Trivia: Some say that the eyes are a window into one's soul, and few actors are gifted enough to make an audience truly believe the plight of the characters they portray; despite their best efforts, their eyes often betray their abilities and we still recognize the actor playing the character. With his honest eyes, sincere smile, and unmistakable onscreen presence, actor Chiwetel Ejiofor possesses the rare ability to internalize his characters to an unusually realistic degree -- an ability that has gained him increasing recognition in the arena of world cinema. Ejiofor was born to Nigerian parents in Forest Gate, East London; his father was a doctor and his mother a pharmacist. Though his calling may not have been readily apparent in his early childhood, by the time Ejiofor was 13, the aspiring young actor was taking to the stage in numerous school and National Youth Theater productions. His love of the stage growing with each passing year, by the time Ejiofor got to Dulwich College, his calling was clear. Soon attending the London Academy of Music and Dramatic Arts, he gained a reputation as a formidable stage talent, and following appearances in high-profile productions at the Almeida Theater Company and the Royal National Theater, Ejiofor's talents found him drawn to the medium of television, where he would make his debut in the 1996 made-for-TV thriller Deadly Voyage. It wasn't long before Ejiofor's talent caught the eye of legendary film director Steven Spielberg, and the following year, the up-and-coming actor was back on the high seas for Spielberg's historical drama Amistad. Of course, a role in such a high-profile release was bound to attract the attention of other filmmakers as well, and though Ejiofor would remain true to his theater roots, he would balance his stage work with roles in such films as Greenwich Mean Time (1999), It Was an Accident, and Mind Games (both 2000). Cast opposite Amélie star Audrey Tautou in Stephen Frears' 2001 drama thriller Dirty Pretty Things, Ejiofor essayed the role of a Nigerian immigrant living in London who makes a horrible discovery that puts his life in grave danger. It was glaringly obvious to any who had seen his performances that Ejiofor was one to look out for, and his winning performance as a hedonistic lawyer in the 2003 British miniseries Trust only served to cement the fact that his career was on the fast track. Remaining on the small screen for Twelfth Night, or What you Will and The Canterbury Tales (both 2003), Ejiofor would subsequently return to the big screen for Love Actually (2003) and Slow Burn (2004), a pair of films that virtually ensured him a high recognition factor and a bright future on stage and screen. He continued to work steadily in a variety of character roles. He anchored the dramatic sections of Woody Allen's Melinda and Melinda in 2004. He showed of his remarkable versatility in 2005 with roles in the urban thriller Four Brothers, the science fiction film Serenity, and starring as a flamboyant cross-dresser in the comedy Kinky Boots. In 2006 he worked with a pair of high-powered directors. He played the partner to Denzel Washington's hostage negotiator in the hit thriller Inside Man, and played a large part in Alfonso Cuaron's Children of Men.In 2007 he played opposite Don Cheadle in the biopic Talk to Me, and he was the lead in David Mamet's 2008 drama Redbelt playing a martial-arts expert. The next year he appeared in the disaster epic 2012, and he was in the Angelina Jolie action film Salt in 2010. In 2013, Ejiofor had a huge breakthrough playing enslaved Solomon Northup in 12 Years a Slave, earning him his first Oscar nomination.

Trivia: Breathes there a theatergoer or film fan on Earth who has not, at one time or another, fallen in love with the sublimely brilliant British comedic actress Dame Maggie Smith? The daughter of an Oxford University pathologist, Smith received her earliest acting training at the Oxford Playhouse School. In 1952, she made her professional stage bow as Viola in Twelfth Night. Four years later she was on Broadway, performing comedy routines in Leonard Sillman's New Faces of 1956; that same year, she made her first, extremely brief screen appearance in Child in the House (she usually refers to 1959's Nowhere to Go as her screen debut).In 1959, Smith joined the Old Vic, and in 1962 won the first of several performing honors, the London Evening Standard Award, for her work in the West End production The Private Ear/The Public Eye. Her subsequent theatrical prizes include the 1963 and 1972 Variety Club awards for Mary Mary and Private Lives, respectively, and the 1990 Tony Award for her performance in the Broadway play Lettice and Lovage. In addition, Smith has won Oscars for The Prime of Miss Jean Brodie (1969) and California Suite (1978), and British Film Academy awards for A Private Function (1985), A Room With a View (1986), and The Lonely Passion of Judith Hearne (1987).These accolades notwithstanding, Smith has had no qualms about accepting such "lightweight" roles as lady sleuth Dora Charleston (a delicious Myrna Loy takeoff) in Murder By Death (1976), the aging Wendy in Steven Spielberg's Peter Pan derivation Hook (1991), and the Mother Superior in Whoopi Goldberg's Sister Act films of the early '90s. During the same decade, she also took more serious roles in Richard III (1995), Washington Square (1997), and Tea With Mussolini (1999). On a lighter note, her role in director Robert Altman's Gosford Park earned Smith her sixth Oscar nomination. She earned a whole new generation of fans during the first decade of the next century when she was cast as Professor McGonagall in Harry Potter and the Sorcerer's Stone, a part she would return to for each of the film's phenomenally successful sequels. She worked in other films as well including Divine Secrets of the Ya-Ya Sisterhood, Becoming Jane, and Nanny McPhee Returns. In 2010 she earned rave reviews for her work in the television series Downton Abbey.Made a Dame Commander in 1989, Smith was elected to the Theatre Hall of Fame in 1994. Previously married to the late actor Sir Robert Stephens, she is the wife of screenwriter Beverly Cross and the mother of actors Toby Stephens and Chris Larkin.

