Trivia: Of the many performers to leap into films from the springboard of the television sketch comedy series Saturday Night Live, Bill Murray has been among the most successful and unpredictable, forging an idiosyncratic career allowing him to stretch from low-brow slapstick farce to intelligent adult drama. Born in Wilmette, IL, on September 21, 1950, Murray was an incorrigible child, kicked out of both the Boy Scouts and Little League. At the age of 20, he was also arrested for attempting to smuggle close to nine pounds of marijuana through nearby O'Hare Airport. In an attempt to find direction in his life, he joined his older brother, Brian Doyle-Murray, in the cast of Chicago's Second City improvisational comedy troupe. He later relocated to New York City, joining radio's National Lampoon Hour. Both Murray siblings were also in a 1975 off-Broadway spin-off, also dubbed The National Lampoon Hour; there Murray was spotted by sportscaster Howard Cosell, who recruited him for the cast of his ABC variety program, titled Saturday Night Live With Howard Cosell. On the NBC network, a program also named Saturday Night Live was creating a much bigger sensation; when, after one season, the show's breakout star Chevy Chase exited to pursue a film career, producer Lorne Michaels tapped Murray as his replacement. Murray too became a celebrity, developing a fabulously insincere and sleazy comic persona which was put to good use in his first major film, the 1979 hit Meatballs. He next starred as the famed gonzo journalist Hunter S. Thompson in the film biography Where the Buffalo Roam, a major disaster. However, 1980's Caddyshack was a masterpiece of slob comedy, with Murray memorable as a maniacal rangeboy hunting the gopher that is slowly destroying his golf course. The film launched him to the ranks of major stardom; the follow-up, the armed services farce Stripes, was an even bigger blockbuster, earning over 40 million dollars at the box office. Murray next appeared, unbilled, in 1982's Tootsie before starring with Dan Aykroyd and Harold Ramis in 1984's Ghostbusters. The supernatural comedy was one of the decade's biggest hits, earning over 130 million dollars and spawning a cartoon series, action figures, and even a chart-topping theme song (performed by Ray Parker Jr.). Murray now ranked among the world's most popular actors, and he next fulfilled a long-standing dream by starring in and co-writing an adaptation of the W. Somerset Maugham novel The Razor's Edge. Few fans knew what to make of his abrupt turn from broad farce to literary drama, however, and as a result the film flopped. Murray spent the next several years in self-imposed exile, making only a cameo appearance in the 1986 musical comedy Little Shop of Horrors. After much deliberation, he finally selected his comeback vehicle -- 1988's Scrooged, a black comic retelling of Dickens' A Christmas Carol. While it performed moderately well, it was not the smash many predicted. Nor was 1989's Ghostbusters II, which grossed less than half of the first picture. The 1990 crime comedy Quick Change, which Murray co-directed with Howard Franklin, was also a disappointment, but 1991's What About Bob? was an unqualified hit. In 1993, Murray earned his strongest notices to date for Groundhog Day, a sublime comedy directed by longtime conspirator Ramis. Beginning with 1994's acclaimed Ed Wood, in which he appeared as a transsexual, Murray's career choices grew increasingly eccentric; in 1996 alone, he starred in the little-seen Larger Than Life as a motivational speaker, co-starred as a bowling champion in Kingpin, and appeared as himself in the family film Space Jam. In 1998, Murray took on a similarly eccentric role in Wes Anderson's Rushmore. Playing a business tycoon competing with an equally eccentric 15-year-old (Jason Schwartzman) for the affections of a first grade teacher (Olivia Williams), Murray did some of his best work in years and won the Best Supporting Actor award from the New York Film Critics Circle. The film's success helped to put the actor back in the forefront, and he drew further exposure that year from his appearance as a sleazy lawyer in the relentlessly trashy Wild Things. The following year, he could be seen in Cradle Will Rock, Tim Robbins' look at the often contentious relationship between art and politics in 1930s America.Though the mere thought of Murray as Polonius in a film adaptation of William Shakespeare's Hamlet may have elicited dumbounded looks and confused laughter early in his career, that was precisely how the versatile thespian ushered in the new millennium in director Micheal Almereyda's modern updating of the classic drama. Subsequently landing laughs as the superspy point person Bosley in the big screen adaptation of the classic 1970's television hit Charlie's Angels, Murray's interpretation of the character would be taken over by popular comic Bernie Mac in the film's 2003 sequel. After taking a brief voyage into gross-out territory with the Farrelly brother's Osmosis Jones in 2001, a re-teaming with Rushmore director Anderson resulted in a small but memorable supporting performance in the same year's The Royal Tenenbaums. In 2003 Murray essayed the role that would offer what was perhaps his most heartfelt combination of personal drama and touching comedy to date in director Sofia Coppola's acclaimed indie film Lost in Translation. Cast as a washed up American actor who strikes up a tentative friendship with the young wife of a superstar photographer while on a stay in Japan to endorse a popular brand of whiskey, Murray's low-key charm proved the perfect balance to co-star Scarlett Johansson's youthful malaise. Virtually across the board, critics were bowled over by the subtle depth of Murray's performance, leading to Best Actor honors from The New York Film Critics Circle, The Boston Society of Film Critics, The Los Angeles Film Critics Association, The San Francisco Film Critics Circle, The National Society of Film Critics, The Golden Globes, and The Independent Spirit Awards. But the one award that remained elusive to Murray was Oscar. Though nominated, the prize ultimately went to Sean Penn for Mystic River.In 2004, along with providing the voice for a CGI version of Garfield the cat, Murray once again teamed up with director Wes Anderson, starring as as a world-renowned oceanographer in The Life Aquatic with Steve Zissou. While The Life Aquatic was met with mixed reviews, Murray's performance in the 2005 Jim Jarmusch film Broken Flowers netted virtually unanimous acclaim. Over the next several years, Murray would maintain his selective film career, appearing in acclaimed films like Get Low, Passion Play, and Moonrise Kingdom.

