Trivia: If Harrison Ford had listened to the advice of studio heads early in his career, he would have remained a carpenter and never gone on to star in some of Hollywood's biggest films and become one of the industry's most bankable stars. Born July 13, 1942, in Chicago and raised in a middle-class suburb, he had an average childhood. An introverted loner, he was popular with girls but picked on by school bullies. Ford quietly endured their everyday tortures until he one day lost his cool and beat the tar out of the gang leader responsible for his being repeatedly thrown off an embankment. He had no special affinity for films and usually only went to see them on dates because they were inexpensive and dark. Following high school graduation, Ford studied English and Philosophy at Ripon College in Wisconsin. An admittedly lousy student, he began acting while in college and then worked briefly in summer stock. He was expelled from the school three days before graduation because he did not complete his required thesis. In the mid-'60s, Ford and his first wife, Mary Marquardt (his college sweetheart) moved to Hollywood, where he signed as a contract player with Columbia and, later, Universal. After debuting onscreen in a bit as a bellboy in Dead Heat on a Merry-Go-Round (1966), he played secondary roles, typically a cowboy, in several films of the late '60s and in such TV series as Gunsmoke, The Virginian, and Ironside. Discouraged with both the roles he was getting and his difficulty in providing for his young family, he abandoned acting and taught himself carpentry via books borrowed from the local library. Using his recently purchased run-down Hollywood home for practice, Ford proved himself a talented woodworker, and, after successfully completing his first contract to build an out-building for Sergio Mendez, found himself in demand with other Hollywood residents (it was also during this time that Ford acquired his famous scar, the result of a minor car accident). Meanwhile, Ford's luck as an actor began to change when a casting director friend for whom he was doing some construction helped him get a part in George Lucas' American Graffiti (1973). The film became an unexpected blockbuster and greatly increased Ford's familiarity. Many audience members, particularly women, responded to his turn as the gruffly macho Bob Falfa, the kind of subtly charismatic portrayal that would later become Ford's trademark. However, Ford's career remained stagnant until Lucas cast him as space pilot Han Solo in the megahit Star Wars (1977), after which he became a minor star. He spent the remainder of the 1970s trapped in mostly forgettable films (such as the comedy Western The Frisco Kid with Gene Wilder), although he did manage to land the small role of Colonel G. Lucas in Francis Ford Coppola's Apocalypse Now (1979). The early '80s elevated Ford to major stardom with the combined impact of The Empire Strikes Back (1980) and his portrayal of action-adventure hero Indiana Jones in Raiders of the Lost Ark (1981), which proved to be an enormous hit. He went on to play "Indy" twice more, in 1984's Indiana Jones and the Temple of Doom and Indiana Jones and the Last Crusade in 1989. Ford moved beyond popular acclaim with his role as a big-city police detective who finds himself masquerading as an Amish farmer to protect a young murder witness in Witness (1984), for which he received a Best Actor Oscar nomination for his work, as well as the praise of critics who had previously ignored his acting ability. Having appeared in several of the biggest money-makers of all time, Ford was able to pick and choose his roles in the '80s and '90s. Following the success of Witness, Ford re-teamed with the film's director, Peter Weir, to make a film adaptation of Paul Theroux's novel The Mosquito Coast. The film met with mixed critical results, and audiences largely stayed away, unused to the idea of their hero playing a markedly flawed and somewhat insane character. Undeterred, Ford went on to choose projects that brought him further departure from the action films responsible for his reputation. In 1988 he worked with two of the industry's most celebrated directors, Roman Polanski and Mike Nichols. With Polanski he made Frantic, a dark psychological thriller that fared poorly among critics and audiences alike. He had greater success with Nichols, his director in Working Girl, a saucy comedy in which he co-starred with Melanie Griffith and Sigourney Weaver. The film was a hit, and displayed Ford's largely unexploited comic talent. Ford began the 1990s with Alan J. Pakula's courtroom thriller Presumed Innocent, which he followed with another Mike Nichols outing, Regarding Henry (1991). The film was an unmitigated flop with both critics and audiences, but Ford allayed his disappointment the following year when he signed an unprecedented 50-million-dollar contract to play CIA agent Jack Ryan in a series of five movies based upon the novels of Tom Clancy. The first two films of the series, Patriot Games (1992) and Clear and Present Danger (1994), met with an overwhelming success mirrored by that of Ford's turn as Dr. Richard Kimball in The Fugitive (1993). Ford's next effort, Sydney Pollack's 1995 remake of Sabrina, did not meet similar success, and this bad luck continued with The Devil's Own (which reunited him with Pakula), despite Ford's seemingly fault-proof pairing with Brad Pitt. However, his other 1997 effort, Wolfgang Petersen's Air Force One, more than made up for the critical and commercial shortcomings of his previous two films, proving that Ford, even at 55, was still a bona fide, butt-kicking action hero. Stranded on an island with Anne Hesche for his next feature, the moderately successful romantic adventure Six Days, Seven Nights (1998), Ford subsequently appeared in the less successful romantic drama Random Hearts. Bouncing back a bit with Robert Zemeckis' horror-flavored thriller What Lies Beneath, the tension would remain at a fever pitch as Ford and crew raced to prevent a nuclear catastrophe in the fact based deep sea thriller K-19: The Widowmaker. As the 2000's unfolded, Ford would prove that he had a strong commitment to being active in film, continuing to work in projects like Hollywood Homicide, Firewall, Extraordinary Measures, Morning Glory, and Cowboys & Aliens. Ford would also reprise one of his most famous roles for the disappointing Indiana Jones and the Kingdom of the Crystal Skull.

Trivia: Shia LaBeouf decided, during his preteen years, to launch himself as an actor, and stories abound concerning how far he carried his own drive to establish himself. According to People Weekly magazine, LaBeouf auditioned for Even Stevens (2000), the Disney Channel series that delivered him into the spotlight, and subsequently told each of the youngsters who were waiting to audition that he had the part -- thus eliminating the competition. Such determination, coupled with raw ability and charisma, doubtless helped propel LaBeouf straight to the head of Hollywood's young stars.Born on June 11, 1986, in Los Angeles, LaBeouf grew up in the neighborhood of Echo Park, and was raised in a decidedly colorful family of mixed ethnicity. His Cajun father, Jeffrey LaBeouf, was a Vietnam vet who held a series of odd jobs as a circus clown, a sno-cone salesman, and a stand-up comic. Shia's Jewish mother, Shayna, worked as a clothier and jewelry craftswoman. Upset about his mother's financial struggles after his parents split, Shia observed another boy of about the same age (a cast member of Dr. Quinn, Medicine Woman) whose financial returns from Quinn gave him a posh lifestyle. LaBeouf suddenly understood the financial benefits of before-the-camera work, and -- though he had no formal dramatic training -- foresaw himself breaking into acting via comedy. He used a phone book to find an agent, then honed a stand-up comedy act over the course of two years, that found him (at age 12) delivering "blue" routines to adult audiences at a Pasadena comedy club, The Ice House. By his own admission, LaBeouf was booted out of every school he attended (for his notoriously profane mouth and for other reasons), but he more than compensated for this with his professional drive. By 2000, he auditioned for the Even Stevens series on Disney, and landed the part.That sitcom concerned the relationship between Louis Stevens (LaBeouf), a silly and goofy teen, and his older sister, Ren (Christy Carlson Romano). The program quickly found an audience on Disney and lasted for several seasons; its popularity spawned a small-screen feature, The Even Stevens Movie, in 2003. The time span of 2002 to 2003 was a busy one for LaBeouf -- arguably his breakthrough period. In addition to The Even Stevens Movie, the actor signed on to participate in season two of the controversial Project Greenlight, the Damon and Affleck-created national contest for aspiring indie filmmakers, with its attached HBO reality series of the same name. Thus, at-home viewers had the opportunity to watch LaBeouf, Elden Hensen, Kathleen Quinlan, Amy Smart, and other actors endure the tumultuous production of Efram Potelle and Kyle Rankin's quirky comedy drama The Battle of Shaker Heights, months prior to that film's release. When the finished film debuted in August of 2003, it did so to generally terrible reviews, but a number of journalists (Roger Ebert among them) singled out