Trivia: Actor/dancer Ken Berry was brought to Broadway as a member of the Billy Barnes revue. His early TV work included the recurring role of Woody the bellhop on The Ann Sothern Show (1959-60). In 1965, Berry was cast in his most celebrated TV role: bumbling Cavalry captain Wilton Parmenter on F Troop (1965-67). When Andy Griffith decided to leave his highly rated TV sitcom in 1968, the series' title was changed to Mayberry RFD and Berry was cast in the central role of town-councillor Sam Jones. CBS' peremptory cancellation of Mayberry in 1971 left Berry in a financial bind, compelling him to accept a hosting stint on a doomed-from-the-start variety series, Ken Berry's WOW (1972). More recently, Berry has been seen as Vint Harper on the well-distributed Vicki Lawrence sitcom Mama's Family (1983-1989). For many years, Ken Berry was married to dancer/comedienne Jackie Joseph, of Little Shop of Horrors fame.

Trivia: Forrest Tucker occupied an odd niche in movies -- though not an "A" movie lead, he was, nonetheless, a prominent "B" picture star and even a marquee name, who could pull audiences into theaters for certain kinds of pictures. From the early/mid-1950s on, he was a solid presence in westerns and other genre pictures. Born Forrest Meredith Tucker in Plainfield, Indiana in 1919, he was bitten by the performing bug early in life -- he made his debut in burlesque while he was still under-age. Shortly after graduating from high school in 1937, he enlisted in the United States Army, joining a cavalry unit. Tucker next headed for Hollywood, where his powerful build and six-foot-four frame and his enthusiasm were sufficient to get him a big-screen debut in The Westerner (1940), starring Gary Cooper and Walter Brennan. Signed to Columbia Pictures, he mostly played anonymous tough-guy roles over the next two years, primarily in B pictures, before entering the army in 1943. Resuming his career in 1946, he started getting bigger roles on a steady basis in better pictures, and in 1948 signed with Republic Pictures. He became a mainstay of that studio's star roster, moving up to a co-starring role in Sands Of Iwo Jima (1949), which also brought him into the professional orbit of John Wayne, the movie's star. Across the early/middle 1950s, Tucker starred in a brace of action/adventure films and westerns, alternating between heroes and villains, building up a significant fan base. By the mid-1950s, he was one of the company's top box-office draws. As it also turned out, Tucker's appeal was international, and he went to England in the second half of the decade to play starring roles in a handful of movies. At that time, British studios such as Hammer Films needed visiting American actors to boost the international appeal of their best productions, and Tucker fulfilled the role admirably in a trio of sci-fi/horror films: The Crawling Eye, The Cosmic Monsters, and The Abominable Snowman of the Himalayas. Part of Tucker's motivation for taking these roles, beyond the money, he later admitted, was his desire to sample the offerings of England's pubs -- Tucker was a two-fisted drinker and, in those days, was well able to handle the effects of that activity so that it never showed up on-screen. And he ran with the opportunity afforded by those three science fiction movies -- each of those films, he played a distinctly different role, in a different way, but always with a certain fundamental honesty that resonated with audiences. When he returned to Hollywood, he was cast as Beauregard Burnside in Auntie Mame (1958), which was the top-grossing movie of the year. Then stage director Morton De Costa, seeing a joyful, playful romantic huckster in Tucker (where others had mostly seen an earnest tough-guy), picked him to star as Professor Harold Hill in the touring production of The Music Man -- Tucker played that role more than 2000 times over the years that followed. He was also the star of the 1964 Broadway show Fair Game For Lovers (in a cast that included Leo Genn, Maggie Hayes, and a young Alan Alda), which closed after eight performances. The Music Man opened a new phase for Tucker's career. The wily huckster became his image, one that was picked up by Warner Bros.' television division, which cast him in the role of Sgt. Morgan O'Rourke, the charmingly larcenous post-Civil War cavalry soldier at the center of the western/spoof series F-Troop. That series only ran for two seasons, but was in syndicated reruns for decades afterward, and though Tucker kept his hand in other media -- returning to The Music Man and also starring in an unsold pilot based on the movie The Flim-Flam Man (taking over the George C. Scott part), it was the part of O'Rourke with which he would be most closely identified for the rest of his life. He did occasionally take tougher roles that moved him away from the comedy in that series -- in one of the better episodes of the series Hondo, entitled "Hondo And The Judas", he played Colonel William Clark Quantrill very effectively. At the end of the decade, he returned to straight dramatic acting, most notably in the John Wayne western Chisum, in which he played primary villain Lawrence Murphy. That same year, he appeared in a challenging episode of the series Bracken's World entitled "Love It Or Leave It, Change It Or Lose It", playing "Jim Grange," a sort of film-a-clef version of John Wayne -- a World War II-era film star known for his patriotism, Grange is determined to express his political views while working alongside a young film star (portrayed by Tony Bill) who is closely associated with the anti-war movement. Tucker continued getting television work and occasional film roles, in addition to returning to the straw-hat circuit, mostly as Professor Harold Hill. None of his subsequent series lasted very long, but he was seldom out of work, despite a drinking problem that did worsen significantly during his final decade. In his final years, he had brought that under control, and was in the process of making a comeback -- there was even talk of an F-Troop revival in film form -- when he was diagnosed with lung cancer and emphysema. He died in the fall of 1986 at age 67.