Trivia: A character actor who caught audience's attention with the role of Adam on the landmark HBO series Girls, Adam Driver was an enlisted Marine before he ever became a professional actor. Inspired to join the military following 9/11, Driver was deployed to Iraq before an injury earned him a medical discharge. He would go on to study drama at Julliard, and appeared in Broadway and off-Broaday productions before his big break on Girls. He would subsuquently become a well known name and face, appearing in feature films as well, like Frances Ha and J. Edgar.

Trivia: Gravel-voiced, versatile singer/songwriter Tom Waits has composed and played music in a variety of films, ranging from Francis Ford Coppola's One From the Heart (1982) to Jean-Luc Godard's First Name: Carmen (1983). On or off camera, Waits has been a colorful, quirky character noted for his surreal humor. Many of his songs reflect his interest in movies with either direct references or sly musical suggestions. During the late '70s, he became more directly involved in film, composing songs and even playing piano onscreen in Paradise Alley (1978). In the early '80s, Waits teamed up with Coppola, first with the Greek choir-like narration for One From the Heart and then as an actor in several of his films. At first, Waits had a one-line role as Buck Merrill in The Outsiders (1983). Coppola next gave Waits a bigger part as Benny in Rumble Fish (1983), and then dressed the rangy singer in a tuxedo and cast him as the MC in The Cotton Club (1984). Although he has often been offered the roles of nutcases and psychos in commercial films, Waits has preferred to work in independent productions such as Down by Law (1986). He entered mainstream film with 1987's offbeat drama Ironweed, and played himself in the concert film Big Time (1988), in which he performed his stage musical Frank's Wild Years and played the roles of a bored box-office manager, usher, and lighting grip. Waits also appeared in Bram Stoker's Dracula (1992). He continued to make acting a regular element of his career throughout the 90s and 2000s with supporting roles in films like 12 Monkeys (1995) and Mystery Men (1999), and playing himself in a vignette featuring fellow musician Iggy Pop in Jim Jarmuche's Coffee and Cigarettes (2003). Waits then went on to appear in the movie Domino (2005), which he also provided music for, and Terry Gilliam's The Imaginarium of Dr. Parnassus.

