Trivia: As a college student, Tex Ritter (born Woodward) began studying cowboy ballads and southwest folklore, and later dropped out of law school to launch a stage and radio folk-singing career. He debuted on Broadway in 1930; his first screen appearance was in Song of the Gringo (1936). Almost immediately, he rivalled Gene Autry in popularity (as a singing cowboy) among movie fans; from 1937-41 and 1944-45 he was on the top-ten Western stars list, and ultimately he appeared in 85 films. He was often referred to as "America's most beloved cowboy." In the latter half of the '40s he stopped making films, instead touring with White Flash, his horse, in live shows; he also continued his successful recording career. He went on to provide the title songs of five Westerns, narrate a sixth, and appear on TV's "Zane Grey Theater." He moved to Nashville and became a weekly fixture at the Grand Ole Opry. He also founded a restaurant franchise, "Tex Ritter's Chuck Wagons." In 1966 he had a prominent role in the film The Girl from Tobacco Row and was featured in cameos as himself in two others. In 1970 he ran in the Republican primary for U.S. Senator in Tennessee, but lost. He was the only entertainer to be elected to both the Cowboy Hall of Fame and the Country Music Hall of Fame. He was married to actress Dorothy Fay; their son is actor John Ritter.

Trivia: Having scored in Florenz Ziegfeld's Kid Boots (1923) and Rio Rita (1927), Broadway's Ethelind Terry enjoyed the dubious distinction of making her screen debut in the almost universally loathed Lord Byron of Broadway (1929), one of those leaden, early screen operettas that threatened to ruin the genre for good. The disaster kept her away from Hollywood until 1937 and a minor role in a very minor B-Western, the Tex Ritter opus Arizona Days, in which she received no onscreen billing whatsoever and but a single line of dialogue. Terry was briefly wed in 1942 to screen actor Dick Purcell, who complained in court that their life together "seriously jeopardized" his "health and well-being."

Trivia: A model and the winner of a Chicago Tribune screen test competition, brunette Eleanor Stewart signed with MGM in 1936, but made her mark elsewhere as a leading lady of B-movies. A good rider, she braved the wilderness in no less than 15 low-budget Westerns, including three Hopalong Cassidy entries and two films each opposite Tex Ritter, Tom Keene, and Jack Luden. Stewart retired from filmmaking in 1944 to raise her daughter with MGM publicity man Les Peterson.

Trivia: Scrawny supporting actor Syd Saylor managed to parlay a single comic shtick -- bobbing his adam's apple -- into a four-decade career. He starred in several silent two-reel comedies from 1926 through 1927, then settled into character parts. During the late '30s and early '40s, Saylor frequently found himself in B-Westerns as the comical sidekick for many a six-gun hero, though he seldom lasted very long in any one series. Syd Saylor was still plugging away into the 1950s, playing "old-timer" bits in such films as Cheaper by the Dozen (1950) and Jackpot (1950), and such TV series as Burns and Allen and Alfred Hitchcock Presents.

Trivia: One of the last of the legendary actor-managers, William Faversham became a major name on Broadway in the original production of The Importance of Being Earnest in 1895. Faversham was much admired in such potboilers as Brother Officers (1900), which he revived twice that same year and the next, and he produced, directed, and starred in the original production of The Squaw Man (1906). Productions of both Julius Caesar (1914) and Othello (1917) followed and he became a motion picture star in 1915 courtesy of the burgeoning Metro company. At one point, Faversham's popularity at Metro was second only to that of Francis X. Bushman, the leading matinee idol of the era. Quite elderly by then, Faversham later appeared in bit roles in talkies, including portraying the Duke of Wellington in the Technicolor production of Becky Sharp and, of all things, playing the heroine's father in the low-budget singing cowboy oater The Singing Buckaroo (1937). Faversham's Broadway swan song had come in a 1931 repertory presentation of Julius Caesar, Hamlet, and The Merchant of Venice. He was married to stage actresses Edith Campbell and Julia Opps and was the father of actor Philip Faversham.

