Trivia: Charming, handsome, and easy-going, lead actor and megastar Burt Reynolds entered the world on February 11, 1936. He attended Florida State University on a football scholarship, and became an all-star Southern Conference halfback, but - faced with a knee injury and a debilitating car accident - switched gears from athletics to college drama. In 1955, he dropped out of college and traveled to New York, in search of stage work, but only turned up occasional bit parts on television, and for two years he had to support himself as a dishwasher and bouncer.In 1957, Reynolds's ship came in when he appeared in a New York City Center revival of Mister Roberts; shortly thereafter, he signed a television contract. He sustained regular roles in the series Riverboat, Gunsmoke, Hawk, and Dan August. Although he appeared in numerous films in the 1960s, he failed to make a significant impression. In the early '70s, his popularity began to increase, in part due to his witty appearances on daytime TV talk shows. His breakthrough film, Deliverance (1972), established him as both a screen icon and formidable actor. That same year, Reynolds became a major sex symbol when he posed as the first nude male centerfold in the April edition of Cosmopolitan. He went on to become the biggest box-office attraction in America for several years - the centerpiece of films such as Hustle (1975), Smokey and the Bandit (1977) (as well as its two sequels), The End (1978), Starting Over (1979), The Best Little Whorehouse in Texas (1982), and The Man Who Loved Women (1983). However, by the mid-'80s, his heyday ended, largely thanks to his propensity for making dumb-dumb bumper-smashing road comedies with guy pals such as Hal Needham (Stroker Ace, The Cannonball Run 2). Reynolds's later cinematic efforts (such as the dismal Malone (1987)) failed to generate any box office sizzle, aside from a sweet and low-key turn as an aging career criminal in Bill Forsyth's Breaking In (1989). Taking this as a cue, Reynolds transitioned to the small screen, and starred in the popular sitcom Evening Shade, for which he won an Emmy. He also directed several films, created the hit Win, Lose or Draw game show with friend Bert Convy, and established the Burt Reynolds Dinner Theater in Florida. In the mid-'90s, Reynolds ignited a comeback that began with his role as a drunken, right-wing congressman in Andrew Bergman's Striptease (1996). Although the film itself suffered from critical pans and bombed out at the box office, the actor won raves for his performance, with many critics citing his comic interpretation of the role as one of the film's key strengths. His luck continued the following year, when Paul Thomas Anderson cast him as porn director Jack Horner in his acclaimed Boogie Nights. Reynolds would go on to earn a Best Supporting Actor Oscar nomination, and between the twin triumphs of Striptease and Nights, critics read the resurgence as the beginning of a second wind in the Deliverance star's career, ala John Travolta's turnaround in 1994's Pulp Fiction. But all was not completely well chez Burt. A nasty conflict marred his interaction with Paul Thomas Anderson just prior to the release of Boogie Nights. It began with Reynolds's disastrous private screening of Nights; he purportedly loathed the picture so much that he phoned his agent after the screening and fired him. When the Anderson film hit cinemas and became a success d'estime, Reynolds rewrote his opinion of the film and agreed to follow Anderson on a tour endorsing the effort, but Reynolds understandably grew peeved when Anderson refused to let him speak publicly. Reynolds grew so infuriated, in fact, that he refused to play a role in Anderson's tertiary cinematic effort, 1999's Magnolia. Reynolds's went on to appear in a big screen adatpation of The Dukes of Hazzard as Boss Hogg, and later returned to drama with a supporting performance in the musical drama Broken Bridges; a low-key tale of a fading country music star that served as a feature debut for real-life country music singer Toby Kieth. Over the coming years, Reynolds would also enjoy occasional appearances on shows like My Name is Earl and Burn Notice.

Trivia: The only child of a London policeman, Roger Moore started out working as a film extra to support his first love, painting, but soon found he preferred acting, and so enrolled in the Royal Academy of Dramatic Art. He began his film, radio and stage career just after World War II (his early credits are often confused with American actor Roger Moore, a minor Columbia contractee of the 1940s), and also performed with a military entertainment unit. Though in childhood Moore had been mercilessly teased by friends and family alike for being fat, by the time he was ready to start his career, he had become an exceptionally handsome man with a toned, well-muscled body. Signed on the basis of his good looks to an MGM contract in 1954, Moore began making appearances in American films, none of which amounted to much dramatically; his biggest success of the 1950s was as star of the British-filmed TV series Ivanhoe. Signed by Warner Bros. Television for the 1959 adventure weekly The Alaskans, Moore became the latest of a long line of James Garner surrogates on Maverick, appearing during the 1960-1961 season as cousin Beau. After a few years making European films, Moore was chosen to play Simon Templar in the TV-series version of Leslie Charteris' The Saint (an earlier attempt at a Saint series with David Niven had fallen through). Moore remained with the series from 1963-1967, occasionally directing a few episodes (he was never completely comfortable as simply an actor, forever claiming that he was merely getting by on his face and physique). After another British TV series, 1971's The Persuaders, Moore was selected to replace Sean Connery in the James Bond films. His initial Bond effort was 1973's Live and Let Die, but the consensus (in which the actor heartily concurred) was that Moore didn't truly "grow" into the character until 1977's The Spy Who Loved Me. Few of Moore's non-Bond movie appearances of the 1970s and 1980s were notably successful, save for an amusing part as a Jewish mama's boy who thinks he's Bond in Burt Reynolds' Cannonball Run (1981). Moore's last 007 film was 1985's A View to a Kill. In 1991, he was made a special representative of UNICEF, an organization with which he'd been active since the 1960s. Relegated mainly to a series of flops through the 1990s, Moore appeared in such efforts as The Quest (1996) and Spice World (1997) and gained most of his exposure that decade as a television talk show and documentary host. In early May of 2003, fans were dismayed to hear that Moore collapsed onstage during a Broadway performance of The Play That I Wrote. Rushed to a nearby hospital afer insisting on finishing his performance in the small role, reports noted that Moore's subsequent recovery seemed to be coming along smoothly. He lent his distinctive voice to family films such as Here Comes Peter Cottontail and Cats & Dogs, The Revenge of Kitty Galore. Moore died in 2017, at age 89.

