While on a visit to Michigan in 1992, Marshall Thompson died of congestive heart failure.

Paul Langton (Actor) .. Andy Andrews

Born: April 17, 1913
Died: April 15, 1980

Trivia: Making his movie bow in 1941, Paul Langton became a contract player at MGM, frequently appearing in war films. During the 1950s, Langton was seen in character parts like publicist Buddy Bliss in Big Knife (1955). He often showed up in horror films, notably The Snow Creature (1954), The Incredible Shrinking Man (1957; as the hero's brother), It! The Terror From Beyond Space (1958) and The Cosmic Man (1959). Paul Langton achieved TV stardom in the role of Leslie Harrington on the prime time serial Peyton Place (1964-68).

Leon Ames (Actor) .. Major James Morton

Born: January 20, 1903
Died: October 12, 1993

Trivia: Hollywood's favorite "dear old dad," Leon Ames began his stage career as a sleek, dreamy-eyed matinee idol in 1925. He was still billing himself under his real name, Leon Waycoff, when he entered films in 1931. His best early leading role was as the poet-hero of the stylish terror piece Murders in the Rue Morgue (1932). In 1933, Ames was one of the founding members of the Screen Actors Guild, gaining a reputation amongst producers as a political firebrand--which may have been why his roles diminished in size during the next few years (Ironically, when Ames was president of the SAG, his conservatism and willingness to meet management halfway incurred the wrath of the union's more liberal wing). Ames played many a murderer and caddish "other man" before he was felicitously cast as the kindly, slightly befuddled patriarch in Meet Me in St. Louis (1944). He would play essentially this same character throughout the rest of his career, starring on such TV series as Life With Father (1952-54) and Father of the Bride (1961). When, in 1963, he replaced the late Larry Keating in the role of Alan Young's neighbor on Mr. Ed, Ames' fans were astounded: his character had no children at all! Off screen, the actor was the owner of a successful, high profile Los Angeles automobile dealership. In 1963, he was the unwilling focus of newspaper headlines when his wife was kidnapped and held for ransom. In one of his last films, 1983's Testament, Leon Ames was reunited with his Life With Father co-star Lurene Tuttle.

Arthur Walsh (Actor) .. Jones

Born: June 15, 1923
Died: September 23, 1995

Trivia: Actor, magician, and standup comedian Arthur Walsh specialized in light dramas and romantic fare during the '40s and '50s. For his live act, Walsh billed himself as Madman Walsh and Slippery. In addition to his film career, Walsh also appeared on television during the '50s and '60s as a guest star on shows such as I Love Lucy and Laugh-In.

Donald Curtis (Actor) .. Lt. J.G. Shorty Long

Born: February 27, 1915

Trivia: American utility actor Donald Curtis made his screen bow sometime around 1940. Plying his trade in serials and Westerns, Curtis specialized in villainy, usually at Columbia Pictures. One of his larger roles was as a sourpussed murder suspect in Red Skelton's The Fuller Brush Man (1948). Active until 1967, when he left show business to become a clergyman, Donald Curtis worked frequently in television, co-starring with Lynn Bari in the 1950 comedy-mystery series The Detective's Wife.

Cameron Mitchell (Actor) .. Ens. George Cross

Born: November 18, 1918
Died: July 06, 1994

Trivia: The son of a Pennsylvania minister, actor Cameron Mitchell first appeared on Broadway in 1934, in the Lunts' modern-dress version of Taming of the Shrew. He served as a bombardier during World War II, and for a brief period entertained thoughts of becoming a professional baseball player (he allegedly held an unsigned contract with the Detroit Tigers until the day he died). Mitchell was signed to an MGM contract in 1945, but stardom would elude him until he appeared as Happy in the original 1949 Broadway production of Death of the Salesman. He re-created this role for the 1951 film version, just before signing a long-term contract with 20th Century Fox. Throughout the 1950s, Mitchell alternated between likeable characters (the unpretentious business executive in How to Marry a Millionaire [1952]) and hissable ones (Jigger Craigin in Carousel [1956]); his best performance, in the opinion of fans and critics alike, was as drug-addicted boxer Barney Ross in the 1957 biopic Monkey on My Back. Beginning in the 1960s, Mitchell adroitly sidestepped the IRS by appearing in dozens of Spanish and Italian films, only a few of which were released in the U.S. He also starred in three TV series: The Beachcomber (1961), The High Chapparal (1969-1971), and Swiss Family Robinson (1976). Mitchell spent the better part of the 1970s and 1980s squandering his talents in such howlers as The Toolbox Murders, though there were occasional bright moments, notably his performance as a neurotic mob boss in 1982's My Favorite Year. A note for trivia buffs: Cameron Mitchell also appeared in the first CinemaScope film, The Robe (1953). Mitchell was the voice of Jesus in the Crucifixion scene.

