Trivia: When actress Gillian Anderson landed the role of Agent Scully for the Fox television series X-Files (1993- ) she could not have foreseen that within two years she would become an internationally known cult phenomenon. She was born in Chicago, but moved to London at age two and remained there until she was in her early teens. She and her family then moved to Grand Rapids, MI, where she rebelliously got heavily into the punk rock scene complete with spiky, brilliantly colored hair and body piercings with safety pins. When she was 14, she became romantically involved with a 20-year-old punk singer and occasionally sang in his band. Her punk period lasted through high school. Following graduation, she got involved in local theater and from there studied fine arts at the Goodman Theater School of Drama at Chicago's DePaul University. Following graduation, she moved to New York where she waited tables and appeared in off-Broadway plays, most notably in Absent Friends, in which she had a starring role that won her a Theater World Award. Anderson made her film debut in 1992 with the low-budget drama The Turning. She then appeared in a theatrical production of The Philanthropist and after that moved to Los Angeles. Though she was frequently courted for television roles, Anderson disdained the medium until the X-Files audition came along. Though the producers were looking for a brainy version of a Baywatch girl, the beautiful but more natural looking (having long passed her outrageous days) Anderson got the role thanks to the insistence of the show's creator Chris Carter. The show became a smash hit within two seasons and Anderson found herself an international star, as did her co-star David Duchovny, the subject of numerous pages on the Internet, and the recipient of such awards as a Golden Globe, an Emmy, and a Screen Actors Guild Award. In addition to continuing work on the X-Files, Anderson hosted a couple of television specials, including More Secrets of the X-Files and the BBC documentary series Future Fantastic. She also lent her voice as a documentary narrator on Spies Above and as animated characters on shows like The Simpsons and Reboot and films like the English version of Princess Mononoke.Anderson would spend the next several years working extensively in British television, starring in series like Bleak House, Any Human Heart, Moby Dick, and The Fall, as well as appearing in numerous UK films, like The Last King of Scotland and Shadow Dancer.

Trivia: Eric Stoltz has appeared in a number of major and minor features and on television. While growing up, the pale, slender, and red-haired Stoltz spent time in American Samoa. His interest in acting began in high school where he not only acted in productions, but also occasionally accompanied them on piano. While attending U.S.C., Stoltz studied theater arts but left the program to study under Stella Adler, William Taylor, and Peggy Feury. Afterward, Stoltz spent a season in Edinburgh performing with an American repertory company. Upon his return stateside, Stoltz appeared in the television movie version of humorist Erma Bombeck's novel The Grass Is Always Greener Over the Septic Tank (1978). He would appear in three more television films before making his film debut in Amy Heckerling's Fast Times at Ridgemont High (1982) alongside such other would-be stars as Sean Penn, Anthony Edwards, and Jennifer Jason Leigh. From there, Stoltz appeared in a series of low-budget films such as Running Hot (1982) and Surf 2 (1984), and he might well have remained at that level had he not been cast as Rocky Dennis in Peter Bogdanovich's Mask (1986). Playing a young teen suffering from lionitis, a terminal disease that drastically deforms the skull, Stoltz had to wear pounds of makeup and prosthetics (the makeup won Oscars for designers Zoltan Elek and Michael Westmore) that left him with only his voice, his eyes, and his body with which to convey emotions. Starring opposite Cher, who played his drug-addicted biker-chick mother, Stoltz gave a moving performance that earned him critical and audience acclaim. But though it made Stoltz popular, full-fledged stardom eluded him and he continued appearing in moderately successful and low-budget films, including John Hughes' romantic drama Some Kind of Wonderful (1987). In addition to his film work, Stoltz has had a busy Broadway career that began in 1988 with a Tony-nominated starring role in a revival of Thornton Wilder's Our Town, and a sporadic television career making guest appearances on such series as Mad About You and in TV movies. Stoltz has occasionally produced films such as Mr. Jealousy (1997). In 2002 Stoltz reteamed with Killing Zoe director Rogery Avery for the pitch-black college comedy The Rules of Attraction, and the following decade found him increasingly active on the small screen with roles in Will & Grace, Close to Home, Grey's Anatomy, and the 2009 Battlestar Galactica spin-off Capricia. Meanwhile, back on the silver screen, Stoltz earned accolades for his leading role as a conflicted barber of German heritage forced to suppress his American patriotism after moving his family to a post-World War II military base which houses a German POW camp.