Trivia: With his trademark heavyset figure and attitude of manic glee, the genial Dom DeLuise rose to prominence as one of America's most beloved comedic character actors. Born Dominick DeLuise in Brooklyn in 1933, the future star attended the High School for the Performing Arts in Manhattan, then graduated from Tufts University in Boston. DeLuise wasted no time in making a beeline for television, and though early efforts were low-profiled, including a turn as Tinker the Toymaker on the daytime children's show Tinker's Workshop and the portrayal of a bumbling detective named Kenny Ketchum on The Shari Lewis Show, DeLuise's popularity spread, carrying him swiftly into other formats and venues. DeLuise initially graduated to primetime variety courtesy of The Garry Moore show, where he enjoyed recurring sketches as an inept magician named Dominick the Great. He then appeared on innumerable subsequent variety programs (often as a regular contributor) including The Glen Campbell Goodtime Hour, The Dean Martin Show, and The Flip Wilson Show. The comic made the leap into filmdom as early as the earnest Cold War thriller Fail-Safe (1964) (as an edgy flier), but drama didn't serve him well. He found a much stronger suit in comedy, initially courtesy of Mel Brooks, who cast him in films beginning with The Twelve Chairs (1970), as a shifty priest, Father Fyodor. Their collaborations extended to the 1976 Silent Movie (as studio man Dom Bell), the 1981 History of the World, Part I (as Emperor Nero), the 1986 Spaceballs (as the voice of Pizza the Hut), and the 1993 Robin Hood: Men in Tights (as the godfather-like Don Giovanni). The actor received additional screen exposure via friendships with Gene Wilder (in whose outings The Adventures of Sherlock Holmes' Smarter Brother and The World's Greatest Lover he co-starred) and Burt Reynolds, who -- in one of either's finest moments -- cast DeLuise as an around-the-bend asylum resident who tries to assist Reynolds' character with a suicide bid in the jet-black comedy The End (1978). Unfortunately, additional Reynolds collaborations didn't fare so well -- they included such schlocky vehicles as the Cannonball Run series -- but helped DeLuise maintain a familiar profile. He teamed with Mel Brooks' wife, Anne Bancroft, for a starring role in that actress' directorial debut, the comedy-drama Fatso (1980), but it earned mostly lukewarm reviews. In the meantime, DeLuise himself took the director's chair for the nutty caper comedy Hot Stuff, which gleaned a generally positive critical and public reception. As time rolled on, DeLuise unfortunately drifted into filmic material that suffered from serious lapses in quality and judgment, witness his performances as a porn lord in Bob Clark's wretched buddy farce Loose Cannons and convict Dr. Animal Cannibal Pizza in the horror send-up Silence of the Hams, both enormous box office flops. Taking critical and public reactions to these efforts as a cue, the comic accepted fewer and few assignments as the misfires happened and instead began to place a strong emphasis on his own cooking skills; the gifted chef authored two well-received cookbooks, the 1988 Eat This...It'll Make You Feel Better! and the 1997 Eat This Too!...It'll Also Make You Feel Better. DeLuise also published a series of books for children, such as the 1990 Charlie the Caterpillar and the 2007 The Pouch Potato. Dom DeLuise died in May 2009 at the age of 75. He was survived by his wife since 1965, actress Carol Arthur, and three sons, Peter, Michael, and David.

