Trivia: The son of a New York University professor of marketing, American actor James Drury spent his youth dividing his time between Manhattan and Oregon, where his mother ran a ranch. At age 8, Drury made his stage debut as King Herod-- crepe beard and all--in a Christmas production at a Greenwich Village settlement house. Sidelined by polio at age 10, Drury became a voracious reader, often acting out the characters in the books. At NYU, Drury dove full-force into acting, developing his craft to such an extent that in 1954 he was signed by MGM. His film roles were of the "other guy in the room" calibre (Forbidden Planet [1956]), so Drury's contract lapsed, after which he spent time at 20th Century-Fox in support of Pat Boone (Bernardine [1957]) and Elvis Presley (Love Me Tender [1958]). In 1958, Drury was cast by Screen Gems studios in a TV pilot film based on the Owen Wister story The Virginian. It didn't sell, but in 1962 Universal optioned the rights to The Virginian, bringing Drury in along for the ride. He spent the next nine years in The Virginian, during which time Drury's reputation for recalcitrance on the set and reluctance to reveal anything of himself in interviews earned him the soubriquet "The Garbo of the Sagebrush" (a nickname bestowed by Drury's father!) James Drury wasn't seen much after The Virginian, though he did show up on the small screen as the lead in an Emergency clone titled Firehouse, which ran on the ABC network for eight months in 1974.

Trivia: Raw-boned blonde leading man Doug McClure came to films in 1957, but it was television that made him a star. He played secondary roles on such MCA series as The Overland Trail (1960) and Checkmate (1961-62) before striking paydirt as Trampas on the long-running (1962-71) western series The Virginian. During his first flush of stardom, McClure played leads in two Universal remakes, Beau Geste (1966) and The King's Pirate (the 1967 remake of Errol Flynn's Against All Flags). He also dashed through a trio of British-filmed Edgar Rice Burroughs derivations, The Land That Time Forgot (1974), At the Earth's Core (1976) and The People That Time Forgot (1977). He perpetuated his athletic, devil-may-care image into his brief 1975 TVer, Search (1975). In the late 1980s, Doug McClure reemerged as an agreeable comic actor, playing an Eastwoodish movie-star-cum-small-town-mayor in the syndicated sitcom Out of This World (1987-88).

Trivia: The daughter of playwright/screenwriter Allan Scott, actress Pippa Scott attended Radcliffe and UCLA before training at the Royal Academy of Dramatic Art in London. Scott made her Broadway bow in Child of Fortune, then worked steadily in the various live TV anthologies of the 1950s. Signed to a Warner Bros. contract in 1956, she made her first screen appearance as Lucy Edwards in the John Ford classic The Searchers. Alternating between TV, films and Broadway throughout the 1950s and 1960s, Scott amassed an impressive resumé, ranging from a starring assignment in the New York company of John Osborne's Look Back in Anger to recurring roles on such TV series as Mr. Lucky (1959-60) and The Virginian (1962-63 season only). Segueing gracefully into character roles in the 1970s, Scott was seen as the nursery-teacher lady friend of seasoned cop Jack Warden on the 1976 TV weekly Jigsaw John. Pippa Scott served as producer of the 1989 film Life on the Edge.