Jeff York (Actor) .. Ens. Lefty Tony Aiken

Born: March 23, 1912
Died: October 11, 1995

Trivia: American actor Jeff York inaugurated his film career in the late '30s at Paramount, under the "nom de stage" of Granville Owen. York spent the postwar years as an MGM contractee, then freelanced into the 1950s. From 1954 to 1958, he was most often to be found in the film and TV projects of the Walt Disney Studios, playing major roles in Davy Crockett and the River Pirates (1956, as keelboatman Mike Fink), Westward Ho, the Wagons! (1956), and The Great Locomotive Chase (1956). His best-remembered assignment under the Disney banner was the role of shiftless Bud Searcy in Old Yeller (1957), a character he reprised in the 1963 sequel Savage Sam. In 1959, Jeff York co-starred with Ray Danton, Roger Moore, and Dorothy Provine in the Warner Bros. TVer The Alaskans.

Murray Alper (Actor) .. Slug Mahan

Born: January 01, 1904

Trivia: Supporting actor Murray Alper's earliest screen credit was 1930's The Royal Family of Broadway. For the next 35 years, Alper was an inescapable movie presence, playing dozens of cab drivers, bookies, cops and GIs. One of his few credited appearances in an "A" picture was in The Maltese Falcon; he plays the friendly cabbie who drives Sam Spade (Humphrey Bogart) on a mid-film wild goose chase. Frequently seen in comedies, Alper showed up in eight Bowery Boys farces of the 1940s and 1950s, and was prominently featured in the Three Stooges' Trick Dicks (1953) and The Outlaws is Coming (1965, as Chief Crazy Horse!). One of Murray Alper's least characteristic roles was the judo instructor in Jerry Lewis' The Nutty Professor (1963).

Harry Tenbrook (Actor)

Born: October 09, 1887
Died: September 14, 1960

Trivia: A film actor from 1925, Norway native Harry Tenbrook usually played such functionary roles as shore patrolmen, sailors, gangsters, and bartenders. The names of Tenbrook's screen characters ran along the lines of Limpy, Spike, and Squarehead. With his supporting appearance in The Informer (1935), the actor became a member of director John Ford's stock company. Harry Tenbrook's association with Ford ended with 1958's The Last Hurrah.

Jack Pennick (Actor) .. Doc

Born: January 01, 1895
Died: August 16, 1964

Trivia: WWI-veteran Jack Pennick was working as a horse wrangler when, in 1926, he was hired as a technical advisor for the big-budget war drama What Price Glory? Turning to acting in 1927, Pennick made his screen bow in Bronco Twister. His hulking frame, craggy face, and snaggle-toothed bridgework made him instantly recognizable to film buffs for the next 35 years. Beginning with 1928's Four Sons and ending with 1962's How the West Was Won, Pennick was prominently featured in nearly three dozen John Ford films. He also served as Ford's assistant director on How Green Was My Valley (1941) and Fort Apache (1947), and as technical advisor on The Alamo (1960), directed by another longtime professional associate and boon companion, John Wayne. Though pushing 50, Jack Pennick interrupted his film career to serve in WWII, earning a Silver Star after being wounded in combat.

J. Alex Havier (Actor) .. Benny Lacoco, Steward

Robert H. Barrat (Actor) .. Gen. Douglas MacArthur

Born: July 10, 1891
Died: January 07, 1970

Trivia: When actor Robert H. Barrat moved from stage to films in the early 1930s, he found himself twice blessed: He was dignified-looking enough to portray business and society types, but also athletic enough to get down and dirty in barroom-brawl scenes. An ardent physical-fitness advocate in real life, Barrat was once described by his friend and frequent co-worker James Cagney as having "a solid forearm the size of the average man's thigh"; as a result, the usually cautious Cagney was extra careful during his fight scenes with the formidable Barrat. The actor's size and menacing demeanor served him well when pitted against such comparatively pint-sized comedians as the Marx Bros. (in Go West). When not intimidating one and all with his muscle power, the actor was fond of playing roles that called for quaint, colorful accents, notably his Lionel Barrymore-ish turn as a suicidal baron in the 1934 Grand Hotel derivation Wonder Bar. Robert H. Barrat's last film appearance was in the rugged western Tall Man Riding (55).

Charles Trowbridge (Actor) .. Adm. Blackwell

Born: January 10, 1882
Died: October 30, 1967

Trivia: Actor Charles Trowbridge was born in Mexico to American parents. An architect for the first decade of his adult life, Trowbridge turned to stage acting in the early teens, making his film bow in 1918's Thais. Silver-haired even as a young man, Trowbridge was generally cast in kindly but authoritative roles, usually as doctors, lawyers and military officers. He also had a bad habit of being killed off before the film was half over; in 1940, Trowbridge had the distinction of being murdered (by Lionel Atwill and George Zucco respectively) in two separate Universal horror films, Man Made Monster and The Mummy's Hand. While he was active until 1957, Charles Trowbridge was best known to millions of wartime servicemen as the cautionary military doctor in John Ford's venereal disease prevention film Sex Hygiene (1941).

