Trivia: One of Hollywood's most prominent strong, silent types, Kevin Costner was for several years the celluloid personification of the baseball industry, given his indelible mark with baseball-themed hits like Bull Durham, Field of Dreams, and For Love of the Game. His epic Western Dances with Wolves marked the first break from this trend and established Costner as a formidable directing talent to boot. Although several flops in the late '90s diminished his bankability, for many, Costner remained one of the industry's most enduring and endearing icons.A native of California, Costner was born January 18, 1955, in Lynnwood. While a marketing student at California State University in Fullerton, he became involved with community theater. Upon graduation in 1978, Costner took a marketing job that lasted all of 30 days before deciding to take a crack at acting. After an inauspicious 1974 film debut in the ultra-cheapie Sizzle Beach USA, Costner decided to take a more serious approach to acting. Venturing down the usual theater-workshop, multiple-audition route, the actor impressed casting directors who weren't really certain of how to use him. That may be one reason why Costner's big-studio debut in Night Shift (1982) consisted of little more than background decoration, and the same year's Frances featured the hapless young actor as an off-stage voice.Director Lawrence Kasdan liked Costner enough to cast him in the important role of the suicide victim who motivated the plot of The Big Chill (1983). Unfortunately, his flashback scenes were edited out of the movie, leaving all that was visible of the actor -- who had turned down Matthew Broderick's role in WarGames to take the part -- to be his dress suit, along with a fleeting glimpse of his hairline and hands as the undertaker prepared him for burial during the opening credits. Two years later, a guilt-ridden Kasdan chose Costner for a major part as a hell-raising gunfighter in the "retro" Western Silverado (1985), this time putting him in front of the camera for virtually the entire film. He also gained notice for the Diner-ish buddy road movie Fandango. The actor's big break came two years later as he burst onto the screen in two major films, No Way Out and The Untouchables; his growing popularity was further amplified with a brace of baseball films, released within months of one another. In Bull Durham (1988), the actor was taciturn minor-league ballplayer Crash Davis, and in the following year's Field of Dreams he was Ray Kinsella, a farmer who constructs a baseball diamond in his Iowa cornfield at the repeated urging of a voice that intones "if you build it, he will come."Riding high on the combined box-office success of these films, Costner was able to make his directing debut. With a small budget of 18 million dollars, he went off to the Black Hills of South Dakota to film the first Western epic that Hollywood had seen in years, a revisionist look at American Indian-white relationships titled Dances With Wolves (1990). The supposedly doomed project, in addition to being one of '90s biggest moneymakers, also took home a slew of Academy Awards, including statues for Best Picture and Best Director (usurping Martin Scorsese's Goodfellas).Costner's luck continued with the 1991 costume epic Robin Hood: Prince of Thieves; this, too, made money, though it seriously strained Costner's longtime friendship with the film's director, Kevin Reynolds. The same year, Costner had another hit -- and critical success -- on his hands with Oliver Stone's JFK. The next year's The Bodyguard, a film which teamed Costner with Whitney Houston, did so well at the box office that it seemed the actor could do no wrong. However, his next film, A Perfect World (1993), directed by Clint Eastwood and casting the actor against type as a half-psycho, half-benign prison escapee, was a major disappointment, even though Costner himself garnered some acclaim. Bad luck followed Perfect World in the form of another cast-against-type failure, the 1994 Western Wyatt Earp, which proved that Lawrence Kasdan could have his off days.Adding insult to injury, Costner's 1995 epic sci-fi adventure Waterworld received a whopping amount of negative publicity prior to opening due to its ballooning budget and bloated schedule; ultimately, its decent box office total in no way offset its cost. The following year, Costner was able to rebound somewhat with the romantic comedy Tin Cup, which was well-received by the critics and the public alike. Unfortunately, he opted to follow up this success with another large-scaled directorial effort, an epic filmization of author David Brin's The Postman. The 1997 film featured Costner as a Shakespeare-spouting drifter in a post-nuclear holocaust America whose efforts to reunite the country give him messianic qualities. Like Waterworld, The Postman received a critical drubbing and did poorly with audiences. Costner's reputation, now at an all-time low, received some resuscitation with the 1998 romantic drama Message in a Bottle, and later the same year he returned to the genre that loved him best with Sam Raimi's baseball drama For Love of the Game. A thoughtful reflection on the Cuban missile crisis provided the groundwork for the mid-level success Thirteen Days (2000), though Costner's next turn -- as a member of a group of Elvis impersonating casino bandits in 3000 Miles to Graceland -- drew harsh criticism, relegating it to a quick death at the box office. Though Costner's next effort was a more sentimental supernatural drama lamenting lost love, Dragonfly (2002) was dismissed by many as a cheap clone of The Sixth Sense and met an almost equally hasty fate.Costner fared better in 2003, and returned to directing, with Open Range, a Western co-starring himself and the iconic Robert Duvall -- while it was no Dances With Wolves in terms of mainstream popularity, it certainly received more positive feedback than The Postman or Waterworld. In 2004, Costner starred alongside Joan Allen in director Mike Binder's drama The Upside of Anger. That picture cast Allen as an unexpectedly single, upper-middle class woman who unexpectedly strikes up a romance with the boozy ex-baseball star who lives next door (Costner). Even if divided on the picture as a whole, critics unanimously praised the lead performances by Costner and Allen.After the thoroughly dispiriting (and critically drubbed) quasi-sequel to The Graduate, Rumor Has It..., Costner teamed up with Fugitive director Andrew Davis for the moderately successful 2006 Coast Guard thriller The Guardian, co-starring Ashton Kutcher and Hollywood ingenue Melissa Sagemiller.Costner then undertook another change-of-pace with one of his first psychological thrillers: 2007's Mr. Brooks, directed by Bruce A. Evans. Playing a psychotic criminal spurred on to macabre acts by his homicidal alter ego (William Hurt), Costner emerged from the critical- and box-office failure fairly unscathed. He came back swinging the following year with a starring role in the comedy Swing Vote, playing a small town slacker whose single vote is about to determine the outcome of a presidential election. Costner's usual everyman charm carried the movie, but soon he was back to his more somber side, starring in the recession-era drama The Company Men in 2010 alongside Chris Cooper and Tommy Lee Jones. As the 2010's rolled on, Costner's name appeared often in conjunction with the Quentin Tarantino film Django Unchained prior to filming, but scheduling conflicts would eventually prevent the actor from participating in the project. He instead signed on for the latest Superman reboot, playing Clark Kent's adoptive dad on Planet Earth in Man of Steel.