Trivia: Roberta Shore was a busy child actor on television and, to a lesser degree, in movies during the 1950s and early '60s. Born Roberta Jymme Schourup in Monterey Park, CA, in 1943, she discovered early on that she was a natural singer and performer, and by age 10 was appearing at local event in San Gabriel, where she was raised, and the surrounding area. Billed variously as Jymme Shore and Roberta Shore, she passed through Tex Williams' television show and became a regular performer on The Pinky Lee Show at age 11. The following year, she was hired by Walt Disney Studios to play the foil to Annette Funicello in some of the filmed entertainments shown on The Mickey Mouse Club (although she was never a Mouseketeer, due in large part to her being considered too tall). She subsequently played in The Shaggy Dog as Funicello's rival for Tim Considine, in addition to singing the movie's theme song. Shore was heavily involved with the Disney organization for the next few years, doing voice work in animated films and recording for the Disneyland label. Shore also turned up in Father Knows Best as a girlfriend of older daughter Betty Anderson (Elinor Donahue), and played the rambunctious Hank (real name Henrietta) in The Bob Cummings Show (1961-1962), in addition to showing up in early '60s episodes of The Adventures of Ozzie And Harriet, as one of Ricky Nelson's girlfriends. Shore could also be seen in supporting roles in such feature films as A Summer Place and Blue Denim. In 1962, Shore was signed to play Betsy Garth, the daughter of Judge Henry Garth, in the 90-minute weekly western series The Virginian. She was 19 when the series went into production, but Betsy Garth was initially identified as a 15 year old (she celebrates her 15th birthday in the first episode), which, incidentally, takes place sometime in 1890 (specifically identified in episode two, which was focused on her character and gave Shore a lot to do dramatically). After the first season, however, the producers quietly advanced Betsy Garth's age, also giving her a love interest that audiences could accept in the person of new cast member Randy Boone, an actor/singer with whom she later recorded an album, in addition to singing with, in character, on the show. The series was a success, and Shore had a seven-year contract with the producers, and her future on network television seemed assured. But her religious background -- she was from a devout Mormon family -- was to take her out of The Virginian and performing earlier than most onlookers would have expected. Marriage and a family were always in the plan for her, sooner rather than later, and she decided during third season, when she was 21, that she was going to marry actor Ron Frederickson -- who was also a Mormon -- and leave the show. There was an episode written for the early part of the fourth season, entitled "The Awakening," in which Betsy Garth married a character played by Glenn Corbett and left the Shiloh Ranch, ending her tenure on the series. The producers also suspended Shore for the three years remaining on her contract, which had no actual effect on her, as she had walked away from acting to start and raise a family, which she did. Shore subsequently moved to Salt Lake City and, apart from an appearance in one movie in the 1970s and work as a disc jockey, maintained a private life for the next several decades. In 2003, she suddenly re-emerged in one corner of the performing world when she was cast in Gary Rogers' Book of Mormon film, along with her husband. In 2009, Shore and series star James Drury both did new on-camera interviews about The Virginian for the DVD release of the series' complete first season.

Trivia: American character actor of stage, screen, and TV Lee J. Cobb, born Leo Jacob or Jacoby, was usually seen scowling and smoking a cigar. As a child, Cobb showed artistic promise as a virtuoso violinist, but any hope for a musical career was ended by a broken wrist. He ran away from home at age 17 and ended up in Hollywood. Unable to find film work there, he returned to New York and acted in radio dramas while going to night school at CCNY to learn accounting. Returning to California in 1931, he made his stage debut with the Pasadena Playhouse. Back in New York in 1935, he joined the celebrated Group Theater and appeared in several plays with them, including Waiting for Lefty and Golden Boy. He began his film career in 1937, going on to star and play supporting roles in dozens of films straight through to the end of his life. Cobb was most frequently cast as menacing villains, but sometimes appeared as a brooding business executive or community leader. His greatest triumph on stage came in the 1949 production of Arthur Miller's Death of a Salesman in which he played the lead role, Willy Loman (he repeated his performance in a 1966 TV version). Between 1962-66, he also appeared on TV in the role of Judge Garth in the long-running series The Virginian. He was twice nominated for "Best Supporting Actor" Oscars for his work in On the Waterfront (1954) and The Brothers Karamazov (1958).

Trivia: American general purpose actor Harlan Warde came to films in 1941 and remained before the cameras until the mid-'60s. During WWII, Warde played many a young man in uniform. Afterwards, he showed up in supporting roles as detectives, doctors, and ministers. One of Harlan Warde's last assignments was the recurring part of Sheriff Brannon on the TV Western series The Virginian (1962-1971).