Trivia: American actress Farrah Fawcett was an art student at the University of Texas before she deduced that she could make more money posing for pictures than painting them. A supermodel before that phrase had fallen into common usage, Fawcett moved from Wella Balsam shampoo ads into acting, making her first film Myra Breckenridge in 1970. She worked in TV bits and full supporting parts, obtaining steady employment in 1974 with a small recurring role on the cop series Harry O, but true stardom was still some two years down the road. In 1976, producer Aaron Spelling cast Fawcett, Kate Jackson and Jaclyn Smith in a pilot for an adventure series titled Charlie's Angels. The pilot graduated to a series, and the rest was TV history; during her Charlie's Angels tenure Fawcett was the most visible of the three actresses, adorning magazine covers and pin-up posters (including one particularly iconic image), which set sales records. There were even Farrah Fawcett dolls before the first season of Charlie's Angels was over.Now in the hands of high-profile agents and advisors, Fawcett (billed Farrah Fawcett-Majors after her marriage to Lee Majors) decided she'd outgrown Angels and left the series, even though she had another year on her contract. While the studio drew up legal papers to block her move, she was replaced by Cheryl Ladd. Fawcett settled her dispute by agreeing to a set number of guest appearances on the program. Some industry cynics suggested that Fawcett would have problems sustaining her popularity. Certainly such lukewarm film projects as Sunburn (1979), Somebody Killed Her Husband (1978) and Saturn 3 (1980) seemed to bear this theory out. But Fawcett took matters into her own hands and decided to make her own opportunities--and like many other performers who strive to be taken seriously, she chose the most extreme, demanding method of proving her acting mettle. Playing a vengeful rape victim in both the play and 1986 film version of Extremities (an apt title) and making a meal of her role as a battered wife who murders her husband out of self-defense in the TV movie The Burning Bed (1984), Fawcett confounded her detractors and demonstrated she was a more-than-capable actress. Other TV movie appearances of varying quality cast her as everything from a child killer to a Nazi hunter to famed LIFE photographer Margaret Bourke-White. Never as big a name as she was in 1976, Fawcett nonetheless affirmed her reputation as an actress of importance. Her fans were even willing to forgive her misbegotten fling at situation comedy in the 1991 series Good Sports, in which she co-starred with her longtime "significant other" Ryan O'Neal. Fawcett died in 2009 at age 62, following a lengthy and well-publicized battle with cancer.

Trivia: Dean Martin found phenomenal success in almost every entertainment venue and, although suffering a few down times during his career, always managed to come out on top. During the '50s, he and partner Jerry Lewis formed one of the most popular comic film duos in filmdom. After splitting with Lewis, he was associated with the Hollywood's ultra-cool "Rat Pack" and came to be known as the chief deputy to the "Chairman of the Board," Frank Sinatra. Although initially a comic actor, Martin also proved himself in such dramas as The Young Lions (1958), more than holding his own opposite Marlon Brando and Montgomery Clift. He was also never above poking sly fun at his image as a smooth womanizer in such outings as the Matt Helm spy spoofs of the '60s. As a singer, Martin was, by his own admission, not the greatest baritone on earth, and made no bones about having copied the styles of Bing Crosby and Perry Como. He couldn't even read music, and yet recorded more than 100 albums and 500 songs, racking up major hits such as "That's Amore," "Volare," and his signature tune "Everybody Loves Somebody." Elvis Presley was said to have been influenced by him, and patterned "Love Me Tender" after his style. For three decades, Martin was among the most popular nightclub acts in Las Vegas. Although a smooth comic, he never wrote his own material. On television, Martin had a highly-rated, near-decade-long series; it was there that he perfected his famous laid-back persona of the half-soused crooner suavely hitting on beautiful women with sexist remarks that would get anyone else slapped, and making snappy, if not somewhat slurred, remarks about fellow celebrities during his famous roasts. Martin attributed his long-term TV popularity to the fact that he never put on airs or pretended to be anyone else on-stage, but that's not necessarily true. Those closest to him categorized him as a great enigma; for, despite all his exterior fame and easy-going charm, Martin was a complex, introverted soul and a loner. Even his closest friend, Frank Sinatra, only saw Martin once or twice per year. His private passions were golf, going to restaurants, and watching television. He loathed parties -- even when hosting them -- and would sometimes sneak off to bed without telling a soul. He once said in a 1978 interview for Esquire magazine, that, although he loved performing, particularly in nightclubs, if he had to do it over again he would be a professional golfer or baseball player. The son of a Steubenville, OH, barber, Martin (born Dine Crochets) dropped out of school in the tenth grade and took a string of odd jobs ranging from steel mill worker to bootlegger; at the age of 15, he was a 135-pound boxer who billed himself as "Kid Crocetti." It was from his prize-fighting years that he got a broken nose (it was later fixed), a permanently split lip, and his beat-up hands. For a time, he was involved with gambling as a roulette stickman and black jack croupier. At the same time, he practiced his singing with local bands. Billing himself as "Dino Martini," he got his first break working for the Ernie McKay Orchestra. A hernia got Martin out of the Army during WW II, and, with wife and children in tow, he worked for several bands throughout the early '40s, scoring more on looks and personality than vocal ability until he developed his own smooth singing style. Failing to achieve a screen test at MGM, Martin appeared permanently destined for the nightclub circuit until he met fledgling comic Jerry Lewis at the Glass Hat Club in New York, where both men were performing. Martin and Lewis formed a fast friendship which led to their participating in each other's acts, and ultimately forming a music/comedy team. Martin and Lewis' official debut together occurred at Atlantic City's Club 500 on July 25, 1946, and club patrons throughout the East Coast were soon convulsed by the act, which consisted primarily of Lewis interrupting and heckling Martin while the he was trying to sing, and, ultimately, the two of them chasing each other around the stage and having as much fun as possible. A radio series commenced in 1949, the same year that Martin and Lewis were signed by Paramount producer Hal Wallis as comedy relief for the film My Friend Irma. Martin and Lewis was the hottest act in nightclubs, films, and television during the early '50s, but the pace and the pressure took its toll, and the act broke up in 1956, ten years to the day after the first official teaming. Lewis had no trouble maintaining his film popularity alone, but Martin, unfairly regarded by much of the public and the motion picture industry as something of a spare tire to his former partner, found the going rough, and his first solo-starring film (Ten Thousand Bedrooms [1957]) bombed. Never totally comfortable in films, Martin still wanted to be known as a real actor. So, though offered a fraction of his former salary to co-star in the war drama The Young Lions (1957), he eagerly agreed in order that he could be with and learn from Brando and Clift. The film turned out to be the cornerstone of Martin's spectacular comeback; by the mid-'60s, he was a top movie, recording, and nightclub attraction, even as Lewis' star began to eclipse. In 1965, Martin launched the weekly NBC comedy-variety series The Dean Martin Show, which exploited his public image as a lazy, carefree boozer, even though few entertainers worked as hard to make what they were doing look easy. It's also no secret that Martin was sipping apple juice, not booze, most of the time on-stage. He stole the lovable-drunk shtick from Phil Harris; and his convincing portrayals of heavy boozers in Some Came Running (1958) and Howard Hawk's Rio Bravo (1959) led to unsubstantiated claims of alcoholism. In the late '70s, Martin concentrated on club dates, recordings, and an occasional film, and even make an appearance on the Jerry Lewis MDA telethon in 1978. (Talk of a complete reconciliation and possible re-teaming of their old act, however, was dissipated when it was clear that, to paraphrase Lewis, the men may have loved each other, but didn't like each other). Martin's even-keel world began to crumble in 1987, when his son Dean Paul was killed in a plane crash. A much-touted tour with old pals Sammy Davis Jr. and Frank Sinatra in 1989 was abruptly canceled, and the public was led to believe it was due to a falling out with Sinatra; only intimates knew that Martin was a very sick man, who had never completely recovered from the loss of his son and who was suffering from an undisclosed illness. But Martin courageously kept his private life private, emerging briefly and rather jauntily for a public celebration of his 77th birthday with friends and family. Whatever his true state of health, he proved in this rare public appearance that he was still the inveterate showman. Martin died of respiratory failure on Christmas morning, 1995. He was 78.