Bruce Kellogg (Actor) .. Lt. Elder Tompkins

Louis Jean Heydt (Actor) .. Capt. Ohio Carter

Born: April 17, 1905
Died: January 29, 1960

Trivia: It was once said of the versatile Louis Jean Heydt that he played everything except a woman. Born in New Jersey, the blonde, chiseled-featured Heydt attended Worcester Academy and Dartmouth College. He briefly served as a reporter on the New YorkWorld before opting for a stage career. Among his Broadway appearances was the lead in Preston Sturges' Strictly Dishonorable, establishing a long working relationship with Sturges that would extend to the latter's film productions The Great McGinty (1940) and The Great Moment (1942). Heydt's film characters often seemed destined to be killed off before the fourth reel, either because they were hiding something or because they'd just stumbled upon important information that could prove damaging to the villains. He was knocked off in the first three minutes of Charlie Chan at Treasure Island (1939) and was shot full of holes just before revealing an important plot point to Humphrey Bogart in The Big Sleep (1946) (this after an unforgettable interrogation scene in which Heydt is unable to look Bogart straight in the eye). Heydt's many other assignments include the hungry soldier in Gone with the Wind (1939), Mentor Graham in Abe Lincoln in Illinois (1940), a frustrated general practitioner in Tortilla Flat (1941), a squadron leader in Gung Ho (1943) and a loquacious rural family man in Come to the Stable (1949). Our Gang fans will recall Heydt as Bobby Blake's stepfather in the MGM "Gang" shorts Dad For a Day (1939) and All About Hash (1940). A ubiquitous TV actor, Louis Jean Heydt was seen on many anthology series, and as a semi-regular on the 1958 syndicated adventure weekly MacKenzie's Raiders.

Tim Murdock (Actor) .. Ens. Brown

Robert Barrat (Actor) .. Gen. Douglas MacArthur

Born: July 10, 1889

Russell Simpson (Actor)

Born: January 01, 1878
Died: December 12, 1959

Trivia: American actor Russell Simpson is another of those character players who seemed to have been born in middle age. From his first screen appearance in 1910 to his last in 1959, Simpson personified the grizzled, taciturn mountain man who held strangers at bay with his shotgun and vowed that his daughter would never marry into that family he'd been feudin' with fer nigh on to forty years. It was not always thus. After prospecting in the 1898 Alaska gold rush, Simpson returned to the States and launched a career as a touring actor in stock -- most frequently cast in romantic leads. This led to a long association with Broadway impresario David Belasco. Briefly flirting with New York-based films in 1910, Simpson returned to the stage, then chose movies on a permanent basis in 1917. Of his hundreds of motion picture and TV appearances, Russell Simpson is best known for his participation in the films of director John Ford, most memorably as Pa Joad in 1940's The Grapes of Wrath.

Vernon Steele (Actor)

Born: January 01, 1882
Died: January 01, 1955

Trina Lowe (Actor)

Robert Shelby Randall (Actor)

Art Foster (Actor)

Al Bridge (Actor) .. Lt. Colonel

Born: February 26, 1891
Died: December 27, 1957

Trivia: In films from 1931, Alan Bridge was always immediately recognizable thanks to his gravel voice, unkempt moustache and sour-persimmon disposition. Bridge spent a lot of time in westerns, playing crooked sheriffs and two-bit political hacks; he showed up in so many Hopalong Cassidy westerns that he was practically a series regular. From 1940's Christmas in July onward, the actor was one of the most ubiquitous members of writer/director Preston Sturges' "stock company." He was at his very best as "The Mister," a vicious chain-gang overseer, in Sturges' Sullivan's Travels, and as the political-machine boss in the director's Hail the Conquering Hero, shining brightly in an extremely lengthy single-take scene with blustery Raymond Walburn. Alan Bridge also essayed amusing characterizations in Sturges' Sin of Harold Diddlebock (1946), Unfaithfully Yours (1948, as the house detective) and the director's final American film, The Beautiful Blonde From Bashful Bend (1949).

Larry Dods (Actor)

Jack Stoney (Actor)

Born: January 01, 1897
Died: January 01, 1978

Duke Green (Actor)

Harold Kruger (Actor)

Born: September 23, 1897
Died: October 07, 1965

Trivia: A champion swimmer from Hawaii, Harold Kruger (aka Stubby Kruger) was the featured comedian in Billy Rose's Aquacade in the early '30s and, as such, appeared as himself opposite Olympic gold medal winner Johnny Weissmuller (the future "Tarzan") in The Human Fish, a two-reel comedy directed by Clyde Bruckman. The following year, he was credited as "technical advisor" for You Said a Mouthful, a Joe E. Brown comedy with a distinct aquatic theme, but Kruger's own screen career didn't begin until 1941, when old friends Ole Olsen and Chic Johnson cast him in their anarchic Hellzapoppin' (1941). He continued to pop up in bit roles well into the 1950s, but Kruger never became a featured screen comedian in his own right.

Phil Schumacher (Actor)

Frank Pershing (Actor)

Joey Ray (Actor)

Born: September 05, 1904

Dan Borzage (Actor)

William Neff (Actor)

Born: June 30, 1913

Del Hill (Actor)

Almeda Fowler (Actor)

Born: February 27, 1889
Died: September 08, 1964

Trivia: A tall character actress turned dress extra and a fixture in Hollywood films 1929-1948, Almeda Fowler was a schoolteacher prior to embarking on a long stage career that included appearances opposite the legendary Nora Bayes in Ladies First and Her Family Tree, Mrs. Leslie Carter in Stella Dallas, Frank Craven in 19th Hole, and the Marx Brothers in Cocoanuts. Fowler made her screen debut in Party Girl (1930) and would be found near the bottom of cast lists for the next two decades, often playing nurses, receptionists, and chair women. More often than not, her credit would simply read "woman" or "bystander."