Trivia: What do actors Gig Young, Anne Shirley, and L.Q. Jones have in common? All of them lifted their show-biz names from characters they'd portrayed on screen. In 1955, University of Texas alumnus Justice McQueen made his film debut in Battle Cry, playing a laconic lieutenant named L.Q. Jones. McQueen liked his character so much that he remained L.Q. Jones offscreen ever after (though he never made it legal, still listing himself as Justice Ellis McQueen in the 1995 edition of Who's Who). A natural for westerns both vocally and physically, Jones played supporting roles in several big-screen oaters, and was seen on TV as Smitty on Cheyenne (1955-58) and as Belden on The Virginian (1964-67). Jones gained a measure of prominence in the films of Sam Peckinpah, notably Ride the High Country (1961) and The Wild Bunch (1969). Turning to the production side of the business in the early 1970s, L. Q. Jones produced and co-starred in the 1971 film Brotherhood of Satan; he also co-produced, directed, adapted and played a cameo (as a porn-movie actor!) in the fascinating 1975 cinemazation of Harlan Ellison's A Boy and His Dog, a tour de force that won Jones a Hugo Award from America's science fiction writers.

Trivia: Actor Clu Gulager started out as the latest in a long line of Brando/Dean "method" types in the late 1950s. Gulager's searing interpretation of Mad Dog Coll on a 1959 episode of The Untouchables, coupled with his multi-faceted portrayal of Billy the Kid on the TV western series The Tall Man (1960-62) gained him a brief fan following. He was also quite impressive as Lee Marvin's fellow hit man in The Killers (1964), which would have been the very first made-for-TV movie had not its excessive violence necessitated a theatrical release. Turning prematurely gray in the late 1960s, Gulager went on to play flinty authority figures on such weekly series as The Survivors (1969), San Francisco International Airport (1971) and The MacKenzies of Paradise Cove (1979). He was also seen in numerous miniseries, most prominently as Lt. Merrick in Once an Eagle (1976) and General Sheridan in North and South II (1986). One of his better big-screen roles was Abilene in Peter Bogdanovich's The Last Picture Show (1971). Briefly entertaining notions of becoming a film director, Clu Gulager helmed the obscure 1969 short subject A Day with the Boys.

Trivia: Starting out as an assistant animator at the Walt Disney studios, John Dehner went on to work as a professional pianist, Army publicist, and radio journalist. From 1944 until the end of big-time radio in the early '60s, Dehner was one of the busiest and best performers on the airwaves. He guested on such series as Gunsmoke, Suspense, Escape, and Yours Truly, Johnny Dollar, and starred as British news correspondent J.B. Kendall on Frontier Gentleman (1958) and as Paladin in the radio version of Have Gun Will Travel (1958-1960). On Broadway, he appeared in Bridal Crown and served as director of Alien Summer. In films from 1944, Dehner played character roles ranging from a mad scientist in The Bowery Boys Meet the Monsters (1954) to Sheriff Pat Garrett in The Left-Handed Gun (1958) to publisher Henry Luce in The Right Stuff (1983). Though he played the occasional lead, Dehner's cocked-eyebrow imperiousness generally precluded any romantic entanglements; he once commented with pride that, in all his years as an actor, he never won nor kissed the heroine. As busy on TV as elsewhere, Dehner was seen regularly on such series as The Betty White Show (1954), The Westerner (1960), The Roaring '20s (1961), The Baileys of Balboa (1964), The Doris Day Show (1968), The Don Knotts Show (1969), Temperatures Rising (1973-1974), Big Hawaii (1977), Young Maverick (1979-1980), and Enos (1980-1981). He also essayed such TV-movie roles as Dean Acheson in The Missiles of October (1974). Working almost up to the end, John Dehner died of emphysema and diabetes at the age of 76.

