Trivia: Broad-shouldered American actor Ken Wahl has proven time and again that he's more than just a mass of muscle. After a handful of supporting roles, Wahl entered cult-film Valhalla with his starring role as a Bronx-Italian highschooler in The Wanderers (1979). Arguably, his best screen role was as the "see no evil" partner of conscience-stricken cop Paul Newman in Fort Apache, the Bronx (1981). His many film appearances aside, Wahl's popularity rests with his three-year performance as underground cop Vinnie Teranova in Wiseguys (1987-90), which was impressive enough to make viewers forget Wahl's earlier series-TV stint in the unlamented adventure series Double Dare (1985).

Trivia: Jonathan Banks began his film career in the sort of roles described by character actor Frank Faylen as "sneezers." For example: if you sneezed, you'd miss Banks' microscopic part in 1980's Stir Crazy. He was more visible in such roles as the hitchhiker in the 1982 biopic Frances and Algren in the 1983 seriocomedy 48 Hours. On television, Jonathan Banks was cast as the scurrilous extraterrestrial Commander Kroll in Otherworld (1985) and as Frank McPike, Ken Wahl's choleric boss, in Wiseguy (1987). Banks would continue to appear in several more films over the coming years, like Dark Blue and Reign Over Me, as well as TV shows like Breaking Bad.

Trivia: Trained at HB Studio, rough-edged American actor Ray Sharkey quickly graduated to movies and television. Sharkey's first film was The Lords of Flatbush (1974), a street-gang drama that also featured early appearances by Henry Winkler and Sylvester Stallone. The actor's breakthrough film was 1980's The Idolmaker, in which he played rock 'n' roll entrepreneur Bob Marcucci; that same year, he was Phil in the low-budget but highly praised Willie and Phil. Sharkey's best known role was as Atlantic City gangster Sonny Steelgrave on the TV series "Wiseguy" (1987-90). Shortly after finishing work on the 1992 Burt Reynolds vehicle Cop and A Half, Sharkey made public the fact that he had contracted AIDS through indiscriminate drug use; he died less than one year later.

Trivia: Leading actor Joe Dallesandro gained more than his 15 minutes of fame in the '60s and '70s thanks to his presence in the experimental films of Andy Warhol. Most often cast as androgynous characters, Dallesandro was the star of the Warhol/Paul Morrissey trilogy Flesh, Trash, and Heat, and later played the title roles in the selfsame production team's Blood for Dracula and Flesh for Frankenstein for which Dallesandro was praised by the cognoscenti for his "naturalistic" performances. After making his "mainstream" debut in The Gardener, he worked extensively in Europe. He made fleeting appearances as Lucky Luciano in Coppola's The Cotton Club (1984) and as the father of Darren E. Burrows in John Waters' Cry-Baby (1991). Dallesandro has also been prominently featured in such TV weeklies of the 1980s as Fortune Dane, Wiseguy, and The Hollywood Detective.

Trivia: Born William McCord Jr. Singer-actor, onscreen from 1987.

Trivia: Best known as Jack Arnold, the husband and father with one of the world's softest hearts, on the period comedy drama The Wonder Years (1988-1993), burly actor Dan Lauria's accomplishments as an actor far outstripped that single characterization. Lauria sustained an impressive and versatile career that encompassed soap operas, situation comedies, long-form features and miniseries, and theatrical work, to name only a few arenas. As a young man, the Brooklyn-born Lauria attended Southern Connecticut State University, where he played collegiate football, then enlisted in the Marines. He received formal dramatic training under coaches Constance Welch (at Yale) and Davey Marlin-Jones (at the Washington Theatre Club) -- both of whom tutored him with an approach resolutely opposed to that of the classic "Method." Lauria then debuted onscreen in the early '80s largely with telemovies, such as the 1983 Without a Trace and the 1985 Brass, and with occasional appearances on sitcoms such as Growing Pains. The Wonder Years, of course, represented one of Lauria's most significant breaks, and he later reflected that it would remain his chief legacy as an actor. After Years wrapped in 1993, Lauria continued his small-screen work. He appeared on such programs as ER, Law & Order, Smallville, and Boy Meets World; played legendary network head Fred Silverman in Behind the Camera: The Unauthorized Story of Charlie's Angels; and played Crawford in the Martin Lawrence comedy vehicle Big Momma's House 2 (2006). He also maintained a busy theatrical schedule, with a particularly strong presence at L.A.'s Coronet Theater.