Trivia: American brothers Rob and Chad Lowe became actors in childhood (Chad would ultimately win an Emmy for his TV work). Rob was acting from the age of eight in 1972; seven years later, he was a regular on the TV series A New Kind of Family, playing the teenaged son of star Eileen Brennan. That series was shot down quickly, but Lowe's film career picked up when newspaper and magazine articles began aligning the handsome, sensitive young actor with the burgeoning Hollywood "brat pack," which included such new talent as Molly Ringwald, Matt Dillon, Charlie Sheen, and Anthony Michael Hall. Along with several fellow "packers" (Demi Moore, Judd Nelson, Ally Sheedy, and Emilio Estevez), Lowe starred in 1985's St. Elmo's Fire; this film and the earlier Hotel New Hampshire (1984) represent the most memorable projects in Lowe's otherwise negligible film output. In 1989, Lowe's already flagging film stardom received a severe setback when he was accused of videotaping his sexual activities with an underage girl (the evidence has since become a choice item on the sub-rosa video cassette circuit). Arrested for his misdeeds, Lowe performed several hours' worth of community service, then tried to reactivate his career. Since then, Lowe has matured into something of a brat-pack George Hamilton, successfully lampooning his previous screen image in such comedies as Wayne's World (1992) and Tommy Boy (1995).Though his comedic endeavors would continue throughout the 1990s in films such as Austin Powers: International Man of Mystery (1997) and its sequel, Lowe gained notice for such dramatic roles as that of the mute and strangely plague-immune Nick Andros in the long-anticipated TV miniseries adaptation of Stephen King's The Stand (1994). Lowe's roles throughout the '90s may have not been the prominently featured roles in A-list films that his early shooting-star may have suggested, though he did maintain steady work in an interesting variety of small-budget projects. Lowe's casting on the popular political drama The West Wing brought the actor back into the public eye in what many considered to be one of the most intelligently written dramatic series on television. His turn as quick-witted liberal speechwriter Sam Seaborn brought Lowe through the dark days of his scandalous past, back to an audience who may have forgotten his charm as an actor. He would stay with the series until 2005, all while continuing to pick new projects that involved creativity and an open mind. He tested his limits with roles in films like Salem's Lot and Thank You For Smoking, and in 2004, he began starring in his own TV series, playing Dr. Billy Grant on the crime drama Dr. Vegas. The show lasted until 2008, by which time he had already signed on for the prime time dramedy Brothers & Sisters, starring alongside Calista Flockhart. He had a major part in The Invention of Lying in 2009, and that same year he landed a regular gig on the well-reviewed NBC sitcom Parks and Recreation. In 2011 he was the executive producer and one of the leads in the ensemble film I Melt With You.

