Trivia: Upon earning his BA at Bucknell University, Ralph Waite embarked upon no fewer than three careers before deciding upon acting. First, Waite was a social case worker in New York's Westchester County, a job he quit after running into the stone walls of indifference and bureaucracies. Then, after spending three years at the Yale School of Divinity, he was a practicing Presbyterian minister; this, too fell by the wayside due to Waite's unwillingness to conform to church protocol and his disenchantment over the perceived hypocrisy of his fellow clerics. Finally, he worked as a religious editor for the publishing firm of Harper & Row. This job might have panned out, but Waite, separated from his wife and suffering an identity crisis, felt the need to "prove himself" by entering a tougher, more competitive field. Thus, at the age of 30, Waite began taking acting lessons. His professional debut in the off-Broadway production The Balcony proved so disastrous that it is little wonder he chooses to regard his 1965 Broadway bow in Hogan's Goat as the true beginning of his career. After an excellent showing as Jack Nicholson's impotent brother in Five Easy Pieces (1971) the offers began pouring in. In 1972, Waite was cast as John Walton in the immensely popular TV series The Waltons. During the nine-season run of that ratings bonanza, Waite helped form the Los Angeles Actors' Theatre. He also was prominently featured in the blockbuster miniseries Roots (1977), and wrote and directed (but did not star in) the 1980 film On the Money. His post-Walton credits included the TV series Mississippi, the film Cliffhanger (1993) and TV movies Crash and Burn and Sin and Redemption. Towards the end of his career, he had a recurring role on Day of Our Lives as Father Matt, and played the father of two leading men on two long-running series - Gibbs on NCIS and Booth on Bones. Waite died in 2014 at age 85.

Trivia: The eldest of six sisters, Michael Learned spent her first decade on her family's farm in Connecticut. When she was 11, Learned moved to Austria, where her father worked for the U.S. State Department. While attending boarding school in England, she discovered the theater, and decided to make it her life's work. At 16, she married actor Peter Donat, a union that lasted until 1972. Dividing her time between stage acting and raising her sons, she appeared in Canadian and American Shakespeare Festival, and for several years was associated with San Francisco's American Conservatory Theatre. While appearing in a production of Noel Coward's Private Lives, Learned was selected by John Rich to play Olivia Walton on his upcoming TV series The Waltons (she replaced Patricia Neal, who starred as Olivia in the 1971 pilot film The Homecoming). She remained with The Waltons until 1980, winning three Emmies in the process. In 1981, she was starred as Mary Benjamin in her own series, Nurse (1981-82), which earned her a fourth Emmy. Hoping to distance herself from the Olivia Walton image, she went to play Dr. Marie Teller in the 1988 weekly Hothouse and model agency head Trish Carlin in Living Dolls (1989). She also appeared in such theatrical features as Dragon: The Bruce Lee Story (1993) and such made-for-TV specials as All My Sons (1986). Eventually, however, Michael Learned returned to the Waltons fold in a 1995 TV-movie reunion.

Trivia: Richard Thomas was seven years old when he made his first Broadway appearance in Sunrise at Campobello (1958). The wide-eyed, mole-cheeked, sensitive-looking Thomas soon found himself very much in demand for television roles. He was seen in the distinguished company of Julie Harris, Christopher Plummer and Hume Cronyn in a 1959 TV presentation of Ibsen's A Doll's House, worked as a regular on the daytime soap operas As the World Turns and Flame in the Wind, and co-starred with Today Show announcer Jack Lescoulie in the captivating 1961 Sunday-afternoon "edutainment" series 1-2-3 Go. While attending Columbia University, Thomas made his theatrical-film debut in Downhill Racer, then settled into a series of unpleasant, psychologically disturbed characters in films like You'll Like My Mother (1971) and such TV series as Bracken's World. In 1971, Thomas was cast as John-Boy Walton in the Earl Hamner-scripted TV movie The Homecoming. Though there would be a number of cast changes before The Homecoming metamorphosed into the weekly series The Waltons in 1972, Thomas was retained as John-Boy, earning a 1973 Emmy for his performance and remaining in the role until only a few months before the series' cancellation in 1981. During the Waltons years, Thomas starred in several well-mounted TV movies, including the 1979 remake of All Quiet on the Western Front. Ever seeking opportunities to expand his range, Thomas has sunk his teeth into such roles as the self-destructive title character in Living Proof: The Hank Williams Jr. Story (1983) and the amusingly sanctimonious Rev. Bobby Joe in the satirical Glory! Glory!. In 1980, Thomas made his first Broadway appearance in over two decades as the paralyzed protagonist of Whose Life is It Anyway. Notable later roles have included a turn as Bill Denbrough in Stephen King's It (1990), an appearance in Curtis Hanson's 2000 drama Wonder Boys, and a bit part as a reverend in Ang Lee's Taking Woodstock (2009). Working through his own Melpomene Productions, Thomas has continued seeking out creative challenges into the 1990s. Richard Thomas has also served as national chairman of the Better Hearing Institute.