Trivia: Before she became an actress, Chloë Sevigny was Jay McInerney's "It" girl. After sighting the young Sevigny on the streets of New York, where she repeatedly drew notice for her distinct, idiosyncratic fashion sense, the yuppie author was moved to dedicate a seven-page New Yorker spread to her, in the course of which he anointed her with said title. Whether or not she was "It," Sevigny did enjoy a rudimentary helping of fame: at the time, she was an intern at Sassy magazine, where she had been employed after magazine writers spotted her and used her as a model for their publication. So, before her film career began, Sevigny was perhaps the country's other most famous intern.Born November 18th, 1974 and raised in the wealthy, conservative suburb of Darien, Connecticut in 1974, Sevigny began hanging out in New York as a teenager. After her initial recognition from Sassy and McInerney, she made her screen debut in Larry Clark's Kids. Sevigny played one of the few sympathetic characters in the controversial 1995 film, a teen infected with AIDS by the so-called "virgin surgeon" to whom she had lost her virginity. The following year, she appeared as a bored Long Island teen in Steve Buscemi's directorial debut, Trees Lounge, and then went on to collaborate with Kids screenwriter and then-boyfriend Harmony Korine on Gummo (1997). Her pairing with the iconoclastic Korine led one magazine to dub them as the new John Cassavetes and Gena Rowlands, but the film was savaged by some critics and virtually ignored by its intended arthouse audience.More substantial luck greeted Sevigny in her 1998 role in Whit Stillman's The Last Days of Disco; the film won a number of positive reviews, with praise for Sevigny's portrayal of a thoughtful Hampshire graduate trying to make it in the publishing world. The actress' other film that year, the little-seen Palmetto, cast her as a millionaire's stepdaughter. Sevigny was back the following year in A Map of the World, which premiered at the Toronto Film Festival; Boys Don't Cry, in which she played the girlfriend of Brandon Teena, a real-life girl who passed as a boy; and Julien Donkey-Boy, her third collaboration with screenwriter-turned-director Korine. Sevigny's role in Boys Don't Cry courted particular notice and critical praise, earning Sevigny Best Supporting Actress Golden Globe and Oscar nominations. Further notice greeted her part in American Psycho, Mary Harron's incredibly controversial 2000 adaptation of Bret Easton Ellis' novel of the same name. Continuing to appear in such features as Demonlover and Party Monster in 2003, Sevigny once again found herself involved in a controversial film with her role in Vincent Gallo's The Brown Bunny. Premiering to much critical derision at the 2003 Cannes Film Festival (film critic Roger Ebert was quoted as saying it may be the worst film in the history of the festival), Sevigny shocked audiences by performing fellatio on the director/star in the film's explicit coda.Undeterred by the controversy surrounding The Brown Bunny, Sevigny's star continued to rise with supporting roles in such well-received projects as Shattered Glass and Jim Jarmusch's Broken Flowers. In 2006, she took her first shot at series television with a starring role on the HBO polygamy drama Big Love. Playing alongside Bill Paxton, Jeanne Tripplehorn and Ginnifer Goodwin, Sevigny and the show both received high marks from critics and audiences.Along with the second season of Big Love, in 2007 audiences could find Sevigny in David Fincher's acclaimed serial-killer docudrama Zodiac.