Trivia: One of the most vibrant comic personalities of the 1970s and '80s, as well as a noted actor and screenwriter, Dan Aykroyd got his professional start in his native Canada. Before working as a standup comedian in various Canadian nightclubs, Aykroyd studied at a Catholic seminary from which he was later expelled. He then worked as a train brakeman, a surveyor, and studied Sociology at Carleton University in Ottawa, where he began writing and performing comedy sketches. His success as a comic in school led him to work with the Toronto branch of the famed Second City improvisational troupe. During this time -- while he was also managing the hot nightspot Club 505 on the side -- Aykroyd met comedian and writer John Belushi, who had come to Toronto to scout new talent for "The National Lampoon Radio Hour." In 1975, both Aykroyd and Belushi were chosen to appear in the first season of Canadian producer Lorne Michaels' innovative comedy television series Saturday Night Live. It was as part of the show that Aykroyd gained notoriety for his dead-on impersonations of presidents Richard Nixon and Jimmy Carter. He also won fame for his other characters, such as Beldar, the patriarch of the Conehead clan of suburban aliens, and Elwood, the second half of the Blues Brothers (Jake Blues was played by Belushi). Aykroyd made his feature-film debut in 1977 in the Canadian comedy Love at First Sight, but neither it nor his subsequent film, Mr. Mike's Mondo Video, were successful. His first major Hollywood screen venture was as a co-lead in Steven Spielberg's 1941 (1979). But Aykroyd still did not earn much recognition until 1980, when he and Belushi reprised their popular SNL characters in The Blues Brothers, a terrifically successful venture that managed to become both one of the most often-quoted films of the decade and a true cult classic. Aykroyd and Belushi went on to team up one more time for Neighbors (1981) before Belushi's death in 1982. Aykroyd's subsequent films in the '80s ranged from the forgettable to the wildly successful, with all-out comedies such as Ghostbusters (1984) and Dragnet (1987) falling into the latter category. Many of these films allowed him to collaborate with some of Hollywood's foremost comedians, including fellow SNL alumni Chevy Chase, Bill Murray, and Eddie Murphy, as well as Tom Hanks and the late John Candy. In such pairings, Aykroyd usually played the straight man -- typically an uptight intellectual or a latent psycho. He tried his hand at drama in 1989 as Jessica Tandy's son in Driving Miss Daisy and received an Oscar nomination for Best Supporting Actor. During the '90s, Aykroyd's career faltered just a bit as he appeared in one disappointment after another. Despite scattered successes like My Girl (1991), Chaplin (1992), Casper (1995), Grosse Pointe Blank (1997), and Antz (1998), the all-out flops -- The Coneheads (1993), Exit to Eden (1994), Sgt. Bilko (1996) -- were plentiful. Likewise, the long-awaited Blues Brothers sequel, Blues Brothers 2000 (1998), proved a great disappointment. Aykroyd, however, continued to maintain a screen profile, starring as Kirk Douglas' son in the family drama Diamonds in 1999. During the next few years, he found greater success in supporting roles, with turns as a shifty businessman in the period drama The House of Mirth (2000), Woody Allen's boss in The Curse of the Jade Scorpion (2001), pop star Britney Spears' father in her screen debut, Crossroads (2002), and (in a particularly amusing turn) as Dr. Keats in the Adam Sandler/Drew Barrymore comedy 50 First Dates. Aykroyd also appeared in the 2005 Christmas with the Kranks, alongside Tim Allen and I Now Pronounce You Chuck and Larry with Adam Sandler in 2006. He also provided the voice of Yogi Bear in the big screen adaptation of the titular cartoon -- but none of these projects did particularly well with fans. Aykroyd soon planned to revive the smashing success of the Ghostbusters franchise, collaborating with Harold Ramis to create a script and reunite the original four stars. However, ongoing hold-ups, including the public refusal of pivotal member Bill Murray to participate, continued to push the project back. In the meantime, Akroyd played a recurring role on TV shows like According to Jim, The Defenders, and Happily Divorced.Since 1983, Aykroyd has been married to the radiant Donna Dixon, a model who holds the twin titles of Miss Virginia 1976, and Miss District of Columbia 1977; the two co-starred in the 1983 Michael Pressman comedy Doctor Detroit. In Aykroyd's off time, he claims a varied number of interests, including UFOs and supernatural phenomena (his brother Peter works as a psychic researcher), blues music (he co-owns the House of Blues chain of nightclubs/restaurants), and police detective work.