Trivia: Handsome, well-built and able to communicate a rangy sort of charm in front of the camera, Dennis Quaid possesses many star qualities. Despite attaining heartthrob status for his work in such films as The Big Easy, however, Quaid has had a difficult time maintaining this status, thanks in part to work in a number of films that have failed to fully exploit his talent.The son of an electrician and younger brother of actor Randy Quaid, Dennis was born in Houston, Texas on April 9, 1954. He began acting in high school, and in college he enrolled in a drama program. He dropped out at the age of 20 to follow his brother to Hollywood and spent the next year mired in rejection and relative unemployment. He got his first break in 1977 when he was cast in minor roles in I Never Promised You a Rose Garden and 9/30/55, but it was not until 1979, when he starred in the seminal coming-of-age drama Breaking Away, that Quaid gained attention. It was his role as astronaut Gordo Cooper in The Right Stuff four years later that finally gave the actor his Hollywood breakthrough. He subsequently went on to appear in a number of films of widely varying quality. 1987 proved to be a particularly good year for Quaid, as he did acclaimed work in The Big Easy and Suspect. That same year, he also starred in the comedy Innerspace; that experience proved to be an auspicious one, as it provided him with an introduction to co-star Meg Ryan, whom he would marry in 1991. The two also starred together in the 1988 mystery D.O.A. and in the crime drama Flesh and Bone in 1993. Other notable roles for Quaid included that of wild man Jerry Lee Lewis in Great Balls of Fire (1989), a 1930s union organizer in Come See the Paradise (1990), and Meryl Streep's love interest in Postcards From the Edge (1990). During a large part of the '90s, Quaid starred in a string of disappointing films, including the disastrous Wyatt Earp (1994) and the failed medieval fantasy Dragonheart (1996). He made something of a comeback in 1998, appearing in the ensemble film Playing By Heart and the successful remake of The Parent Trap, in which he starred opposite Natasha Richardson. The following year, he had a starring role as a Miami football team's legendary quarterback in Oliver Stone's Any Given Sunday, and then starred in the supernatural thriller Frequency (2000) as a dead man who is able to communicate with his son (James Caviezel) over ham radio. Though both films proved moderately successful, it was two-years-later that Quaid would truly return to the good graces of critics with his striking turn in director Todd Haynes' Far From Heaven. As a closeted homosexual husband living a typical suburban dream in 1950s era Connecticut, Quaid's sensitive performance proved integral to convincingly recreating the tone of a Douglas Sirk era melodrama. Quaid portrayed a middle-aged man whose life is turned upside-down by the arrival of a young upstart who takes over his job in 2004's comedy drama Good Company, and appeared in The Alamo and Flight of the Phoenix the same year. Despite Quaid's involvement in several commercial and critical failures throughout the 2000s (The Day After Tomorrow, American Dreamz, Cold Creek Manor), the actor shone as widower Lawrence Wetherhold in Smart People (2008), and again as the stern Reverend Shaw Moore in 2011's Footloose reboot. Quaid appeared in the ensemble film What To Expect When You're Expecting, had a supporting role in the 2012 romcom Playing for Keeps and was in the anthology film Movie 43 (2013).

Trivia: A remarkably prolific and versatile talent, Gene Hackman was a successful character actor whose uncommon abilities and smart career choices ultimately made him a most unlikely leading man. In the tradition of Spencer Tracy, he excelled as an Everyman, consistently delivering intelligent, natural performances which established him among the most respected and well-liked stars of his era. Born January 30th, 1930 in San Bernardino, CA, Hackman joined the Marines at the age of 16 and later served in Korea. After studying journalism at the University of Illinois, he pursued a career in television production but later decided to try his hand at acting, attending a Pasadena drama school with fellow student Dustin Hoffman; ironically, they were both voted "least likely to succeed." After briefly appearing in the 1961 film Mad Dog Coll, Hackman made his debut off-Broadway in 1963's Children at Their Games, earning a Clarence Derwent Award for his supporting performance. Poor Richard followed, before he starred in 1964's production of Any Wednesday. Returning to films in 1964, Hackman earned strong notices for his work in Warren Beatty's Lilith and 1966's Hawaii, but the 1967 World War II tale First to Flight proved disastrous for all involved. At Beatty's request, Hackman co-starred in Bonnie and Clyde, winning a Best Supporting Actor Oscar nomination and establishing himself as a leading character player. After making a pair of films with Jim Brown, (1968's The Split and 1969's Riot), Hackman supported Robert Redford in The Downhill Racer, Burt Lancaster in The Gypsy Moths, and Gregory Peck in Marooned. For 1970's I Never Sang for My Father, he garnered another Academy Award nomination. The following year Hackman became a star; as New York narcotics agent Popeye Doyle, a character rejected by at least seven other actors, he headlined William Friedkin's thriller The French Connection, winning a Best Actor Oscar and spurring the film to Best Picture honors. Upon successfully making the leap from supporting player to lead, he next appeared in the disaster epic The Poseidon Adventure, one of the biggest money-makers of 1972. After co-starring with Al Pacino in 1973's Scarecrow, Hackman delivered his strongest performance to date as a haunted surveillance expert in Francis Ford Coppola's 1974 classic The Conversation and went on to tap his under-utilized comedic skills in Mel Brooks' Young Frankenstein. Arthur Penn's grim 1975 thriller Night Moves and the Western Bite the Bullet followed before the actor agreed to The French Connection 2. While remaining the subject of great critical acclaim, Hackman's box-office prowess was beginning to slip: 1975's Lucky Lady, 1977's The Domino, and March or Die were all costly flops, and although 1978's Superman -- in which he appeared as the villainous Lex Luthor -- was a smash, his career continued to suffer greatly. Apart from the inevitable Superman 2, Hackman was absent from the screen for several years, and with the exception of a fleeting appearance in Beatty's 1981 epic Reds, most of his early-'80s work -- specifically, the features All Night Long and Eureka -- passed through theaters virtually unnoticed.Finally, a thankless role as an ill-fated war correspondent in Roger Spottiswoode's acclaimed 1983 drama Under Fire brought Hackman's career back to life. The follow-up, the action film Uncommon Valor, was also a hit, and while 1984's Misunderstood stalled, the next year's Twice in a Lifetime was a critical success. By the middle of the decade, Hackman was again as prolific as ever, headlining a pair of 1986 pictures -- the little-seen Power and the sleeper hit Hoosiers -- before returning to the Man of Steel franchise for 1987's Superman 4: The Quest for Peace. No Way Out, in which he co-starred with Kevin Costner, was also a hit. In 1988, Hackman starred in no less than five major releases: Woody Allen's Another Woman, the war drama Bat 21, the comedy Full Moon in Blue Water, the sports tale Split Decisions, and Alan Parker's Mississippi Burning. The last of these, a Civil Rights drama set in 1964, cast him as an FBI agent investigating the disappearance of a group of political activists. Though the film itself was the subject of considerable controversy, Hackman won another Oscar nomination. During the 1990s, Hackman settled comfortably into a rhythm alternating between lead roles (1990's Narrow Margin, 1991's Class Action) and high-profile supporting performances (1990's Postcards From the Edge, 1993's The Firm). In 1992, he joined director and star Clint Eastwood in the cast of the revisionist Western Unforgiven, appearing as a small-town sheriff corrupted by his own desires for justice. The role won Hackman a Best Supporting Actor Academy Award. The performance helped land him in another pair of idiosyncratic Western tales, Wyatt Earp and The Quick and the Dead. In 1995, he also co-starred in two of the year's biggest hits, the submarine adventure Crimson Tide and the Hollywood satire Get Shorty. Three more big-budget productions, The Birdcage, The Chamber, and Extreme Measures, followed in 1996, and a year later Hackman portrayed the President of the United States in Eastwood's Absolute Power. In 1998, Hackman lent his talents to three very different films, the conspiracy thriller Enemy of the State, the animated Antz, and Twilight, a noirish mystery co-starring Paul Newman and Susan Sarandon. Moving into the new millennium with his stature as a solid performer and well-respected veteran well in place, Hackman turned up in The Replacements in 2000, and Heist the following year. 2001 also found Hackman in top form with his role as the dysfunctional patriarch in director Wes Anderson's follow-up to Rushmore, The Royal Tenenbaums. Hackman's lively performance brought the actor his third Golden Globe, this time for Best Actor in a Musical or Comedy.