Trivia: Icon of British cool in the 1960s, leading action star in the late '70s, and knighted into official respectability in 1993, Michael Caine has enjoyed a long, varied, and enviably prolific career. Although he played a part in some notable cinematic failures, particularly during the 1980s, Caine remains one of the most established performers in the business, serving as a role model for actors and filmmakers young and old. The son of a fish-porter father and a charwoman mother, Caine's beginnings were less than glamorous. Born Maurice Micklewhite in 1943, in the squalid South London neighborhood of Bermondsey, Caine got his first taste of the world beyond when he was evacuated to the countryside during World War II. A misfit in school, the military (he served during the Korean War), and the job pool, Caine found acceptance after answering a want ad for an assistant stage manager at the Horsham Repertory Company. Already star struck thanks to incessant filmgoing, Caine naturally took to acting, even though the life of a British regional actor was one step away from abject poverty. Changing his last name from Micklewhite to Caine in tribute to one of his favorite movies, The Caine Mutiny (1954), the actor toiled in obscurity in unbilled film bits and TV walk-ons from 1956 through 1962, occasionally obtaining leads on a TV series based on the Edgar Wallace mysteries. Caine's big break occurred in 1963, when he was cast in a leading role in the epic, star-studded historical adventure film Zulu. Suddenly finding himself bearing a modicum of importance in the British film industry, the actor next played Harry Palmer, the bespectacled, iconoclastic secret agent protagonist of The Ipcress File (1965); he would go on to reprise the role in two more films, Funeral in Berlin (1966) and The Billion Dollar Brain (1967). After 12 years of obscure and unappreciated work, Caine was glibly hailed as an "overnight star," and with the success of The Ipcress Files, advanced to a new role as a major industry player. He went on to gain international fame in his next film, Alfie (1966), in which he played the title character, a gleefully cheeky, womanizing cockney lad. For his portrayal of Alfie, Caine was rewarded with a Golden Globe award and an Oscar nomination. One of the most popular action stars of the late '60s and early '70s, Caine had leading roles in films such as the classic 1969 action comedy The Italian Job (considered by many to be the celluloid manifestation of all that was hip in Britain at the time); Joseph L. Manckiewic's Sleuth (1972), in which he starred opposite Laurence Olivier and won his second Oscar nomination; and The Man Who Would Be King (1976), which cast him alongside Sean Connery. During the 1980s, Caine gained additional acclaim with an Oscar nomination for Educating Rita (1983) and a 1986 Best Supporting Actor Oscar for Hannah and Her Sisters. He had a dastardly turn as an underworld kingpin in Neil Jordan's small but fervently praised Mona Lisa, and two years later once again proved his comic talents with the hit comedy Dirty Rotten Scoundrels, in which he and Steve Martin starred as scheming con artists. Although Caine was no less prolific during the 1990s, his career began to falter with a series of lackluster films. Among the disappointments were Steven Seagal's environmental action flick On Deadly Ground (1994) and Blood and Wine, a 1996 thriller in which he starred with Jack Nicholson and Judy Davis. In the late '90s, Caine began to rebound, appearing in the acclaimed independent film Little Voice (1998), for which he won a Golden Globe for his portrayal of a seedy talent agent. In addition, Caine -- or Sir Michael, as he was called after receiving his knighthood in 2000 -- got a new audience through his television work, starring in the 1997 miniseries Mandela and de Klerk. The actor, who was ranked 55 in Empire Magazine's 1997 Top 100 Actors of All Time list, also kept busy as the co-owner of a successful London restaurant, and enjoyed a new wave of appreciation from younger filmmakers who praised him as the film industry's enduring model of British cool. This appreciation was further evidenced in 2000, when Caine was honored with a Best Supporting Actor Academy Award for his portrayal of an abortionist in The Cider House Rules. After launching the new millennium with both a revitalized career momentum and newfound popularity among fans who were too young to appreciate his early efforts, Caine once again scored a hit with the art-house circuit as the torturous Dr Royer-Collard in director Phillip Kaufman's Quills. Later paid homage by Hollywood