Trivia: Actor, singer, dancer Sammy Davis, Jr., the son of vaudeville entertainer Sammy Davis, began performing professionally at the age of three, appearing in his uncle Will Mastin's family act of seven men and seven women; during the early Depression the act was reduced in size to Davis, Jr., his father, and his uncle, and was called the Will Mastin trio. Soon he developed into a very versatile entertainer, skilled at singing, dancing, telling jokes, doing mimicry, and playing several instruments. He debuted onscreen at age seven in the short Rufus Jones for President (1933), in which he acted and danced. He toured the country with the Trio until the '40s, when he spent two years in the army. Upon his return, the act was renamed "The Will Mastin Trio, Starring Sammy Davis, Jr.," and the group began playing big variety theaters and top nightclubs. In the '50s he performed solo, soon becoming a popular TV entertainer as well; some critics considered him the world's greatest living entertainer. In 1954 he lost his left eye in a serious car accident and suffered other injuries that jeopardized his career. However, he quickly bounced back, and in the mid-'50s he began getting work in films, playing his first dramatic lead role in Anna Lucasta (1958). Also, in 1956 he debuted on Broadway as the star of Mr. Wonderful; later he starred in the Broadway show Golden Boy. As a screen actor he became best known for his work with the "Rat Pack," comprised of Frank Sinatra, Dean Martin, Peter Lawford, and Joey Bishop, who socialized and worked together; although the inclusion of a black man in the group was at the time considered egalitarian, his roles tended to be tokenistic and occasionally involved benign racist jokes at his expense. He somewhat alienated himself from black audiences, who occasionally booed him as a sell-out; and in a controversial move he converted to Judaism. He was also a popular recording star with several hits including "Mr. Bojangles" and "The Candy Man." He was frequently a guest star on TV specials and episodes of TV series, and twice hosted his own variety-talk shows, The Sammy Davis Jr. Show (NBC, 1966) and Sammy and Company (syndicated, 1975-77). He authored the autobiography Yes I Can (1965). He married and divorced Swedish actress Mai Britt.

Trivia: A graduate of Santa Monica Junior College, Jack Elam spent the immediate post-World War II years as an accountant, numbering several important Hollywood stars among his clients. Already blind in one eye from a childhood fight, Elam was in danger of losing the sight in his other eye as a result of his demanding profession. Several of his show business friends suggested that Elam give acting a try; Elam would be a natural as a villain. A natural he was, and throughout the 1950s Elam cemented his reputation as one of the meanest-looking and most reliable "heavies" in the movies. Few of his screen roles gave him the opportunity to display his natural wit and sense of comic timing, but inklings of these skills were evident in his first regular TV series assignments: The Dakotas and Temple Houston, both 1963. In 1967, Elam was given his first all-out comedy role in Support Your Local Sheriff, after which he found his villainous assignments dwindling and his comic jobs increasing. Elam starred as the patriarch of an itinerant Southwestern family in the 1974 TV series The Texas Wheelers (his sons were played by Gary Busey and Mark Hamill), and in 1979 he played a benign Frankenstein-monster type in the weekly horror spoof Struck By Lightning. Later TV series in the Elam manifest included Detective in the House (1985) and Easy Street (1987). Of course Elam would also crack up audiences in the 1980s with his roles in Cannonball Run and Cannonball Run II. Though well established as a comic actor, Elam would never completely abandon the western genre that had sustained him in the 1950s and 1960s; in 1993, a proud Elam was inducted into the Cowboy Hall of Fame. Two short years later the longitme star would essay his final screen role in the made for television western Bonanza: Under Attack.