Trivia: Remembered for his role as Jason on the beloved 1970s TV series The Waltons, Jon Walmsley was a seasoned performer when he joined the show's cast in 1971. The British born actor had been making the rounds in Hollywood for over five years, appearing in episodes of shows like Combat! and My Three Sons, but The Waltons would prove to be his big break. He stayed with the series until it ended its run in 1981, though Walmsley would reprise the role for subsequent Waltons TV movies, like 1982's A Wedding on Walton's Mountain. He later explored a career in music, playing guitar on the Richard Marx album Repeat Offender.

Trivia: Los Angeles native Eric Scott didn't have to go far to try his hand at professional acting, making a few minor appearances on TV shows like Bewitched when he was barely a teenager. By 1972, the then 14 year old had caught his big break: a starring role on the series The Waltons. He stayed with the series until it ended its run in 1981, and though Scott would reprise the role for subsequent Waltons TV movies, like 1982's A Wedding on Walton's Mountain, he largely retired from acting to run his own company.

Trivia: Texas native David W. Harper became well known to audiences when he took on the role of Jim Bob on TV's The Waltons in 1972. He stayed with the series until it ended its run in 1981, and though he would reprise the role for subsequent Waltons TV movies, like 1982's A Wedding on Walton's Mountain. Harper largely retired from acting to become an art dealer.

Trivia: Many remember Kami Cotler as little Elizabeth from TV's The Waltons, which Cotler appeared on from 1972 to 1981. The actress also appeared in the short-lived Me and the Chimp in the 1970s, but otherwise retired from acting following the Waltons conclusion, returning only to reprise the role of Elizabeth for subsequent TV movies, like 1982's A Wedding on Walton's Mountain.

Trivia: Though perhaps best remembered for portraying the wise and crusty Grandpa Zeb Walton on the long-running The Waltons (1972-1978), character actor Will Geer had been a staple in films and television for many years before that. He had also been a Broadway regular since his theatrical debut in The Merry Wives of Windsor (1928). Born William Auge Ghere in Frankfort, IN, his interest in acting began in high school. Geer studied botany at the University of Chicago and earned a master's in botany at Columbia. During his college days, Geer also appeared in student theater. Always a bit of a rebel with a genuine love of people and the land, Geer hooked up with folksingers Woody Guthrie and Burl Ives during the Depression to travel about and perform, mostly at government work camps. Even late in life, Geer described himself as a folklorist. Actress Helen Hayes wryly described him once as "the world's oldest hippie." He got his professional start with Eva Le Gallienne's National Repertory Company. During the '30s and '40s, Geer appeared often on Broadway. Beginning with The Misleading Lady in 1932, he began playing small occasional roles in films. By the late '40s, he had become a character actor in such films as Intruder in the Dust (1949). He often appeared in Westerns like Comanche Territory and Broken Arrow (1950). In 1951, after appearing in four films that year, Geer was blacklisted by the House Un-American Activities Committee for refusing to answer their questions. Still, Geer managed to appear in at least one film, Salt of the Earth, a defiant, incendiary documentary look at a worker's strike led by the wives of abused salt miners in New Mexico that featured a production staff largely comprised of blackballed Hollywood artists. Other than that, Geer returned to Broadway until 1962 when Otto Preminger cast him as a Senate minority leader in Advise and Consent. During the '60s, the 6'2", 230-pound Geer was frequently cast in villainous roles. He often appeared on television throughout the decade in shows ranging from Gunsmoke to Hawaii 5-0 as well as playing a regular role on the short-lived series The Young Rebels (1970-1971). He was a key member of The Waltons from the pilot special through his death when the series was on summer hiatus in 1978. His was among the show's most popular characters and he is said to have patterned Zebulon Walton after producer/creator Earl Hamner's book character, himself, and his own grandfather, a successful sourdough during the California goldrush who sported a mustache and white hair similar to Geer's own. It was his grandfather who taught the actor to love nature and to study botany. In addition to his work on the popular family series, Geer also continued a busy feature-film and television-movie career. His last film appearance was in the highly regarded made-for-TV biography of Harriet Tubman, A Woman Called Moses (1978). His daughter, Ellen Geer, is also an actor.