Trivia: One of the most important character actors of the 1990s, Steve Buscemi is unmatched in his ability to combine lowlife posturing with weasely charisma. Although active in the cinema since the mid-'80s, it was not until Quentin Tarantino cast Buscemi as Mr. Pink in the 1992 Reservoir Dogs that the actor became known to most audience members. He would subsequently appear to great effect in other Tarantino films, as well as those of the Coen Brothers, where his attributes blended perfectly into the off-kilter landscape.Born in Brooklyn, New York, on December 13, 1957, Buscemi was raised on Long Island. He gained an interest in acting while a senior in high school, but he had no idea of how to pursue a professional career in the field. Working as a fireman for four years, he began to perform stand-up comedy, but he eventually realized that he wanted to do more dramatic theatrical work. After moving to Manhattan's East Village, he studied drama at the Lee Strasberg Institute, and he also began writing and performing skits in various parts of the city. His talents were eventually noticed by filmmaker Bill Sherwood, who was casting his film Parting Glances. The 1986 drama was one of the first feature films to be made about AIDS (Sherwood himself died from AIDS in 1990), and it starred Buscemi as Nick, a sardonic rock singer suffering from the disease. The film, which was a critical success on the independent circuit, essentially began Buscemi's career as a respected independent actor.Buscemi's resume was given a further boost that same year by his recurring role as a serial killer on the popular TV drama L.A. Law; he subsequently began finding steady work in such films as New York Stories and Mystery Train (both 1989). In 1990, he had another career breakthrough with his role in Miller's Crossing, which began his longtime collaboration with the Coen brothers. The Coens went on to cast Buscemi in nearly all of their films, featuring him to particularly memorable effect in Barton Fink (1991), in which he played a bell boy; Fargo (1996), which featured him as an ill-fated kidnapper; and The Big Lebowski (1998), which saw him portray a laid-back ex-surfer. Although Buscemi has done his best work outside of the mainstream, turning in other sterling performances in Alexandre Rockwell's In the Soup (1992) and Tom Di Cillo's Living in Oblivion (1995), he has occasionally appeared in such Hollywood megaplex fare as Con Air (1997), Armageddon (1998), Big Daddy (1999), and 28 Days (2000), the last of which cast him against type as Sandra Bullock's rehab counselor. Back in indieville, Buscemi would next utilize his homely persona in a more sympathetic manner as a soulful loner with a penchant for collecting old records in director Terry Zwigoff's (Crumb) Ghost World. Despite all indicators pointing to mainstream prolifieration in the new millennium, Buscemi continued to display his dedication to independent film projects with roles in such efforts as Alaxandre Rockwell's 13 Moons and Peter Mattei's Love in the Time of Money (both 2002). Of course there are exceptions to every rule, and Buscemi's memorable appearances in such big budget efforts as Mr Deeds and both Spy Kids 2 and Spy Kids 3-D: Game Over served to remind audiences that Buscemi was still indeed at the top of his game, perhaps now more than ever. In 1996, Buscemi made his screenwriting and directorial debut with Trees Lounge, a well-received comedy drama in which he played a down-on-his-luck auto mechanic shuffling through life on Long Island. He followed up his directorial debut in 2000 with Animal Factory, a subdued prison drama starring Edward Furlong as a young inmate who finds protection from his fellow prisoners in the form of an older convict (Willem Dafoe). Moving to the small screen, Buscemi would next helm an episode of the acclaimed HBO mob drama The Sopranos. Called Pine Barrens, the episode instantly became a fan-favorite.In 2004, Buscemi stepped in front of the camera once again to join the cast of The Sopranos, costarring as Tony Blundetto, a recently paroled mafioso struggling to stay straight in the face of temptation to revert back to his old ways. In 2005 Buscemi reteamed with Michael Bay for The Island in the same year that he directed another low-budget film, Lonesome Jim, with a stellar cast that included Seymour Cassel, Mary Kay Place, Liv Tyler, Casey Affleck, and Kevin Corrigan. He also played one of the leads in John Turturro's musical Romance & Cigarettes. His very busy 2006 included an amusing cameo in Terry Zwigoff's Art School Confidential, and continued work in animated films, with vocal appearances in Monster House and Charlotte's Web (2006). His contributions to those projects earned critical acclaim; Buscemi achieved an even greater feat, however, that same year, when he mounted his fifth project as director, Interview (2007). Like Trees Lounge (1996), Lonesome Jim (2005) and other Buscemi-helmed outings, this searing, acerbic comedy-drama spoke volumes about Buscemi's talent and intuition, and arguably even suggested that his ability as a filmmaker outstripped his ability as a thespian. With great precision and insight, the narrative observed a roving paparazzi journalist (Buscemi) during his unwanted yet surprisingly pretension-stripping pas-de-deux with a manipulative, coke-addled prima donna actress (Sienna Miller).At about the same time, the quirky player geared up for a host of substantial acting roles including parts in We're the Millers (2008), Igor (2008) and Keep Coming Back (2008). He appeared as the father of a deceased soldier in The Messenger in 2009, and the next year he landed the lead role of Nucky Thompson, an Irish gangster, in the HBO series Boardwalk Empire. His work on that show would earn him Screen Actors Guild and Golden Globe awards.

Trivia: Born in Hungary, but raised in the U.S., Eszter Balint began acting on-stage with the Squat Theater in childhood. As an adult, Balint gained a favorable reputation among independent filmmakers such as Jim Jarmusch, for whom she made her feature-film debut in Stranger Than Paradise (1984) and Chantal Akerman. She also played a small role in Woody Allen's Shadows and Fog (1992). In 1996, she appeared in actor Steve Buscemi's directorial debut, Trees Lounge, in a role he designed especially for her. After production, Balint moved to Los Angeles to pursue a career in music.