Trivia: Possessing a special talent for totally immersing himself in his roles, Bill Paxton did not always get the recognition he deserves. Tall, rangy, and boyishly good looking, Paxton's career was a curiosity that found the character actor-turned-filmmaker succeeding in intermittently pulling the rug from under filmgoers' feet with a constantly expanding sense of maturity and range.Paxton's interest in films emerged during his teens when he began making his own movies with a Super-8 camera. He formally entered the entertainment industry in 1974 as a set dresser for Roger Corman's New World Pictures. Paxton made his acting debut as a bit player in Crazy Mama (1975), and afterward, the young thespian moved to New York to hone his skills. Following performances in a couple of horror quickies, Paxton formally launched his Hollywood career with a tiny part in Ivan Reitman's Stripes (1981) and this led to a steady if not unremarkable career in film and television during the '80s. In addition to acting, Paxton made short independent films such as Fish Heads, (1982) which became a favorite on NBC's Saturday Night Live. Paxton's acting career got a much-needed boost in 1985 when he was cast as Ilan Mitchell-Smith's obnoxious big brother Chet Donolley in John Hughes' Weird Science. Some of Paxton's more memorable subsequent roles include that of a cocky intergalactic soldier in James Cameron's Aliens (1986), a crazed vampire in Kathryn Bigelow's Near Dark, and sickly astronaut Freddie Hayes in Ron Howard's Apollo 13. In 1996, Paxton landed a starring role, opposite Helen Hunt, in the special-effects blockbuster Twister; his career took an upward turn and Paxton got more leads than ever. Though few audiences saw it in its limited release, critics were quick to praise Paxton's turn as con-artist Traveler in the 1997 movie of the same name. Following a doomed voyage on the Titanic the same year, the workhorse actor once again intrigued filmgoers as a small-town dweller struggling with his conscience after stumbling into over a million dollars in usually flamboyant director Sam Raimi's strikingly subdued A Simple Plan. A quiet and intense performance enhanced by a talented cast including Billy Bob Thornton and Bridget Fonda, the psychological crime drama once again provided further proof that Paxton's impressive range of emotion stretched beyond what many filmgoers may have previously suspected. Though subsequent performances in Mighty Joe Young (1998) and U-571 (2000) did little to backup the promise shown in A Simple Plan, Paxton still had a few tricks up his sleeve, as evidenced by his directorial debut Frailty (2002), a surprisingly competent and genuinely frightening tale of religious fervor and questionable sanity. Though cynical filmgoers may have initially viewed the trailer-touting praises of former collaborators Raimi and James Cameron as favors from old friends, the taut tale of a father who claims that God has provided him with a list of "demons" that he and his sons must cast from the earth blind-sided critics and filmgoers with its disturbingly minimalistic yet complex psychological thriller that recalled the thematic elements of previous efforts as Michael Tolkin's The Rapture (1991). His performance as a loving father who reluctantly embarks on God's mission was a vital component of the films emotional impact, and was once again proof that this former supporting player still had a few tricks up his sleeve.Though he hadn't paid much attention to television since his early career, in 2006, Paxton took on the lead role in HBO's Big Love, playing a polygamous husband with three wives. The show was a hit and garnered critical acclaim, including three Golden Globe nominations for Paxton. When the show wrapped up after five seasons, Paxton joined the miniseries Hatfields & McCoys, earning his only Emmy nomination of his career for the role. In 2014, Paxton took on a recurring role in Marvel's Agents of S.H.I.E.L.D., playing the villainous John Garrett. He also played Sam Houston in 2015 miniseries Texas Rising. In 2017, his new network show Training Day (a small-screen version of the film) aired only three episodes before Paxton suddenly died of complications from surgery at age 61.

Trivia: Performed with his older brother Ricky when they were both younger. Worked as a cook and dishwasher (when he wasn't singing on stage) at the Nashville Palace in the early 1980s. Storms of Life, his 1986 debut album, sold more than 4 million copies. Inducted into the Grand Ole Opry in 1986. Has an uncredited cameo in Young Guns (1988). Appeared in seven episodes of Touched By An Angel and also lent the song "When Mama Prayed" to the series finale. Released Anniversary Celebration in 2011, a collection of duets and collaborations in honor of the 25 years since the release of his debut album. Suffered a stroke in 2013.

Trivia: For those who grew up in the 1980s, many will remember hating actor William Atherton for his hissable characters in such films as Ghostbusters (1984) and Real Genius (1985). Specializing in heady, clueless bureaucrats who never cease to hinder the protagonist and who often get what's coming to them before the credits roll, Atherton is one of those busy character actors who audiences are not likely to forget, even if they can't remember where they know him from. A Connecticut native who got his start on the stage while still in high school, Atherton would subsequently move on to become the youngest member ever accepted into New Haven's Long Wharf Theater repertory. Studies at the Pasadena Playhouse and Carnegie Tech led Atherton to pursue more theater roles, and a few short years later the seasoned stage actor made his leap to the big screen with The New Centurions (1972). A role in Steven Spielberg's The Sugarland Express (1974) found Atherton's feature career getting off to a solid start, and the fledgling actor would continue career momentum with featured roles in The Hindenburg (1975) and Looking for Mr. Goodbar (1977). In the 1980s Atherton would develop a convincingly weasel-like persona with roles as the popcorn-hating professor of Real Genius and a relentlessly obnoxious EPA agent who unleashes a nightmare upon New York in Ghostbusters. Following up with a memorably sleazy reporter in Die Hard (1988) and its sequel, Atherton would remain busy in the 1990s with roles in The Pelican Brief (1993), Bio-Dome (1996), Hoodlum, and Mad City (both 1997). The millennial turnover found Atherton appearing in such fare as The Crow: Salvation (2000) and Race to Space (2001), and as 2003 approached his feature career seemed to be having a bit of a resurgence with such major releases as Who's Your Daddy? and The Last Samurai.