Trivia: By the time she first appeared as Grandma Walton in 1971, American actress Ellen Corby had been playing elderly characters for nearly thirty years--and she herself was still only in her fifties. The daughter of Danish immigrants, Ellen Hansen was born in Wisconsin and raised in Philadelphia; she moved to Hollywood in 1933 after winning several amateur talent shows. Her starring career consisted of tiny parts in low-budget Poverty Row quickies; to make a living, Ellen became a script girl (the production person responsible for maintaining a film's continuity for the benefit of the film editor), working first at RKO and then at Hal Roach studios, where she met and married cameraman Francis Corby. The marriage didn't last, though Ellen retained the last name of Corby professionally. While still a script girl, Ellen began studying at the Actors Lab, then in 1944 decided to return to acting full time. She played several movie bit roles, mostly as servants, neurotics, and busybodies, before earning an Oscar nomination for the role of Trina the maid in I Remember Mama (1948). Her career fluctuated between bits and supporting parts until 1971, when she was cast as Grandma Walton in the CBS movie special The Homecoming. This one-shot evolved into the dramatic series The Waltons in 1972, with Ms. Corby continuing as Grandma. The role earned Ellen a "Best Supporting Actress" Emmy award in 1973, and she remained with the series until suffering a debilitating stroke in 1976. After a year's recuperation, Ellen returned to The Waltons, valiantly carrying on until the series' 1980 cancellation, despite the severe speech and movement restrictions imposed by her illness. Happily, Ellen Corby endured, and was back as Grandma in the Waltons reunion special of the early '90s.

Trivia: Many remember Joe Conley for his role as Ike Godsey on TV's The Waltons, but the actor was actually a veteran at his craft long before he joined the series in 1972. Building a strong career out of small roles on early TV shows like Lassie and Dragnet, Conley specialized in single-episode appearances (aside from a six-episode recurring role on the sitcom Mister Ed) for 20 years, up until he was cast in The Waltons. He stayed with the series until 1981, and reprised the role for subsequent TV movies like A Wedding on Walton's Mountain. Conley subsequently went into semi-retirement, sporadically appearing in projects like 2000's Cast Away.

Trivia: Ronnie Claire Edwards made her acting debut with a role that most actors only dream of, taking on the role of Corabeth on TV's The Waltons in 1974. The show was intensely popular, and Edwards remained with the cast until the show ended its run in 1981. She also acted in a variety of other projects, like the '70s TV movies Future Cop and When Every Day Was the Fourth of July. After The Waltons, Edwards enjoyed an extensive career in repository theater, and continued to act on camera, mostly in the form of TV guest appearances on shows like Designing Women and Murder, She Wrote. She made several returns to the Waltons in the '90s for TV movies like A Walton Thanksgiving Reunion (1993) and A Walton Wedding (1995). Edwards died in 2016 at age 83.

Trivia: Character actress, onscreen (after much stage experience) from 1968; usually in matronly roles.

Trivia: Character actor John Crawford has appeared on screen in many films since 1945.