LaBeouf's lead performance as something special amid a decidedly flawed film.That same year, LaBeouf starred in the Andrew Davis-directed Disney fantasy Holes, as a youngster sent to an oddball Texas detention center and forced to dig a series of 5-foot-deep pits in the desert sun for mysterious reasons; it scored with the public and press and became one of the sleeper hits of 2003. And indeed, its success doubtless spurred LaBeouf on to even greater heights, his dramatic ability honed even more sharply by his interaction with co-star Jon Voight (Coming Home), whom LaBeouf would later list as a key professional influence. In late 2004, LaBeouf signed on for the lead in another Disney film, The Greatest Game Ever Played (2005) -- a biopic of golfer Francis Ouimet directed by Bill Paxton; the film itself divided critics rather sharply but provided an outstanding showcase for LaBeouf's talents. The next several years found LaBeouf signing on for several of the most sought-after A-list roles in Hollywood -- from director Francis Lawrence's apocalyptic fantasy Constantine (2005), as a demon-slayer fighting alongside Keanu Reeves; to Dito Montiel's A Guide to Recognizing Your Saints, as a young man struggling to find a different road out of the ghetto than crime and prison. In 2007, the actor voiced a surfing penguin in the CG-animated comedy Surf's Up, and geared up for his role as Sam Witwicky in one of the most hotly anticipated releases of the year, the Michael Bay-directed Transformers -- based on the action figures that were rabidly popular in the mid-'80s. At the same time, audiences could catch LaBeouf in Salton Sea-director D.J. Caruso's thriller Disturbia -- the tale of a deeply depressed, homebound teen who teams up with a local girl to prove that their next door neighbor is a much sought-after serial killer.LaBeouf would continue to ride his popularity surge in the realm of latter-day sequels, playing Harrison Ford's sidekick in 2008's Indiana Jones and the Kingdom of the Crystal Skull, and young financial exec Jake Moore in 2010's Wall Street: Money Never Sleeps. Neither film was well received by audiences or critics, but LaBeouf still had the Transformer's franchise in his pocket, and he'd continue with it for 2009's Transformers: Revenge of the Fallen and 2011's Transformers: Dark of the Moon. In 2012 he tried his hand at a period piece with the bootlegging drama Lawless.

Trivia: With her regal and elegant visage, Aussie actress Cate Blanchett broke through the mob of aspiring actors and instantly ascended the ranks to Hollywood stardom with her Academy Award-nominated turn as Elizabeth I in Shekhar Kapur's Elizabeth (1998). Her concomitantly poignant and fierce portrayal won admiration from critics and filmgoers, but she had maintained a low enough profile in years prior (and her celebrity materialized so quickly) that the Elizabeth triumph appeared to pull the heretofore unseen actress from out of thin air and caught just about everyone off guard. Born in Melbourne on May 14, 1969, Catherine Elise Blanchett entered the world as the daughter of an Australian mother and a Texas-born American father, with two siblings. Her dad died of a heart attack when she was ten; her mother subsequently raised her. Blanchett studied economics and fine art at the University of Melbourne, but -- reeling from ennui and dissatisfaction -- she set off in search of an alternate vocation and traveled for a period of time, perhaps in search of herself. Blanchett ultimately landed in Egypt, where a chance bit part in an Arabic boxing film introduced her to a newfound love of acting. Taking this as a firm cue, Blanchett harkened back to Sydney, where she enrolled in (and ultimately graduated from) the highly esteemed National Academy of Dramatic Art. Blanchett later joined the Sydney Theatre Company, where she earned positive notices in a production of Caryl Churchill's Top Girls. A subsequent role in Timothy Daley's musical Kafka Dances won Blanchett a 1993 New Comer Award from the Sydney Theatre Critics Circle, an honor doubled that same year when she gleaned a Rosemont Best Actress Award for her performance opposite future Elizabeth co-star Geoffrey Rush in David Mamet's Oleanna. The considerable prestige that accompanied these theatrical triumphs led Blanchett to the small screen, where she appeared in various programs for the Australian Broadcasting Corporation, including the drama Heartland and the cop series Police Rescue. Her television performances caught the attention of director Bruce Beresford, who cast her in his 1997 POW drama Paradise Road as a shy Australian nurse, opposite Glenn Close and Frances McDormand. 