Trivia: Michael Madsen, who admits to being more interested in delivering a good performance than the perks of fame, formerly worked as a gas station attendant in his hometown of Chicago, IL. The older brother of actress Virginia Madsen, Michael's first acting experience took place inside of Chicago's Steppenwolf Theatre, where he studied under the direction of fellow actor John Malkovich. This stage training provided him with the background needed to land a host of small roles, beginning with a bit part in the 1983 film WarGames. After relocating to Los Angeles, Madsen made several television and film appearances, including NBC's Emmy-winning Special Bulletin (1983), and The Natural (1984), director Barry Levinson's celebrated sports drama. Madsen continued to build credibility, gradually going on to land larger parts. Though his profile was raised substantially after appearing in the 1991 film Thelma & Louise, it was his 1989 performance as a psychotic killer in John Dahl's Kill Me Again that caught the attention of Quentin Tarantino, who would later give Madsen his true breakthrough opportunity in 1992's Reservoir Dogs. This ear-splitting performance earned Madsen critical acclaim, as well as further cementing his reputation for playing psychopathic murderers. Sure enough, Madsen would go on to perform in several decidedly evil roles. From the kitten-loving sociopath in The Getaway (1994), to mafia tough guy Sonny Black in Donnie Brasco, Madsen proved himself more than capable of playing a good bad guy. Rather than allowing himself to be typecast, however, Madsen readily accepted the role of a loving foster parent in Free Willy (1993), a seasoned alien assassin in Species (1995), and CIA Agent Damon Falco in director Lee Tamahori's Die Another Day (2002). Over the course of the next decade, however, the veteran actor largely stuck to his tough-guy image, though his reflective role in Quentin Tarantino's Kill Bill films displayed a sense of depth that most filmmakers fail to coax out of him.

Trivia: Began surfing at age 9, surfed competitively during high school and was invited three times to the East Coast Championships.Dropped out of college during his junior year to pursue acting.Studied acting at the Neighborhood Playhouse School of the Theatre in New York City for two years.Met his wife, actor Susan Walters, on the set of the soap opera Loving in 1983.A student of martial arts, trained in Karate, Tae Kwon Do, Kung Fu and Chinese styles.

Trivia: Catherine O'Hara was born on March 4, 1954, in Toronto, Ontario, though her heritage may or may not be a contributing factor to the strange quality she brings to her dry comedic style on the Hollywood screen. While the inspiration for O'Hara's forthright straight-faced demeanor is unknown, she is arguably a one-of-a-kind presence in many American films.O'Hara began acting in her hometown in 1974, when she first appeared on Second City Television, where she distinguished herself through impersonations. She performed on the program regularly during the mid-'70s, and also wrote for it beginning in 1976. Later that decade, she continued her television experience with voice-overs for cartoons, an endeavor she would revisit throughout her career in some notable roles.In 1980, she played Audrey in Nothing Personal, and in the mid-'80s played several small roles in feature films, including Martin Scorsese's After Hours (1985). In 1988, she made a parental splash as Delia Deetz in Tim Burton's Beetlejuice, with Winona Ryder playing her morose young goth daughter. Mainstream Hollywood featured O'Hara again two years later in Dick Tracy with Warren Beatty and Madonna. Also in 1990, she returned to big-screen motherhood, this time as mother to Macaulay Culkin in Home Alone (and she would also later appear in the sequel, Home Alone 2: Lost in New York in 1992).By this point, O'Hara was well established in American popular culture, and she continued to take on creative roles. Revisiting the bizarre darkness of Tim Burton's imaginative projects, she performed the character voices of both Sally and Shock in his animated feature The Nightmare Before Christmas in 1993. Two years later, her voice-over credentials increased when she played Calamity Jane in Walt Disney's Tall Tale: The Unbelievable Adventures of Pecos Bill. Her voice work continued throughout the 1990s, and in 1996, O'Hara expanded her appeal to include the indie-film world when she starred in what became a revered independent feature, Christopher Guest's satirical mockumentary Waiting for Guffman. In Home Fries (1998) with Drew Barrymore, she played the role of Mrs. Lever.Satiric and campy, 2000's Best in Show showcased numerous strong performances, allowing for flamboyant and unique characterizations from all cast members, including O'Hara, whose pursed-lipped matter-of-factness instilled personality into Southern dog-owner Cookie Guggelman Fleck. In 2001, O'Hara appeared on the television shows Committed and Speaking of Sex, and she returned to the big screen in 2002 with a role in Orange County. Strong as ever in Guest's subsequent mock-docs A Mighty Wind (2003) and For Your Consideration (2006), she continued to impress with bit parts such features as Lemony Snicket's A Series of Unfortunate Events, Penelope, and Away We Go while continuing to do impressive voice work in films like Monster House and Spike Jonze's Where the WIld Things Are. 2010 proved to be a good year thanks to an Emmy nomination for Best Supporting Actress in Mick Jackson's made-for-HBO biopic Temple Grandin. While the award eluded her, O'Hara remained busy as ever thanks to her role in the cult Nickeledeon hit Glenn Martin DDS. Meanwhile, multiple voice roles in Burton's 2012 feature Frankenweenie offered her the opportunity to once again work with the quirky director who previously used her to striking effect in some of his most popular films.

Trivia: An alumnus of State University of New York and the University of Massachusetts, American actor Bill Pullman excelled in both wacky comedy and intense drama during his stage years, working with such repertory companies as the Folger Theatre Groupe and the Los Angeles Theatre Center. Before college, he attended a technical institute and studied building construction (years later he used those skills to build his own house in California). In films, Pullman could be relied upon to almost invariably lose the girl, as witness his brace of 1993 films, Sleepless in Seattle and Somersby. He almost lost his screen wife Geena Davis to Tom Hanks in A League of Their Own (1992), but this gratuitous plot point was eliminated from the script. Only since 1994 has Pullman won the heroine's hand with any regularity. The summer of 1995 found Bill Pullman with back-to-back leading roles in two of the season's biggest box-office successes: While You Were Sleeping and Casper: The Movie. Pullman gained even more recognition for his heroic portrayal of the self-sacrificing U.S. president in the special effects blockbuster Independence Day. Up to this point, Pullman was pretty well typecast in "nice guy" roles. In David Lynch's Lost Highway (1996), he broke that mold by appearing as a deeply disturbed husband. In 1995, Pullman began a side career as a producer when he founded his own production company Big Town.

Trivia: Possessing a dark and delicate beauty enhanced by an alluringly hypnotic pair of large and deeply expressive eyes, actress Joanna Going gained notice early on with appearances in such soap operas as Another World and the early-'90s revival of Dark Shadows. Though her early work would consist mostly of soap operas and made-for television features, the mid-'90s found Going making a slow but steady transition into feature film territory. A Washington, D.C., native who was raised in Newport, RI, Going was the oldest of six siblings and graduated from Rogers High School in 1981. Later moving on to Emerson College, Going would subsequently study acting at the American Academy of Dramatic Arts in New York. Her television debut in Search for Tomorrow followed shortly thereafter, and by 1987 Going was entering into a two-year stint on the long-running soap opera Another World. Remaining on the small screen for Dark Shadows immediately following Another World, Going made her feature debut in 1994's Wyatt Earp. A touching performance in the little-seen 1996 feature Eden ensured that Going would continue to climb the credits, and subsequent roles in Keys to Tulsa and Inventing the Abbots (both 1997) continued to find Going in good company. Though appearances in Still Breathing (1997) and Cupid & Cate (2000) would go largely unseen, Going would later maintain visibility opposite Helen Mirren in the television series Georgetown. In 2003 Going could be spotted in the dramatic thriller The Runaway Jury (2003).