Trivia: Despite spending the first 25 years of his life in Adelaide, Australia, Anthony LaPaglia is best known for playing street-savvy Italian New Yorkers. This was not, however, LaPaglia's original plan. Rather than testing the waters of show business, LaPaglia traveled to the United States intending to pursue a full-time teaching career. As luck would have it, however, one of LaPaglia's odd jobs was a small role in Cold Steel (1987), a low-budget detective drama. LaPaglia began pursuing theater and television in his spare time -- one of his more notable early performances was in 1988's Frank Nitti: The Enforcer -- and considered himself a full-time actor by 1989, when he made his feature-film debut in Slaves of New York. It was 1990, however, when the young actor earned critical recognition for his role as an exceedingly polite mobster in Betsy's Wedding.LaPaglia continued to build his résuméthroughout the early '90s, most of which he spent playing either kindly policemen or good-hearted mobsters, and was delighted to work alongside a variety of noted actors so early in his career. Among those actors were Alan Alda in Betsy's Wedding, Michael Keaton in One Good Cop (1991), and Nathan Lane, Sharon Stone, and Kevin Bacon in He Said, She Said (1992). Later in 1992, LaPaglia could be found playing his first leading role in George Gallo's gangster farce 29th Street. Though the film did not fare particularly well, audiences were nonetheless impressed with LaPaglia's intensity, and he played a more serious gangster with great success opposite Susan Sarandon in The Client (1994). The actor switched gears for his next handful of films; in Mixed Nuts (1994) he played a disillusioned Santa Claus, while Empire Records (1995) found him as a down-on-his-luck store manager, and the Australian-helmed Brilliant Lies (1996) featured him as the defendant in a sketchy sexual-harassment case.Despite a smattering of mediocre films between 1995 and the early 2000s, LaPaglia continued to earn critical acclaim for many of his endeavors, such as Steve Buscemi's directorial debut, Trees Lounge (1996), for which LaPaglia joined a star-studded supporting cast, as well as for his role as a detective in Spike Lee's Summer of Sam (1999). Luckily for him, 2000 and 2001 proved excellent for his career, as it was during this period that he played a wealthy businessman in The House of Mirth and an adulterous police detective in Lantana. In addition to receiving international success, Lantana earned LaPaglia the prestigious Best Actor award from the Australian Film Institute, as well as a nomination from the Film Critics Circle. In the meantime, he was adding several major television credits to his résumé, including a starring role as the head of the FBI's Missing Persons Squad on CBS's Without a Trace, and a recurring role on the long-running sitcom Frasier, a performance for which he would receive an Emmy in 2002. Far removed from his fledgling days as a teacher, 2002 also found LaPaglia working with Val Kilmer for The Salton Sea; Sigourney Weaver for The Guys; Robert De Niro and Billy Crystal in Analyze That; and Eric Stoltz in Happy Hour. In 2003, after filming Manhood with Janeane Garofalo and the late John Ritter, LaPaglia agreed to star in director Josh Sternfeld's Winter Solstice (2004).Over the next several years, LaPaglia would appear in a number of big screen projects, like Balibo (2009), Overnight (2012) and A Good Marriage (2014).