Trivia: Best known as the loose-limbed klutz Jack Tripper from the hit ABC sitcom Three's Company, John Ritter also had a long (if undistinguished) film career, dating back to the early '70s. Perhaps taking a cue from Robin Williams, Ritter fashioned a full beard when he put his slapstick days behind him, remaking himself as a serious dramatic actor both on television and in the movies in the 1990s. Ritter was born in Burbank, CA, on September 17, 1948, the second son of Western singing stars Tex Ritter and Dorothy Fay, whose talent for song he once admitted he did not inherit. Ritter was class body president at Hollywood High School before enrolling at the University of Southern California, where he majored in psychology and minored in architecture. In his third year, he decided to take a drama class taught by Nina Foch, and quickly changed his major, graduating in 1971. (He later studied with Stella Adler and the Harvey Lembeck Comedy Workshop.) His first film role was in the 1971 film The Barefoot Executive.Minor roles during the 1970s finally gave way to major success in 1977, when Ritter was cast as the pratfalling roommate of two beautiful Southern Californian women on Three's Company. The program became one of the most popular on the air, known for its farcical scenarios based on wild misunderstandings, some of which were fueled by Ritter's Jack Tripper pretending to be gay to throw off the landlord. Ritter was praised for his sharp timing and rubbery ability to bounce around the set through all variety of physical comedy. His work earned him an Emmy. Having become a major television star, Ritter enjoyed the program's success through 1985, when its spin-off (Three's a Crowd) went off the air. He worked on TV movies during the show's run, and found more TV work awaiting him upon its conclusion (the dramedy Hooperman in 1988, the comedy Hearts Afire in 1992). His familiar mug and goofball shtick earned him leads in a handful of lesser film comedies in the late '80s and early '90s, including Real Men (1987), Skin Deep (1988), Stay Tuned (1992), and two Problem Child films (1990 and 1991), on the set of which he met future wife Amy Yasbeck.Not satisfied with his comic pigeonholing, Ritter took well-received strides toward drama in the 1990s. He made a lasting impression on critics as a gay dollar-store owner in Billy Bob Thornton's Sling Blade (1996), as well as a psychiatrist treating a hitman in Henry Bromell's Panic (2000). Ritter has also made recurring guest appearances on the hit television programs Ally McBeal and Felicity, the latter of which cast him in the agonizing role of a frequently relapsing alcoholic father. In 2002 Ritter returned to television in his own new comedy series, 8 Simple Rules for Dating my Teenage Daughter. Though the show proved a modest success, Ritter's sudden death due to aortic dissection in early September of 2003 left castmates and fans alike shocked and deeply saddened.

Trivia: Redheaded character actress Mariclare Costello has been in films and television since 1967. Best known as Rosemary Hunter Fordwick, wife of Rev. Fordwick (John Ritter) on TV's The Waltons (a role she played from 1973 to 1977), Costello was also a regular on the TV weeklies Sara (1976) and The Fitzpatricks (1977). Of her many TV-movie appearances, she is most fondly remembered as the aggrieved wife of the title character in The Execution of Private Slovik (1974). Always a welcome presence, Costello has yet to win her long-overdue stardom. For a while, it looked as though Mariclare Costello's breakthrough would be the theatrical feature Ragtime (1981), in which she was cast as anarchist Emma Goldman; alas, her entire performance ended up on the cutting room floor.

Trivia: From his screen debut in 1965 onward, Robert Donner has revelled in spooky, oddball roles of the street evangelist/undertaker/obsessive lawman variety. Most often spotted in Westerns, he has appeared in El Dorado (1967), The Undefeated (1969), Chisum (1970), High Plains Drifter (1973), The Man Who Loved Cat Dancing (1973), and The Last Hard Men (1975). On TV, he was regularly featured as Yancy Tucker on The Waltons (1972-1979) and Mayor Chamberlain Brown in Legend (1995). Donner's crowning series-TV achievement was as the zoned-out Exidor, leader of an invisible cult called the Friends of Venus, on the popular sitcom Mork & Mindy (1978-1982). Robert Donner is married to producer/writer Jill Sherman.