Trivia: Jeff Fahey was one of 13 children born to a suburban Buffalo couple. Fahey led a peripatetic early adulthood, holding down a multitude of jobs in a variety of countries. A stint with the Joffrey Ballet led to Broadway chorus work, which in turn led to speaking roles on both the New York and London stage. From 1982 to 1985, Fahey played Gary Corelli on the ABC soaper One Life to Live. His first film was Silverado (1985), in which he appeared as the villainous Tyree. He was subsequently seen as sleazy musician Dwayne Duke in Psycho III (1987), wide-eyed screenwriter Peter Verrill (a character based on real-life scrivener Peter Viertel) in Clint Eastwood's White Hunter, Black Heart (1990) and human guinea pig Jobe Smith in Lawnmower Man (1992). In 1995, Jeff Fahey returned to television as Winston MacBride on the weekly The Marshal.

Trivia: Actor Mark Harmon is the son of football great Tom Harmon and 1940s film star Elyse Knox; he is the brother of Kris Harmon -- ex-wife of Ricky Nelson -- and uncle of Kris and Ricky's actress daughter Tracy Nelson; and finally, Harmon is the husband of Mork and Mindy star Pam Dawber. Harmon emulated his dad by playing football at UCLA, then followed in mom's footsteps by turning to acting; his first movie was 1978's Comes a Horseman. Most of Harmon's starring film appearances are easy to take but unmemorable, such as his lackadaisical high-school teacher in Summer School (1988). A baseball fan, Harmon was once part-owner of the minor-league San Bernardino Spirit, a team which figured prominently in his 1988 film vehicle Stealing Home. Harmon is best known for his work on 1980s series TV: he has co-starred in Flamingo Road and Moonlighting, and played the lead role of AIDs-stricken Dr. Bob Calswell on St. Elsewhere. TV would prove to be a source of success for the actor, and he would go on to star on such popular shows as Chicago Hope and NCIS.

Trivia: Isabella Rossellini was one of the twin daughters born to actress Ingrid Bergman and director Roberto Rossellini in 1952. After growing up in Italy, she came to America when she was19 and studied at Finch College and the New School for Social Research. She then returned to Rome, where she worked as a translator and TV journalist (not unlike her New York-based half-sister Pia Lindström). Just for fun, Rossellini made her first movie appearance in 1976, playing a bit in her mother's film A Matter of Time. She found acting to her liking, appearing in several European TV dramas before her first big-screen starring role in 1979's The Meadow. In the early 1980s, Rossellini put her film activities on the back burner to concentrate on her modelling career on behalf of Lancome Cosmetics. After her first marriage (to Hollywood director Martin Scorsese) ended in 1983, she began a relationship with ballet star Mikhail Baryshnikov, with whom she co-starred in White Nights (1985). She was later involved was filmmaker David Lynch, who cast her in her breakthrough role as a much-abused small-town nightclub singer in Blue Velvet (1986). (Her other romantic partners have included her second husband John Wiedeman -- the father of her daughter Elettra -- and actor Gary Oldman). Rossellini continued seeking out offbeat, challenging film roles into the '90s, including Anna Maria Ermody in the controversial Beethoven biopic Immortal Beloved and no-nonsense frontierswoman Big Nose Kate in Wyatt Earp (both 1994). She also starred in Campbell Scott and Stanley Tucci's delicious drama Big Night in 1996.She was the matriarch of a gangster family in The Funeral, and reteamed with Campbell Scott and Stanley Tucci for The Imposters. She has a major part in Roger Dodger, and in 2003 she featured prominently in Guy Maddin's The Saddest Music in the World, a working relationship they would continue on other projects such as My Dad Is100 Years Old. She directed Green Porno in 2008, and that same year played mother to a troubled Joaquin Phoenix in the underrated drama Two Lovers. She would follow-up Green Porno with Scandalous Sea in 2009. She would team up with Maddin yet again for Keyhole in 2011, and that same year she would appear in Chicken With Plums.

Trivia: A burly, commanding actor known almost as much for the tumultuous quality of his offscreen life as that of his onscreen roles, Tom Sizemore has carved out a niche for himself in such guys 'n' guns films as Natural Born Killers, Strange Days, Heat, and Saving Private Ryan.Born in Detroit, Sizemore was educated at Wayne State and Temple University, earning a Master's in theater at the latter. He enjoyed an auspicious debut year in 1989 when he appeared in no less than four movies including Oliver Stone's Born on the Fourth of July. That same year, the actor won the semi-regular role of Vinnie Ventressa on the popular TV drama China Beach. He went on to do starring work in such films as Stone's Natural Born Killers (1994), Carl Franklin's highly praised crime noir Devil in a Blue Dress (1994) and Michael Mann's crime thriller Heat. Sizemore's involvement with the latter film marked a personal turning point for him; for years he suffered from a well-publicized addiction to heroin, and he seemed to be losing his battle until he met his Heat co-star and childhood icon Robert De Niro, who, Sizemore subsequently admitted in interviews, convinced him to go into rehab.In 1998, Sizemore starred in what was possibly his most high-profile role to date in Steven Spielberg's WWII epic Saving Private Ryan. Cast as Sgt. Horvath, Tom Hanks' right hand man, the actor earned positive notices as part of a stellar ensemble cast that also included Giovanni Ribisi, Matt Damon, Jeremy Davies, and Vin Diesel. He subsequently porked out to play mob boss John Gotti in the made-for-TV Witness to the Mob and then returned to the screen in Martin Scorsese's Bringing Out the Dead (1999), which cast him as Nicolas Cage's ex-best friend. In 2000, Sizemore starred alongside Val Kilmer and Carrie-Anne Moss in the sci-fi adventure Red Planet; that same year, he appeared in Play It to the Bone, a boxing drama starring Woody Harrelson and Antonio Banderas. With the release of Pearl Harbor and Black Hawk Down the following year, the grizzled screen veteran seemed as if he may be threatening to becoming something of a later-day action star.Though to this point Sizemore's work in features had left him with little experience in the realm of television, all of that would change when he took the lead in the 2002 series Robbery Homicide Division. For an actor who excelled at playing hardened detectives and rough cops, the show seemed the ideal star vehicle for Sizemore, and after contributing vocal work for the controversial video game Grand Theft Auto: Vice City that same year, he stepped into the lead for the crime thriller Swindle as the year wound to a close. A supporting role in Dreamcatcher got 2003 off to a shaky start, and things only went downhill from there when, in October of that year, the troubled actor entered rehab before being sentenced to six months in prison on domestic violence charges. Though his personal life may have been somewhat in flux, one certainly couldn't tell by looking at his screen credits for 2004 -- a year in which Sizemore would appear in no less than four films including the family adventure Fly Boys.

Trivia: Born December 6th, 1948,, JoBeth Williams launched her acting career on the East Coast repertory theater circuit. Williams made her Broadway bow in 1980's A Coupla White Chicks Sitting Around Talking and gained a TV following as a regular on the daytime serials The Guiding Light and Somerset. She made an impressible film debut in a "flash part" in the Oscar-winning Kramer vs. Kramer (1979). Williams' star ascended with such roles as the mother of long-suffering Heather O'Rourke in the first two Poltergeist films and the sixties activist-cum-housewife in The Big Chill (1983). While she hasn't always been well-served by Hollywood, she has managed to show up in a number of worthwhile assignments, ranging from 1984's Teachers (in which she spontaneously performing the most dramatically justifiable striptease in movie history) to 1994's Wyatt Earp (as Bessie Earp) Her TV-movie credits are even more impressive: she had several memorable moments in the post-apocalyptic The Day After (1983) and was brilliant as the anguished mother of the murdered title character in Adam (1983). She has also participated in series television, lending her voice to the character of Angel in the animated nighttimer Fish Police (1992) and essaying the Susan Sarandon role in the 1995 weekly TV adaptation of The Client. In addition, she served as executive producer of the 1991 TV movie Bump in the Night, and as co-producer of the Oscar-nominated documentary On Hope (1994). JoBeth Williams is married to director John Pasquin. In 2005 the actress worked with Drew Barrymore and Adam Sandler for the baseball comedy Fever Pitch, and appeared in four episodes of Showtime's hit series Dexter in 2007. In 2011, Smart worked with Steve Martin, Owen Wilson, and Jack Black in the comedy The Big Year.