Trivia: A distinguished actor of the stage and screen, Danny Glover is known for his work in both Hollywood blockbusters and serious dramatic films. Towering and quietly forceful, Glover lends gravity and complexity to the diverse characters he has portrayed throughout his lengthy career.A native of San Francisco, where he was born July 22, 1947, Glover attended San Francisco State and received his dramatic training at the American Conservatory Theatre's Black Actors' Workshop. He made his film debut in Escape from Alcatraz (1979). In the early '80s, Glover made his name portraying characters ranging from the sympathetic in Places in the Heart (1984) to the menacing in Witness (1985) and The Color Purple (1984). He reached box-office-gold status with the three Lethal Weapon flicks produced between 1987 and 1992, playing the conservative, family-man partner of "loose cannon" L.A. cop Mel Gibson. Glover carried over his fiddle-and-bow relationship with Gibson into his off-screen life, and also contributed an amusing cameo (complete with his Lethal Weapon catch-phrase "I'm gettin' too old for this!") in Maverick (1994). In 1998, Glover again reprised his role for the blockbuster-proportioned Lethal Weapon 4, and that same year gave a stirring performance in the little-seen Beloved.In the following years Glover would walk the line between Hollywood heavyweight and serious-minded independent actor with a skill most actors could only dream of, with an affectinate role in Wes Anderson's 2001 comedy drama The Royal Tenenbaums and a surprising turn toward horror in Saw serving well to balance out lesser-seen but equally powerful turns in Boseman and Lena, 3 A.M., and Lars von Trier's Manderlay. The same year that Glover retreated into the woods as a haunted Vietnam veteran in the low-key drama Missing in America, he would turn in a series of guest appearances on the long-running television medical drama E.R. Despite a filmography that seemed populated with an abundance of decidedly serious dramas in the years following the millennial turnover, Glover did cut loose in 2006 when he took a role as Tim Allen's boss in The Shaggy Dog and stepped into the studio to offer vocal performances in the animated kid flicks The Adventures of Brer Rabbit and Barnyard. On television, Glover played the title role in Mandela (1987), cowpoke Joshua Deets in the 1989 miniseries Lonesome Dove, legendary railroad man John Henry in a 1988 installment of Shelley Duvall's Tall Tales, and the mercurial leading character in the 1989 "American Playhouse" revival of A Raisin in the Sun. For his role in Freedom Song as a caring father struggling to raise his young son in 1960s-era Mississippi, Glover was nominated for an Emmy award and took home an Image award for Outstanding Actor in a Television Movie, Mini-Series, or Dramatic Special. Glover played a proprietor of a struggling blues club in John Sayles' musical drama Honeydripper in 2007, and went on to participate in The Garden (2008), a documentary about a produce garden developed in the aftermath of the L.A. riots. He continued to tackle complex social issues as an executive producer for Trouble the Water, a 2008 documentary following the struggles of New Orleans residents in the wake of Hurricane Katrina, and as an associate producer for The Time That Remains (2009), a poignant series of short stories about Palestinians in Israel. Glover also worked as an associate producer for Uncle Boonmee Who Can Recall His Past Lives, an avante-gard fantasy drama that received the Palme d'Or at the 2010 Cannes Film Festival.

Trivia: Actor Caleb Landry Jones made his film debut as a boy on a bicycle in the 2007 Cohen Brothers thriller No Country for Old Men. He soon moved on to more prominent roles, however, with appearances in 2010's The Last Exorcism and Friday Night Lights. Growing into steadily more mature characters throughout the coming years, Jones soon found himself acting alongside cinematic heavyweights, such as Mark Wahlberg in 2012's Contraband.