1997 proved to be a busy year as it also found her staring in the comedy Thank God He Met Lizzie, for which she netted an Australian Film Institute Best Actress Award. By the end of the year she had an even bigger event than any successful acting gigs as she was married in December to British film technician Andrew Upton. With the considerable amount of praise and recognition Blanchett was receiving in her native country and a partner in her personal life to share it with, it was only a matter of time and opportunity before she became known to a wider audience. Her opportunity arrived that very same year, with her role in Gillian Armstrong's adaptation of Peter Carey's novel Oscar and Lucinda. Opposite Ralph Fiennes, Blanchett won almost uniform praise for her performance in a tepidly received film. Blanchett came first-billed in the following year's Elizabeth. The film drew swift and unequivocal praise, and Blanchett's portrayal of the queen turned her into Los Angeles' newest cause célèbre. A plethora of awards greeted Kapur's feature and Blanchett's performance, including a Best Actress Academy Award nomination and eight additional Oscar nods. The actress won a Golden Globe and British Academy Award, in addition to a host of critics' circle awards. With that experience under her belt, Blanchett starred opposite Angelina Jolie, John Cusack, and Billy Bob Thornton in the Mike Newell comedy Pushing Tin (1999). Although the film dive-bombed at the box office, critics singled out Blanchett's fine performance as a Long Island housewife. The same year, she played another domestic, albeit one of an entirely different stripe, in Oliver Parker's adaptation of Oscar Wilde's An Ideal Husband. Despite a uniformly strong cast including Jeremy Northam, Rupert Everett, and Julianne Moore, the film divided critics, although Blanchett herself again earned favorable notices.Blanchett maintained a busy schedule after the Newell project, appearing in a plethora films throughout the early 2000s. She joined Johnny Depp and Christina Ricci with her role as a kindhearted albeit materialistic showgirl in The Man Who Cried, then starred as a fortune-teller who holds the key to a mysterious murder in director Sam Raimi's The Gift, an unwitting accomplice in the crime comedy Bandits, a British schoolteacher in Tom Tykwer's Kieslowski update Heaven, and Galadriel, Queen of Lothlórien, in Peter Jackson's Lord of the Rings trilogy. Blanchett also appeared in 2001's The Shipping News (as Petal) and director Gillian Armstrong's Charlotte Gray as the title character. That same year, she gave birth to her first son, Dashiell John.Blanchett's appeared as ill-fated Irish journalist Veronica Guerin in director Joel Schumacher and producer Jerry Bruckheimer's eponymously titled 2003 biopic. The film drew very mixed reviews and died a quick death in cinemas during its late-autumn run, but those reviewers who did respond favorably again singled out the actress' stunning interpretation of the role. The following year, Blanchett appeared in Wes Anderson's quirky film The Life Aquatic with Steve Zissou alongside Bill Murray and Owen Wilson. Blanchett wore a prosthetic belly in the film for her role as a seven months pregnant journalist and, interestingly enough, she later found that she was actually pregnant during filming. She gave birth to her second son, Roman Robert, later that same year. First, however, she effortlessly lit up the screen with a performance as film legend Katharine Hepburn in director Martin Scorsese's lavish Howard Hughes epic The Aviator. If The Aviator's Best Picture loss to Million Dollar Baby proved somewhat disappointing to Scorsese fans when the Oscars were handed out, Blanchett landed her greatest triumph that evening: she won the Best Supporting Actress award for her turn as Hepburn. Perhaps despairing the paucity of solid scripts in Hollywood, Blanchett went global after the Scorsese affair. She returned to her native Australia for a low-key follow-up, Rowan Woods' harrowing and skillful Little Fish (2005). 