Trivia: Mare Winningham is a critically acclaimed performer on stage, television, and occasionally feature films. She began her career performing a song on TV's notorious Gong Show. While playing Maria in a high school production of The Sound of Music, opposite classmate Kevin Spacey, Winningham was spotted by Hollywood agent Meyer Mishkin who landed her a role in the short-lived TV Western series The Young Pioneers in 1978. This led to her first TV movie, Special Olympics. For her role as an independent-minded farmer's daughter in 1980's Amber Waves, she won an Emmy. That year, Winningham made her feature-film debut starring opposite Paul Simon in Robert M. Young's One-Trick Pony. She fared better in her next film, Threshold (1981), where she played the recipient of an artificial heart. Winningham then went on to play a number of supporting roles and the occasional lead in a series of unremarkable films. She continues to fare much better on television, where she has appeared in popular films such as The Thorn Birds (1983) and Helen Keller: The Miracle Continues (1984). She was part of the ensemble in the Gen X touchstone St. Elmo's Fire in 1985 and went on to appear in Shy People, Miracle Mile, the Tom Hanks with a dog vehicle Turner and Hooch, and Wyatt Earp. She earned long-deserved award recognition in 1995 for playing a successful singer struggling with her drug-addicted sister in Georgia. Her work in that film garnered her an Oscar nomination Best Supporting Actress, and she won that award at that year's Independent Spirit Awards. She had a recurring role on the hit medical drama ER at the close of the '90s. As the 21st century began she maintained her status as a first-class character actress appearing in a variety of projects such as Snap Decision, The Adventures of Ociee Nash, and Dandelion. She enjoyed a recurring role on Grey's Anatomy, but she found even greater small screen success with back to back Emmy nominations for Best Supporting actress in a movie or miniseries in 2011 and 2012 with her work in Mildred Pierce and Hatfields & McCoys.

Trivia: Gravel-voiced, American character actor James Gammon was first seen on screen as Sleepy in Cool Hand Luke (1967). Looking like a Frederic Remington painting come to life, Gammon has been a welcome presence in many a western feature, notably Silverado (1985), Wyatt Earp (1994) and Wild Bill (1995). His earthy screen persona is flexible enough to accommodate both avuncularity (team manager Lou Brown in the two Major League films) and menace (Horsethief Shorty in 1988's Milagro Beanfield War). Gammon has been a regular on two TV series, playing roadside diner habitue Rudy in Bagdad Café (1990) and divorced, laid-off paterfamilias Dave Nelson in Middle Ages (1992). When not appearing before the cameras, James Gammon has kept busy as a California community-theatre director.

Trivia: With his bald head and beefy exterior, Hollywood character player Rex Linn quickly built up an acting resumé replete with many portrayals of toughs, feds, cops, thugs, and -- occasionally -- unremarkable, beleaguered everymen. Born in the panhandle of the Lone Star State, Linn came of age in the small Texas town of Spearman. He discovered a lingering interest in drama during his teenage years, but buckled under the weight of discouragement from an acting coach, and put acting on the shelf to focus on career pursuits in banking and the oil industry. Dissatisfied with these fields, Linn convinced an Oklahoma talent agent to sign him, and made the leap from commercials to feature roles with his portrayal of serial murderer Fred Epps in the Peter Masterson-directed thriller Night Game (1989), opposite Roy Scheider. The pleasure of this experience prompted Linn to head to the West Coast, where he worked construction, landed intermittent acting assignments, and studied the craft under the tutelage of Silvana Gallardo in Studio City, CA. Linn was memorable as the rogue treasury agent who assists terrorist John Lithgow in the Sylvester Stallone vehicle Cliffhanger (1993), which brought the actor the recognition he so persistently sought and led to a series of supporting roles in dozens of feature films. Linn's portrayal of Frank McLaury in Wyatt Earp (1994) marked the first in a series of several onscreen collaborations with Kevin Costner that also included the romantic comedy Tin Cup (1996) and the laborious sci-fi epic The Postman (1997). Linn also landed guest appearances on such series as JAG and 3rd Rock From the Sun. He is best known, however, for his fine portrayal of Miami-Dade Police Department detective Frank Tripp on the hit crime series CSI: Miami.

Trivia: The acting career of Adam Baldwin -- no relation to the famous Baldwin brothers Alec, William, and Stephen -- has been filled with ups and downs as he aspires to the stardom that as yet, seems to elude him. Due to his muscular 6'4" frame, the handsome Baldwin is frequently cast as hulking bad guys and psychopathic killers. He has been involved with films since he appeared in My Bodyguard (1980), the story of a victimized teenager seeking the protection of the school bully (Baldwin) who is believed to have killed his brother. While he did a fine job as the taciturn, deeply traumatized young man who affects a violent facade to conceal his inner pain, it was his costar Matt Dillon who became famous. Baldwin then went on to play supporting roles in three lesser films before playing the lead in the 1986 bomb Bad Guys, where he dyed his naturally dark hair bright blond and played a young cop who becomes a wrestler after he is suspended from the force. One year later he appeared in his most memorable role as the psychopathic war-loving soldier Animal in Stanley Kubrick's Full Metal Jacket (1987). In 1992, Baldwin played a drunken, abusive stepfather in Radio Flyer. He continued to work steadily in projects such as How to Make an American Quilt and Independence Day. He had the title role in the 1999 retelling of Dr. Jekyll and Mr. Hyde. As the new century began he was part of the cast of the short-lived but much beloved sci-fi series Firefly as Jayne, a character he would return to in Serenity, the big-screen version of that show. He voiced Jonah Hex and Superman in various animated projects, and in 2007 landed the part of Major John Casey on the NBC series Chuck, about a geeky dude who becomes a super spy. He could be seen on big screens in the thriller InSight in 2011.

Trivia: Though actress Annabeth Gish is not, as has frequently been reported, related to silent-film legend Lillian Gish (she is decidedly not the never-married Lillian's granddaughter!), Annabeth does have one thing in common with her famous namesake: she began acting at a very early age, and achieved film stardom before she was 20. Born in Albuquerque, Annabeth moved to Cedar Falls, Iowa, when her college-professor dad accepted a position there. From age eight onward, Gish was active in local community and children's theatre; by the time she was 11, she was a professional model. Her first film appearance was in 1986's Desert Bloom, in which, as a troubled preteen plagued by family squabbles and nuclear testing, she all but stole the show. Gish's career went into Drive when she starred in the cult favorite Mystic Pizza, though when the film is now shown on television, the supporting appearance of Julia Roberts is the focus of ad-campaign attention. A most attractive young lady, Gish scored as one of four beautiful vacationing teens in 1988's Shag (her screen chums were Phoebe Cates, Bridget Fonda and Paige Hannah). In 1993, Annabeth Gish briefly interrupted her film career to earn a BA in English; within a year, she was back at work in the theatrical film Wyatt Earp and the made-for-TV Scarlet. In 1997, Gish appeared alongside Angelina Jolie and Dana Delaney for a starring role in the TV movie True Women; however, she would find more significant success on the small screen in 2001, when she joined the cast of The X-Files to play feisty FBI Agent Monica Reyes. Gish and Robert Patrick effectively became the lead characters during the show's 8th and 9th seasons, though ratings indicated that their onscreen chemistry couldn't compete with that of Duchnovy and Anderson, who had become beloved as the characters of Mulder and Scully. In 2006, Gish took on the starring role of Eileen Caffee in Brotherhood, a drama from Showtime, and joined the cast of A&E's TV miniseries Stephen King's Bag of Bones in 2011, and played a therapist with demons of her own in ABC's Pretty Little Liars the same year.