Trivia: Veteran American character actor Forrest Taylor is reputed to have launched his film career in 1915. His screen roles in both the silent and sound era seldom had any consistency of size; he was apt to show up in a meaty character part one week, a seconds-lasting bit part the next. With his banker's moustache and brusque attitude, Taylor was most often cast as a businessman or a lawyer, sometimes on the shadier side of the law. Throughout his 40 year film career, Taylor was perhaps most active in westerns, appearing in such programmers as Headin' For the Rio Grande and Painted Trail. From 1952 through 1954, Forrest Taylor costarred as Grandpa Fisher on the religious TV series This is the Life.

Trivia: A New Mexican of Native American extraction, actor Glenn Strange held down several rough-and-tumble jobs, from deputy sheriff to rodeo rider, before settling on a singing career. He made his radio bow on Los Angeles station KNX (the CBS-owned affiliate) as a member of the Arizona Wranglers singing group. Thanks to his husky physique and plug-ugly features, Strange had no trouble finding work as a stuntman/villain in western films and serials. He also displayed a flair for comedy as the sidekick to singing cowboy Dick Foran in a series of B-sagebrushers of the late '30s. During the war years, Strange became something of a bargain-basement Lon Chaney Jr., playing homicidal halfwits in a handful of horror pictures made at PRC and other low-budget studios. These appearances led to his being cast as the Frankenstein monster in the 1944 Universal programmer House of Frankenstein; he was coached in this role by the "creature" from the original 1931 Frankenstein, Boris Karloff. Given very little to do in House of Frankenstein and the 1945 sequel House of Dracula other than stalk around with arms outstretched at fadeout time, Strange brought none of the depth and pathos to the role that distinguished Karloff's appearances. Strange was shown to better advantage in his last appearance as The Monster in Abbott and Costello Meet Frankenstein (1948) where he convincingly menaced the eternally frightened Lou Costello and even indulged in a couple of time-honored "scare" routines, while still remaining in character (Some scenes had to be reshot because Strange couldn't stop laughing at Costello's antics; towards the end of shooting, Strange broke his ankle and had to be replaced in a few shots by Lon Chaney Jr., who was costarring in the film as the Wolf Man). Though typecast as heavies in both movies and television -- he played the hissable Butch Cavendish in the Lone Ranger TV pilot -- Strange was well known throughout Hollywood as a genuine nice guy and solid family man. Glenn Strange's last engagement of note was his 11-year run (1962-73) as Sam, the Long Branch bartender on TV's Gunsmoke.

Trivia: Succinctly described as "portly and pompous" by B-Western aficionado Don Miller, American character-actor Horace Murphy was the Eugene Pallette of the sagebrush. Spending most of his career in cowboy flicks, Murphy was usually cast as intrusive sheriffs, know-it-all doctors, and orotund snake-oil peddlers. In 1937, he made the first of several appearances as comedy-relief sidekick Stubby in the films of Western hero Tex Ritter. In non-Westerns, he could usually be found playing bartenders, burgomeisters, and train conductors. Horace Murphy made his last screen appearance in 1946.

Trivia: American character actor Earl Dwire was most closely associated with the B-Western movie mills of the 1930s. Dwire frequently played the antagonist in the low-budget vehicles of such cowboy stars as Bob Steele and Johnny Mack Brown. In the early '30s, he was virtually a regular in the John Wayne Westerns produced by the Lone Star outfit. He also occasionally accepted such contemporary minor roles as a priest in Angels With Dirty Faces (1938) and a gangster in Accidents Will Happen (1939). Earl Dwire's last known film credit was the Universal serial Flash Gordon Conquers the Universe (1940).

Trivia: Perennial western supporting actor Budd Buster acted under his own, somewhat show-bizzy given name, and briefly under the "nom de stage" of George Selk. His earliest recorded screen credits occur in 1935. Buster continued laboring in B westerns for the next quarter century, spending a great deal of his time at such Poverty Row concerns as Grand National and PRC (where he showed up in 44 oaters over an eight-year period). Budd Buster's final appearance was a bit in the Alan Ladd big-budgeter Guns of the Timberland (1960).