Trivia: A paragon among character actors, the late American thesp Lewis Arquette faded smoothly and imperceptibly into his individual roles with such efficiency and success that many television devotees and filmgoers will sooner recognize the names of Arquette's craggily-voiced, cantankerous personages than his own name -- from Seinfeld's Leapin' Larry, the crippled furniture magnate whose establishment burns to the ground as the result of a freak accident, to retired taxidermist Clifford Wooley in Christopher Guest's uproarious mockumentary Waiting for Guffman (1996) to the pot-bellied law enforcement officer, Chief Louis Hartley, in Scream 2 (1997). The son of television personality Cliff Arquette (a Tonight Show mainstay), Lewis Arquette was born December 14, 1935. He launched his career as a Broadway stage actor, then returned home to the Windy City and enlisted with the infamous Second City troupe. As a member of that ensemble, Arquette fine-tuned his own aptitude for spur-of-the-moment improvisation -- a gift that, combined with Arquette's distinctive look, prompted Hollywood to summon him for numerous character roles. Arquette began on the small screen (on an uncharacteristically somber note) as J.D. Pickett in the melancholic, tragedy-laden seventh season of the hit CBS series The Waltons -- a role that lasted for several years, until the program wrapped in August 1981. Arquette spent the late '70s, '80s, and '90s filling his resumé with bit parts in alternately forgettable and memorable pictures. Roles (in addition to the aforementioned turns) included Hatcher in The China Syndrome (1979), the warden in the "coming attractions" parody Loose Shoes (1980), a foreman in Badge of the Assassin (1985), Mr. Stokes in the Lily Tomlin-Bette Midler comedy Big Business (1988), Herm in The Great Outdoors (1988), Wyler in Tango & Cash (1989), Sheriff Bugiere in Chopper Chicks in Zombietown (1991), Texas Joe in The Linguini Incident (1992), Mr. Ingersol in Attack of the 50 Ft. Woman (1993), and a cardinal in the Adam Sandler comedy-fantasy Little Nicky (2000). Arquette was still active onscreen when he died of congestive heart failure on February 10, 2001 -- just two months after his 65th birthday. Arquette was the father of actresses Rosanna and Patricia Arquette, as well as actors David Arquette, Alexis Arquette, and Richmond Arquette. He co-starred with his sons and daughters in many of his pictures.

Trivia: Lead actress, onscreen from the '80s.

Trivia: American actress Peggy Rea began gaining notice in the 1960s as a member of Red Skelton's TV stock company. In the 1970s, she was seen as Olivia Walton's cousin Rose Burton in The Waltons and on an irregular basis as man-chasing Lulu Hogg in The Dukes of Hazzard. Later seen in maternal roles, Peggy Rea was featured on Step By Step (1991) as Ivy Williams, the mother of Suzanne Sommers' character, and as Brett Butler's mom Jean Kelly in Grace Under Fire (1993- ).

Trivia: Lead actor Richard Gilliland first appeared onscreen in the '70s.