icon Sylvester Stallone when the muscle-bound actor stepped into Caine's well-worn shoes for a remake of Get Carter (in which Caine also appeared in a minor role) the actor would gain positive notice the following year for his turn as a friend attempting to keep a promise in Last Orders. As if the Get Carter remake wasn't enought to emphasize Caine's coolness to a new generation of moviegoers, his turn as bespectacled super-spy Austin Powers' father in Austin Powers in Goldfinger proved that even years beyond The Italian Job Caine was still at the top of his game. Moving seamlessly from kitsch to stirring drama, Caine's role in 2002's The Quiet American earned the actor not only some of the best reviews of his later career, but another Oscar nomination as well. Caine had long demonstrated an unusual versatility that made him a cult favorite with popular and arthouse audiences, but as the decade wore on, he demonstrated more box-office savvy by pursuing increasingly lucrative audience pleasers, almost exclusively for a period of time. The thesp first resusciated the triumph of his Muppet role with a brief return to family-friendly material in Disney's Secondhand Lions, alongside screen legend Robert Duvall (Tender Mercies, The Apostle). The two play quirky great-uncles to a maladjusted adolescent boy (Haley Joel Osment), who take the child for the summer as a guest on their Texas ranch. The film elicited mediocre reviews (Carrie Rickey termed it "edgeless as a marshmallow and twice as syrupy") but scored with ticket buyers during its initial fall 2003 run. Caine then co-starred with Christopher Walken and Josh Lucas in the family issues drama Around the Bend (2004). In 2005, perhaps cued by the bankability of Goldfinger and Lions, Caine landed a couple of additional turns in Hollywood A-listers. In that year's Nicole Kidman/Will Ferrell starrer Bewitched, he plays Nigel Bigelow, Kidman's ever philandering warlock father. Even as critics wrote the vehicle off as a turkey, audiences didn't listen, and it did outstanding business, doubtless helped by the weight of old pros Caine and Shirley Maclaine. That same year's franchise prequel Batman Begins not only grossed dollar one, but handed Caine some of his most favorable notices to date, as he inherited the role of Bruce Wayne's butler, a role he would return to in both of the film's sequels, The Dark Knight and The Dark Knight Rises. Caine contributed an elegiac portrayal to Gore Verbinski's quirky late 2005 character drama The Weatherman, as Robert Spritz, the novelist father of Nic Cage's David Spritz, who casts a giant shadow over the young man. In 2006, Caine joined the cast of the esteemed Alfonso Cuaron's dystopian sci-fi drama Children of Men, and lent a supporting role to Memento helmer Christopher Nolan's psychological thriller The Prestige. In 2009 Caine starred as the title character in Harry Brown, a thriller about a senior citizen vigilante, and the next year worked with Nolan yet again on the mind-bending Inception.

Trivia: The fair-haired and voluptuous classically trained Scotch actress Ashley Jensen is best known to mainstream American viewers for her portrayal of "Mode" in-house seamstress Christina McKinney (one of the title character's colleagues) on the hour-long Hollywood telenovela adaptation Ugly Betty. Yet, actually, as a U.K. import, Jensen chalked up a formidable number of roles in her native Great Britain prior to her West Coast arrival. Most of these constituted television roles on such British series as The Bill, Roughnecks, and City Central. Most notable to American audiences was her co-starring role on the hit Ricky Gervais series Extras (2005-2007), which was imported to HBO shortly after airing in the U.K. On that series, Jensen played Maggie Jacobs, the best friend and fellow extra to Gervais' Andy Millman; her character's habit of putting her foot in her mouth, usually at the expense of Millman, led to many uncomfortably comic moments on the series. Cinematically, Jensen's portrayal of Miss Tringham in Mike Leigh's Gilbert & Sullivan biopic Topsy-Turvy (1999) and her evocation of Lindsey in Michael Winterbottom's Tristram Shandy: A Cock and Bull Story also netted favorable reviews for the rising star. In 2006, Jensen was cast in Ugly Betty, which quickly became a hit and one of her most high-profile roles to that date. In early 2007, Jensen made headlines in the U.K. when she married actor Terence Beesley, at age 37. Jensen also found success in voice roles; in 2011 she voiced characters in the films Gnomeo & Juliet and Arthur Christmas, as well as for The Pirates! Band of Misfits in 2012.