Trivia: Best known for portraying time traveler Dr. Sam Beckett in the popular sci-fi series Quantum Leap, Scott Bakula is also a noted Broadway actor and occasional movie star, though it is in the last venue that he has had the least amount of success. The son of a musician, Bakula is said to have started his own rock band when he was in the fourth grade. He also sang with the St. Louis Symphony before attending the University of Kansas. Bakula launched his acting career as a teen in regional theater and as a stage actor specializes in musical comedy. He made his Broadway debut in 1983 in Marilyn: An American Fable. He started showing up regularly on television as a guest star on such series as My Sister Sam and Designing Women during the 1980s. In 1986, Bakula starred in an unsuccessful television series, Gung Ho! Two years later he headlined another unsuccessful one, Eisenhower and Lutz. In 1988, Bakula was nominated for a Tony for his work in Romance, Romance. The following year, he was cast in Quantum Leap and has since gained a cult following; in 1992, he won a Golden Globe and was nominated four more times. Bakula was also nominated for a quartet of Emmys. Bakula made his feature-film debut starring opposite Kirstie Alley in Sibling Rivalry (1990). Other notable film appearances include L.A. Story (1991) and My Family/Mi Familia (1995). In 1993, Bakula had a recurring role on the CBS sitcom Murphy Brown as a love interest of Candice Bergen. He has also appeared in a number of television movies and in 1996, he had a stint in another short-lived series, Mr. and Mrs. Smith.Though he worked steadily in movies, television turned out to be his next great success when, in 2001, he took the part of Capt. Jonathan Archer on Star Trek: Enterprise, a program that lasted four seasons.In 2009 Bakula would star alongside Ray Romano and Andre Braugher in the well-respected comedy/drama series Men of a Certain Age, and landed in one of the best films of his career, Steven Soderbergh's The Informant!.

Trivia: Fans of the science fiction television series Quantum Leap will know supporting and character actor Dean Stockwell as the scene-stealing, cigar chomping, dry-witted, and cryptic hologram Al. But to view him only in that role is to see one part of a multi-faceted career that began when Stockwell was seven years old.Actually, his ties with show business stretch back to his birth for both of his parents were noted Broadway performers Harry Stockwell and Nina Olivette. His father also provided the singing voice of the prince in Disney's Snow White and the Seven Dwarfs (1931). Stockwell was born in North Hollywood and started out on Broadway in The Innocent Voyage (1943) at age seven. Curly haired and beautiful with a natural acting style that never descended into cloying cuteness, he made his screen debut after contracting with MGM at age nine in Anchors Aweigh (1945) and continued on to play sensitive boys in such memorable outings as The Mighty McGurk (1946), The Boy With Green Hair (1948), and The Secret Garden (1949). He would continue appearing in such films through 1951 when he went into the first of several "retirements" from films. When Stockwell resurfaced five years later it was as a brooding and very handsome 20-year-old who specialized in playing introverts and sensitive souls in roles ranging from a wild, young cowboy in Gun for a Coward (1957) to a murderous homosexual in Compulsion (1958) to an aspiring artist who cannot escape the influence of his domineering mother in Sons and Lovers (1960). Stockwell topped off this phase of his career portraying Eugene O'Neill in Long Day's Journey Into Night (1962). Stockwell would spend the next three years as a hippie and when he again renewed his career it was in such very '60s efforts as Psych-Out (1968) and the spooky and weird adaptation of a Lovecraft story, The Dunwich Horror. During this period, Stockwell also started appearing in television movies such as The Failing of Raymond (1971). In the mid-'70s, the former flower child became a real-estate broker and his acting career became sporadic until the mid-'80s when he began playing character roles. It was in this area, especially in regard to comic characters, that Stockwell has had his greatest success. Though he claims it was not intentional, Stockwell has come to be almost typecast as the king of quirk, playing a wide variety of eccentrics and outcasts. One of his most famous '80s roles was that of the effeminate and rutlhess sleaze, Ben, in David Lynch's Blue Velvet (1986). Stockwell had previously worked with Lynch in Dune and says that when the director gave him the script for Velvet, his character was not specifically mapped out, leaving Stockwell to portray Ben in any way he felt appropriate. The actor's intuition has proven to be one of his greatest tools and helped create one of modern Hollywood's most creepy-crawly villains. Whenever possible, Stockwell prefers working by instinct and actively avoids over-rehearsing his parts. His career really picked up after he landed the part of Al in Quantum Leap. Since the show's demise, Stockwell has continued to appear on screen, starring on series like Battlestar Galactica.

Trivia: Of Afro-Trinidadian descent.The youngest of four siblings.In 1984, signed as a model with FORD Modeling Agency after winning the Supermodel of The World Contest.Won the lead role in Coming to America (1988) in an audition process that included over two thousand actresses.Featured in Will Smith's "The Wild Wild West" music video.Was nominated for an NAACP Image Award for Outstanding Actress in a Drama Series for her performance in 413 Hope St. even though the show only lasted 10 episodes.

Trivia: Not to be confused with jazz musician Teddy Wilson, African-American actor Theodore Wilson was busy in all aspects of acting. While he toted up significant stage and movie credits (The River Niger and Carny were among the stage performances, while his movies included A Fine Mess [1986] for Blake Edwards and Life Stinks [1991] for Mel Brooks), Wilson rose to prominence as a result of his television efforts. His earliest recurring TV role was as High Strung on Roll Out! (1973), a World War II sitcom about an all-black Army supply outfit. The following year, Wilson played mail carrier Earl Chambers on another black-oriented comedy weekly, That's My Mama, which lasted two seasons. Wilson then headed the cast of Sanford Arms (1977), NBC's feeble attempt to keep Sanford and Son going without its stars, Redd Foxx and Demond Wilson; the actor played Phil Wheeler, who tried to convert the Sanford junkyard into an office and the adjacent property into a hotel. Having failed to replace Redd Foxx, Wilson subsequently found himself working for the ex-Fred Sanford; he succeeded Nathaniel Taylor in the role of Jim-Jam on the short-lived The Redd Foxx Show (1986). Theodore Wilson's final regular sitcom stint was on the syndicated You Can't Take It With You (1987), a comedy series based on the play by George S. Kaufman and Moss Hart; Wilson essayed the role of Mr. Pinner, an amalgam of two of the original play's characters, Mr. DePinna and Donald the handyman.

Trivia: Ken Foree built a substantial career playing toughs, thugs, and heavies on both sides of the law. He maintained a certain amount of prestige for the first decade or so of his acting tenure. Foree debuted as a goon in one of the more critically respected racially themed films of the 1970s: the sports comedy The Bingo Long Traveling All-Stars and Motor Kings (1976), starring Richard Pryor and Billy Dee Williams. Foree followed it up with a turn as a National Guardsman valiantly defending his nation against hordes of rampaging zombies (from inside a shopping mall) in the cult classic Dawn of the Dead (1978), played a black sportsman in Phil Kaufman's period piece The Wanderers (1979), and re-teamed with George A. Romero for the medieval fantasy Knightriders (1981). Small roles in two critically respected A-listers -- James Cameron's The Terminator (1984) and Richard Pryor's Jo Jo Dancer, Your Life Is Calling (1986) -- did much to cement Foree's reputation as a reliable player, but thereafter, he began to sink into less respectable material, with a strong emphasis on long-form work and direct-to-video exploitationers. Pictures such as the 1991 Hangfire and the 1992 Fatal Charm did little to further Foree's career. By the late '90s and well into the 2000s, he seemed typecast as a horror player, in movies such as The Dentist (1996), The Devil's Rejects (2005), and Halloween (2007).