Trivia: Rapper RZA (born Robert Diggs but alternately credited, at various junctures, as Prince Rakeem, Bobby Steels, The Rzarector, and The Abbott) initially rose to fame as a member of the rap group All in Together Now, then branched out into a career as a solo artist. Though he achieved tremendous commercial success in this capacity, RZA nonetheless made his most enduring musical impact not as a performer but as a producer, of the rap supergroup the Wu-Tang Clan. His spare, lean, and razor-sharp approach to rap production for the group laid the groundwork and set the bar for dozens of other rap acts throughout the 1990s. Cinematically, RZA placed his strongest emphasis on contributions to soundtracks, scoring and lending featured music to such opuses as the Jim Jarmusch-helmed crime drama Ghost Dog: The Way of the Samurai (1999), Quentin Tarantino's Kill Bill Vol. 1 (2003) and Kill Bill Vol. 2 (2004), and the urban farce Soul Plane (2004). Though RZA's acting roles officially began with a bit part in Jarmusch's Coffee and Cigarettes (2003), he went on to grace the supporting casts of films as diverse as Scary Movie 3 (2003), Derailed (2005), and The Take (2007). Also in 2007, RZA tackled a supporting role as Moses Jones in Ridley Scott's period crime drama American Gangster, starring Denzel Washington.

Trivia: Producer, director, and occasional character actor Larry Fessenden personifies low-budget independent filmmaking at its edgiest and riskiest. Like the better-known Abel Ferrara, with whom he is often favorably compared, Fessenden established himself by making gritty, supernaturally tinged studies of paranoia, often set in an urban landscape, with sudden, shocking bursts of violence atop cerebral undercurrents -- "philosophical horror," he terms it. The extent to which Fessenden gleaned enthusiastic reviews for these outings, including many from mainstream critics, serves as a reflection on the extent of his long-honed skills and his ability to function outside of the system. Fessenden grew up in a wealthy family on the Upper East Side of Manhattan and attended the Andover preparatory school. Feeling dissatisfied, he dropped out, obtained his GED, and high-tailed it to New York University, where he enrolled in filmmaking and acting courses and set up his own independent production banner, Glass Eye Pix, in 1985. After a series of short projects in the mid- to late '80s, Fessenden emerged with his first feature: 1991's No Telling. This decidedly offbeat outing deftly blends the Frankenstein mythos with ecological and animal rights themes. The director followed it up with the 1996 Habit, also an unusual and inventive take on a longtime horror staple -- this time, the vampire genre -- about an alcoholic bartender (Fessenden) who becomes hopelessly enmeshed in a physiological and psychological addiction to a seductive woman with a penchant for bloodletting. These first two films both gleaned enthusiastic reviews and a devoted cult following; they actually constituted the premier and sophomore installments in what came to be known as the director's "Urban Paranoia" trilogy. The third opus, Wendigo (2001), tells of a stressed and burnt-out couple who take a detour from life on a rural retreat with their young son, only to run headfirst into a malevolent creature. The Last Winter (2006) culled the most glowing reviews to date for Fessenden; it dramatizes the plight of a group of Arctic oil workers confronted by a supernatural entity. Beginning in 2000, Fessenden also branched off into two directions simultaneously, alongside his directorial efforts; he established himself as a character actor (no stretch, thanks to a distinguished look that earned frequent comparisons to a more extreme Jack Nicholson) in such outings as Family Portraits: A Trilogy of America (2004), Broken Flowers (2005), The Brave One (2007), and Cabin Fever 2: Spring Fever (2008), while also producing the work of other directors through Glass Eye Pix. That production banner specialized in work similar in genre and theme to Fessenden's own directorial efforts; titles included The Roost (2004), Zombie Honeymoon (2004), Automatons (2006), and Sisters (2007, a remake of the Brian De Palma shocker of the same name).

Trivia: Brooklyn-born actress/choreographer Rosie Perez attended Los Angeles City College before making the cattle-call rounds for dancing jobs. She worked a few seasons with the TV variety series Soul Train, then went on to perform at the LA club Funky Reggae. Here she was spotted by director Spike Lee, who cast her in a choice role in his 1989 film Do The Right Thing. She can also be seen dancing to the title tune under the opening credits. As a choreographer, Perez has staged shows for Diana Ross and Bobby Brown, and was Emmy-nominated for her work on the Fox comedy/variety series In Living Color (1990-94). She has been shown to best advantage on screen in explosive supporting roles, such as the Jeopardy-obsessed girlfriend of Woody Harrelson in White Men Can't Jump (1992) and the hilariously covetous wife of lottery winner Nicholas Cage in It Could Happen to You (1994). On a more sombre note, Perez was excellent as the troubled plane-crash survivor in Fearless (1993) and received an Oscar nomination for Best Supporting Actress. In 1997, Perez travelled to Spain to play the title role in Alex de Iglesia's wild Perdita Durango -- a semi-sequel to David Lynch's Wild at Heart that co-starred Oscar-winner Javier Bardim as a sexually adventurous practitioner of Santeria. Roles in The 24 Hour Woman and Lackawanna Blues followed, and in 2008 Perez turned up as a crooked cop in director David Gordon Green's stoner action comedy Pineapple Express. Additionally, Perez has lent her distinctice voice to such animated television shows as Go, Diego! Go! and Seth MacFarlane's The Cleveland Show.

