Trivia: The son of actor John Wayne, Patrick Wayne made his earliest film appearances at 14, playing bits in The Quiet Man (1953) and The Sun Shines Bright (1953), both directed by "the Duke"'s mentor John Ford. The younger Wayne's first real film role was in Ford's The Long Gray Line (1955); the following year, as Lieutenant Greenhill, Wayne acted opposite his father in The Searchers (1956). After attending Loyola University, he was given an opportunity to co-star in The Young Land, a film which neither starred his dad nor was directed by John Ford. He wasn't bad, but he wasn't ready for stardom just yet, so it was back to supporting parts in The Alamo (1960), Donovan's Reef (1963), McClintock (1963), Cheyenne Autumn (1965), The Green Berets (1968) and Big Jake (1971). On his own, Patrick Wayne played leads in the special effects-laden adventures People That Time Forgot (1977) and Sinbad and the Eye of the Tiger (1977), co-starred on the TV series The Rounders (1965) and Shirley (1979), and hosted the syndicated variety weekly The Monte Carlo Show (1980).

Trivia: The background of Irish-born comic actor J. Pat O'Malley has frequently been misreported in source books because his credits have been confused with those of silent film star Pat O'Malley. J. Pat started out in the British musical halls, then came to the U.S. at the outbreak of WWII. Achieving radio fame for his versatile voicework, O'Malley carried over this talent into the world of animated cartoons, providing a multitude of vocal characterizations in such Disney cartoon features as Alice in Wonderland (1951) and 101 Dalmatians (1961), among others. The portly, leprechaunish O'Malley essayed on-camera character parts in films like Witness for the Prosecution (1957) and Mary Poppins (1965). He was a near-habitual TV guest star, with appearances in several fondly remembered Twilight Zone episodes; he also worked extensively on Broadway. J. Pat O'Malley had regular roles on the TV sitcoms Wendy and Me (1964) and A Touch of Grace (1973).

Trivia: Not to be confused with African-American action star Jim Brown or with the "Godfather of Soul" of the same name, American actor James Brown was a tennis pro before entering films in 1941. Clearly a man of unlimited athletic prowess, Brown appeared in such rugged Hollywood productions as The Forest Rangers (1942), Air Force (1943), Objective Burma (1945) and Sands of Iwo Jima (1949). He had more sedate roles in Going My Way (1944), as nominal romantic lead Ted Haines (Bing Crosby, the star of the film, was a priest and therefore out of the running with the leading lady), and in Pride of St. Louis (1952), a biopic about baseball star Dizzy Dean wherein Brown played sidelines ballplayer "Moose." Few of his later movies were worth mentioning, though Brown had a few telling moments as the stern, rifle-toting father of the serial killer "protagonist" in Peter Bogdanovich's Targets (1968). Brown, sometimes billed as Jim L. Brown, is best known to aging baby boomers for his continuing role as Lt. Rip Masters on the enormously popular 1950s TV series Rin Tin Tin. He retired from acting in the late 1960s to manage his successful body-building equipment concern, then was appointed head of customer relations at Faberge, a cosmetics firm. When Faberge's filmmaking division, Brut Productions, put together a 1975 comedy titled Whiffs, the producers persuaded Brown to return to acting in a supporting role. And in 1976, James Brown redonned his 19th century cavalry uniform to film new wraparounds for a syndicated Rin Tin Tin rerun package.

Trivia: He began performing in early childhood, going on to appear in tent shows, vaudeville, and stock throughout the Southwest. He formed Chill Wills and the Avalon Boys, a singing group in which he was the leader and bass vocalist, in the '30s. After appearing with the group in several Westerns, beginning with his screen debut, Bar 20 Rides Again (1935), he disbanded the group in 1938. For the next fifteen years he was busy onscreen as a character actor, but after 1953 his film work became less frequent. He provided the voice of Francis the Talking Mule in the "Francis" comedy series of films. In the '60s he starred in the TV series "Frontier Circus" and "The Rounders." For his work in The Alamo (1960) he received a Best Supporting Actor Oscar nomination. In 1975 he released a singing album--his first.