2006's multi-national production Babel, directed by Alejandro González Iñárritu, won the Best Director Award at Cannes; one of the narrative strands in its array of subplots featured Blanchett and Brad Pitt as husband and wife, grieving over the death of a child, and thrust into a desperate situation. Babel turned out to be a major critical success, as did another film Blanchett appeared in that same year, Notes on a Scandal. In the film, Blanchett played a mother and schoolteacher who becomes deeply embroiled in a maze of power and deception when she betrays her job and family by carrying on an affair with a student. The tautly suspenseful and intimate film also starred Judi Dench as Blanchett's friend and confidant, who soon becomes a source of emotional blackmail. The actresses were each praised for their performances, and each received both Golden Globe and Oscar nominations for their work in the film. Blanchett went on to play Lena Brandt in The Good German, Steven Soderbergh and Paul Attanasio's tale of a man (George Clooney) searching for his former mistress (Blanchett) in post-WWII Berlin. She also signed on for Poison helmer Todd Haynes' I'm Not There: Suppositions on a Film Concerning Dylan, slated for release in 2007. The eccentric bio of the pop singer co-starred Richard Gere, Julianne Moore, Adrien Brody, and Charlotte Gainsbourg with numerous varied performers playing the musician in different sequences. Also set for release in 2007 was Blanchett's return to one of her greatest triumphs as Elizabeth I in The Golden Age, Shekhar Kapur's sequel to his 1998 arthouse hit Elizabeth, which would take place later in the Virgin Queen's reign. Geoffrey Rush agreed to reprise his role as Sir Francis Walsingham, and the film would also feature Clive Owen as Sir Walter Raleigh, establisher of the first New World colony and controversial figure of the Elizabethan court. Blanchett also agreed to join the cast of the David Fincher-directed fantasy The Curious Case of Benjamin Button -- a critically acclaimed hit of 2008 -- before moving on to play a nefarious baddie in the unique thriller Hanna in 2012. Soon, the actress was reprising the role of elvin queen Galadriel for the Lord of the Rings prequel, The Hobbit. In 2013, she won her second Academy Award, this time for Lead Actress, for her portrayal of an unhinged socialite in Woody Allen's Blue Jasmine. In 2015, Blanchett played the evil stepmother in the live-action version of Cinderella, took on a supporting role in Terrence Malick's Knight of Cups and earned her seventh Oscar nomination for Todd Haynes' Carol.

Trivia: Trained at the Washington Theatre Laboratory and Lee Strasberg Theatre Institute, Karen Allen was primarily a stage actress when she began to accept small film roles in such productions as National Lampoon's Animal House (1978) and Manhattan (1979), although her most celebrated film assignment was as the plucky Marion Ravenwood in Steven Spielberg's Raiders of the Lost Ark (1981). Spielberg reportedly acknowledged his appreciation of Allen's performance by gallantly kissing her hand after each take, also preferring roles for Allen that allowed her to appear without makeup, with her generously freckled face in full view. Among her more notable post-Raiders films were Starman (1984), The Glass Menagerie (1987), Malcolm X (1992), and In the Bedroom (2001). Temporarily blinded by conjunctivitis shortly before launching her film career, Allen was able to draw from life while portraying the adult Helen Keller in the mid-'80s Broadway play Helen and Teacher. Allen's TV roles included a portrayal of the ill-fated civilian astronaut Christa McAuliffe in Challenger (1990). The actress reunited with Harrison Ford in a reprisal of her role as Marion in 2008's Indiana Jones and the Kingdom of the Crystal Skull. Allen continues to be active in film and television.

Trivia: Considered one of Great Britain's most consistently brilliant players, John Hurt was at his best when playing victims forced to suffer mental, physical, or spiritual anguish. A small man with a slightly sinister countenance and a tenor voice that never completed the transition between early adolescence and manhood, Hurt was generally cast in supporting or leading roles as eccentric characters in offbeat films. The son of a clergyman, Hurt was training to be a painter at St. Martin's School of the Arts when he became enamored with acting and enrolled in London's Royal Academy of Dramatic Art instead. He made his theatrical and film debuts in 1962 (The Wild and the Willing). Though he frequently appeared on-stage, Hurt, unlike his many colleagues, was primarily a film and television actor. He gave one of his strongest early performances playing Richard Rich in Fred Zinnemann's A Man for All Seasons (1966). His subsequent work remained high quality through the '70s. On television, Hurt made his name in the telemovie The Naked Civil Servant and furthered his growing reputation as the twisted Caligula on the internationally acclaimed BBC miniseries I, Claudius (1976). He received his first Oscar nomination for playing a supporting role in the harrowing Midnight Express and a second nomination for his sensitive portrayal of the horribly deformed John Merrick -- but for his voice, Hurt was unrecognizable beneath pounds of latex and makeup. In 1984, Hurt was the definitive Winston Smith in Michael