Trivia: Lead actor, onscreen from The Final Terror (1981).

Trivia: Made his film acting debut in Todd Field's AFI Conservatory project, Delivering, in 1993.First major motion picture role was Young Wyatt in the 1994 western Wyatt Earp, starring Kevin Costner.Played Young Hercules from 1997-1998 on the NBC series Hercules: The Legendary Journeys and reprised his role for the 1998 film Young Hercules, now as the lead.Made his directorial debut with the 2011 short Morning Love, which he also shot and edited.

Trivia: Texas-born actress Betty Buckley decided upon a theatrical career when, at a very early age, she was taken by her mother to a Fort Worth production of The Pajama Game. A trained singer and dancer, Ms. Buckley made her professional bow on the musical stage, reaching Broadway at age 22 as Mrs. Thomas Jefferson in the original production of 1776. Additional Broadway credits include two seasons' worth of Pippin (73-75), three years in Cats (82-85) (for which she won a Tony Award), and a healthy run in 1985's The Mystery of Edwin Drood. Betty's first film was Carrie (76), in which she played the tough girl's gym coach whose punishment of Carrie's tormentors set the plot in motion. One year after Carrie, she replaced the late Diana Hyland on the popular TV "dramedy" Eight is Enough, playing the stepmother of a eight-kid brood (at the time, she was two years younger than the oldest kid!) Always on the lookout for an opportunity to sing, Betty took a fraction of her salary to play a Tammy Wynette-style country western star in 1983's Tender Mercies. In 1995, amidst a flurry of press attention, Betty Buckley successfully took over for Glenn Close as "Norma Desmond" in the Broadway production of the Andrew Lloyd Webber musical Sunset Boulevard (Betty had already scored a hit in the London production).

Trivia: Rising above the negative stereotypes attached to models-turned-actresses, Alison Elliott has proved her talent as the latter in an eclectic mix of leading roles. Raised in San Francisco, Elliott worked as a Ford model, but decided that acting was her calling and was soon cast on a short-lived TV series. Though she won a supporting role in Lawrence Kasdan and Kevin Costner's downbeat interpretation of Western legend Wyatt Earp (1994), Elliott began to forge a career in independent films when she was cast as the central femme in Steven Soderbergh's neo-noir The Underneath (1994). Elliott's star performance as the reformed ex-con in The Spitfire Grill (1996) earned rave reviews, but despite winning the Sundance Film Festival Audience Award, the film was less than stellar at the box office. Elliott showed that she could also handle period roles in Iain Softley's adaptation of the Henry James novel The Wings of the Dove (1997). As ailing heiress Millie Theale, Elliott managed to be ethereal and ingenuous without being cloying, matching Softley's emphasis on the story's complex emotional ambiguities. Sticking to her non-Hollywood ways, Elliott next starred in The Eternal (1998), directed by resolute iconoclast Michael Almereyda.

Trivia: The offspring of actress Patty Duke and actor/director/writer John Astin and brother of actor Sean Astin, Mackenzie Astin was perhaps destined to be a performer. Born and raised in L.A., Mackenzie began as a child and teen actor on TV in the early 1980s with roles in the TV movie Lois Gibbs and the Love Canal (1982), and the girls' prep-school sitcom The Facts of Life. Astin moved to feature films in the 1990s with a spate of roles in Hollywood studio films, including the lead in the Disney adventure Iron Will (1994). After substantial parts in two high-profile box-office disappointments, Terms of Endearment sequel The Evening Star (1996) and the Sandra Bullock-Chris O'Donnell historical romance In Love and War (1996), Astin focused on work in more idiosyncratic independent films. Astin's boyish good looks made him deceptively "perfect boyfriend" material in the romantic comedy Dream for an Insomniac (1998), and he played a hapless male in the mockumentary Mating Habits of the Earthbound Human (1999). Astin particularly enhanced his indie record with his performance as one of the young preppies negotiating The Last Days of Disco (1998), the final part of Whit Stillman's trilogy dissecting the mating habits of Manhattan's haute bourgeoisie. Astin returned to TV in the late 1990s as shooting victim Kevin McCarthy in the docudrama The Long Island Incident (1998), and in the civil-rights drama Selma Lord Selma (1999).

Trivia: With his soulful, deep-set blue eyes and a dark, eerily beautiful countenance, Jim Caviezel has inspired more than a few comparisons to Montgomery Clift. Thus, it was somewhat fitting -- and more than a little ironic -- that Caviezel first broke through to the American public as The Thin Red Line's Private Witt, a character loosely based on Clift's Private Prewitt in From Here to Eternity. A native of Washington state, Caviezel was born in Mount Vernon in 1968, one of five children in a devout Catholic family. A gifted athlete as a young man, he performed brilliantly on the basketball court and dreamt of joining the NBA. He attended Seattle's O'Dea High School, and later Burien Kennedy High, attending Bellevue Community College after graduation (where he continued to play ball), but a foot injury forced him to withdraw from the team and try acting instead. He debuted cinematically with a bit part as an airline clerk in Gus Van Sant's My Own Private Idaho (1991), Caviezel landed an equally minor role in Michael Ritchie's disappointing boxing yarn, Diggstown (1992). Accepted at Juilliard that same year, he declined the school's offer in favor of a supporting role in Lawrence Kasdan's 1994 Wyatt Earp. Unfortunately, this film (like Diggstown) flopped, and for the next several years, Caviezel bounced back-and-forth, between minor roles in big budget Hollywood films like The Rock (1996) and G.I. Jane (1997) and more substantial roles in turkeys such as Bill Couturie's Ed (1996). Fortunately, in 1998, the long-dormant Terrence Malick came calling with a role in his war opus The Thin Red Line (adapted from James Jones's Guadalcanal Diary) and Caviezel struck gold. The film received a number of Oscar nominations including Best Picture, and its stellar ensemble cast, which included Ben Chaplin, Sean Penn, George Clooney, and Nick Nolte, earned almost unanimous acclaim. The following year, Caviezel gained further recognition with his role as one of a group of renegade Civil War soldiers in Ang Lee's Ride With the Devil and his portrayal of a football coach's embittered son in Oliver Stone's Any Given Sunday. In 2000, Caviezel starred in the supernatural thriller Frequency, as a fireman who -- through a supernatural occurrence -- communicates with his long-dead father (Dennis Quaid) over a ham radio. The low-budgeted film became a modest hit.Later that same year, Caviezel starred in Mimi Leder's shameless tearjerker Pay it Forward as a homeless junkie befriended by a young boy (Haley Joel Osment). He then landed a role opposite Jennifer Lopez in the heady romantic drama Angel Eyes (2001); the picture died a quick death at the box office, yet Caviezel's performance in the film dramatically increased his prominence, and critics further took note of the actor's ability.The following year's period adventure The Count of Monte Cristo (2002) boasted a similarly fine lead performance by Caviezel, and though the film - and the actor's work - drew favorable reviews from critics, that motion picture failed to attract audiences. Before embarking on a blood-soaked revenge spree in Highwaymen (2004), Caviezel took a turn as a mysterious former Marine in High Crimes and a lower-key role in the Paul Feig drama I Am David. Audiences who had followed Caviezel's career thus far had no doubt taken note of the actor's vocal religious convictions. With his role as Jesus in Mel Gibson's The Passion of the Christ -- not to mention the actual suffering that he endured when his shoulder was separated during the crucifixion sequence -- the actor pushed to more extreme lengths than almost any performer of his generation. The story of the film is, by now, notorious; in time it became one of the highest grossers in movie history, capping $600 million worldwide, despite savaging critical assessments from many reviewers and accusations of anti-Semitism. Millions viewers flocked to the motion picture and turned it into one of the seminal moviegoing events of 2004, evi.As the 2000's and 2010's rolled on, Caviezel continued to enjoy success as a bankable actor, enjoying success on the new frontier of modern TV with shows like the remake of The Prisoner and the drama Person of Interest