Trivia: Lead actress, onscreen from the '0s.

Trivia: Supporting actress, onscreen from the '80s.

Trivia: Askew is a supporting actor onscreen beginning with Cool Hand Luke (1967).

Trivia: Perhaps the most enigmatic -- and unpredictable -- member of the Arquette acting dynasty, Alexis Arquette appeared in a huge variety of colorful supporting roles that highlighted both his range and eccentricity as a performer. Born Robert Arquette, the grandson of vaudevillians, son of veteran character actor Lewis Arquette and poet Mardi Arquette, and brother of Rosanna, Patricia, David, and Richmond Arquette, she was born in L.A. in 1969. Like her siblings, Arquette broke into film at a young age, making his screen debut with a minor role in Down and out in Beverly Hills in 1986 and had her first breakthrough as Georgette, a sensitive young man with a crush on a neighborhood thug in Last Exit to Brooklyn (1990).Arquette went on to portray characters ranging from a gay university student in Threesome (1994) to an unfortunate gunman summarily dispatched by John Travolta and Samuel L. Jackson in Pulp Fiction (1994) to a Boy George-esque musician in The Wedding Singer (1998). She also did a memorable turn as himself in Wigstock: The Movie (1995), a documentary about New York's famed Outfest in which the actor flaunted plenty of glorious plumage, to say nothing of attitude. Arquette's role in the film was particularly appropriate, considering his well-known second job as a drag performer by the name of Eva Destruction. After decades of doing drag and pushing gender-bending limits, Arquette official began male-to-female transitioning in 2006. She later confirmed that she often changed the gender she identified with from day-to-day. Arquette died in 2016, at age 47.

Trivia: Bearing the kind of golden-skinned, blue-eyed handsomeness that often leads to predictions of superstardom, Sean Patrick Flanery has been acting on screens big and small since the 1980s. Born in Lake Charles, Louisiana on October 11, 1965, Flanery was raised in Houston, Texas. While attending Houston's University of Saint Thomas, he decided to take a drama class in the hopes of pursuing a fellow drama student. Flanery's interest in the girl proved fleeting, but the same could not be said of his interest in the theatre: after getting hooked, he packed up and headed out to Los Angeles, where he had an obligatory stint waiting tables before he found an agent. After eight months of looking for work, Flanery began acting in television commercials, which in turn led to work on various television shows. Although he made his film debut in 1987's A Tiger's Tale, it was his work in the 1992 television series Young Indiana Jones that gave Flanery his first taste of recognition. Although the series was short-lived, it did manage to build up something of a fan base, and Flanery continued to make Young Indy specials until 1996. In 1995, the actor returned to film, appearing in an adaptation of Truman Capote's The Grass Harp and starring in Powder. Unfortunately for Flanery, the latter film was mired in controversy surrounding suspect actions on the part of its director, which obscured the quality of the actor's performance. Flanery continued to appear in a number of films, including 1997's Suicide Kings and the 1998 Drew Barrymore vehicle Best Men. Also in 1998, he could be seen portraying a callous rocker in the independent film Girl. The following year, Flanery starred opposite Sarah Michelle Gellar in the romantic comedy Simply Irresistible. Later that same year, he could be seen giving romance another try in Body Shots, a tale of angst-ridden twenty-somethings in L.A.'s treacherous dating scene.He was in The Boondock Saints and the gentle family drama Kiss the Bride. He was the lead in Tobe Hooper's The Damned Thing, which was part of the Masters of Horror series. He worked on The Dead Zone TV series, and returned as Connor MacManus for The Boondock Saints II: All Saints Day. He appeared in the horror film Saw: The Final Chapter, the thriller InSight, and the moving drama Lake Effects.