Trivia: The daughter of respected off-Broadway playwright Romulus Linney, Laura Linney was born in New York City on February 5, 1964. Her parents divorced when she was six months old. Thanks to her father's job, Linney grew up working in the theater, both behind the scenes and, in her late teens, on the stage. Following prep school in Massachusetts, she attended both Brown University and Juilliard, and she was soon appearing in a number of Broadway productions. She garnered notice for her roles in plays like The Seagull and Six Degrees of Separation, and won particular acclaim for her performance in Hedda Gabler.Linney made her onscreen debut in 1992 with a small role as a teacher in Lorenzo's Oil. The following year, she had a brief but pivotal role as Kevin Kline's presidential mistress in Dave, appeared in Searching for Bobby Fischer, and landed a lead as one of the protagonists of Armistead Maupin's acclaimed Tales of the City, which aired on PBS. Linney later reprised her role as Mary Ann Singleton for More Tales of the City in 1998. Following leads in two box-office failures, A Simple Twist of Fate (1994) and Congo (1995), Linney had a supporting role as Richard Gere's lawyer/ex in Primal Fear (1996). Based on the strength of her performance, Clint Eastwood chose her to play his daughter -- another lawyer -- in Absolute Power the following year. In 1998, Linney sent up her wholesome, fresh-scrubbed appearance to great effect as Truman Burbank's wife in Peter Weir's highly acclaimed The Truman Show.The actress finally came into her own in 2000, thanks to two very different parts in two highly acclaimed independent features. Writer/director Kenneth Lonergan's You Can Count on Me featured Linney as Sammy, a small-town single mother whose placid life takes some interesting turns when she's visited by her errant brother Terry (Mark Ruffalo). Aided by Lonergan's precise script and her own copious note-taking, Linney turned in her most nuanced, accomplished performance to date. Critics paid attention: after its much-heralded debut at the 2000 Sundance Film Festival, the film went on to garner a slew of recognition for its lead actress, including Best Actress of the Year awards from the National Society of Film Critics and the New York Film Critics Circle, and an eventual Oscar nomination for Best Actress. Linney further polished her reputation with a supporting turn as the icy Bertha Dorset in director Terence Davies' adaptation of Edith Wharton's The House of Mirth, released in late 2000.She continued working steadily and garnered great critical respect throughout the next decade. In addition to returning for Further Tales of the City, she was one of the many talented actors who appeared in the controversial The Laramie Project. She had a few big-budget films that missed their mark in The Mothman Prophecies and The Life of David Gale, but those came around the same time as her superb turn as Sean Penn's wife in Mystic River, and as one of the few Americans in the very British romantic comedy Love Actually. She continued to earn strong reviews as the headstrong wife to Liam Neeson's Kinsey, and in 2005 offered a subtle but penetrating portrayal of a selfish mother and divorcee opposite Jeff Daniels in The Squid and the Whale. The next year she acted opposite Robin Williams in Barry Levinson's political and social satire Man of the Year.In 2007 Linney offered a spot-on portrayal of a dissatisfied Manhattan wife and mother in The Nanny Diaries, and earned a wealth of strong reviews for her work in Tamara Jenkins' The Savages. Playing a neurotic woman opposite Philip Seymour Hoffman as her brother, Linney scored her third Academy Award nomination.2008 brought Linney her fourth Golden Globe nomination, and first win, for the portrayl of first lady Abigail Adams in the acclaimed HBO miniseries John Adams. In the following years, Linney would continue to appear in several projects, including movies like Morning and The Details, and the acclaimed Showtime series The C Word.