Trivia: American actress Adrienne Barbeau was encouraged by her mother to take dancing and singing lessons. Adrienne was active in theatre both in high school and at Foothills Junior College; by age 19 she was touring Pacific military bases as a member of the San Jose Light Opera. After an unprepossessing job with a termite-control company, Adrienne set out for New York, paying the bills with a variety of jobs including go-go dancing in New Jersey nightclubs. In 1968 she was cast as Hodel in the long-running Broadway production Fiddler on the Roof, and three years later was featured in Grease, winning a Tony nomination through her rendition of "Look at Me, I'm Sandra Dee." From here, Adrienne was hired by Norman Lear to replace first-choice actress Marcia Rodd in the role of the divorced daughter on the controversial TV sitcom Maude. She played the role from 1972 through the series' cancellation in 1978, after which she began a whole new career as a successful horror-film star and sexy pin-up model. Adrienne married film director John Carpenter in 1979; most of her subsequent screen appearances were in such Carpenter-directed terrors as The Fog (1980), Escape from New York (1981) and Creepshow (1982). Perhaps Adrienne Barbeau's most enjoyable performance was as the Marlon Brando counterpart (!) in an uproarious distaff parody of Apocalypse Now, sublimely titled Cannibal Women in the Avocado Jungle of Death (1989). Barbeau would continue to act over the coming decades, appearing on TV shows like The Drew Carey Show, Carnivale, and the soap General Hospital.

Trivia: As a high-school student, he set a national record for javelin throwing. First quarterback to win three (and, eventually, four) Super Bowls. Donated his Super Bowl rings to his alma mater, Louisiana Tech University. Has recorded country-western, gospel and Christmas albums. Had a Top 10 country hit with "I'm So Lonesome I Could Cry" in 1976. Won the first-ever TV GUIDE Award for best sportscaster in 1999. Co-owner of a NASCAR Busch Series racing team. Owns a ranch that raises and sells quarter horses.

Trivia: One of the most popular film personalities in the world, Jackie Chan came from a poverty-stricken Hong Kong family -- so poor, claims Chan, that he was almost sold in infancy to a wealthy British couple. As it turned out, Chan became his family's sole support. Enrolled in the Chinese Opera Research Institute at the age of seven, he spent the next decade in rigorous training for a career with the Peking Opera, excelling in martial arts and acrobatics. Billed as Cheng Lung, Chan entered films in his mid-teens, appearing in 25 productions before his 20th birthday. Starting out as a stunt man, Chan was promoted to stardom as the potential successor to the late Bruce Lee. In his earliest starring films, he was cast as a stone-cold serious type, determined to avenge Lee's death. Only when he began playing for laughs did Chan truly attain full celebrity status. Frequently referred to as the Buster Keaton of kung-fu, Chan's outlook on life is a lot more optimistic than Keaton's, but in his tireless devotion to the most elaborate of sight gags and the most awe-inspiring of stunts (many of which have nearly cost him his life), Chan is Keaton incarnate. From 1978's The Young Master onward, Chan has usually been his own director and screenwriter. His best Hong Kong-produced films include the nonstop action-fests Project A (1983), Police Story (1985), Armour of God (1986), and the Golden Horse Award-winning Crime Story (1993) -- not to mention the multiple sequels of each of the aforementioned titles. Despite his popularity in Europe and Asia, Chan was for many years unable to make a dent in the American market. He tried hard in such films as The Big Brawl (1980) and the first two Cannonball Run flicks, but American filmgoers just weren't buying.At long last, Chan mined U.S. box-office gold with 1996's Rumble in the Bronx, a film so exhilarating that audiences never noticed those distinctly Canadian mountain ranges looming behind the "Bronx" skyline. Chan remained the most popular Asian actor with the greatest potential to cross over into the profitable English-speaking markets, something he again demonstrated when he co-starred with Chris Tucker in the 1998 box-office hit Rush Hour. In 2000 Chan had another success on his hands with Shanghai Noon, a comedy Western in which he starred as an Imperial Guard dispatched to the American West to rescue the kidnapped daughter (Lucy Liu) of the Chinese Emperor.He maintained his status as one of the biggest movie stars in the world throughout the next decades in a series of films that include Rush Hour 2, The Tuxedo, Shankghai Knights, The Myth, Rush Hour 3. He enjoyed his biggest U.S. hit in quite some time starring in the 2010 remake of The Karate Kid opposite Jaden Smith. Even with his hits in the English-language world, Chan continued to work in China as well, as both an actor and a producer. In 2016, he won an Honorary Academy Award for his more than 50 years of service to the film industry.

