Trivia: Like so many others before him, Kris Kristofferson pursued Hollywood success after first finding fame in the pop music arena. Unlike the vast majority of his contemporaries, however, he could truly act as well as make music, delivering superb, natural performances in films for directors like Martin Scorsese, Sam Peckinpah, and John Sayles. Born June 22, 1936, in Brownsville, TX, Kristofferson was a Phi Beta Kappa at Pomona College, earning a degree in creative writing. At Oxford, he was a Rhodes Scholar, and while in Britain he first performed his music professionally (under the name Kris Carson). A five-year tour in the army followed, as did a stint teaching at West Point. Upon exiting the military, he drifted around the country before settling in Nashville, where he began earning a reputation as a gifted singer and songwriter. After a number of his compositions were covered by Roger Miller, Kristofferson eventually emerged as one of the most sought-after writers in music. In 1970, Johnny Cash scored a Number One hit with Kristofferson's "Sunday Mornin' Comin' Down," and that same year he released his debut LP, Kristofferson. Upon composing two more hits, Janis Joplin's "Me and Bobby McGee" and Sammi Smith's "Help Me Make It Through the Night," Kristofferson was a star in both pop and country music. In 1971, his friend, Dennis Hopper, asked him to write the soundtrack for The Last Movie, and soon Kristofferson was even appearing onscreen as himself. He next starred -- as a pop singer, appropriately enough -- opposite Gene Hackman later that year in Cisco Pike, again composing the film's music as well. Another role as a musician in 1973's Blume in Love threatened to typecast him, but then Kristofferson starred as the titular outlaw in Sam Peckinpah's superb Western Pat Garrett and Billy the Kid. For Peckinpah, Kristofferson also appeared in 1974's Bring Me the Head of Alfredo Garcia, followed by a breakthrough performance opposite Oscar-winner Ellen Burstyn in Martin Scorsese's acclaimed Alice Doesn't Live Here Anymore. After a two-year hiatus to re-focus his attentions on music, he followed with a villainous turn in the little-seen Vigilante Force and the much-hyped The Sailor Who Fell From Grace With the Sea. Amid reports of a serious drinking problem, Kristofferson next starred as an aging, alcoholic rocker opposite Barbra Streisand in the 1976 remake of A Star Is Born, an experience so grueling, and which hit so close to home, that he later claimed the picture forced him to go on the wagon. In 1977, Kristofferson teamed with Burt Reynolds to star in the football comedy Semi-Tough, another hit. He next reunited with Peckinpah for 1978's Convoy. Hanover Street was scheduled to follow, but at the last minute Kristofferson dropped out to mount a concert tour. Instead, he next appeared with Muhammad Ali in the 1979 television miniseries Freedom Road. He then starred in Michael Cimino's legendary 1981 disaster Heaven's Gate, and when the follow-up -- Alan J. Pakula's Rollover -- also failed, Kristofferson's film career was seriously crippled; he received no more offers for three years, appearing only in a TV feature, 1983's The Lost Honor of Kathryn Beck, and performing his music. His comeback vehicle, the 1984 thriller Flashpoint, earned little attention, but Alan Rudolph's Songwriter -- also starring Willie Nelson -- was well received. In 1986, Kristofferson reunited with Rudolph for Trouble in Mind, and starred in three TV movies: The Last Days of Frank and Jesse James, Blood and Orchids, and a remake of John Ford's Stagecoach.Remaining on television, Kristofferson co-starred in the epic 1987 miniseries Amerika. The year following, he appeared in a pair of Westerns, The Tracker and Dead or Alive, and unexpectedly co-starred in the comedy Big-Top Pee-Wee. The 1989 sci-fi disappointment Millennium was his last major theatrical appearance for some years. In the early '90s, the majority of his work was either in television (the Pair of Aces films, Christmas in Connecticut) or direct-to-video fare (Night of the Cyclone, Original Intent). In many quarters, Kristofferson was largely a memory by the middle of the decade, but in 1995 he enjoyed a major renaissance; first, he released A Moment of Forever, his first album of new material in many years, then co-starred in Pharoah's Army, an acclaimed art-house offering set during the Civil War. The following year, Kristofferson delivered his most impressive performance as a murderous Texas sheriff in John Sayles' Lone Star. He turned in another stellar performance two years later in James Ivory's A Soldier's Daughter Never Cries. After a turn in the Mel Gibson vehicle Payback and Father Damien, Kristofferson again collaborated with Sayles, playing a pilot of dubious reputation in 1999's Limbo. In the decades to come, Kristofferson would remain active on screen, appearing in movies like He's Just Not That Into You, Fastfood Nation, and Dolphin Tale.