Trivia: Strawberry blonde, freckle-faced, and willowy, Sissy Spacek was among the most popular female stars of the late '70s and '80s. The Texas born and bred actress originally aspired to become a singer, and, after heading east to New York, got her start singing at coffee houses in Greenwich Village. Billing herself as "Rainbo," Spacek also cut a single, "Johnny, You Went Too Far This Time." On the side, she earned money by recording backup vocals on television commercials.When the acting bug bit, Spacek enrolled at the Lee Strasberg Theatrical Institute. While she technically made her film debut as an extra in Andy Warhol's Trash (1971), her official debut is listed as Michael Ritchie's Prime Cut (1972). The actress' first crack at stardom came in 1973, when she played a teenage accomplice to ruthless cross-country killer Martin Sheen in Terrence Malick's disturbing Badlands. The role earned her critical acclaim, as did her portrayal of a sweet teen who becomes a violent radical in the made-for-television movie Katherine (1975).Spacek's true breakthrough came when she played a troubled, shy teenager who discovers that she has telekinetic powers and uses them to get bloody revenge upon her cruel schoolmates and mother in Brian De Palma's chilling adaptation of Stephen King's novel Carrie (1976). Her work in the film earned her a Best Actress nomination, as well as permanent cult status. She once again experimented with emotional instability in Robert Altman's Three Women the following year, and then got to show off her singing abilities playing Loretta Lynn in Coal Miner's Daughter in 1980. Her portrayal of Lynn became one of Spacek's best-known roles, and it earned her an Oscar for Best Actress.In 1981, Spacek starred in Raggedy Man, which was directed by her husband, Jack Fisk. Her career remained in high gear through the mid-'80s with such memorable turns as her Oscar-nominated work in Missing (1982) and The River (1984), but after 1986, when she was again nominated for an Oscar for her work in Crimes of the Heart, Spacek partially withdrew from acting to concentrate on raising kids. Throughout the 1990s, she occasionally returned to the big screen, lending her talents to such features as JFK (1991), The Grass Harp (1996), and Affliction (1998). In 1999, she turned in memorable performances playing Brendan Fraser's mother in Blast From the Past and Richard Farnsworth's speech-impaired daughter in David Lynch's The Straight Story. In 2001 the quietly intense actress shined once again in director Todd Field's critically praised In the Bedroom. Suffering from severe trauma and depression after her son is viciously murdered, Spacek's brooding and sympathetic performance in Bedroom found the actress taking home a Golden Globe for Best Actress and earning an Oscar nod in the same category.She continued to work steadily in projects such as the drama North Country, the comedy Hot Rod, Four Christmases, and Get Low. In 2010 she joined the cast of the HBO series Big Love, and the next year she had a key role in the Oscar-nominated drama The Help, resulting in one of the biggest commercial hits of her illustrious career.

Trivia: The son of actress Eileen Bennett, Nicholas Hammond was 13 when he made his first movie appearance in Lord of the Flies (1963). Hammond's most visible screen role was as Friedrich von Trapp in the 1965 megahit The Sound of Music. After making the transition from juvenile to young leading man, he spent several seasons in daytime soaps. In 1978, a pumped-up Nicholas Hammond starred in the brief weekly TV adaptation of The Amazing Spider-Man.

Trivia: Gamine-like Canadian singer-dancer Allyn Ann McLerie built her reputation on Broadway, where she made her debut at 16 in the chorus of One Touch of Venus. She rose to stardom playing soubrette roles in such hits as Leonard Bernstein's On the Town and Irving Berlin's Miss Liberty Four years after her tentative movie debut in the 1948 MGM feature Words and Music Ms. McLerie won a Warner Bros. contract when she repeated her Broadway role of Amy Spettigue in the film version of Frank Loesser's Where's Charley? Rapidly outgrowing the wearisome ingenues assigned her by the studio, Allyn temporarily retired in 1954. Resuming her acting, singing and dancing lessons in the mid-1960s, Allyn slowly reemerged as a versatile character actress, popping up in such small but powerful roles as Red Buttons' psychotic dance partner in They Shoot Horses, Don't They (1969) and the "wrong" White House source in All the President's Men (1976). On TV, she played spinsterish secretary Janet Reubner on The Tony Randall Show (1976-78), while on the 1987 critic's darling Days and Nights of Molly Dodd she portrayed Molly's divorced mother. Allyn Ann McLerie has been married twice, to actor/playwright/lyricist Adolph Green and to Broadway leading man George Gaynes.

Trivia: Beefy, silver-haired John Myhers was a busy Broadway actor/director/playwright. In both his stage and TV work, Myhers was usually cast as executive types, both conservative and skirt-chasing. His New York theatrical credits include such farces as The Golden Fleecing and The Good Soup; he also co-starred in the touring companies of the musicals Kiss Me Kate and The Sound of Music. In films from 1958, John Myhers' favorite screen assignment was the role of corporate veep Mr. Bratt in How to Succeed in Business Without Really Trying (1967), who holds his salacious subordinates at bay with the song "A Secretary is Not a Toy."