Trivia: Some actors have such defining traits that they seem to have "leading man" written all over them, while others, like Terry Kinney, succeed with an uncanny ability to drastically alter their appearance at the drop of a hat. Though his chameleon-like skills have helped the actor land numerous roles on the stage and screen, it's his talent that ultimately formed the backbone of his enduring career. After graduating from high school, the Lincoln, IL, native attended Illinois State University. It was there that he befriended aspiring actor Jeff Perry, who invited Kinney to Chicago to watch his best friend perform in a stage production of Grease. Perry's friend was an ambitious young actor named Gary Sinise, and the three soon began planning to open their own regional theater. Though it was founded in 1974, the Steppenwolf Theater wouldn't quite get off the ground until two years later -- when Kinney and Perry graduated from I.S.U. The venture was largely unprofitable at first, so its founders supported themselves and their dream through a series of odd jobs before the theater moved from a Highland Park church basement to the old St. Nicholas Theater building in the early '80s. The change of scenery proved to be just what the theater needed to flourish, and it was soon drawing good crowds. In the years that followed, the company moved once again -- this time to a permanent location in Chicago -- and Kinney served as Steppenwolf's artistic co-director alongside Sinise. During this profitable period, Kinney and his co-founders were nominated for numerous theatrical awards, while their productions made headway on Broadway. Kinney, of course, had aspirations beyond regional theater, and, in 1986, made his film debut with a small part in the romantic comedy Seven Minutes in Heaven. The remainder of the '80s found the actor landing bit parts in No Mercy (1986) and Sinise's Miles From Home (1988), in addition to a brief stint on television with thirtysomething. It wasn't until the following decade, however, that his film career truly began to blossom. Following an appearance in The Last of the Mohicans (1992), Kinney drew favorable reviews for his top-billed turn in Abel Ferrara's Body Snatchers, and his billing remained high with The Firm (1993), Fly Away Home (1996), and Sleepers (1998). In 1997, Kinney landed an extended gig on the acclaimed HBO prison drama Oz. Cast as Cell Block Five Unit Manager Tim McManus, Kinney's hardened performance lent the show both dimension and a certain foundation. Kinney frequently balanced his role on this series with a number of feature performances, including such films as The Young Girl and the Monsoon (1999, his second lead), Luminous Motion (1998), and The House of Mirth (2000). Although the bulk of his work in Save the Last Dance (2001) ended up on the cutting room floor, audiences could still get a good look at Kinney in such features as The Laramie Project (2001) and the 2004 soccer drama The Game of Their Lives.

Trivia: The daughter of educators, Elizabeth McGovern moved from her home town of Evanston, Illinois to Los Angeles when her father, a law professor at Northwestern, transferred to UCLA. Discovered for the movies while appearing in a high-school play, McGovern made an impressive screen debut as the girlfriend of emotionally disturbed teenager Timothy Hutton in the Oscar-winning Ordinary People (1980). The following year, she earned an Academy Award nomination for her portrayal of notorious turn-of-the-century "kept lady" Evelyn Nesbit Shaw in Ragtime. She honed her acting skills at Julliard and the American Conservatory Theatre, then made her off-Broadway debut in a 1981 production of To Be Young, Gifted and Black; her later stage credits include Painting Churches and The Hitch-hiker. Carefully avoiding the make-work roles usually reserved for actresses of her generation, McGovern has opted for offbeat characterizations in such films as Racing with the Moon (1984) and Once Upon a Time in America. She seems unconcerned with the size of her roles, so long as she can make a lasting impression as witness The Handmaid's Tale (1991) in which she deftly handles her role with such formidable co-stars as Natasha Richardson and Robert Duvall with her brief appearance as self-deprecating lesbian prostitute Moira. Elizabeth McGovern also starred in the 1995 TV sitcom If Not for You.

Trivia: Statuesque British comic actress Eleanor Bron rose to fame on radio, stage, and television as a member of the Establishment, a London revue troupe. Her gift for mimicry was generously showcased in her first film appearance as the Middle-Eastern cultist/spy in the Beatles' Help! (1965). She was also effective as a pretentious American tourist in Two for the Road (1967) and as the less-than-bright waitress heroine in Bedazzled (1967). In the last two decades, Eleanor Bron has augmented her film work with one-woman stage presentations and various satirical British television weeklies.

Trivia: British adolescent and ingenue actress, onscreen from age 13 in A World Apart (1988).

Trivia: Began her career in Australian theatre. In 1976, made her television debut in Australian soap opera Bellbird. Moved to the United Kingdom in the early 1980s, making her British television debut in a 1984 episode of Minder. In 1991, was nominated for the Laurence Olivier Award for Best Actress, for her performance as Marianne in Scenes from a Marriage. Appeared as Gertrude in a 2008 Royal Shakespeare Company production of Hamlet, and its 2009 television adaptation. Is an associate artist of the Royal Shakespeare Company.