Trivia: American actor Bert Convy excelled in baseball while attending North Hollywood High School and was signed upon graduation by the Philadelphia Phillies. After two years' stagnation in the Phillies' farm system, Convy gave up baseball and attended UCLA, where he became a member of a briefly popular singing group called the Cheers. A 1959 stint with the songs-and-laughs Billy Barnes Revue led to small TV and movie parts, notably a brief bit as a murder victim in the Roger Corman "C minus" horror classic Bucket of Blood (1959). Convy's star ascended on Broadway in the 1960s, when he originated two memorable musical comedy roles: Perchik in Fiddler on the Roof, and Clifford Bradshaw in Cabaret. He was a popular variety-show guest star in that decade, but despite starring appearances in several TV pilots he was unable to get his own prime time series. However, thanks to his ingratiating personality and smooth speaking voice, Convy developed into the perfect daytime game show host, headlining such quizzers of the 1970s and 1980s as Tattletales (which won him an Emmy), Super Password, The Third Degree and Win, Lose or Draw. This last program was co-produced by Convy's close friend Burt Reynolds, who had previously arranged for Convy to obtain good secondary roles in several of Reynolds' films. Convy finally cracked prime time TV with a continuing role on the 1972 mystery series The Snoop Sisters; four years later, The Late Summer-Early Fall Bert Convy Show was briefly telecast by CBS, with Convy presiding over a motley crew of sketch comics. From 1977 to 1986, Convy was a frequent guest star on the long-running TV anthology series The Love Boat, seemingly popping up in every other episode when the series is rerun today. Convy co-starred in the very short-lived TV sitcom It's Not Easy in 1983, and hosted the 1984 Candid Camera clone People Do the Craziest Things. In 1989, the actor learned that he had a brain tumor, and in 1990 suffered a series of severe strokes. One year later, Bert Convy was dead at the age of 58.

Trivia: American actor Jamie Farr was the only son of a Lebanese butcher living in Toledo, Ohio. An easy target for bullies due to his short stature and large nose, Farr became the neighborhood clown to save himself from physical abuse. Humor gave him confidence, and by the time Farr graduated from high school he was a top student, extremely popular and active in numerous extra-curricular activities. Always a big movie fan, Farr harbored dreams of being an actor, and to that end studied at the Pasadena Playhouse. In 1955, Farr was cast in his first film (still billed under his own name, Jameel Farrah), The Blackboard Jungle, playing a redeemable hoodlum named Santini; shortly thereafter, he was cast in the Broadway production of No Time for Sergeants, just before he was drafted. The two years in the Army upset the momentum of Farr's career, and he found himself from 1958 through 1971 rebuilding himself from the ground up in bits and supporting roles. (Farr was not in Santa Claus Conquers the Martians during this period, as has often been reported; the cast of that turkey included a Broadway actor named Al Nesor, who bore a startling resemblance to Farr and played many of the same type roles). One of Farr's one-day bits was for the sixth episode of the new TV series M*A*S*H in 1972; Farr had the almost wordless role of a GI who dressed in women's clothing in hopes of getting out of the Army. The character of "Corporal Klinger" was meant to be a onetime joke, but the producers of M*A*S*H sensed possibilities in the character. By Season Two of M*A*S*H, Farr became a full supporting character; by Season Three he was being given co-starring billing in the series' opening credits sequence. After misguidingly "camping" the character in the earliest rehearsals, Farr played Klinger "straight" in every sense of the word: Neither gay nor transvestite, Klinger was simply a guy who'd go to great extremes to get out of military service. Gradually the character began to become fashion conscious, and before the eighties were over Klinger was making several fashion lists as one of the best-dressed characters on TV! Farr's role was expanded when Gary Burghoff left M*A*S*H in 1979; promoted to company clerk, Klinger began to thrive in the military, and the outrageous costuming was allowed to lapse. By the time M*A*S*H left the air, Klinger had taken a Korean wife, and Jamie Farr had become a true-blue celebrity. Unfortunately neither Farr nor Klinger were able to extend their audience appeal into the sequel series After M*A*S*H, not even when the scripts contrived to have Klinger become a fugitive from justice in a move to repeat his "outsider" status on M*A*S*H. Nonetheless, Jamie Farr has kept busy in the years following the cancellation of After M*A*S*H in 1984 with TV guest spots and stage appearances in such roles as Ali Hakim in Oklahoma and Evil Eye Fleegle in Li'l Abner. Farr would continue to appear regularly on screen in the years to come, appearing in movies like Scrooged, and on TV shows like Diagnosis Murder and Mad About You.