Bill Barnum (Actor)

William Lundigan (Actor)

Born: June 12, 1914
Died: December 20, 1975

Trivia: American actor William Lundigan launched his show business career working as an adolescent announcer for a Syracuse radio station, which was housed in a building owned by his father. Abandoning a planned law career, Lundigan spent thirteen years as an announcer before being discovered by a Universal film executive in 1937. Appearing as a lightweight leading man in such films as Armored Car (1937) and Three Smart Girls Grow Up (1938), and in featured roles in the bigger-budgeted Dodge City and The Old Maid (both 1939), Lundigan worked steadily in the major studios before being drafted into the Marines for World War II service in 1942. Like many other second-echelon Hollywood actors, Lundigan found the going rough after the war, though as a Fox contractee he managed to land occasional good parts in such pictures as Pinky (1949) and I'll Get By (1950). When prospects dried up for Lundigan in the mid-1950s, he returned to announcing as the host of the popular CBS dramatic anthology Climax. Science fiction fans will remember Lundigan for his role in Riders to the Stars (1954), and for his portrayal of TV's first true astronaut, Col. MacCauley, in the 1959 weekly adventure series Men Into Space.

Michael Kirby (Actor)

Born: February 20, 1925

Trivia: Skater-turned-supporting actor Michael Kirby made his film debut in Keep Your Powder Dry (1945). The first leg of his film career ended in 1945 and it would be nearly 30 years before he would again turn up in Hollywood to play small character roles through 1992.

William McKeever Riley (Actor)

Frank McGrath (Actor)

Born: January 01, 1902
Died: January 01, 1967

Sammy Stein (Actor)

Born: January 01, 1905
Died: January 01, 1966

Leota Lorraine (Actor)

Born: January 01, 1892
Died: January 01, 1974

Blake Edwards (Actor)

Born: July 26, 1922
Died: December 16, 2010
Birthplace: Tulsa, Oklahoma, United States

Trivia: American filmmaker Blake Edwards was the grandson of J. Gordon Edwards, director of such silent film epics as The Queen of Sheba (1922). Blake started his own film career as an actor in 1943; he played bits in A-movies and leads in B-movies, paying his dues in such trivialities as Gangs of the Waterfront and Strangler of the Swamp (both 1945). He turned to writing radio scripts, distinguishing himself on the above-average Dick Powell detective series Richard Diamond. As a screenwriter and staff producer at Columbia, Edwards was frequently teamed with director Richard Quine for such lightweight entertainment as Sound Off (1952), Rainbow 'Round My Shoulder (1953), and Cruisin' Down the River (1953). He also served as associate producer on the popular syndicated Rod Cameron TV vehicle City Detective the same year. Given his first chance to direct a movie in 1955, Edwards turned out a Richard Quine-like musical, Bring Your Smile Along; ironically, as Edwards' prestige grew, his style would be imitated by Quine. A felicitous contract at Universal led Edwards to his first big box-office successes, including the Tony Curtis film Mister Cory (1957) and Cary Grant's Operation Petticoat (1959).In 1958, Edwards produced, directed, and occasionally wrote for a hip TV detective series, Peter Gunn, which was distinguished by its film noir camerawork and driving jazz score by Henry Mancini. A second series, Mr. Lucky (1959), contained many of the elements that made Peter Gunn popular, but suffered from a bad time slot and network interference. (Lucky was a gambler, a profession frowned upon by the more sanctimonious CBS executives.) The show did, however, introduce Edwards to actor Ross Martin, who later appeared as an asthmatic criminal in Edwards' film Experiment in Terror (1962). Continuing to turn out box-office bonanzas like Breakfast at Tiffany's (1961) and Days of Wine and Roses (1962), Edwards briefly jumped on the comedy bandwagon of the mid-'60s with the slapstick epic The Great Race (1965), which the director dedicated to his idols, "Mr. Laurel and Mr. Hardy." (Edwards' next homage to the duo was the far less successful 1986 comedy A Fine Mess). In 1964, Edwards introduced the bumbling Inspector Clouseau to an unsuspecting world in The Pink Panther, leading to a string of money-spinning Clouseau films starring Peter Sellers; actually, The Pink Panther was Edwards' second Clouseau movie, since A Shot in the Dark, although released after Panther, was filmed first. Despite the carefree spirit and great success of his comedies, Edwards hit a snag with Darling Lili (1969), a World War I musical starring Edwards' wife Julie Andrews. The film was a questionable piece to begin with (audiences were asked to sympathize with a German spy who cheerfully sent young British pilots to their deaths), but was made incomprehensible by Paramount's ruthless editing. Darling Lili sent Edwards career into decline, although he came back with the 1979 comedy hit 10 and the scabrous satirical film S.O.B. (1981). Edwards' track record in the 1980s and '90s was uneven, with such films as Blind Date (1987), Sunset (1988), and Switch (1991). The director was also unsuccessful in his attempts to revive the Pink Panther comedies minus the services of Sellers (who had died in 1980) as Clouseau. Still, Edwards always seemed able to find someone to bankroll his projects. And he left something of a legacy to Hollywood through his actress daughter Jennifer Edwards and screenwriter son Geoffrey Edwards.In 2004, just when the world began to think it might never again hear from Edwards, the filmmaker gave a slapsticky acceptance speech in response to an honorary Academy Award. He died six years later, of complications from pneumonia, at the age of 88.

