Trivia: Actor/dancer Ken Berry was brought to Broadway as a member of the Billy Barnes revue. His early TV work included the recurring role of Woody the bellhop on The Ann Sothern Show (1959-60). In 1965, Berry was cast in his most celebrated TV role: bumbling Cavalry captain Wilton Parmenter on F Troop (1965-67). When Andy Griffith decided to leave his highly rated TV sitcom in 1968, the series' title was changed to Mayberry RFD and Berry was cast in the central role of town-councillor Sam Jones. CBS' peremptory cancellation of Mayberry in 1971 left Berry in a financial bind, compelling him to accept a hosting stint on a doomed-from-the-start variety series, Ken Berry's WOW (1972). More recently, Berry has been seen as Vint Harper on the well-distributed Vicki Lawrence sitcom Mama's Family (1983-1989). For many years, Ken Berry was married to dancer/comedienne Jackie Joseph, of Little Shop of Horrors fame.

Trivia: A graduate of Santa Monica Junior College, Jack Elam spent the immediate post-World War II years as an accountant, numbering several important Hollywood stars among his clients. Already blind in one eye from a childhood fight, Elam was in danger of losing the sight in his other eye as a result of his demanding profession. Several of his show business friends suggested that Elam give acting a try; Elam would be a natural as a villain. A natural he was, and throughout the 1950s Elam cemented his reputation as one of the meanest-looking and most reliable "heavies" in the movies. Few of his screen roles gave him the opportunity to display his natural wit and sense of comic timing, but inklings of these skills were evident in his first regular TV series assignments: The Dakotas and Temple Houston, both 1963. In 1967, Elam was given his first all-out comedy role in Support Your Local Sheriff, after which he found his villainous assignments dwindling and his comic jobs increasing. Elam starred as the patriarch of an itinerant Southwestern family in the 1974 TV series The Texas Wheelers (his sons were played by Gary Busey and Mark Hamill), and in 1979 he played a benign Frankenstein-monster type in the weekly horror spoof Struck By Lightning. Later TV series in the Elam manifest included Detective in the House (1985) and Easy Street (1987). Of course Elam would also crack up audiences in the 1980s with his roles in Cannonball Run and Cannonball Run II. Though well established as a comic actor, Elam would never completely abandon the western genre that had sustained him in the 1950s and 1960s; in 1993, a proud Elam was inducted into the Cowboy Hall of Fame. Two short years later the longitme star would essay his final screen role in the made for television western Bonanza: Under Attack.

Trivia: Forrest Tucker occupied an odd niche in movies -- though not an "A" movie lead, he was, nonetheless, a prominent "B" picture star and even a marquee name, who could pull audiences into theaters for certain kinds of pictures. From the early/mid-1950s on, he was a solid presence in westerns and other genre pictures. Born Forrest Meredith Tucker in Plainfield, Indiana in 1919, he was bitten by the performing bug early in life -- he made his debut in burlesque while he was still under-age. Shortly after graduating from high school in 1937, he enlisted in the United States Army, joining a cavalry unit. Tucker next headed for Hollywood, where his powerful build and six-foot-four frame and his enthusiasm were sufficient to get him a big-screen debut in The Westerner (1940), starring Gary Cooper and Walter Brennan. Signed to Columbia Pictures, he mostly played anonymous tough-guy roles over the next two years, primarily in B pictures, before entering the army in 1943. Resuming his career in 1946, he started getting bigger roles on a steady basis in better pictures, and in 1948 signed with Republic Pictures. He became a mainstay of that studio's star roster, moving up to a co-starring role in Sands Of Iwo Jima (1949), which also brought him into the professional orbit of John Wayne, the movie's star. Across the early/middle 1950s, Tucker starred in a brace of action/adventure films and westerns, alternating between heroes and villains, building up a significant fan base. By the mid-1950s, he was one of the company's top box-office draws. As it also turned out, Tucker's appeal was international, and he went to England in the second half of the decade to play starring roles in a handful of movies. At that time, British studios such as Hammer Films needed visiting American actors to boost the international appeal of their best productions, and Tucker fulfilled the role admirably in a trio of sci-fi/horror films: The Crawling Eye, The Cosmic Monsters, and The Abominable Snowman of the Himalayas. Part of Tucker's motivation for taking these roles, beyond the money, he later admitted, was his desire to sample the offerings of England's pubs -- Tucker was a two-fisted drinker and, in those days, was well able to handle the effects of that activity so that it never showed up on-screen. And he ran with the opportunity afforded by those three science fiction movies -- each of those films, he played a distinctly different role, in a different way, but always with a certain fundamental honesty that resonated with audiences. When he returned to Hollywood, he was cast as Beauregard Burnside in Auntie Mame (1958), which was the top-grossing movie of the year. Then stage director Morton De Costa, seeing a joyful, playful romantic huckster in Tucker (where others had mostly seen an earnest tough-guy), picked him to star as Professor Harold Hill in the touring production of The Music Man -- Tucker played that role more than 2000 times over the years that followed. He was also the star of the 1964 Broadway show Fair Game For Lovers (in a cast that included Leo Genn, Maggie Hayes, and a young Alan Alda), which closed after eight performances. The Music Man opened a new phase for Tucker's career. The wily huckster became his image, one that was picked up by Warner Bros.' television division, which cast him in the role of Sgt. Morgan O'Rourke, the charmingly larcenous post-Civil War cavalry soldier at the center of the western/spoof series F-Troop. That series only ran for two seasons, but was in syndicated reruns for decades afterward, and though Tucker kept his hand in other media -- returning to The Music Man and also starring in an unsold pilot based on the movie The Flim-Flam Man (taking over the George C. Scott part), it was the part of O'Rourke with which he would be most closely identified for the rest of his life. He did occasionally take tougher roles that moved him away from the comedy in that series -- in one of the better episodes of the series Hondo, entitled "Hondo And The Judas", he played Colonel William Clark Quantrill very effectively. At the end of the decade, he returned to straight dramatic acting, most notably in the John Wayne western Chisum, in which he played primary villain Lawrence Murphy. That same year, he appeared in a challenging episode of the series Bracken's World entitled "Love It Or Leave It, Change It Or Lose It", playing "Jim Grange," a sort of film-a-clef version of John Wayne -- a World War II-era film star known for his patriotism, Grange is determined to express his political views while working alongside a young film star (portrayed by Tony Bill) who is closely associated with the anti-war movement. Tucker continued getting television work and occasional film roles, in addition to returning to the straw-hat circuit, mostly as Professor Harold Hill. None of his subsequent series lasted very long, but he was seldom out of work, despite a drinking problem that did worsen significantly during his final decade. In his final years, he had brought that under control, and was in the process of making a comeback -- there was even talk of an F-Troop revival in film form -- when he was diagnosed with lung cancer and emphysema. He died in the fall of 1986 at age 67.

