Trivia: A dancer from childhood, Buddy Ebsen headlined in vaudeville in an act with his sister Velma. In 1935, Ebsen was signed by MGM as a specialty performer in The Broadway Melody of 1936, wherein he was shown to good advantage in several solos. He worked in a number of subsequent musicals, including Shirley Temple's Captain January (1936), teaming with Shirley for the delightful number "At the Codfish Ball." MGM assigned Ebsen to the role of the Scarecrow in 1939's The Wizard of Oz, but Ray Bolger, who'd been cast as the Tin Man, talked Ebsen into switching roles. The move proved to be Ebsen's undoing; he found that he was allergic to the silver makeup required for the Tin Man, fell ill, and was forced to bow out of the film, to be replaced by Jack Haley (however, Ebsen's voice can still be heard in the reprises of "We're Off to See the Wizard").Ebsen then returned to the stage, taking time out to provide the dancing model for a electronically operated wooden marionette which later was used at Disneyland. In 1950 Ebsen returned to films as comical sidekick to Rex Allen, gradually working his way into good character parts in "A" pictures like Night People (1955). Walt Disney, who'd remembered Ebsen from the dancing marionette, offered the actor the lead in his 1954 three-part TV production of Davy Crockett, but at the last moment engaged Fess Parker as Davy and recast Buddy as Crockett's pal George Russel. Ebsen continued to pop up in films like 1961's Breakfast at Tiffany's (as Audrey Hepburn's abandoned hometown husband), and in TV westerns, where he often cast his image to the winds by playing cold-blooded murderers. Comfortably wealthy in 1962 thanks to his film work and wise business investments, Ebsen added to his riches by signing on to play Jed Clampett in the TV sitcom The Beverly Hillbillies, which ran for nine years to excellent ratings. A millionaire several times over, Ebsen planned to ease off after Hillbillies, but in 1972 he was back in TV in the title role of Barnaby Jones. Few observers gave this easygoing detective series much of a chance, but they weren't counting on Ebsen's built-in popularity; Barnaby Jones lasted until 1980. The actor now confined himself to special events appearances and occasional guest-star roles, though he did play the recurring part of Lee Horsley's uncle in the final season of the TV mystery show Matt Houston (1983-85). One of Buddy Ebsen's final roles was in the 1993 theatrical film version of The Beverly Hillbillies -- not as Jed Clampett but in a cameo as Barnaby Jones!

Trivia: For as long as she could remember, Irene Ryan was performing on some stage or other. From the 1920s onward, she and her husband Timothy Ryan formed the popular vaudeville duo Tim and Irene. They carried over their song, dance and snappy patter into a brief series of two-reel comedies and several radio programs. During her first burst of filmmaking activity in the 1940s, Ryan played comedy relief parts in a number of B pictures scripted by her husband. Her standard characterization at this time was the traditional wisecracking, man-hungry spinster. During and after her divorce, Ryan continued accepting roles of varying sizes in such pictures as Woman on the Beach (1948), My Dear Secretary (1948), Mighty Joe Young (1949), Bonzo Goes to College (1952) and Blackbeard the Pirate (1952). By the early 1960s, Ryan was (as she would later cheerfully admit) pretty much washed up in show business. All this changed when she was invited to audition for an upcoming sitcom about a family of mountaineers who suddenly come into a fortune. Ryan read one single line and was hired on the spot: she played Granny on The Beverly Hillbillies from 1962 through 1971, never missing an opportunity to express gratitude for her involvement in so popular a project. No sooner had Hillbillies folded than Irene Ryan was cast in a show-stopping role in the 1971 Broadway musical Pippin, scoring yet another personal success--which, sadly, turned out to be her last.

Trivia: Though she appeared in feature films before and after the much-loved '60s sitcom The Beverly Hillbillies, American actress Donna Douglas will always be remembered as the buxom, blue-eyed tomboy Elly May Clampett. She was born Doris Smith in Pride, LA, and grew up to be very much like Elly May in that she always had a special affinity for animals and nature. As a teen, Douglas was a cheerleader and won some beauty contests, notably the title of Miss New Orleans 1957. From there Douglas appeared as the Letters Girl on The Perry Como Show and later appeared on The Steve Allen Show as a Billboard Girl. She made her feature-film debut in Career Girl (1959) and followed it up with a co-starring role in the Rock Hudson/Doris Day screwball comedy Lover Come Back (1960). She was cast as Elly May in 1962 and remained with the series through its demise in 1971. Later, she returned for a Beverly Hillbillies made-for-TV reunion movie in 1981. In 1965, Douglas starred opposite Elvis Presley in Fred de Cordova's Frankie and Johnnie. It would be her last film that had nothing to do with Hillbillies. Whereas some actors deeply resent being so closely associated with a single role, Donna Douglas embraced Elly Mae and continued to make public appearances in costume. A devout Christian, Douglas was also a noted gospel singer. Douglas died in 2015, at age 81.

Trivia: American actor Frank Wilcox had intended to follow his father's footsteps in the medical profession, but financial and personal circumstances dictated a redirection of goals. He joined the Resident Theater in Kansas City in the late '20s, spending several seasons in leading man roles. In 1934, Wilcox visited his father in California, and there he became involved with further stage work, first with his own acting troupe and then with the Pasadena Playhouse. Shortly afterward, Wilcox was signed to a contract at Warner Bros., where he spent the next few years in a wide range of character parts, often cast as crooked bankers, shifty attorneys, and that old standy, the Fellow Who Doesn't Get the Girl. Historian Leslie Haliwell has suggested that Wilcox often played multiple roles in these Warners films, though existing records don't bear this out. Frank Wilcox was still working into the 1960s; his most popular latter-day role was as Mr. Brewster, the charming banker who woos and wins Cousin Pearl Bodine (Bea Benaderet) during the inaugural 1962-1963 season of TV's The Beverly Hillbillies.

Trivia: Lisa Davis was one of 1950's cinema's most attractive supporting players. Born Cherry Ann Davis in 1936 to a performing family -- her father was the renowned British bandleader Harry Davis, her mother a chorus girl -- she made her screen debut in 1941, at age five. Her older sister Beryl Davis subsequently found success as a singer, working first with their father's band, and later with Django Reinhardt and Glenn Miller, amongst many others, before coming to America and working with Frank Sinatra. The younger Davis sibling attended the Arts Educational School while continuing to get roles on-screen, and in 1947 portrayed Jean Siimmons' character as a child in the film Woman In The Hall. Three years later, she was considered for the title-role by Walt Disney in his aborted live-action Alice In Wonderland. She later went to work for MGM and later at Columbia, and ended up re-christened Lisa Davis by John Ford while working on the latter's production of The Long Gray Line (1955). The 19-year-old Davis was, by this time, also starting to attract attention from the press over the men who were interested in her -- the latter included English actor Michael Rennie and American leading man Richard Long. In 1957, she was signed to play a major co-starring role in Queen Of Outer Space (originally "Queen of the Universe"), where she met her future husband, co-star Patrick Waltz. Davis managed to get noticed in the movie, despite competition for attention from Zsa Zsa Gabor and a brace of international beauty pageant winners. Amid more film and television work, and even some theatrical appearances, she and Waltz were married in 1958, and they later had two daughters and a son. Davis had another professional rendezvous with Walt Disney in 1959, when she was approached about portraying one of the characters in the animated feature 101 Dalmations -- Davis voiced the part of Anita, and the movie went on to become her best-known screen work. She retired from acting in the 1960's, and she and Waltz were divorced in 1971, a year before his death from a heart attack.