Trivia: Hard-fighting, strong, durable redhead Charles Bickford graduated from MIT before he began appearing in burlesque in 1914. After serving in World War I, he started a career on Broadway in 1919. He didn't come to Hollywood until the birth of the Sound Era in 1929. His first film was Cecil B. DeMille's Dynamite, during the production of which, he punched out DeMille. He became a star after playing Greta Garbo's lover in Anna Christie (1930), but didn't develop into a romantic lead, instead becoming a powerful character actor whose screen appearances commanded attention throughout a career spanning almost four decades, in films such as Duel in the Sun (1946) and Johnny Belinda (1948). His craggy, intense features lent themselves to roles as likable fathers, businessmen, captains, etc. He sometimes played stubborn or unethical roles, but more often projected honesty or warmth. He co-authored a play, The Cyclone Lover (1928) and wrote an autobiography, Bulls, Balls, Bicycles, and Actors (1965). He was Oscar-nominated three times but never won the award. Late in his life he starred in the TV show The Virginian.

Trivia: "Everyman" American character actor Ross Elliot established himself on Broadway, served in World War II, returned to the stage, and made his film bow in 1948. Elliot's many movie appearances include minor roles in such science-fiction favorites as Beast From 20,000 Fathoms (1953) and Tarantula (1955). A prolific television performer, Elliot lost count of his video appearances after he passed the one-hundred mark. From 1967 to 1970, Ross Elliot was seen as Sheriff Abbott on the TV western The Virginian.

Trivia: A versatile, commanding, leathery character actor, he learned to raise and ride broncos on his family's ranch during his youth. He attended college for two years, became a seaman, then began his performing career as a radio announcer; he became nationally known as an announcer on the "March of Time" broadcasts. Onscreen from the late '40s, he often portrayed law officers; he was also convincing as a villain. He was well-known for his TV work; he starred in the series Naked City and Wagon Train. He was married to actress Jeanette Nolan, with whom he appeared in Saddle Tramp (1950) and Two Rode Together (1961); they also acted together on radio, and in the late '60s they joined the cast of the TV series The Virginian, portraying a married couple. Their son was actor Tim McIntire.

Trivia: American actor David Hartman was born into a family of German immigrants. Unable to provide for his family as a Methodist minister, Hartman's father became a salesman for the J. Walter Thompson ad agency. As the Hartman's lifestyle improved, the family unit disintegrated -- a fact not lost on young David, who swore to have a firmer control on his own life if he ever achieved success. With single-purposed determination, Hartman entered acting, toiling first in commercials and ultimately winning the pivotal role of singing waiter Rudolph in the original 1964 Broadway production of Hello Dolly. This assignment led to a contract with Universal, where after several desultory pilot films (including I Love a Mystery) Hartman was costarred in two series: The Virginian and The Bold Ones. David was given an opportunity to carry a weekly program by himself with 1974's Lucas Tanner, but its early cancellation led him to seek a more secure outlet for his talents. Thus he accepted the hosting chores for the ABC early-morning daily Good Morning America, a job he held from 1975 through 1987. Opinions vary as to Hartman's offscreen demeanor during this period: Some found him caring, concerned, well-prepared and knowledgable, while others (including professional journalists who were envious that a mere actor was anchoring an information program) insisted that Hartman was demanding, obstreperous and autocratic. After leaving Good Morning America, David Hartman more or less dropped out of the public view, though he has occasionally resurfaced as the emcee of late-night infomercials.

Trivia: California-born Jeanette Nolan racked up an impressive list of radio and stage credits in the 1930s, including a stint with Orson Welles' Mercury Theatre troupe. She made her film debut in 1948 in Welles' MacBeth; her stylized, Scottish-burred interpretation of Lady MacBeth was almost universally panned by contemporary critics, but her performance holds up superbly when seen today. Afterwards, Ms. Nolan flourished as a character actress, her range extending from society doyennes to waterfront hags. She appeared in countless TV programs, and played the rambunctious title role on the short-lived Western Dirty Sally (1974). Nolan made her final film appearance playing Robert Redford's mother in The Horse Whisperer (1998). From 1937, Jeanette Nolan was married to actor John McIntire, with whom she frequently co-starred; she was also the mother of actor Tim McIntire.