Trivia: Tom Skerritt is probably the best-known actor whose name is never remembered. A rugged "outdoors" type, Skerritt briefly attended Wayne State University and UCLA before making his film bow in War Hunt (1962). His subsequent film and TV roles were sizeable, but so adept was Skerritt at immersing himself in his character that he seemed to have no tangible, recurrent personality of his own. Billed second as "Duke" in the original M*A*S*H* (1970), Skerritt did his usual finely-honed job, but audiences of the time preferred the demonstrative, mannered acting technique of Elliott Gould, Donald Sutherland and Robert Duvall; significantly, Skerritt's character was not carried over into the even more unsubtle M*A*S*H TV series. Finally, in 1980, Skerritt began to attain a following with his authoritative performance in Alien. Since that time, there's been no stopping him. He posed in a popular series of "Guess?" Jeans ads, appeared as a 1987-88 regular on "Cheers," starred in 1992's A River Runs Through It (directed by his long-ago War Hunt costar Robert Redford), and won a 1994 Emmy for his work on the TV series "Picket Fences."Skerritt would continue to work at a remarkable pace, usually appearing in several projects a year. From 1999's family drama The Other Sister to 2003's war thriller Tears of the Sun, the actor could be spotted by fans of seemingly every area of film throughout the 90's and 2000's. In 2006, he took a recurring role in the hit primetime drama Brothers and Sisters, and in 2008 he signed on for the redneck comedy Beer for my Horses. He went on to appear in Whiteout, Multiple Sarcasms, and he made a cameo as himself in the R rated talking teddy bear movie Ted.

Trivia: There are several theories as to why Peter Cohon chose the stage name of Peter Coyote; for his part, the actor is reluctant to discuss an event that apparently was the end result of an evening's experimentation with controlled substances. In the late 1960s, Coyote quit his job as a dockworker to "turn on, tune in and drop out." With hair so long that he could sit on it (by his own admission), Coyote was a "fringie" with such varied organizations as the Grateful Dead and the Hell's Angels, and also worked for a while with a guerilla mime group. After years of deprivation, Coyote dropped back into society in 1975, accepting a job as a drama teacher at a public school. Rapidly approaching middle age, Coyote entered films with 1980's Die Laughing. Throughout the 1980s, he alternated between good guys, villains, and a vaguely defined stereotype known as "loser boyfriends." As the vengeful public prosecutor in The Jagged Edge (1985), Coyote turns out not to be the film's principal heavy; even so, we leave the picture disliking his character more than anyone else's. Leading roles came his way in such films as Exposure (1991), but even here he could not completely escape an aura of slime (his ostensibly heroic character burrows through the seamy underside of Rio in search of a prostitute's murderer). One of Coyote's few unconditionally "nice" roles was as the enigmatic scientist Keys in the champion moneymaker E.T. (1982). In the late 1990s, Coyote published Sleeping Where I Fall, a candid memoir of his years as a cultural drop out. In 1992 Roman Polanski tapped him to play the lead in his psycho-sexual black comedy Bitter Moon, and he continued to work steadily in a variety of projects after that such as Kika, Buffalo Girls, Patch Adams, and Sphere. With his deep, distinctive voice he became an in demand narrator for documentaries. He had a small but memorable turn in Erin Brokovich, and was cast in Brian De Palma's Femme Fatale. He was in the teen drama A Walk to Remember, and the Polish brothers cast him in their 2003 film Northfork. Although his big-screen appearances began to dwindle, he remained one of the most ubiquitous narrators of non-fiction films of various types.

Trivia: Intense Native American actor Rodney A. Grant achieved celebrity as the mercurial Lakota Sioux warrior Wind In His Hair in Kevin Costner's Dances with Wolves (1990). Thereafter, Grant trafficked almost exclusively in "firebrand" characterizations. He has been featured in such roles as Crazy Horse in the television miniseries Son of the Morning Star (1991), Mangas in Geronimo: An American Legend (1993) and Little Feather in Wagons East (1994). On a weekly basis, Rodney A. Grant was seen as Chingachgook in the 1994 syndicated TVer Hawkeye.