Radford's version of Orwell's 1984. Other memorable roles include a man who finds himself hosting a terrifying critter in Alien (1979), his parody of that role in Mel Brooks' Spaceballs (1987), an Irish idiot in The Field (1990), and in Rob Roy (1995).In 1997, Hurt played the lead role of Giles De'ath (pronounced day-ath) for the comedy drama Love and Death on Long Island. The film, which follows a widower (Hurt) who forms an unlikely obsession with a teen heartthrob who lives in Long Island and occasionally stars in low-brow films. Love and Death was praised for its unlikely, yet poignant portrait of unrequited love. The same year, Hurt took on the role of a multi-millionaire willing to fund a scientist's (Jodie Foster) efforts to communicate with alien life in Contact. Hurt took a voice role in the animated series Journey to Watership Down and its sequel, Escape to Watership Down in 1999, and again for The Tigger Story in 2000. In 2001, Hurt joined the cast of Harry Potter & the Sorcerer's Stone to play the small but vital role of wand merchant Mr. Ollivander, and narrated Lars von Trier's experimental drama Dogville. Later, Hurt played an American professor in Hellboy (2004), and won praise for his portrayal of a bounty hunter in The Proposition, a gritty Western from director John Hillcoat. Hurt continued to work in small but meaty supporting roles throughout the next several years, most notably in the drama Beyond the Gates (2005), for which he played a missionary who arrived in Rwanda just before genocide erupted, and as the tyrannical Chancellor Sutler in director James McTiegue's adaptation of Alan Moore's graphic novel V for Vendetta (2006). In 2010, Hurt reprised his role of Mr. Ollivander for Harry Potter and the Deathly Hallows, Part 1, and for its sequel in 2011. The actor co-starred with Charlotte Rampling in Melancholia (2011), Lars von Trier's meditation on depression, and played the Head of the British Secret Intelligence Service in the multi-Academy Award nominated spy thriller Tinker, Tailor, Soldier, Spy the same year. In 2013, Hurt appeared in the futuristic sci-fi movie Snowpiercer and later played the War Doctor in the 50th anniversary special of Doctor Who. The following year, Hurt played the King of Thrace in Hercules. Hurt died in 2017, just days after his 77th birthday.

Trivia: Frequently cast as a working-class hard man, British actor Ray Winstone gained his first dose of international recognition for his brutal portrayal of an abusive, alcoholic family patriarch in Gary Oldman's Nil by Mouth (1997).Born in Hackney, London, on February 19, 1957, Winstone spent much of his youth as an amateur boxer. He first stepped into the ring at the age of 12 and over the course of the next several years won over 80 medals and trophies. Reportedly deciding to give acting a try because he was tired of getting hit, Winstone studied drama for a couple of years at the Corona School. He got his first break when director Alan Clarke cast him in the BBC's televised production of Scum (1977), a harsh depiction of life in a Borstal for young offenders. Due to its content, the film was banned before being released theatrically two years later. Winstone began appearing in other films that same year, notably the Who's Quadrophenia.Winstone continued to work in both film and television throughout the next decade, doing most of his work in countless TV series. In 1994, he earned strong notices for his starring role in Ken Loach's Ladybird, Ladybird. Three years later, Winstone's harrowing performance in Oldman's Nil by Mouth garnered him a Best Actor BAFTA nomination, as well as recognition on both sides of the Atlantic. He subsequently could be seen in a number of diverse projects, ranging from Face, Antonia Bird's 1997 crime drama, to the romantic comedy Martha, Meet Frank, Daniel and Laurence (1998) to Tim Roth's The War Zone (1999), in which Winstone earned further acclaim as the abusive patriarch of a wildly dysfunctional family. Also in 1999, he could be seen playing a loan shark who gives Anjelica Huston a hard time in Huston's Agnes Browne.Winstone gained wide international notice for his starring role in 2000's Sexy Beast, holding his own opposite Ben Kingsley, who earned an Academy Award nomination for his performance. He followed that up with a well-received part in 2001's Last Orders and parlayed his success into a supporting role in Anthony Minghella's 2003 star-studded Civil War drama Cold Mountain. He continued to work steadily appearing in a variety of films including Martin Scorsese's Best Picture winner The Departed, Beowulf, Fool's Gold, Indiana Jones and the Kingdom of the Crystal Skull, Hugo, and Snow White and the Huntsman.