Ernest Sefton (Actor)

Born: January 01, 1882
Died: January 01, 1954

Stephen Barclay (Actor)

Died: February 02, 1994

Trivia: Supporting actor Stephen Barclay appeared in numerous films of the 1940s. He launched his career with A Guy Named Joe (1943) and went on to specialize in action films and Westerns. Later in the decade, he emigrated to Italy where he furthered his acting career by appearing in such films as the Sophia Loren vehicle Africa Sotto i Mari (1953). In 1964, Barclay wrote the screenplay for and produced Dark Purpose.

Franklin Parker (Actor)

Born: January 01, 1900
Died: January 01, 1962

Trivia: American actor/singer Franklin Parker established himself in vaudeville and on Broadway, where he was often billed as "Pinky." From 1931 until 1952, Parker essayed numerous bit roles in innumerable films. He was usually seen as a reporter or cab driver, but also drifted in and out as sailors, telegraph operators, male stenographers, and croupiers. Franklin Parker made his last appearance in Richard Fleischer's The Narrow Margin (1952).

Robert Emmett O'Connor (Actor)

Born: March 18, 1885

Leslie Sketchley (Actor)

Born: January 01, 1901
Died: January 01, 1972

Philip Ahn (Actor)

Born: August 29, 1911
Died: February 28, 1978

Trivia: Though often cast as a Japanese or Chinese character, LA-born actor Philip Ahn was of Korean extraction. In films from 1936, Ahn spent the war years portraying dozens of heartless Japanese spies and military officers; ironically, the actor's father was a Korean diplomat who died in a Japanese concentration camp. After the war, Ahn was occasionally permitted to play a sympathetic role, minus stereotypical accent and mannerisms; cast as a lab technician in 1950's The Big Hangover, he has almost as much screen time as nominal star Van Johnson. One of his most substantial roles was as Chinese businessman Po Chang, foster father of young Caucasian tycoon Frank Garlund (Charles Quinlivan) on the brief 1960 TV weekly The Garlund Touch. At the time of his death from lung cancer at age 66, Philip Ahn was best known to American TV addicts as Master Kan on the TV series Kung Fu.

Pacita Tod-Tod (Actor)

Robert E. Homans (Actor)

Born: January 01, 1875
Died: July 28, 1947

Trivia: Actor Robert Emmett Homans seemingly had the map of Ireland stamped on his craggy face. As a result, Homans spent the better part of his film career playing law enforcement officers of all varieties, from humble patrolmen to detective chiefs. After a lengthy stage career, Homans entered films in 1923. A break from his usual microscopic film assignments occured in Public Enemy (1931), where Homans is given an opportunity to deliver reams of exposition (with a pronounced brogue) during a funeral sequence. And in the 1942 Universal horror programmer Night Monster, Robert Emmett Homans is alotted a sizeable role as the ulcerated detective investigating the supernatural goings-on at the home of seemingly helpless invalid Ralph Morgan.

William B. Davidson (Actor)

Born: June 16, 1888
Died: September 28, 1947

Trivia: Blunt, burly American actor William B. Davidson was equally at home playing gangster bosses, business executives, butlers and military officials. In films since 1914, Davidson seemed to be in every other Warner Bros. picture made between 1930 and 1935, often as a Goliath authority figure against such pint-sized Davids as James Cagney and Edward G. Robinson. In the early '40s, Davidson was a fixture of Universal's Abbott and Costello comedies, appearing in In the Navy (1941), Keep 'Em Flying (1941) and In Society (1944). In Abbott & Costello's Hold That Ghost (1941), Davidson shows up as Moose Matson, the dying gangster who sets the whole plot in motion. An avid golfer, William B. Davidson frequently appeared in the all-star instructional shorts of the '30s starring legendary golf pro Bobby Jones.

Jack Cheatham (Actor)

Born: January 01, 1894
Died: January 01, 1971

Forbes Murray (Actor)

Born: November 04, 1884

Trivia: In films from 1937, silver-haired American actor Forbes Murray could be described as a less-costly Claude Rains. Murray lent his middle-aged dignity to such serials as The Spider's Web (1938), Mandrake the Magician (1940), Lone Ranger (1938), Perils of Nyoka (1942), Manhunt of Mystery Island (1945), and Radar Patrol vs. Spy King (1950). He also showed up in quite a few comedies, notably as the bank president who finances the college education of Laurel and Hardy ("Diamonds in the rough," as he describes them) in A Chump at Oxford (1940). Forbes Murray was active at least until 1955.

Nino Pipitone (Actor) .. Bartender's Children

Emmett Vogan (Actor)

Born: September 27, 1893
Died: October 06, 1964

Trivia: Character actor Emmett Vogan appeared in films from 1934 through 1956. A peppery gentleman with steel-rimmed glasses and an executive air, Vogan appeared in hundreds of films in a variety of small "take charge" roles. Evidently he had a few friends in the casting department of Universal Pictures, inasmuch as he showed up with regularity in that studio's comedies, serials and B-westerns. Comedy fans will recognize Emmett Vogan as the engineer partner of nominal leading man Charles Lang in W.C. Fields' Never Give a Sucker an Even Break (1941), and as the prosecuting attorney in the flashback sequences of Laurel and Hardy's The Bullfighters (1945).