Trivia: Dialect comedians may not be politically acceptable these days, but American comic actor Larry Storch has never lacked work all the same. A product of the New York ethnic "melting pot," Storch amused his childhood friends (including lifelong chum Don Adams) with his dead-on impressions of the many Italians, Hispanics, Germans and Jews in his neighborhood. He advanced his skills for mimicry by virtually living in the local movie houses, memorizing the speech patterns of such character actors as Victor McLaglen, Guy Kibbee and Charley Grapewin. One of his first jobs after World War II navy service was as a writer on The Kraft Music Hall, where he was frequently required to substitute for the star, blustery actor Frank Morgan; years later, he revived his Morgan impression as Chumley on the cartoon series Tennessee Tuxedo (in which his old pal Don Adams voiced the title character). In 1951 Storch appeared in the Chicago revue Red White and Blue, which led to a stint as summer replacement for Jackie Gleason on the Dumont TV series Cavalcade of Stars. Storch's most common stamping grounds in the '50s was the nightclub stage; at one point he even ran his own club. Storch made his film bow in The Prince who was a Thief (51) which starred a friend from his Navy days, Tony Curtis. When Storch's career was on the wane in the early '60s, Curtis cast him in several of his vehicles of that period, including Who was That Lady (1960), wherein Storch recreated his Broadway role as an emotional Russian spy. After a semi-recurring role as Charlie the Drunk (who became besotted simply by talking about drinking) on the early '60s sitcom Car 54, Where are You?, Storch was cast as Corporal Agarn, comic sidekick of conniving cavalry sergeant O'Rourke (Forrest Tucker) on the western comedy weekly F Troop (1965-66). In addition to Agarn, Storch was permitted to play various foreign branches of the Agarn family, with appropriate broad accents. Since the cancellation of F Troop in 1966, Larry Storch has been a regular on The Queen and I (1969) and The Ghost Busters (1976), has worked periodically in films, and has appeared with great frequency in clubs (still doing "characterization" routines rather than one-liners) and on stage. In 1991, Larry Storch garnered excellent notices for his brief character turn in the off-Broadway play Breaking Legs.

Trivia: If you were an avid television viewer throughout the 1960s and '70s, chances are good that you have fond memories of former stage star-turned-small-screen stalwart Hal England. A frequent guest-star on such television hits as Bewitched, Sanford and Son, CHiPs, and Charlie's Angels, the talented character actor could always be counted on for a memorable secondary role. A native of North Carolina who showed an affinity for the stage early on, England got his big break on Broadway while working as an understudy to Robert Morse in How to Succeed in Business Without Really Trying. An early association with Joseph Papp's Shakespeare in the Park found England standing out in such productions as Romeo and Juliet and Macbeth, with a role in the short-lived 1960 television series The Clear Horizon marking his entrance into television. In the years that followed, England would also move into feature-film territory with roles in Hang 'Em High and The Dirt Gang. Frequent appearances in such made-for-television features as The Amazing Howard Hughes and Sweet Bird of Youth also kept England busy on the small screen. In the early '90s, England could be seen in The Bonfire of the Vanities and Going Under, but the 1991 made-for-television feature Our Sons provided him with his last substantial role. On November 6, 2003, Hal England died of heart failure in Burbank, CA. He was 71.

Trivia: One of the earliest Latino actors to establish a television presence in the 1950s, bandleader-turned-actor Tony Martinez gained a loyal fan base for his role on the popular small-screen series The Real McCoys before taking to the stage for the role of Sancho Panza in a staggering 2,245 productions of The Man of La Mancha. Born in San Juan, Puerto Rico, in January 1920, Martinez was a music scholar in his native city before relocating to New York to continue his studies at Juilliard. The founder of Tony Martinez and His Mambo-USA in the 1940s, the extremely talented musician was versed in five instruments as well as vocals, though it was in film and television that Martinez would find popularity. After studying acting at the Pasadena Playhouse, he went on to appear with his band in the musical Rock Around the Clock (1956). Approached by television writer/producers Irving and Norman Pincus while playing with his band on the Sunset Strip, Martinez was offered the role of Pepino Garcia when the series debuted in 1957. The role served as a milestone in the representation of minorities on television, and Martinez would subsequently write for numerous Mexican films of the 1970s in addition to serving as executive director of Puerto Rico's Artists Variety Co. (an organization dedicated to helping citizens break into the entertainment industry) as well as executive director of Puerto Rico's Institute of Motion Pictures in the early '80s. Married to wife Myra in 1981, the couple would remain together until Martinez's death in September 2002. He was 82.

Trivia: Apple-cheeked comic actor Benny Baker was a moderately popular Broadway musical comedy performer when he headed to Hollywood in 1934. After his first film, Annapolis Farewell, Baker brightened several Paramount musicals, usually in milquetoastish support of such performers as Martha Raye. After his first brush with moviemaking, Baker returned to Broadway, co-starring in such major productions as DuBarry Was a Lady and Let's Face It. He returned to Tinseltown as a character actor, often in whoops-you-missed-him unbilled roles. Shortly before his retirement in the early 1970s, Benny Baker was featured along with a host of other venerable performers in the SRO Broadway revival of No, No Nanette.

Trivia: The younger brother of film star Robert Mitchum, American actor John Mitchum shared his family's Depression-era travails before striking out on his own. As brother Robert's star ascended in the mid '40s, John remained his elder sibling's boon companion, severest critic and drinking buddy. In later years, John was a convivial anecdotal source for books and articles about Bob, each reminiscense becoming more colorful as it was repeated for the next interview. After holding down a variety of jobs, John decided to give acting a try as a result of hearing Bob's tales of Hollywood revelry; too heavyset to be a leading man, John became a reliable character actor, usually in military or western roles. He frequently had small parts in his brother's starring films, notably One Minute to Zero (1951) and The Way West (1967). Most of John's movie work was done outside Robert's orbit, however, in such films as Cattle King (1963) and Paint Your Wagon (1970). Perhaps John Mitchum's best screen role was as Goering in the 1962 biopic Hitler; he may have been utterly opposed ideologically to the late German field marshal, but John certainly filled the costume.