Trivia: Despite a thick Australian accent in some of his earlier films, actor Mel Gibson was born in Peeksill, NY, to Irish Catholic parents on January 3rd, 1956. One of eleven children, Gibson didn't set foot in Australia until 1968, and only developed an Aussie accent after his classmates teased him for his American tongue. Mel Gibson's looks have certainly helped him develop a largely female following similar to the equally rugged Harrison Ford, but since his 1976 screen debut in Summer City, Gibson has been recognized as a critical as well as physiological success.Though he had, at one point, set his sights on journalism, Gibson caught the acting bug by the time he had reached college age, and studied at the National Institute of Dramatic Art in Sydney, Australia, despite what he describes as a crippling ordeal with stage fright. Luckily, this was something he overcame relatively quickly -- Gibson was still a student when he filmed Summer City and it didn't take long before he had found work playing supporting roles for the South Australia Theatre Company after his graduation. By 1979, Gibson had already demonstrated a unique versatility. In the drama Tim, a then 22-year-old Gibson played the role of a mildly retarded handy man well enough to win him a Sammy award -- one of the Australian entertainment industry's highest accolades -- while his leather clad portrayal of a post-apocalyptic cop in Mad Max helped the young actor gain popularity with a very different type of audience. Gibson wouldn't become internationally famous, however, until after his performance in Mad Max 2 (1981), one of the few sequels to have proved superior to its predecessor. In 1983, Gibson collaborated with director Peter Weir for the second time (though it was largely overlooked during the success of Mad Max 2, Gibson starred in Weir's powerful WWI drama Gallipoli in 1981) for The Year of Living Dangerously, in which he played a callous reporter responsible for covering a bloody Indonesian coup. Shortly afterwards, Gibson made his Hollywood debut in The Bounty with Oscar-winner Anthony Hopkins, and starred opposite Sissy Spacek in The River during the same year. He would also star in Mad Max Beyond Thunderdome (1985) alongside singer Tina Turner.After the third installment to the Mad Max franchise, Gibson took a two-year break, only to reappear opposite Danny Glover in director Richard Donner's smash hit Lethal Weapon. The role featured Gibson as Martin Riggs, a volatile police officer reeling from the death of his wife, and cemented a spot as one of Hollywood's premier action stars. Rather than letting himself become typecast, however, Gibson would surprise critics and audiences alike when he accepted the title role in Franco Zeffirelli's Hamlet (1990). Though his performance earned mixed reviews, he was applauded for taking on such a famously tragic script.In the early '90s, Gibson founded ICON Productions, and through it made his directorial debut with 1993's The Man Without a Face. The film, which also starred Gibson as a horrifically burned teacher harboring a secret, achieved only middling box-office success, though it was considered a well-wrought effort for a first-time director. Gibson would fare much better in 1994 when he rejoined Richard Donner in the movie adaptation of Maverick; however, it would be another year before Gibson's penchant for acting, directing, and producing was given its due. In 1995, Gibson swept the Oscars with Braveheart, his epic account of 13th century Scottish leader William Wallace's lifelong struggle to forge an independent nation. Later that year, he lent his vocal talents -- surprising many with his ability to carry a tune -- for the part of John Smith in Disney's animated feature Pocahontas. Through the '90s, Gibson's popularity and reputation continued to grow, thanks to such films as Ransom (1996) and Conspiracy Theory (1997). In 1998, Gibson further increased this popularity with the success of two films, Lethal Weapon 4 and Payback. More success followed in 2000 due to the actor's lead role as an animated rooster in Nick Park and Peter Lord's hugely acclaimed Chicken Run, and to his work as the titular hero of Roland Emmerich's blockbuster period epic The Patriot (2000). After taking up arms in the battlefield of a more modern era in the Vietman drama We Were Soldiers in 2002, Gibson would step in front of the cameras once more for Sixth Sense director M. Night Shyamalan's dramatic sci-fi thriller Signs (also 2002). The film starred Gibson as a grieving patriarch whose rural existence was even further disturbed by the discovery of several crop circles on his property.Gibson would return to more familiar territory in Randall Wallace's We Were Soldiers -- a 2002 war drama which found Gibson in the role of Lt. Col. Hal Moore, commander of the First Battalion, Seventh Cavalry -- the same regiment so fatefully led by George Armstrong Custer. In 2003, Gibson starred alongside Robert Downey Jr. and Robin Wright-Penn in a remake of The Singing Detective. The year 2004 saw Gibson return to the director's chair for The Passion of The Christ. Funded by 25 million of Gibson's own dollars, the religious drama generated controversy amid cries of anti-Semitism. Despite the debates surrounding the film -- and the fact that all of the dialogue was spoken in Latin and Aramaic -- it nearly recouped its budget in the first day of release.The actor stepped behind the camera again in 2006 with the Mayan tale Apocalypto and was preparing to product a TV movie about the Holocaust, but by this time, public attention was not pointed at Gibson's career choices. That summer, he was pulled over for drunk driving at which time he made extremely derogatory comments about Jewish people to the arresting officer. When word of Gibson's drunken, bigoted tirade made it to the press, the speculation of the actor's anti-Semitic leanings that had circulated because of the choices he'd made in his depiction of the crucifixion in Passion of the Christ seemed confirmed. Gibson's father being an admitted holocaust denier hadn't helped matters and now it seemed that no PR campaign could help. Gibson publicly apologized, expressed extreme regret for his comments, and checked himself into rehab. Still, the plug was pulled on Gibson's Holocaust project and the filmmaker's reputation was irreparably tarnished.