Sherry Hall (Actor)

Born: August 08, 1892

Trivia: American actor Sherry Hall popped up in innumerable bit roles between 1932 and 1951. Hall was typically cast as reporters, bartenders, court clerks, and occasional pianists. He was particularly busy at 20th Century-Fox in the 1940s, nearly always in microscopic parts. Sherry Hall's larger screen assignments included the "TV Scientist" in Dick Tracy Returns (1938), Robert Buelle in The Shadow Returns (1946), John Gilvray in The Prowler (1951), and Mr. Manners in The Well, a 1951 film populated almost exclusively by small-part players.

Alan Bridge (Actor)

Born: February 26, 1891

Jack Luden (Actor)

Born: February 08, 1902
Died: February 15, 1951

Trivia: American leading man Jack Luden, a member of the Pennsylvania cough-drop dynasty, graduated from Paramount's talent school in 1927 along with Thelma Todd and Charles "Buddy" Rogers, among others. The studio saw in him the same appeal that was making Gary Cooper a star, but Luden's initial starring western, Shootin' Irons (1927), proved a failure. The handsome actor did rather better in Paramount's popular "flapper" melodramas -- Two Flaming Youths (1927), Clara Bow's The Wild Party (1929]), etc. -- but a pronounced stammer did not bode well for a future in talkies. Luden's career declined rather drastically during the '30s, but independent producers such as Larry Darmour occasionally cashed in on his still-recognizable name. Darmour's westerns were on the cheap side -- to be generous -- and Luden's four starring vehicles in 1938 did not exactly set the range ablaze. The former leading man was all but forgotten by the 1950s, and his death at 49, while incarcerated at San Quentin on a drug conviction, came as a shock to former colleagues.

Jon Gilbreath (Actor)

Marjorie Davies (Actor)

Eve March (Actor)

Born: January 01, 1910
Died: January 01, 1974

Karl Miller (Actor)

Leonard Stanford (Actor)

George Bruggeman (Actor)

Born: January 01, 1904
Died: January 01, 1967

Reginald Simpson (Actor)

Born: January 01, 1895
Died: January 01, 1964

James Carlisle (Actor)

Dutch Schlickenmeyer (Actor)

Fred Coby (Actor)

Born: March 01, 1916
Died: September 27, 1970

Trivia: Lithe, dark-haired Fred Coby (born Frederick G. Beckner Jr.) turned into freakish Rondo Hatton in the 1946 horror melodrama The Brute Man, a chiller so tasteless and badly made that Universal sold it outright to Poverty Row company PRC. Coby stayed with PRC for Don Ricardo Returns (1946), a Zorro rip-off written by actor Duncan Renaldo and based on Johnston McCulley, the creator of the original. Although handsome -- Coby's slight resemblance to Tyrone Power may have won him the role in the first place -- Don Ricardo was too cheaply made to have any impact on the moviegoing audience. He spent the remainder of his career as a stunt performer and bit player.

Tony Carson (Actor)

Jack Lorenz (Actor)

Brad Towne (Actor)

Charles Calhoun (Actor)

Born: January 01, 1916
Died: January 01, 1984

Leonard Mellin (Actor)

Frank Donahue (Actor)

Dan Quigg (Actor)

Clifford Rathjen (Actor)

Dick Karl (Actor)

Eleanore Vogel (Actor)

Jack Lee (Actor)

Wedgewood Nowell (Actor)

Born: January 24, 1878
Died: June 17, 1957

Trivia: A handsome, mustachioed supporting player, Wedgewood Nowell entered films in 1915, according to his official studio bio, "after 15 years of stage work." A classically trained musician as well, the actor moonlighted as a composer of original music, his scores accompanying the screenings of such popular melodramas as The Disciple (1915) and The Deserter (1916). Very busy throughout the silent era -- mostly playing slightly degenerate noblemen and various bluenoses -- Nowell became a dress extra and bit player after the changeover to sound.

Jane Crowley (Actor) .. Officers' Wife

Dick Thorne (Actor)

Leonard Fisher (Actor)

John Roy (Actor)

Born: January 01, 1897
Died: January 01, 1975

Michael Kostrick (Actor)

James Magill (Actor)

George Magrill (Actor)

Born: January 05, 1900
Died: May 31, 1952

Trivia: George Magrill entered films in 1921 as a general-purpose bit player. Magrill's imposing physique and dexterity enabled him to make a good living as a stunt man throughout the 1920s, 1930s and 1940s. From time to time, he'd have speaking roles as bank guards, cops, sailors, truck drivers and chauffeurs. On those rare occasions that he'd receive screen credit, George Magrill was usually identified as "Thug," a part he played to the hilt in westerns, crime mellers and serials.