Trivia: As a child actor, Tim Matheson was billed under his fuller family name of Matthieson. His first weekly TV co-starring assignment was opposite Robert Young in the 1961 "dramedy" Window on Main Street. The young actor's voice became familiar to a generation of cartoon fans via his "role" as the title character in Hanna-Barbera's Jonny Quest. The handsome Matheson appeared on-screen during his maturation years on such western series as The Virginian, Bonanza, and The Quest. He remained busy in films during this period, scoring his biggest 1970s success as party animal Otter in National Lampoon's Animal House (1978). Matheson also kept his hand in the voiceover business, providing the truculent mutterings of "Blood" the dog in Harlan Ellison's A Boy and His Dog (1975) and recording the narration for the 1985 revival of Disney's Fantasia. His adult TV appearances have included weekly stints on the TV series Tucker's Witch (1982), Just in Time, (1988) and Charlie Hoover (1991). Turning to directing in 1985, Matheson has been active in episodic television, music videos and direct-to-cassette movies. In 1989, he became CEO of the National Lampoon Company, though he still manages to find time for the occasional acting assignment, appearing in everything from the theatrical feature Drop Dead Fred to the live-action prologue for one of the "thrill rides" at Disneyworld.

Trivia: British actor Stewart Granger, born James Stewart, studied acting at the Webber-Douglas School of Dramatic Art and began getting work as an extra in British films in 1933. In the late '30s he adopted his professional name to avoid confusion with recent star James Stewart. He worked with various stage companies before getting his first lead role onscreen in So This Is London (1939). In the '40s Granger was one of British films' two top romantic leading men (along with James Mason) and a steady box-office draw, attracting the interest of Hollywood. He signed with MGM in 1950, and for the next seven years played a variety of virile "he-man" types such as romantic swashbucklers and white hunters. After becoming a U.S. citizen in 1956, Granger began free-lancing, appearing again in British films as well as in international productions in the following decade. He began accepting starring roles on TV in the early '70s. From 1950-60 Stewart Granger was married to actress Jean Simmons, the second of his three wives.

Trivia: A football star at Eastern Kentucky State College, Lee Majors came to Los Angeles armed with a physical education degree and possessed with a vague desire to break into films. He worked as a park recreation director for the City of Los Angeles before entering show business in 1963. Majors was promoted as "the New James Dean," though he personally aspired to become a new Steve McQueen or Paul Newman (he also retained his permit to work as a recreation director, just in case the world wasn't holding its breath for a new Dean, McQueen or Newman). Majors achieved stardom on his own merits in a variety of television series, the most recent of which was 1992's Raven. His best-known TV roles included Heath Barkley on The Big Valley (1965-69), bionic Steve Austin on The Six Million Dollar Man (1973-78) and stunt man Colt Seavers on The Fall Guy (1981-86). In addition, he has headlined a number of made-for-TV movies, essaying the old Gary Cooper part in the 1991 sequel to High Noon and portraying U-2 pilot Francis Gary Powers in a 1976 biopic. Majors would continue to act in the decades to come, memorably appearing in Big Fat Liar and on The Game. For several years, Lee Majors was married to actress Farrah Fawcett.

Trivia: He was born John Williams, but there already was a John Williams in show business (several of them, in fact), so the Canadian-born actor selected John McLiam as his professional moniker. McLiam's man-on-the-street countenance could be molded into a vast array of characterizations, ranging from a cockney low-life (My Fair Lady) to a Southern redneck (Cool Hand Luke). The actor's bland normality was a key factor in his being cast as real-life murder victim Herbert Clutter in 1967's In Cold Blood. John McLiam accepted more TV guest-star assignments than can possibly be listed here; he was also a regular on the weekly series Men From Shiloh (1970) and Two Marriages (1983).