Trivia: Dialect comedians may not be politically acceptable these days, but American comic actor Larry Storch has never lacked work all the same. A product of the New York ethnic "melting pot," Storch amused his childhood friends (including lifelong chum Don Adams) with his dead-on impressions of the many Italians, Hispanics, Germans and Jews in his neighborhood. He advanced his skills for mimicry by virtually living in the local movie houses, memorizing the speech patterns of such character actors as Victor McLaglen, Guy Kibbee and Charley Grapewin. One of his first jobs after World War II navy service was as a writer on The Kraft Music Hall, where he was frequently required to substitute for the star, blustery actor Frank Morgan; years later, he revived his Morgan impression as Chumley on the cartoon series Tennessee Tuxedo (in which his old pal Don Adams voiced the title character). In 1951 Storch appeared in the Chicago revue Red White and Blue, which led to a stint as summer replacement for Jackie Gleason on the Dumont TV series Cavalcade of Stars. Storch's most common stamping grounds in the '50s was the nightclub stage; at one point he even ran his own club. Storch made his film bow in The Prince who was a Thief (51) which starred a friend from his Navy days, Tony Curtis. When Storch's career was on the wane in the early '60s, Curtis cast him in several of his vehicles of that period, including Who was That Lady (1960), wherein Storch recreated his Broadway role as an emotional Russian spy. After a semi-recurring role as Charlie the Drunk (who became besotted simply by talking about drinking) on the early '60s sitcom Car 54, Where are You?, Storch was cast as Corporal Agarn, comic sidekick of conniving cavalry sergeant O'Rourke (Forrest Tucker) on the western comedy weekly F Troop (1965-66). In addition to Agarn, Storch was permitted to play various foreign branches of the Agarn family, with appropriate broad accents. Since the cancellation of F Troop in 1966, Larry Storch has been a regular on The Queen and I (1969) and The Ghost Busters (1976), has worked periodically in films, and has appeared with great frequency in clubs (still doing "characterization" routines rather than one-liners) and on stage. In 1991, Larry Storch garnered excellent notices for his brief character turn in the off-Broadway play Breaking Legs.

Trivia: Apple-cheeked comic actor Benny Baker was a moderately popular Broadway musical comedy performer when he headed to Hollywood in 1934. After his first film, Annapolis Farewell, Baker brightened several Paramount musicals, usually in milquetoastish support of such performers as Martha Raye. After his first brush with moviemaking, Baker returned to Broadway, co-starring in such major productions as DuBarry Was a Lady and Let's Face It. He returned to Tinseltown as a character actor, often in whoops-you-missed-him unbilled roles. Shortly before his retirement in the early 1970s, Benny Baker was featured along with a host of other venerable performers in the SRO Broadway revival of No, No Nanette.