Trivia: Long before there was a Hollywood, William Desmond was well known in Los Angeles theatrical circles. Desmond spent five years appearing with the west-coast Morosco Stock Company, the Burbank Theatre, and the Los Angeles Opera House. With his own stock company, he toured Australia and Canada. Desmond's theatrical credits included Ben Hur, Bird of Paradise, Alias Jimmy Valentine, If I Were King, Raffles, Sign of the Cross, and Romeo and Juliet; he also appeared in dramatic sketches in vaudeville. He made his film debut opposite Billie Burke in 1915's Peggy. Desmond later became a popular action star in films; he did his own stunts, and hardly a week went by in the 1920s that Desmond didn't give the newspapers a story about how he'd once again cheated death in the line of duty. In talkies, Desmond showed up in supporting roles in bits, chiefly in westerns, at Universal studios. William Desmond was the husband of former William S. Hart leading lady Mary McIvor, whom he outlived by eight years.

Trivia: Breaking into show business with the Australian vaudeville troupe Pollard's Lilliputians, Harold Fraser adopted the name "Pollard" professionally when the group broke up during an American tour. Variously billed as Harry Pollard and Snub Pollard, he entered films at Essanay in 1911, then worked briefly at Keystone before settling down in 1915 at the fledgling Hal Roach studios. Adopting an inverted Kaiser Wilhelm moustache as his comic escutcheon, he co-starred with Harold Lloyd and Bebe Daniels in a series of knockabout slapstick comedies, moving into his own starring series in 1919. Pollard's one- and two-reelers of the early '20s, many of them directed by Charley Chase, were chock full of delightful sight gags and clever gimmickry, and had the added advantage of an unusually attractive leading lady, Marie Mosquini (later the wife of television pioneer Lee DeForrest). Alas, Pollard himself was a very limited performer, a fact that became painfully obvious when he left Roach to set up his own production company in 1926. By the end of the silent era he was working for the Poverty Row firm of Weiss-Artcraft, appearing opposite fat comedian Marvin Loback in a series of cheap comedies "inspired" by Roach's Laurel and Hardy films. Reduced to bit-part status when talkies came, Pollard flourished briefly in the late '30s as the comic sidekick of Western star Tex Ritter, and as a supporting player in the Columbia two-reelers of the 1940s. Like many other film veterans, he remained on call for such "nostalgic" silent movie tributes as The Perils of Pauline (1947) and The Man of 1000 Faces (1957), appearing in the latter film in a pie fight sequence with James Cagney. Active in films and TV right up to his death, Snub Pollard continued appearing in such fleeting roles as a tattoo artist in Who Was That Lady (1960) and a superannuated bellboy in William Castle's Homicidal (1961).

Trivia: One of the busiest bit-part players in B-Westerns of the late 1930s, Canadian-born Oscar Gahan (born John Harvey Gahan) began his 1935-1942 screen career as a member of several hillbilly music groups, including The Arizona Wranglers (aka The Range Riders), which also included stalwart B-Western player Jack Kirk, stuntman Jack Jones, and Deuce Spriggens. Gahan would both appear with the music group and on his own, usually cast as a henchman.

Trivia: In films from infancy, Tommy Bupp became a familiar juvenile actor in the 1930s. He was often cast as the younger version of the grown-up leading man in both A- and B-pictures. He worked steadily in Westerns, was briefly associated with Hal Roach's Our Gang, and was a memorable spoiled brat in 1939's Nancy Drew, Reporter. Comedy buffs will recall Bupp as Jimmy the Crippled Kid in the sentimental Three Stooges short Cash and Carry (1937). Tommy Bupp's credits are sometimes confused with those of his brother Sonny Bupp, who played Orson Welles' son in Citizen Kane (1941).

Trivia: Actor Tex Palmer was busy in films from 1932 to 1947. Spending his entire career in B-Westerns, Palmer played bits and minor roles in the films of such sagebrush favorites as John Wayne and Ray "Crash" Corrigan. From 1937 to 1939, he showed up in six of singing cowboy Tex Ritter's vehicles for Grand National Pictures. Tex Palmer was particularly active at PRC Studios in the 1940s, appearing in the company's Billy the Kid, Lone Rider, Frontier Marshal, Buster Crabbe, and Eddie Dean series.