Betty Blythe (Actor) .. Officer's Wife

Born: September 01, 1893
Died: April 07, 1972

Trivia: Formerly an art student at USC, Betty Blythe began her stage work in such tried-and-true theatrical pieces as So Long Letty and The Peacock Princess. After touring Europe and the States, Betty entered films in 1918 at the Vitagraph Studios in Brooklyn, then was brought to Hollywood's Fox Studios as a replacement for screen vamp Theda Bara. As famous for her revealing costumes as for her dramatic skills, Betty became a star in such exotic vehicles as The Queen of Sheba (1921) and She (1925). Her stage training served her well during the transition to talkies, but Ms. Blythe's facial features had matured rather quickly, and soon she was consigned to supporting roles. She spent most of the 1940s in touring companies of Broadway hits like The Man Who Came to Dinner and Wallflower, supplementing her income by giving acting and diction lessons. Betty Blythe's final screen appearance was a one-line bit in the Embassy Ball sequence in My Fair Lady (1964), in which she was lovingly photographed by her favorite cameraman from the silent days, Harry Stradling.

Sam Simone (Actor)

Paul Kruger (Actor)

Born: January 01, 1894
Died: January 01, 1960

Pedro De Cordoba (Actor) .. Priest

Born: September 28, 1881
Died: September 17, 1950

Trivia: Gaunt, deep-voiced American actor Pedro De Cordoba was often cast as a Spanish don or a kindly Mexican padre on the basis of his last name and aristocratic bearing. Actually he was born in New York City of French and Cuban parents. His priestlike manners came naturally; when not acting, he was a highly regarded Catholic layman, and at one point president of the Catholic Actors Guild of America. He made his film debut in a 1913 version of Carmen, but preferred the stage to silent films, co-starring with such Broadway legends as Jane Cowl and Katharine Cornell. De Cordoba's mellifluous stage-trained voice was perfect for talking pictures, and from 1930 through 1950 he was one of the busiest of character actors. On occasion he would be seen as a villain, but most of De Cordoba's roles were as gentle and courtly as the actor himself. Alfred Hitchcock cast De Cordoba in perhaps his most memorable part, as the fair-minded sideshow "living skeleton" who allows fugitive Robert Cummings to hide out in his carnival wagon in Saboteur (1942). The actor's last film was the posthumously released Crisis (1950), a political drama set in an unnamed South American dictatorship.

Bruce Carruthers (Actor)

Jack Semple (Actor)

Roy Thomas (Actor)

Robert Thom (Actor)

Born: July 02, 1929
Died: May 08, 1979

Larry Steers (Actor)

Born: February 14, 1888
Died: February 15, 1951

Trivia: A tall, dark-haired, often elegant silent screen actor, Larry Steers had appeared with the famous Bush Temple Stock Company and opposite matinee idol Robert Edeson prior to making his film debut with Paramount in 1917. Extremely busy in the 1920s, Steers usually played professional men, doctors, lawyers, and politicians, typecasting that continued well into the sound era, albeit in much diminished circumstances. By the mid-'30s, the veteran actor had become a Hollywood dress extra.

Gary Delmar (Actor)

Charlie Murray Jr. (Actor)

Margaret Morton (Actor)

George Economides (Actor)

Robert E. O'Connor (Actor) .. Bartender at Silver Dollar

Born: January 01, 1885
Died: September 04, 1962

Trivia: Boasting a colorful show-biz background as a circus and vaudeville performer, Robert Emmet O'Connor entered films in 1926. Blessed with a pudgy Irish mug that could convey both jocularity and menace, O'Connor was most often cast as cops and detectives, some of them honest and lovable, some of them corrupt and pugnacious. His roles ranged from such hefty assignments as the flustered plainclothesman Henderson in Night at the Opera (1935) to such bits as the traffic cop who is confused by Jimmy Cagney's barrage of Yiddish in Taxi! (1932). One of his most famous non-cop roles was warm-hearted bootlegger Paddy Ryan in Public Enemy. During the 1940s, O'Connor was a contract player at MGM, showing up in everything from Our Gang comedies to the live-action prologue of the Tex Avery cartoon classic Who Killed Who? (1944). Robert Emmet O'Connor's last film role was Paramount studio-guard Jonesy in Sunset Boulevard (1950). Twelve years later, he died of injuries sustained in a fire.

Michael Economides (Actor)

Stubby Kruger (Actor) .. Boat crewman

Born: January 01, 1896
Died: January 01, 1965

Roque Ybarra (Actor)

Nino Pipitone Jr. (Actor)

Ralph Soncuya (Actor)

Wallace Ford (Actor)

Born: February 12, 1898
Died: June 11, 1966

Trivia: Once there was a film historian who opined that Wallace Ford was in more movies than any other character actor of his prominence. This is unlikely, but Ford was certainly kept busy in roles of all shapes and sizes during his 35-year movie career. Orphaned in infancy, Ford grew up in various British orphanages and foster homes (his search in the mid-1930s for his natural parents drew worldwide headlines). He first set foot on stage at age 11, playing in vaudeville and music halls before working his way up to Broadway. His inauspicious feature-film debut was in Swellhead (1931), a baseball melodrama which lay on the shelf for nearly five years before its release. He went on to play wisecracking leading roles in such "B"s as Night of Terror (1933), The Nut Farm (1935) and The Mystery of Mr. Wong (1935); the critics paid no heed to these minor efforts, though they always showered Ford with praise for his supporting roles in films like John Ford's The Informer (1935) and Alfred Hitchcock's Shadow of a Doubt (1943). He occasionally took a leave of absence from films to accept a stage role; in 1937, he created the part of George in the original Broadway production of Of Mice and Men (1937). As he grew balder and stockier, he remained in demand for middle-aged character roles, often portraying wistful drunks or philosophical ne'er-do-wells. Wallace Ford ended his film career with his powerful portrayal of Elizabeth Hartman's vacillating father in A Patch of Blue (1965).