Trivia: A bona fide jack-of-all-trades, Todd Field is one of the film industry's more multifaceted members, having worked in varying capacities as an actor, director, producer, composer, and screenwriter. Probably most recognizable to art house audiences thanks to his work in such films as Nicole Holofcener's Walking and Talking (1996) and Stanley Kubrick's Eyes Wide Shut (1999), Field has also composed scores for features ranging from Gross Anatomy (1989) to Ruby in Paradise (1993) -- both of which featured him in supporting roles -- and has directed, written, and produced a number of independent projects. Born in Pomona, CA, on February 24, 1964, Field broke into professional acting in his early twenties with work in television. After making his film debut as a singer in Woody Allen's Radio Days (1987), he went on to do supporting work in a multitude of features, until in 1993, he earned some measure of recognition and an Independent Spirit Awards nomination for Best Supporting Actor for his portrayal of a greenhouse worker in Victor Nunez's Ruby in Paradise. Further independent work followed for the actor in the ensemble romantic drama Sleep With Me (1994) and Walking and Talking, which cast him as Anne Heche's fiancé; he also did more mainstream work as a member of the tornado trackers in the 1996 blockbuster Twister, and appeared in Jan de Bont's 1999 remake of The Haunting. Following his turn as a piano player in Eyes Wide Shut, Field landed the role of David Cassilli on the acclaimed ABC series Once and Again. In addition to his work in front of the camera, he kept busy behind it. Having debuted as a director in 1992 with the short Too Romantic, Field made a name for himself in 1995 when his short Nonnie & Alex won the Special Jury Award at that year's Sundance Festival. Five years later, the Sundance Festival welcomed the talented renaissance man back, choosing his drama In the Bedroom for its 2001 competition. Based on a story by Andre Dubus, the film starred Tom Wilkinson, Sissy Spacek, and Marisa Tomei.

Trivia: Though he may not draw instant name recognition among U.S. viewers, Australian character actor John Pyper-Ferguson boasts a resumé that reads like an exhaustive index of filmed entertainment, from the mid-'80s onward. It packs in theatrically released Hollywood B-pictures, A-list releases, telemovies, one- and two-shot series episodes, and much, much more. A thespian typically at home in supporting roles, this Aussie import became such a frequent on-camera presence that he was soon difficult, if not impossible, to miss.Pyper-Ferguson actually debuted in Canada -- auspiciously so, with the lead role of Sonny Hamilton, a character seeking information on his family history, in the prime-time drama Hamilton's Quest. He then segued to Hollywood film roles, with small appearances in such pictures as the slasher movie Hello Mary Lou: Prom Night II (1987), the Mel Gibson/Goldie Hawn vehicle Bird on a Wire (1990), the frat-boy comedy Ski School (1991), and the John Ritter gag-fest Stay Tuned (1992). After a brief (brief) appearance in that same year's Best Picture winner, the Clint Eastwood Western Unforgiven, Pyper-Ferguson spent the rest of the 1990s working in mostly forgettable fare, such as the telemovie Children of the Dust (1995) and the Z-grade sci-fi movie Space Marines (1996). For most of the following decade, Pyper-Ferguson eschewed feature-length films and landed guest appearances on acclaimed television series ranging from CSI and ER to Arli$$ and Nash Bridges. Following a bit part in 2006's X-Men: The Last Stand, Pyper-Ferguson then signed for a regular role as Joe Whedon on the hit prime-time family drama Brothers & Sisters (2006).