Trivia: One of England's most versatile character actors, Jim Broadbent has been giving reliably excellent performances on the stage and screen for years. Particularly known for his numerous collaborations with director Mike Leigh, Broadbent was shown to superlative effect in Leigh's Topsy-Turvy, winning the Venice Film Festival's Volpi Cup for his portrayal of British lyricist and playwright W.S. Gilbert.Born in Lincolnshire, England, in 1949, Broadbent trained at the London Academy of Music and Dramatic Arts. Following his 1972 graduation, he began his professional career on the stage, performing with the Royal National Theatre, the Royal Shakespeare Company, and as part of the National Theatre of Brent, a two-man troupe he co-founded that performed reduced histories. In addition to his theatrical work, Broadbent did steady work on television, acting for such directors as Mike Newell and Stephen Frears. Broadbent made his film debut in 1978 with a small part in Jerzy Skolimowski's The Shout. He went on to work with such directors as Stephen Frears (The Hit, 1984) and Terry Gilliam (Time Bandits [1981], Brazil [1985]), but it was through his collaboration with Leigh that Broadbent first became known to an international film audience. In 1991, he starred in Leigh's Life Is Sweet, a domestic comedy that cast him as a good-natured cook who dreams of running his own business. Broadbent gained further visibility the following year with substantial roles in Neil Jordan's The Crying Game and Newell's Enchanted April, and he could subsequently be seen in such diverse fare as Woody Allen's Bullets Over Broadway (1994), Widows' Peak (1994), Richard Loncraine's highly acclaimed adaptation of Shakespeare's Richard III (1996), and Little Voice (1998), the last of which cast him as a seedy nightclub owner. Appearing primarily as a character actor in these films, Broadbent took center stage for Leigh's Topsy-Turvy (1999), imbuing the mercurial W.S. Gilbert with emotional complexity and comic poignancy. Roles in Bridget Jones's Diary, Moulin Rogue, and Iris made 2001 quite a marquee year for Broadbent; the actor earned both an Oscar and a Golden Globe for his affecting turn in Iris.He remained one of the most respected actors of his generation and continued to work steadily for directors all over the world. In 2002 he was cast in Martin Scorsese's epic historical drama Gangs of New York. In 2003 he took a cameo part in Bright Young Things. In 2004 he returned for the Bridget Jones sequel, and took a bit part in Mike Leigh's Vera Drake. He worked in a number o animated films including Doogal, Valiant, and Robots. In 2007 he had the title role in Longford, a historical drama about the infamous Moor Murders, and the next year he was part of Indiana Jones and the Kingdom of the Crystal Skulls.As the 2010's continued, Broadbent would remain a vital, respected, and beloved force on screen, appearing most memorably in projects like The Young Victoria and The Iron Lady.

Trivia: Comedic actor Neil Flynn cut his teeth with the renowned improv companies Second City and ImprovOlympic, the latter of which saw him study under the late improv guru Del Close. Despite his comedy-oriented aspirations, though, Flynn spent much of his early career taking bit parts in films like The Fugitive and Magnolia and on TV shows such as Doogie Howser, M.D. and Chicago Hope, often playing a cop. But in 2001, things took a decidedly positive turn when he was cast as the nameless Janitor on NBC's Scrubs, a role that was intended only for the pilot but was expanded to a regular series character in light of Flynn's performance. In addition to his live-action work, Flynn has also done a considerable amount of voice work on such animated projects as Clone High, Kim Possible, and Cloudy with a Chance of Meatballs. Flynn left Scrubs after season 8 and took a starring role in the ABC comedy The Middle, playing patriarch Mike Heck

Trivia: John Rhys-Davies is one of modern cinema's most recognizable character actors. While best known for his work as Indiana Jones' (Harrison Ford) comic sidekick, Sallah, in two of Paramount's Indiana Jones adventure films, the actor has appeared in over 100 television shows and films since the early '70s. He has built an impressive onscreen career, especially for a stage actor who once swore that he would never perform in front of a camera. Born in Wales on May 5, 1944, Rhys-Davies grew up in England, Wales, and East Africa. He studied English and History at the University of East Anglia at Norwich, where he became interested in theater while reading classical literature. Upon graduating, Rhys-Davies earned a scholarship to study acting at London's prestigious Academy of Dramatic Art. He then worked briefly as a schoolteacher before joining the Madder-Market Theatre in Norwich. The actor, who