Trivia: A professional actress since age 14, Ohio-born Carol Kane is best known for essaying a staggering variety of characterizations in her career. Most of her early film roles were fleeting but memorable, such as that of the hippie girlfriend of Art Garfunkel in Carnal Knowledge (1971), the "sailor's plaything" in The Last Detail (1973) and the terrified bank teller in Dog Day Afternoon (1973). Kane's first starring appearance was in Hester Street (1975), wherein she was Oscar-nominated for her portrayal of a Jewish newlywed in turn-of-the-century New York. From 1981 through 1983, Kane played Simka, the wife of immigrant mechanic Latka Gavras (Andy Kaufman) on the TV sitcom Taxi. Simka's country of origin was fictitious, but Kane and Kaufman managed between them to "create" a Slavic language peppered with ridiculous, non-sequitur terms of endearment. The actress won an Emmy for her work on Taxi. Other regular TV sitcom assignments for Kane have included 1986's All Is Forgiven and 1990's American Dreamer. Kane has excelled in bizarre character roles, notably the kvetching old peasant wife in The Princess Bride (1986), the abusive "Ghost of Christmas Present" in Scrooged (1988), and the toothless, witchlike Grandmama in the two Addams Family theatrical features. She remained an in-demand character actress appearing in a variety of movies and TV shows including Even Cowgirls Get the blues, Trees Lounge, Office Killer, and appearing as herself in the Andy Kaufman biopic Man on the Moon. She slowed down not a whit in the 21st century playing parts in My First Mister, Love in the Time of Money, The Pacifier, My Girlfriend's Boyfriend, and the 2012 indie Sleepwalk With Me.

Trivia: Known throughout Britain for her idiosyncratic performances and long-time association with the late filmmaker Derek Jarman, Tilda Swinton is nothing if not one of the more unique actresses to come along during the second half of the 20th century. Born in London on November 5, 1961, Swinton attended Cambridge University, where she received a degree in social and political sciences. While at Cambridge, she became involved in acting, performing in a number of stage productions. Following graduation, Swinton began her professional theater career, working for Edinburgh's renowned Traverse Theatre and the Royal Shakespeare Company.In 1985, Swinton began her long collaboration with Derek Jarman, both as a friend and fellow artist. She made her screen debut in his Caravaggio (1986) and appeared in every one of the director's films until his death from AIDS in 1994. It was for her role as the spurned queen in Jarman's anachronistic, controversial Edward II (1992) that Swinton earned her first dose of recognition, becoming a familiar face to arthouse audiences on both sides of the Atlantic and earning a Best Actress prize at the Venice Film Festival for her work in the film. The acclaim and recognition Swinton garnered was amplified the same year with her title role in Sally Potter's adaptation of Orlando, Virginia Woolf's classic tale of an Elizabethan courtier who experiences drastic changes in both gender and lifestyle over the course of 400 years.Following appearances in Jarman's Blue (1993) and in his acclaimed biopic, Wittgenstein (1994), Swinton earned some of her strongest notices to date for her lead in Female Perversions (1996), in which she played a successful lawyer trying to cope with her own insecurities and self-destructive tendencies. She then portrayed another brilliant, troubled woman in Conceiving Ada (1997), a science fiction piece that cast her as the real-life daughter of Lord Byron, a woman who was widely held to be the inventor of the first computer.Never one to choose films for their simplicity or mainstream appeal, Swinton subsequently appeared in Love Is the Devil (1998), John Maybury's controversial account of the life and times of artist Francis Bacon. She then portrayed a battered wife in The War Zone (1999), Tim Roth's hellish portrait of extreme family dysfunction. Following on a slightly lighter note with Trainspotting director Danny Boyle's The Beach in 2000, Swinton would later take the lead in The Deep End (2001). Noted for her delicately textured performance as an isolated and protective mother who makes a desperate bid to protect her son after assuming he has committed murder, many critics noted Swinton's performance as a key element to the film's success. The next year, the talented actress took on multiple roles in a complex tale of cyborg fantasy and speculative science fiction, Teknolust, and appeared in a small role in Adaptation, written by Charlie Kaufman and directed by Spike Jonze. In 2003, Swinton delivered strong performances opposite Michael Caine in the thriller The Statement and Ewan McGregor in the erotic drama Young Adam. She went on to star in the ensemble comedy Thumbsucker and appeared with Keanu Reeves in the supernatural thriller Constantine. In 2005, she would play the White Witch in the much-anticipated live-action adaptation of C.S. Lewis' Chronicles of Narnia.For her work in 2007's legal thriller Michael Clayton, Swinton earned her first Oscar. That organization was one of many to recognize her portrayal of a cold, controlling corporate achiever as one of the best of the year.She followed that up in 2008 as cold-hearted pediatrician in the Coen brothers' Burn After Reading, and garnered awards consideration for her work in David Fincher's The Curious Case of Benjamin Button. She earned rave reviews for her work in 2009's I Am Love, and built awards buzz yet again two years later for her work as the mother of a disturbed child in We Need to Talk About Kevin. In 2012 she had a small part in Wes Anderson's Moonrise Kingdom.