Trivia: Karen Grassle entered the University of California-Berkeley as an English major, but active participation in school plays led her to change her field of interest and to graduate with a BA in drama. Supporting herself with menial jobs, Grassle went on to study in a San Francisco acting workshop, then went to London's Royal Academy of Dramatic Art on a Fulbright scholarship. After acting in regional repertory, Grassle received her first New York break in the 1968 play The Gingham Tree...which lasted all of five performances, but which led to steadier engagements with producer Joseph Papp and several Manhattan-based TV soap operas. Hoping to boost her career, Grassle briefly changed her professional name to Kay Dillinger, claiming to be the illegitimate offspring of the notorious 1930s bank robber (who died ten years before Karen was born!) When she came to LA in 1973 for a never-completed movie project, she was calling herself Gabriel Tree, and it was under this name that she beat out 47 other actresses for the role of Caroline Ingalls in the long-running TV drama Little House on the Prairie (co-star Michael Landon convinced her to revert to her given name). During the nine-year run of Little House, Karen Grassle frequently groused about the limitations of her role, but in recent years she has been seen on TV commercials, warmly endorsing a videotaped collection of the best Little House on the Prairie episodes.

Trivia: Like many New York actors, Martin Kove was willing to go unbilled to pick up extra paychecks in such East Coast-filmed efforts as Little Murders (1971) and Last House on the Left (1972). By 1984, Kove was pulling down third billing in such films as The Karate Kid, wherein he played Kreese, the "bad" karate expert who trained the film's principal heavy William Zabka for his bout against the simon-pure Ralph Macchio (Kove replaced Chuck Norris, who turned down the role of Kreese because he didn't want karate trainers to be shown in an unsympathetic light). Martin Kove's work on series TV has included the roles of detective Victor Isbecki on Cagney and Lacey and an extraterrestrial named Jesse on Hard Time on Planet Earth.

Trivia: Was a professional tennis player, and gave lessons to executives in Los Angeles prior to his acting career.Has been acting since 1993.Decided to become a standup comedian in 2002 after being on stage for the first time.Is very active on social media.Is an avid golf player.

Trivia: Supporting actor, onscreen from the late '80s.

Trivia: A character actor who specialized in older, conservative everyman types -- often with a professional edge -- John Lawlor began his career essaying bit parts and supporting roles in B pictures such as The Gumball Rally and Jackson County Jail (both 1976) before signing on to play the venerable headmaster of the all-girls Eastman School Steven Bradley in season one of NBC's popular sitcom The Facts of Life (1979-1980). Lawlor bowed out after that first year, but subsequently moved into occasional film roles in features including John Boorman's Excalibur (1981), Blake Edwards' S.O.B. (1981), and Lawrence Kasdan's Wyatt Earp (1994).

Trivia: At 19, he was diagnosed with malignant melanoma (skin cancer), the same disease that had claimed his father a year earlier. Moved to Los Angeles to pursue acting when he was 23. Met his wife while filming a movie in Berlin, Germany. With his wife, founded an organization called Balanced Life, geared at helping people improve their lives. Is a self-taught artist who was inspired to get back into painting after a visit to the Sistine Chapel. Owns several galleries across the country where he shows his art. Is a black belt in two different forms of karate.

Trivia: On stage from 1960, towering African-American actor Rockne Tarkington has been most often seen in movie and TV adventure fare. Those who were weaned on the Saturday morning kiddie shows of the 1960s will remember Tarkington as Morgan, the fearless islander eternally called upon to rescue hero Frank Aletter and heroine Ronne Troup in the live-action "Danger Island" segments of The Banana Splits Adventure Hour. In the evening hours, Tarkington could be seen on an occasional basis as jungle veterinarian Rao on the Tarzan series. Numbering among his feature film credits are such heart-pounders as Ice Pirates (1984), Death Before Dishonor (1987) and Fists of Steel (1990). Curiously, in Kevin Costner's blood-spattered Wyatt Earp (1994), Rockne Tarkington played the relatively passive role of a stablehand.

Trivia: Curly haired, sandy-voiced actress Mary Steenburgen is a natural when it comes to playing Southerners, probably because she hails from the region herself. Born in Arkansas on February 8, 1953, Steenburgen was the daughter of a railroad employee. Pursuing drama in college, she headed to New York in 1972, where she worked with an improvisational troupe. She was spotted by Jack Nicholson, who cast her as his feisty "in name only" frontier wife in 1978's Goin' South. Two years later, she won a Best Supporting Actress Oscar for her performance as Melvin Dummar's inamorata in Melvin and Howard (1980).Able to convey a wide age and character range, Steenburgen was effectively cast as a free-spirited Frisco girl in Time After Time (1979), the corseted matriarch of a turn-of-the-century household in Ragtime (1981), prim authoress Marjorie Rawlins in Cross Creek (1983), a long-suffering suburban housewife in Parenthood (1989), and a Marcia Clark-like attorney in Philadelphia (1993). She also portrayed the Jules Verne-loving Western schoolmarm Clara in Back to the Future 3 (1990), a role she perpetuated (via voice-over) on the Back to the Future TV cartoon series. In 1988, she was executive producer of End of the Line, in which she also appeared. Steenburgen's film appearances throughout the 1990s were erratic: some highlights, in addition to Philadelphia, include What's Eating Gilbert Grape (1993), Nixon (1995), and The Grass Harp (1995). In 1999, she starred as Noah's wife in the biblical epic Noah's Ark, sharing the screen with the likes of Jon Voight, F. Murray Abraham, James Coburn, and Carol Kane. As the 21st century began, Steenburgen continued to work steadily in projects such as Life as a House, I Am Sam, Sunshine State, and Elf. She was cast in the CBS drama Joan of Arcadia in 2003. In 2006 she appeared in David Lynch's Inland Empire, and the next year she starred opposite Jodie Foster in the vigilante drama The Brave One. She was cast in the comedies Step Brothers and Four Christmases in 2008, and in 2011 she was the editor who inspires the main character to write the book in The Help.Formerly married for several years to actor Malcolm McDowell, Steenburgen married former Cheers star Ted Danson in 1995. The two have collaborated on a number of projects, including 1994's Pontiac Moon and the made-for-TV Gulliver's Travels in 1996.

