Trivia: Brown-eyed, chestnut-haired actress Ally Sheedy has been involved with acting for most of her life. The daughter of a literary agent mother, she began making commercials and appearing on-stage at the age of 15. She was something of a precocious author, as well: When only 12-years-old, she published a children's book, She Was Nice to Mice. (Sheedy has also been published in such periodicals as The New York Times). After high school, the New York-born actress headed west to the University of California where, in addition to her studies, she appeared in TV movies. She began her feature-film career at 21 playing adolescent girls in films such as Bad Boys and WarGames (both 1983), and joined the so-called Brat Pack in 1985 after appearing in John Hughes' The Breakfast Club and Joel Schumacher's St. Elmo's Fire. Despite the huge success of both films, many of her subsequent efforts were relative disappointments, and, by the early '90s, she had slipped into all but complete obscurity. However, her career was revived in 1998 thanks to a starring role as a drug-addicted lesbian photographer in the widely acclaimed High Art. Sheedy won raves for her raw, touching performance, and, in short time, again found herself working steadily. In 1999, she appeared in Allison Anders' Sugar Town and The Autumn Heart, the latter premiering at the Sundance Film Festival. In addition to her film work, Sheedy continued to work in the theater, taking over John Cameron Mitchell's title role in the popular New York production of Hedwig and the Angry Inch, a story about a German entertainer who is neither a man nor a woman but a fascinating composite of both. As the 21st century began, Sheedy continued to work steadily in varied projects like Happy Here and Now, Noise, Harold, and Life During Wartime -- Todd Solondz's sort-of sequel to his black comedy Happiness.

Trivia: Actor Steve Guttenberg, trained at New York's High School of the Performing Arts, Julliard and the Actors Studio, was already a professional as a teenager, making his off-Broadway debut in a revival of The Lion in Winter. In 1976 he was first seen before the cameras in the made-for-TV Something for Joey. The following year, he made his big-screen bow in The Chicken Chronicles, and within three years was starring in his own weekly TV series, Billy (he was subsequently top-billed in the bizarre 1982 summer-replacement weekly No Soap, Radio. After a flurry of excellent film roles--the foredoomed Barry Kohler in Boys from Brazil (1978), football-obsessed groom-to-be Eddie in Diner (1982), etc.--Guttenberg settled into workaday parts. He seemed to have a propensity for getting involved in film series: he was seen as Michael Kellan in both 3 Men and a Baby and 3 Men and a Little Lady, Jack Bonner in the two Cocoon films, and Mahoney in the first four Police Academy entries. In 1991, Steve Guttenberg made his belated Broadway debut in Prelude to a Kiss. In the decades to follow, Guttenberg would appear in films like Home Team, Domino One, Fatal Rescue, and A Novel Romance, as well as a memorable arc on the cult hit series Veronica Mars. He would also appear on Dancing with the Stars.

Trivia: Youthful character actor Fisher Stevens was first seen on Broadway at age 19 in Harvey Fierstein's Torch Song Trilogy; he followed this with a plum role in Neil Simon's Brighton Beach Memoirs. Stevens' film resumé includes The Flamingo Kid (1984), The Boss' Wife (1986), Reversal of Fortune (1990), and The Marrying Man (1991). During what may turn out to be the most highly publicized period in his life, Stevens was once the Significant Other of actress Michelle Pfeiffer. Stevens is familiar to most filmgoers, however, for his role as malaprop-laden Indian technical whiz Ben Jabituya in the two Short Circuit films of the late '80s. In the 2000s, Stevens found new success on the other side of the camera, as a prolific producer of both independent and mainstream Hollywood films, even winning the Oscar for Best Documentary for his 2009 film about the slaughtering of dolphins, The Cove. Stevens would also remain active on screen, appearing in films like LOL and on the series Lost.

Trivia: An alumnus of the Yale School of drama, American actor Austin Pendleton was lucky enough to latch onto a starmaking stage role relatively early in life. Pendleton was the first performer to play the part of tailor Motel Kamzoil in the evergreen musical Fiddler on the Roof, in which he had one of the play's best non-Tevye songs, "Miracle of Miracles." Hollywood has been less generous to Pendleton in terms of good roles. He was cast in a supporting role in Skidoo (1968), a smash miss frequently cited as the worst film in the careers of most of its participants (Jackie Gleason, Groucho Marx, Carol Channing, Otto Preminger, et al.) He was shown to better advantage in What's Up, Doc? (1972), while in The Front Page (1974) he sparkled as a condemned killer plagued by a bad head cold on the eve of his execution. A first-rate character player, Austin Pendleton has never quite scaled the heights of stardom in films, though his theatre work as both actor and director has always been critically lauded.

Trivia: Though he would return to higher education nearly three decades later, Texas native G.W. Bailey left college and spent the mid-'60s working at local theater companies. Determined to establish an acting career for himself, a young Bailey moved to California in the 1970s and worked in a variety of settings. From appearances on television's Starsky and Hutch and Charlie's Angels to stage productions of Shakespearian classics, Bailey, despite his lack of professional experience, proved a surprisingly versatile actor. He did not, however, attain significant mainstream recognition until 1981, when he was cast as pool-hall con artist Private Rizzo in CBS's long-running series M*A*S*H. The exposure led to five large supporting roles on a variety of feature-length television dramas, and ultimately, a very different type of performance all together: that of the imposing yet incompetent Lieutenant Harris in the lowbrow cop comedy Police Academy (1984). His Police Academy role was reprised as sequels were churned out in rapid succession, and he was cast as a similarly inept authority figure in 1987's Mannequin.Though the 1980s found Bailey immersed in fairly unmemorable film roles (mainly comedies and dark thrillers), he was able to forge a more than respectable resumé in the realm of television movies, including the popular Murder in Texas (NBC, 1981), On Our Way (CBS, 1985), Spy Games (ABC, 1991), and Dead Before Dawn (ABC, 1993). His television roles offered a G.W. Bailey quite unlike Lieutenant Harris, and he was able to develop a following and a steady reputation as a supporting actor. Eventually, he was able to add "college graduate" to his list of accomplishments, as his mid-'90s stint at Southwest Texas State University proved successful as well. In 2004, Bailey lent his vocal chords to Disney's animated musical Western Home on the Range.He was cast as Lt. Provenza on The Closer, a show that would be for a time the highest rated scripted program on basic cable, and he would stay on the show for its entire run.

Trivia: Actor Brian McNamara got his start in show business in the 80's, with a string of TV appearances on shows like St. Elsewhere and Hill Street Blues. He would go on to rack up roles in feature films, like Short Circuit and Arachnophobia, eventually being cast as General Holden on the hit wartime drama Army Wives, which he would stick with for several seasons.

Trivia: Trained at HB Studio, rough-edged American actor Ray Sharkey quickly graduated to movies and television. Sharkey's first film was The Lords of Flatbush (1974), a street-gang drama that also featured early appearances by Henry Winkler and Sylvester Stallone. The actor's breakthrough film was 1980's The Idolmaker, in which he played rock 'n' roll entrepreneur Bob Marcucci; that same year, he was Phil in the low-budget but highly praised Willie and Phil. Sharkey's best known role was as Atlantic City gangster Sonny Steelgrave on the TV series "Wiseguy" (1987-90). Shortly after finishing work on the 1992 Burt Reynolds vehicle Cop and A Half, Sharkey made public the fact that he had contracted AIDS through indiscriminate drug use; he died less than one year later.