Trivia: Known in turn as Henry Fonda's son, Jane Fonda's brother, counter-culture icon Captain America, and Bridget Fonda's father, Peter Fonda finally got his due as an actor for his superb performance as a Florida beekeeper in Ulee's Gold (1997). Snaring an Oscar nomination and a Golden Globe for his work, Fonda was finally able to step out of his celebrated family's shadow, earning recognition for something besides his title as the black sheep of the Fonda clan.Born in New York City on February 23, 1940, Fonda, by his own accounts, grew up trying to live up to his famous father's expectations. An exceptionally bright young man, he entered the University of Omaha as a sophomore at the age of seventeen, without even finishing high school. In Omaha, he broke into acting, appearing in the Omaha Playhouse's production of Harvey. He then went to New York to pursue his acting career, first working with the Cecilwood Theatre and then debuting on Broadway at the age of twenty-one in a production of Blood, Sweat and Stanley Poole. His early career took shape under the specter of his famous father, with the young actor incurring comparisons to the elder Fonda with everything he did. His onstage success led to a Hollywood screen test for the part of John F. Kennedy in PT 109. The role in the 1963 film ultimately went to Cliff Robertson, but Fonda made his film debut that same year in the Sandra Dee vehicle Tammy and the Doctor.Fonda continued to be consigned to romantic leads until he appeared in Roger Corman's The Wild Angels in 1966. A motorcycle enthusiast whom Corman cast after the film's original star, George Maharis, demanded a stunt double, Fonda seemed a natural for the role of a motorcycle gang leader. The film, which cast actual Hell's Angels and co-starred Bruce Dern, was a violent, drug-addled affair that catalyzed Fonda's reputation as his father's delinquent spawn and direct antithesis. This reputation was furthered by his starring role in Corman's The Trip, a 1967 film about the healing powers of LSD. Co-starring Dern and featuring a screenplay written by Jack Nicholson, The Trip, with its emphasis on sex, drugs, and societal estrangement, provided a preview of the film that would give Fonda both fame and notoriety.In 1969, Fonda starred in Easy Rider, a film that he also produced. Directed by Dennis Hopper, it starred Fonda, Hopper, and Nicholson as freewheeling, pot-smoking adventurers who find their counter-culture lifestyle threatened by the encroaching confines of the Establishment. One of the cultural landmarks of the late 1960s, tt was also an unexpected commercial success, grossing over $19 million at the box office, earning Fonda an Oscar nomination for Best Screenplay, and contributing to Hollywood's new interest in young audiences and socially relevant movies.Following the film's success, Fonda, now both a cult hero and a millionaire, went on to collaborate with Hopper again on 1971's The Last Movie. The film didn't enjoy the acclaim of their previous collaboration, and Fonda's subsequent efforts of that decade also failed to live up to the stature of Easy Rider. One possible exception was the 1974 sleeper Dirty Mary, Crazy Larry, a film in which Fonda appeared to finance his directorial projects, one of which was Wanda Nevada, a 1979 film that featured his father. Increasingly, Fonda became better-known for his activities off-screen than on: his status as an anti-Establishment figurehead was enhanced when John Lennon wrote the song "She Said She Said" about him. Reportedly, it was inspired by a bad acid trip the musician had taken, during which Fonda repeatedly told him, "I know what it's like to be dead, man."Fonda's screen career continued its downward spiral during the 1980s, and towards the end of that decade it was once again overshadowed by that of a family member, in this case his daughter, Bridget. Fonda, who had exiled himself from L.A. in 1969 to live in Montana, seemed more aware of this than anyone: in an interview, he was quoted as saying, "I was Captain America and where....can you go with that? You can only ride so many motorcycles and smoke so many joints." But in the mid-1990s, Fonda's career began to get some much-needed resuscitation. After making a cameo appearance in Bodies, Rest & Motion, a 1993 film starring his daughter, he had a starring role in Michael Almereyda's Nadja (1994) and essentially parodied himself in John Carpenter's Escape From L.A. (1996). Fonda's true comeback was Ulee's Gold, Victor Nunez's 1997 exploration of loss and family ties. He won raves for his portrayal of the title character, and the Best Actor Oscar nomination he received for the film served as the industry's formal recognition of his re-emergence as a Hollywood player. The actor, always one to play by his own rules, next rejected mainstream Hollywood fare to star in Steven Soderbergh's The Limey in 1999, playing a shifty record producer, and earning uniformly excellent reviews. He also starred in The Passion of Ayn Rand as the author's long-suffering husband; the film premiered at that year's Sundance Film Festival. He branched out into kids films with a leading role in Thomas and the Magic Railroad in 2000, and appeared in The Laramie Project one year later. He continued to work steadily, often taking smaller parts in bigger movies like Supernova, Ghost Rider, and Wild Hogs. He was a fearsome, grizzled, and authentic Western presence in James Mangold's remake of 3:10 to Yuma in 2007. In 2011 he paid tribute to the man who helped launch his career by sitting down for interviews in Corman's World: Exploits of a Hollywood Rebel.

Trivia: American actor George Furth attended Northwestern University, a cradle of American acting talent. After getting his master's degree at Columbia, Furth sought out stage work: his first part was in the 1961 play A Cook for Mr. General. Most often cast in films as a bespectacled, nerdish, ineffectual type, Furth appeared in such films as The Best Man (1964) and Myra Breckenridge (1970). His most celebrated movie role was as Woodcock, the by-the-book railroad guard robbed twice by Paul Newman and Robert Redford in Butch Cassidy and the Sundance Kid (1969). On TV, Furth was seen regularly on Broadside, Tammy, The Good Guys and The Dumplings--situation comedies all. Broadway regulars will recognize the name George Furth less for his acting than for his considerable accomplishments as a playwright; in 1970, Furth wrote the book for Stephen Sondheim's Tony-winning musical Company.