Trivia: John Doe is a man who balances two well-respected careers -- as a musician, Doe was the co-founder, songwriter, vocalist, and bassist of one of America's most acclaimed alternative rock bands, X, and while he continues to write and record new material, he has also carved out a reputation as a busy and well-regarded character actor. Born in Decatur, IL, in 1954 as John Duchac, John spent his young adult years in Baltimore, MD, where he began playing and singing in a number of bar bands. Fascinated by beat poetry and eager to hone his skills as a writer, Duchac moved to Venice, CA, in 1976; early the next year, John adopted the stage name John Doe and began dipping his toes into Los Angeles's burgeoning punk rock scene. Doe met guitarist Billy Zoom, who like Doe was eager to form a band, and when Doe met Exene Cervenka at a poetry workshop, they began comparing notes and soon started writing songs. They also began dating, and married a few years later, though they would divorce in 1985. With drummer D.J. Bonebrake, Doe, Zoom, and Cervenka formed the band X, which blended the power and speed of punk rock with the melodies and accents of rockabilly, blues, and roots rock, all coupled with Doe and Cervenka's hard-edged but literate lyrics about California's underclass. X quickly earned a reputation as one of the strongest bands to emerge from the American punk rock scene, and as X's popularity in Los Angeles grew, they began attracting the attention of a variety of filmmakers. Penelope Spheeris featured the band in her documentary about the L.A. punk scene, The Decline. . .of Western Civilization, the band performed their song "Beyond and Back" in Urgh! A Music War, and Jim McBride asked the band to record the title song for his remake of Jean-Luc Godard's Breathless. In 1985, independent filmmakers Allison Anders, Kurt Voss, and Dean Lent began making a movie about musicians living along the edges of Hollywood's music scene called Border Radio, and they cast Doe in his first acting role alongside such fellow L.A. punk scenesters as Chris D. and Dave Alvin. While the film was not released until 1987 and received poor distribution, Doe's rugged good looks and cool charisma registered well on screen, and he soon landed small roles in Oliver Stone's breakthrough film Salvador and Wayne Wang's neo-noir drama Slam Dance. In 1989, Jim McBride cast Doe in a small but substantial role in his Jerry Lee Lewis biopic Great Balls of Fire as J.W. Brown, Lewis' bassist and the father of the rocker's 13-year-old "child bride." By the time Great Balls of Fire was released, X had announced their breakup (though the band would stage several reunions throughout the 1990s), and while Doe began recording and touring as a solo act, he also devoted an increasing amount of his time to his acting career, so much so that by the end of the 1990s Doe's film work had outstripped music as his primary livelihood. Doe has since played a number of memorable supporting roles, often as musicians, in films running the gamut from Pure Country and Wyatt Earp to Georgia and Boogie Nights. In 1999, Doe reunited with Allison Anders and Kurt Voss for another film about the Los Angeles music community, Sugar Town, in which he gave a superb performance as a musician trying to hold his marriage and his career together; that same year, he also landed a recurring role on the TV series Roswell as Geoff Parker, father of teenaged protagonist Liz Parker (Shiri Appleby) and owner of Roswell diner The Crashdown Cafe.

Trivia: A native of Houston, TX, Brett Cullen graduated from that city's university, also finding time to compete in fencing and contribute to the Houston Shakespeare Festival. Opting for a shot at stardom over continuing his theater studies, Cullen landed a role on The Chisholms as his first breakthrough. He achieved much attention as Bob Cleary in the highly successful miniseries The Thorn Birds, which led to a stint on the nighttime soap Falcon Crest. He continued to work steadily on both the stage and the screen including production of Guys and Dolls, The Little Foxes, and numerous Shakespearean plays. His film credits include Courage Under Fire and Apollo 13, a role that led to him joining the cast of the Tom Hanks-produced television spectacle From the Earth to the Moon. Cullen has had recurring roles on such respected programs as Ugly Betty, Friday Night Lights, The West Wing, and Lost. In 2007, he starred opposite Uma Thurman in the drama In Bloom. That same year, Cullen starred in the pilot for the television program Life Is Wild, but he was replaced when the show went to series by D.W. Moffett. He had a major role in 2008's The Life Before Her Eyes as well as Brothel. Two years later he played the dad of the troubled lead singer of The Runaways, and he followed that up with a part in the teen comedy Monte Carlo. In 2012 he could be seen in the blockbuster The Dark Knight Rises.

Trivia: The patriarchal system which once ruled the American Society of Cinematographers, dictating that practically the only way to join the union was to be born into it, was not an altogether bad thing when it resulted in an Owen Roizman. The son of a newsreel cameraman, Roizman spent the 1960s working on TV commercials, then made an auspicious feature-film debut. It was Roizman who lensed the street-smart, thrill-a-minute The French Connection (1971), earning an Oscar in the process. The contributions made by Roizman for French Connection could fill a cinematography textbook in itself: Using a hand-held Ariflex for the New York street scenes (tracking shots were accomplished not with a heavy dolly but with a lightweight wheelchair), rigging actual interiors to look as though they were being illuminated by "natural light," underexposing certain dramatic scenes to give them a harsh, gray look, and so on. Roizman replicated many of his French Connection effects, notably the famous Brooklyn car chase, in the runaway-subway meller The Taking of Pelham One Two Three (1973). More sedate but no less effective was Roizman's work on comedies (Play It Again, Sam, The Heartbreak Kid), Westerns (Return of a Man Called Horse), satires (Network), and musicals (Sgt. Pepper's Lonely Hearts Club Band). In a later collaboration with production designer Ken Adam, Roizman faithfully rendered the gloomy hilarity of Charles Addams' New Yorker cartoons in 1991's The Addams Family (1991) -- one of several "comeback" features for Roizman, who'd taken a sabbatical from filmmaking in the 1980s to operate his own TV-ad production firm.

Trivia: Supporting actor Michael Huddleston, the son of actor David Huddleston, made his film debut in The World's Greatest Lover (1977) and has gone on to have a steady, though low-key, career.

Trivia: First earning fame as a witty, agile comic actress on TV, smart, leggy beauty Téa Leoni was poised for Hollywood movie stardom by the late '90s. Born Elizabeth Téa Pantaleoni and raised in New York City, Leoni graduated from boarding school in Vermont and headed to Sarah Lawrence College to study psychology. After dropping out to travel for several months, Leoni intended to finish college at Harvard. Though she had never planned on acting, Leoni auditioned on a dare for a planned TV remake of Charlie's Angels and was cast. Though the 1988 writer's strike killed the series, Leoni opted to stay in Hollywood. After several years of modeling and TV commercials, Leoni made her film debut as the "Dream Girl" in Blake Edwards' farce Switch (1991). A small part in A League of Their Own (1992) and starring roles in the short-lived Fox sitcom Flying Blind (1992) and the TV movie The Counterfeit Contessa (1994) brought Leoni more attention. While she co-starred as the obligatory female-witness-in-peril in the blockbuster actioner Bad Boys (1995), Leoni's gift for acid wit and goofy physical comedy turned her into a TV star that same year in the sitcom The Naked Truth. Despite a network change, The Naked Truth lasted three seasons; Leoni further bolstered her comic reputation with her performance as a high-strung psychology student in David O. Russell's excellent screwball comedy Flirting With Disaster (1996). While The Naked Truth mined TV laughs out of tabloids, After taking a turn for the serious as a reporter in the first 1998 asteroid blockbuster Deep Impact, Leoni then took a break from acting to focus on her family. She returned to movies in 2000 with a charming performance as Nicolas Cage's beloved in the syrupy dramedy The Family Man, and subsequently kept busy with a string of roles in such big-budget features as Jurassic Park III (2001), Fun with Dick and Jane (2005), and Tower Heist (2011). She returned to television in 2014 with Madam Secretary.