Trivia: Born October 2, 1954, it's no surprise that Lorraine Bracco, with her thick Brooklyn accent, was raised in a working-class neighborhood in New York City, but her twenties were not as predictable. Relocating to Europe, she spent several years living in France as a fashion model and working in radio, TV commercials, and films. She appeared in the Lina Wertmuller crime thriller Un Complicato Intrigo Di Donne, Vicoli E Delitti along with American actor Harvey Keitel, to whom she would be married for ten years. Moving back to New York to study acting with Stella Adler and the Actor's Studio, she made her U.S. debut as a hooker in The Pick-Up Artist (also with Keitel) and later starred as a Queens housewife in Ridley Scott's Someone to Watch Over Me. After a couple roles in Sing and The Dream Team, she received an Oscar nomination for her work as mobster Henry Hill's wife in Martin Scorsese's Goodfellas, making her a full-blown movie star overnight. She continued working in features for the remainder of the '90s, most notably opposite Sean Connery in Medicine Man, as the whip-cracking Delores Del Rio in Even Cowgirls Get the Blues, and as Leonardo DiCaprio's long-suffering mother in The Basketball Diaries.Then in 1999, when Bracco got the stellar role of Dr. Jennifer Melfi on the hit HBO series The Sopranos. Bracco stayed with the series until 2007, playing the understated psychiatrist of mob boss Tony Soprano, and picking up several Emmy, Golden Globe, and Screen Actors Guild awards over the years. The show kept her busy, but the actress continued to pursue other projects, playing a nervous mother in Penny Marshall's Riding in Cars With Boys , and taking on a recurring role on the series Lipstick Jungle. In 2010 Bracco co-starred in the comedy Son of Morning, and directed the ensemble drama Love and Distrust (starring Robert Downey, Jr., James Franco, and Amy Adams) the same year. Bracco took on a recurring role as Angela Rizzoli in the television series Rizzoli & Isles (2010-2012), and continues to work in film and television.

Trivia: An everyman comic who shot to stardom thanks to a series of guest appearances on friend and fellow funnyman Ray Romano's popular sitcom Everybody Loves Raymond, Kevin James wasn't exactly the class clown fans might assume during his formative years. Though his healthy sense of humor did help the Mineola, Long Island native to make plenty of friends while growing up, it wasn't until he took a public speaking class in college that James truly discovered the power of laughter. The son of an insurance agent and a devoted housewife who only worked off-jobs when necessary to support the family, James majored in sports management at State University of New York at Cortland before dropping out to hone his talents as an entertainer in community theater and various improvisational groups. Subsequently following his older brother to the standup stage, James made his debut at Manhattan's East Side Comedy Club in 1989 to surprising, if not predictable, results. Though James made a killing his first night, a disheartening appearance the following night with the very same material and a whole new crowd would teach the aspiring comic an important lesson in failure. Undaunted by his death on-stage and determined to roll with the punches, James quickly learned that the unpredictable world of standup comedy was filled with as many ups as it was downs. His survival instinct ended up serving him well; a fateful set at the 1996 Montreal Comedy Festival became the defining performance of his early career. James was soon signed to appear on Romano's fledgling sitcom in addition to receiving his very own development deal. In 1998, The King of Queens debuted to healthy ratings. A blue-collar sitcom that countless viewers could relate to, The King of Queens detailed the life of a hapless postal carrier who shares his Queens, NY home his wife, Carrie (Leah Remini), and her eccentric father, Arthur (Jerry Stiller). With success on the small screen soon prompting James to try his talent in feature films, a supporting role in 50 First Dates and a co-starring role opposite Will Smith in Hitch found the television favorite's amiable humor translating well to the big screen. A team effort with longtime friend Romano would result in the straight-to-video comedy Grilled in 2006, with subsequent voice work in the animated family comedies Monster House and Barnyard arriving in theaters later that same year.James would maintain his position as a go-to guy for family friendly comedy over the coming years, appearing in films like I Now Pronounce You Chuck and Larry, Paul Blart: Mall Cop, Grown Ups, and Zookeeper and providing a voice in Hotel Transylvania. James then reprised his roles in Grown Ups 2, Paul Blart: Mall Cop 2 and Hotel Transylvania 2, while also appearing in Pixels, opposite his frequent co-star Adam Sandler.

Trivia: Actress Nora Zehetner premiered onscreen with a supporting role in director Christina Wayne's scabrous teen melodrama Tart (2001), then followed this up (and ascended to higher billing) with two key assignments in 2005: the enigmatic female lead, Laura, in Rian Johnson's post-noir mystery Brick, and a supporting turn as a young version of a character played by Helena Bonham Carter in Hans Canosa's dialogue-heavy erotic drama Conversations with Other Women. Zehetner then essayed her first lead -- that of Christy, a young woman haunted by apocalyptic visions after she accidentally causes the death of her younger sister -- in the horror opus Beneath, and tackled a supporting part in the offbeat collegiate black comedy Fifty Pills (2006). She also made an impression on TV viewers, appearing as Laynie Hart on the drama Everwood during its first two seasons (2003-2004), and taking on the role of the manipulative company operative Eden McCain -- who had the power to persuade others to obey her every command -- during the first season of the hit superhero series Heroes (2006).