Trivia: Pixieish singer-comedienne Picon began her career in the Yiddish theatre at age 6 in her native Philadelphia. After Picon's New York debut at the Arch Street theatre in 1912, she ascended to stardom with the Second Avenue Yiddish Stage, then toured vaudeville in an act called The Four Seasons. Such was her popularity in the 1920s that many of her stage vehicles had the name "Molly" incorporated in their titles; in 1931, she opened a theatre bearing her name. In films from the silent era, Molly is most fondly remembered for her Yiddish-language vehicles of the 1930s. Her all-time best feature was 1936's Yidl with the Fiddle, a captivating musical directed on location in Poland by Joseph Green; Molly was never more charming than as the itinerant Jewish musician who disguises herself as a boy to fend off unwanted male advances. Back in the U.S. when war broke out, Picon made her English-language stage debut in 1940. She alternated between the Yiddish and "mainstream" stage throughout the 1950s and 1960s; on Broadway, she starred in Neil Simon's first play Come Blow Your Horn and in the 1961 musical Milk and Honey. It was in the film version of Come Blow Your Horn that Picon first spoke English on the big screen (she had previously made several delightful TV appearances, notably in the recurring role of unflappable Bronx widow Mrs. Bronson on Car 54, Where are You?) Among her very few film roles of the 1970s was Yente the Matchmaker in 1971's Fiddler on the Roof. The widow of Yiddish stage star Jacob Adler (who had been one of her first theatrical directors), Molly Picon summed up her life, work and philosophy in her two volumes of memoirs, So Laugh a Little and The Sound of Laughter.

Trivia: The world's most famous sports "oddsmaker," Jimmy "The Greek" Snyder spent 12 years on CBS Sports' The N.F.L. Today (1976). He was fired after making some rather bigoted remarks about African American athletes. Snyder made one feature-film appearance in the Burt Reynolds vehicle The Cannonball Run (1981).

Trivia: Rick Aviles was a stand-up comedian and actor who played small supporting roles in several major films of the early '90s. The Manhattan native launched his career as a street performer in Greenwich Village's Washington Square Park. He gained a following and made it to cable television where he hosted Showtime at the Apollo and One Night Stand on HBO. Aviles made his film debut in Cannonball Run (1981) and went on to appear in features ranging from Street Smart (1987), to Ghost (1990), to Carlito's Way (1993). Aviles made his final film appearances in Kevin Costner's Waterworld (1995) and Joe's Apartment (1996).

Trivia: Trained at New York's Professional Children's School, Warren Berlinger made his first stage appearance at the age of 11. At 17, Berlinger was showered with critical praise for his performance in the 1955 Broadway production A Roomful of Roses, in which he appeared with his future wife, actress Betty Lou Keim. Both Berlinger and Keim repeated their roles in the 1956 film version of Roses, retitled Teen-age Rebel. In 1958, he won a Theatre World Award for his performance in Blue Denim, again re-creating his role in the 1959 film adaptation. He scored a huge hit in the 1963 London production of How to Succeed in Business Without Really Trying, essaying his favorite role, J. Pierpont Finch. In films, Berlinger's stock-in-trade has been the portrayal of plump, good-natured schmoes; he was still conveying this image into the 1980s and 1990s in films like The World According to Garp (1982) and Hero (1992). On television, he played the lead in the "Kilroy" episodes of Walt Disney's Wonderful World of Color(1965) and had regular roles on The Joey Bishop Show (1961), as Joey's brother Larry, The Funny Side (1971), A Touch of Grace (1973), Operation Petticoat (1977) and Small and Frye (1983). Distantly related to comedian Milton Berle, Warren Berlinger appeared with "Uncle Miltie" in the 1975 feature Lepke.

Trivia: American actor John Fiedler did his first professional work in his native Wisconsin. Fiedler's many Broadway appearances included the 1960 play A Raisin in the Sun, in which he was the only Caucasian in a virtually all-black cast. His first film role was as the supplicative Juror No. 2 in Twelve Angry Men (1957). Fiedler's stock in trade was the meek-looking soul who compensated for his demeanor with a nasty temper or sadistic streak. In this capacity, he was often seen as vindictive school principals, obstreperous civil servants or combative psychiatric patients (vide TV's The Bob Newhart Show). Incredibly prolific in films and on television, John Fiedler's best-known role was Vinnie, Oscar Madison's card-playing crony in both the stage and screen versions of Neil Simon's The Odd Couple.

Trivia: American character actor Norman Grabowski played bit parts in a number of films during the 1960s. He is also known for designing and creating custom cars.

Trivia: Burly, shaved-headed character actor Robert Tessier made his film debut in The Glory Stompers (1967). His largeness coupled with his tendency to scowl relegated Tessier to playing villains. He most frequently appeared in B-action movies. Tessier died of cancer in 1990.

Trivia: American general-purpose actor Alfie Wise was evidently some sort of good luck charm to film luminary Burt Reynolds. Though his movie appearances were usually nondescript (this description could also apply to the actor's participation in such busted TV pilots as Call Her Mom and Young Tom Christian), Wise could always count on a moment or two to shine whenever cast in a Reynolds vehicle. He was seen as a state trooper in The Longest Yard (1974), as "patrolman in a traffic jam" in Smokey and the Bandit (1977), and as Tony in Hooper (1978). Additional Alfie Wise bits were included in the Burt Reynolds pictures The End (1978), Starting Over (1979), and Paternity (1981). On television, Alfie Wise had recurring roles on As the World Turns, Trauma Center, and the kiddie show Uncle Croc's Block (dressed appropriately -- and ridiculously -- for his role as Mr. Rabbit Ears).

Trivia: A former child actor, John Megna is perhaps best remembered for playing Dill, the neighbor of young Scout, in both the Broadway and film versions of To Kill a Mockingbird (1962). His second best-known film appearance is in the Bette Davis/Olivia de Havilland psycho-horror classic Hush...Hush, Sweet Charlotte (1964). Megna continued to have a sporadic film career through 1981.