Trivia: Iggy Pop was a punk star long before expanding his credits to include the silver screen. In fact, his musical history dates back to his teenage years in Ypsilanti, MI, influenced by music from blues to rock. Pop performed as a drummer and then lead singer, and his group, the Stooges would become legendary in the history of punk rock. Also involved in collaborations with the likes of David Bowie and Kate Pierson, Pop's image in entertainment spread to cinema in the 1980s, and not just with his tunes gracing film soundtracks.In the early '80s, Pop performed voices for the animated Rock & Rule, and composed the score for Repo Man. He played numerous bit parts in feature films, including Coffee and Cigarettes, Sid and Nancy, and Martin Scorsese's The Color of Money starring Tom Cruise and Paul Newman, all in 1986. In addition he played small parts in Cry-Baby and Hardware, also appearing as himself in documentaries like Red, Hot and Blue and Kiss My Blood in the very early '90s. He played the role of Sally Jenko in the 1995 Western, Dead Man, starring Johnny Depp, and appeared as Rat Face that same year in the indie film Tank Girl. In 1996, he played Curve in the sequel to The Crow, City of Angels.Of course, his role as a musician intertwined with his career in the film industry. Aside from Repo Man, he composed for the dramatic French feature Va Mourire in 1995, and Johnny Depp's The Brave in 1997, which screened at Cannes, but was never released.As the 21st century got under way Pop landed a major role in the family-friendly flick Snow Day, and he went on to appear in the omnibus film Coffee and Cigarettes. His distinctive voice led him to be cast as Lil' Rummy on the short-lived satirical series Lil' Bush, as well as in the award-winning animated film Persepolis. He also reunited with The Stooges in that decade performing a number of well-received concerts. Pop could also be seen on television with credits to include roles in a 1995 episode of The Adventures of Pete and Pete, an episode of Star Trek: Deep Space Nine in 1998, as well as an episode of Behind the Music for VH1 centered around his career.

Trivia: After signing for a bit part in the Robert Rodriguez-directed fantasy adventure Spy Kids 3-D: Game Over (2003), actress Selena Gomez tackled one of her first leads. She played Alex Russo, a Manhattanite adolescent grappling with the magical powers of her wizardly ancestry, in the Disney Channel sitcom Wizards of Waverly Place (2007). Disney soon helped her launch a successful pop music career, which she nurtured alongside ongoing roles in such tween-centric fare as Another Cinderella Story (2009), Ramona and Beezus (2010), Monte Carlo (2011), and Spring Breakers (2012). In 2010 she began a high-profile relationship with teen pop sensation Justin Bieber.

Trivia: Was spotted by an agent while at the Orange County Fair. Home schooled for most of his education and completed his GED after 10th grade. Nominated for two Young Artist Awards in 2010, for his work on Aliens in the Attic and Ruby & the Rockits. Appeared in Death of the Author at the Geffen Playhouse in Los Angeles in 2014, opposite Orson Bean.