eventually advanced to the Royal Shakespeare Company, performed in over 100 plays. His theatrical credits include starring roles in Shakespeare's Othello, The Tempest, Hamlet, Macbeth, and Henry the Fourth, Ibsen's Hedda Gabler, and Moliere's The Misanthrope. Rhys-Davies was 28 when he made his television debut in 1972 as Laughing Spam Fritter in the BBC's Budgie, a comedy starring former British pop star Adam Faith as an amusing ne'er-do-well. In 1975, he joined John Hurt in the cast of the television show The Naked Civil Servant, which chronicled the rich life of Quentin Crisp. One year later, Rhys-Davies re-teamed with Hurt, as well as Derek Jacobi and Patrick Stewart, for the BBC's unforgettable three-part adaptation of Robert Graves' I, Claudius and Claudius the God. Titled I, Claudius, the television miniseries appeared on PBS's Masterpiece Theater and gave American audiences their first glimpse of the actor. He subsequently starred as Vasco Rodrigues in NBC's adaptation of James Clavell's Shogun, which told the adventures of an English sailor stranded in Japan during the early 17th century. Rhys-Davies' performance earned him both an Emmy nomination and the attention of director Steven Spielberg. In 1981, Spielberg cast Rhys-Davies as the comic, fez-wearing Sallah in Raiders of the Lost Ark, the first installment of the Indiana Jones movies. The film was an instant success and Rhys-Davies' comedic skill made Sallah an audience favorite. He went on to film Victor/Victoria (1982) with Julie Andrews, James Garner, Robert Preston, Leslie Ann Warren, and former pro-football player Alex Karras. For the next two decades, the actor worked on numerous films and television shows and made memorable guest appearances on ChiPs, The Scarecrow and Mrs. King, Murder, She Wrote, Perry Mason, Tales From the Crypt, Star Trek: Voyager, and The Secret Adventures of Jules Verne. In 1987, he portrayed Front de Boeuf in the television adaptation of Sir Walter Scott's Ivanhoe that starred James Mason and Sam Neill. That same year, he played the evil Russian General Koskov in the Timothy Dalton-helmed James Bond film The Living Daylights. 1989 saw Rhys-Davies playing Joe Gargery in the Disney Channel's adaptation of Dickens' Great Expectations, starring in the miniseries version of War and Remembrance with Robert Mitchum, David Dukes, and Jane Seymour, and returning as Sallah in Indiana Jones and the Last Crusade. In 1990, he wrote and starred in the safari adventure film Tusks. In 1991, he hosted the documentary Archaeology. In 1993, he signed onto the series The Untouchables, based on Brian De Palma's hit film. The show was short-lived and Rhys-Davies did not work on a successful television series until 1995's Sliders with Jerry O'Connell. The sci-fi venture accrued a rather large fan base: Audience members were openly upset when Rhys-Davies' character, the bombastic Professor Maximillian P. Arturo, left the series after only three seasons. After appearing with Damon Wayans in The Great White Hype (1996), Rhys-Davies recorded voice work for the animated films Aladdin and the King of Thieves (1996) and Cats Don't Dance (1997). The actor has done additional voice work for Animaniacs, Batman: the Animated Series, Gargoyles, Pinky and the Brain, The Fantastic Four, and The Incredible Hulk. He has also branched out to other medias, starring in video games such as Wing Commander III: Heart of the Tiger, Dune 2000, and Baldur's Gate: Dark Alliance, and the CD-ROM game Quest for Glory IV. In 1999, Rhys-Davies read for the minor character of Denethor in the second installment of Peter Jackson's highly anticipated three-film adaptation of J.R.R. Tolkien's The Lord of the Rings trilogy. Jackson offered him the role of the warrior dwarf Gimli, a major figure in all three pictures. As Gimli, Rhys-Davies is utterly unrecognizable: The part required that he wear heavy facial prosthetics and perform on his knees in order to portray the 4'2" dwarf (the actor, himself, is over six feet tall). The three films -- The Fellowship of the Ring (2001), The Two Towers (2002), and The Return of the King (2003) -- were shot simultaneously over an 18-month period in New Zealand, after which Rhys-Davies was asked to return to the set and record the voice of Treebeard, a computer-generated character in the second picture. In 2001, in the midst of attending press junkets for the release of The Fellowship of the Ring, Rhys-Davies began work on the Jackie Chan film Highbinders (2002) and the Eric Roberts B-picture Endangered Species (2002). Besides being an actor, Rhys-Davies is also a serious vintage car collector and a thriving investor. In the '80s, he invested heavily with his earnings and purchased a company that conducts genetic engineering feasibility studies. The actor resides in both Los Angeles and the Isle of Man.