Vincent Isla (Actor)

Max Ong (Actor)

James Farley (Actor)

Born: January 08, 1882
Died: October 12, 1947

Trivia: Brawny character actor James Farley made his entree into films in 1918. Best-served in roles calling for authority backed by muscle, Farley can be seen as Southern General Thatcher in Buster Keaton's The General (1926) and as the executioner in Cecil B. DeMille's The King of Kings (1927). He spent most of the talkie era in small roles as detectives, patrolmen and night watchman. James Farley's credits are sometimes confused with those of another actor by the same name who acted in "regional" productions of the 1960s.

Ernest Dominguez (Actor)

Henry Mirelez (Actor)

Lee Tung Foo (Actor)

Born: January 01, 1874
Died: January 01, 1966

Tom Tyler (Actor)

Born: August 09, 1903
Died: May 01, 1954

Trivia: Athletically inclined, Tyler entered films at age 21 as a stuntman and extra. He went on to play supporting roles in several late silents, then signed a contract to star in Westerns. He soon became a popular screen cowboy, often accompanied by sidekick Frankie Darro; he survived the transition to sound, going on to star in a number of serials in the early '30s. He remained popular through the early '40s and occasionally played supporting roles in major films. In 1943 he was struck by a crippling rheumatic condition; although he appeared in a handful of additional films throughout the next decade, his career was effectively ended as he was relegated to minor roles. By the early '50s he was broke. He died of a heart attack at age 50.

Billy Wilkerson (Actor) .. Sgt. Smith

John Carlyle (Actor) .. Lt. James

Mary Jane French (Actor)

Patrick Davis (Actor) .. Pilot

Roger Cole (Actor)

Brent Shugar (Actor)

Kermit Maynard (Actor)

Born: September 20, 1902
Died: February 22, 1971

Trivia: The brother of western star Ken Maynard, Kermit Maynard was a star halfback on the Indiana University college team. He began his career as a circus performer, billed as "The World's Champion Trick and Fancy Rider." He entered films in 1926 as a stunt man (using the stage name Tex Maynard), often doubling for his brother Ken. In 1927, Kermit starred in a series for Rayart Films, the ancestor of Monogram Pictures, then descended into minor roles upon the advent of talking pictures, taking rodeo jobs when things were slow in Hollywood. Independent producer Maurice Conn tried to build Kermit into a talkie western star between 1931 and 1933, and in 1934 launched a B-series based on the works of James Oliver Curwood, in which the six-foot Maynard played a Canadian mountie. The series was popular with fans and exhibitors alike, but Conn decided to switch back to straight westerns in 1935, robbing Maynard of his attention-getting gimmick. Kermit drifted back into supporting roles and bits, though unlike his bibulous, self-indulgent brother Ken, Kermit retained his muscular physique and square-jawed good looks throughout his career. After his retirement from acting in 1962, Kermit Maynard remained an active representative of the Screen Actors Guild, lobbying for better treatment and safer working conditions for stuntpersons and extras.

Bill Donahue (Actor)

Frank Eldredge (Actor)

Jack Carrington (Actor)

Hansel Warner (Actor)

Charles Ferguson (Actor)

John Trent (Actor)

Robert Strong (Actor)

John Epper (Actor)

Bill Nind (Actor)

Donald S. Lewis (Actor)

Merrill McCormack (Actor)

Born: February 05, 1892
Died: August 19, 1953

Trivia: Bearded and scruffy-looking, William Merrill McCormick became one of the busiest character actors in B-Western history. Beginning his screen career in the late 1910s, McCormick excelled at playing unshaven henchmen, rustlers, stage robbers, and a host of other less-than-desirable prairie varmints. Rarely the main villain, he could usually be spotted sneering in the background alongside such fellow bit part players as Jim Corey, Bill Gillis, and Al Ferguson. Taking time out to direct good friend Marin Sais in a couple of very inexpensive oaters in 1923, McCormick kept up a hectic acting schedule that lasted well into the television era. He died of a heart attack right after finishing a scene for the television series The Roy Rogers Show.

Jack Mower (Actor)

Born: September 01, 1890
Died: January 06, 1965

Trivia: Silent film leading man Jack Mower was at his most effective when cast in outgoing, athletic roles. Never a great actor, he was competent in displaying such qualities as dependability and honesty. His best known silent role was as the motorcycle cop who is spectacularly killed by reckless driver Leatrice Joy in Cecil B. DeMille's Manslaughter (1922). Talkies reduced Jack Mower to bit parts, but he was frequently given work by directors whom he'd befriended in his days of prominence; Mower's last film was John Ford's The Long Gray Line (1955).

Alex Havier (Actor) .. Benny Lacoco, Steward

Born: January 01, 1908
Died: December 18, 1945

Danny Borzage (Actor)

Born: January 01, 1897
Died: January 01, 1975